In September 2016, I previewed a new machinima series, Future Shock, by Pryda Parx. At that point in time, the first episode had just been released, and Pryda was kind enough to allow me see the next two in the series. What I saw was intriguing in terms of story, setting and production values. Given the final episode was released just before Christmas, it seemed a good opportunity to watch the episodes back-to-back and talk a little more to Pryda about the work.
When we first discussed the series in September, Pryda told me her aim was to produce a series which could entertain, but also provoke debate on technological and social trends; to explore what the future might actually hold.
To achieve this, she presents us with a world where technology infiltrates every part of our lives. It watches over us, seemingly for our own protection, as well as providing various means personal gratification and escapism. It is also a world where everyone is defined in terms of their credit and net worth. So long as both are in good standing, then you are (reasonably) safe – not even death needs be an impediment; while if there is something about your body you don’t like or feel it lacks, you can have it modified / augmented to suit your desires. Should credit evaporate or net worth show every indication of becoming negative, however, then things can be – uncomfortable.
Thus this is a world of questionable values, both in terms of technology and the people – who may be driven by their baser elements of self: avarice, jealousy, the potential for violence. Thus this is a world of questionable morals and ethics – a fact cleverly reinforced through the use of predominantly monochrome and grey scale settings and characters.
But there is more here as well; everything appears to be run by the “state”, against whom some have rebelled, seeking sanctuary – and more – from within the technology intended to watch over them. Thus, the story is layered, which the fully arc designed to progress over a total of three series of episodes. For this, the first element of the overall arc, we follow a central character by the name of Tracy. As much enmeshed in moral ambiguity as everyone else (she is perfectly willing to betray a lover to gain credit, and potentially go further), her character is as grey as the world she lives in.
By introducing us to Tracy first, Pryda effectively drops us into the middle of things. This both adds to the mystery of the series – but also makes the narrative a little hard to fully comprehend. The intent here is obviously to raise questions and encourage us to follow the story as more unfolds through the remaining two series.
“There is a complete arc,” Pryda told me. “But it will unfold slowly. The second series covers the same time period as this one, for example. But telling it from the rebels’ point of view. You get to understand more about the relationship Tracy’s boyfriend has with them, and so on. Then in the third series you discover what the state is really about.”
While the narrative might seem a little uneven in places, one thing that more certainly isn’t is the quality of the production. To put it simply, Future Shock is extraordinarily well done. Considering this is Pryda’s first foray into episodic storytelling and machinima production, it is a polished production.
“Before this I’d practice making videos in Second Life with a couple of fairy/music videos, but the story with those is minimal,” Pryda informed me. “I’ve always been creative, but my writing and drawing isn’t strong, so I have been very inspired with the idea of story telling with machinima techniques. But it has all been new territory for me, and I’ve been learning as fast as I can.”
Given that her learning curve has also encompassed GIMP, Audacity for audio, and even Blender – Future Shock is an even more remarkable debut series, and there is more than enough in these first series to engage the curiosity and leave one wanting to know more about where things are going.
Sadly, it’s going to be a while before we get to find out: the second series is currently slated for a late 2017 release. But in the meantime, you can catch up with the first series on Pryda’s You Tube channel, and I’m embedding the introductory prologue to it below.
Inara Pey: Living in a Modemworld 