This Weekend in Second Life Dance

https://www.flickr.com/photos/isfullofcrap/26898127057/in/dateposted/

Hi there. R. Crap Mariner, your conflicted and angsty dance correspondent.

I’ll be posting dance performance schedules, similar to Inara’s posts about Seanchai Library readings.

Things have quieted down a bit, but there’s still a lot of dance performance going on.

Let’s get started, here’s the events that I saw on the calendar as of press time.


(All times SLT)

Friday May 4

https://www.flickr.com/photos/isfullofcrap/26920176847/in/dateposted/

3:00PM Crystal Edge Dance Club

Welcome to the Crystal Edge Dance Club, home of the Crystal Edge Dance Troupe.

Dancing at the Crystal Edge has been a long-standing tradition of talented and creative dancers. There is no better way to get to know people and make new friends.

Dancing is like dreaming with your feet, if you stumble make it part of the dance!

Dance with your heart and your feet will follow!

http://maps.secondlife.com/secondlife/Tai/25/199/21

6:00PM Elysium Cabaret

Description:Elysium Cabaret – Welcome to the Weekend!

If it’s Friday, it’s Elysium Cabaret! Fancy some imagination? In The Empire Room at Copperhead Road, every Friday at 6pm SLT the dynamic performers of Elysium Cabaret take the stage to bring you a solid hour of entertainment!

Featuring elaborate sets and choreography sequenced to an eclectic genre of music, Elysium Cabaret offers something for everyone. Grab your friends and get their early because the sim fills. Come celebrate Friday! Welcome to the weekend!

https://maps.secondlife.com/secondlife/Copperhead%20Road/74/64/2754

10:00PM Guerilla Burlesque

It’s wild, wonderful and worth it! It’s Guerilla Burlesque Friday Revue!

The team from Guerilla Burlesque present originally crafted dance acts built and performed by some of the best dancers on the grid! We strive to bring you our very best and keep it fresh and fun every time! Thea Dee is our director this week and It’s going to be an exciting line up of great acts! The only thing missing is you, our special guest!

So make your plans, grab a few friends and make an evening of it! Join us this Friday night so you don’t miss a thing! Doors open at the Culzean Theatre at 9 pm for the 10 pm!

https://maps.secondlife.com/secondlife/Idle%20Rogue/107/189/33

Saturday May 5

https://www.flickr.com/photos/isfullofcrap/41787495651/in/dateposted/

1:00PM Debauche

Debauche return to the beautiful theatre at VIlle De Couer after a long absence. Such a lovely place to perform with a lovely crowd to match it. Come join us for the thrills, the excitement, the naughtiness and the sheer class of Debauche. Dress smart casual please See you there 1pm Saturday 5th May.

http://maps.secondlife.com/secondlife/Aquitaine%20Coeur%20Nord/125/16/23

3:00PM Burlesque Dolls

Join us at the Jefferson Opera House as we help celebrate 2 years of the Mysterium Masked Mansion.
.
Burlesque Dolls brings you classic burlesque from some of the most talented dancers on the grid. Sultry, tempting and glamorous as they take the stage, each bringing their own style and signatures with them as they entice you.

http://maps.secondlife.com/secondlife/Aldo/113/67/3002

4:30PM RIPA After Dark Theatre Cabaret

River Island Performing Art presents: ‘AFTER DARK’ THEATRE CABARET *ADULT CONTENT WARNING* Full Nudity forms part of this production 18+ ONLY. * Produced by Red & Steve of The River Island Theatre, and Performed by the sexy men and women of The Hot Knights & The Boudoir Dance Troupes @ Les Âmes Sauvages, Cabaret Méchant We Present The Steamiest Cabaret Show In SL. Please arrive early, spaces are limited, entrance is free.

http://maps.secondlife.com/secondlife/Big%20Bang/44/156/42

7:00PM Paramount Grand Theatre

Brush Strokes, Paramount Grand Theatre’s brand new show for May. Come join us for an evening of classy but sassy entertainment as we the Paramount Players dance for you, May 5th & 12th at 7pm slt.

Brush Strokes you ask? The Players’ new show is about art! Taking some of our favorite artist’s work and interpreting it into dance.

http://maps.secondlife.com/secondlife/Hell%20Lust/77/83/22

Sunday May 6

https://www.flickr.com/photos/isfullofcrap/27922924908/in/dateposted/

10:00AM Muse Dance Company

Join the Muse Dance Company for this dance musical Chicago. A satire on corruption in the administration of criminal justice and the concept of the “celebrity criminal”. You don’t wanna miss this one!

http://maps.secondlife.com/secondlife/Whymsee/117/6/2019

1:00PM Debauche

Debauche come back for a second visit to the wonderful theatre at Bluemood. Its great to be invited back. A lovely place full of lovely people – really looking forward to seeing them all again, plus a few new faces, hopefully. Debauche – a little naughty, a lot sexy, always classy. Come find out!

http://maps.secondlife.com/secondlife/Saudade/154/236/3563

5:00PM Ballet Pixelle

Ballet Pixelle® will open its production of “Avatara” on Sunday, April 15 at 5:00 pm SLT, Join us for this original composition of virtual dance! What if a real world dancer could dance in a virtual world? What movements would be the same or different? What kinds of different beings could she be? What would be the same? And how would that dancer be changed after her experience? Performances are Wednesdays at 5:00 pm and Sundays at 5:00 pm SLT throughout April in the Ballet Pixelle Theatre. Audience dancing at the after-show party every performance! Join us for an evening of delights. Chat with the performers and crew after the performance for autographs, photos, and a question & answer session.

http://maps.secondlife.com/secondlife/Quat/32/22/107

5:00PM Winds of the Sahara

Each Sunday we have a shiny, new show at Winds of the Sahara. Our dances range from burlesque to performance art and you are sure to be amazed at all of the wonder that sets, costumes and music can create. We’ll put sparkles in your eyes and leave sequins on your shirt collars.

http://maps.secondlife.com/secondlife/Aladona/124/193/2001


I assume there will be a few more shows this weekend.

I prefer to error on the side of caution, so if your event isn’t listed above, either get your notecard in sooner, or add your show to the comments.

Check with the Dance Queens event calendar for updates and additions to the weekend’s schedule, as well as the many events that happen during the week.

FULL DISCLOSURE: I perform with Guerilla Burlesque and Debauche.

https://www.flickr.com/photos/isfullofcrap/27923613348/in/dateposted/

Dealing with breast cancer: don’t avoid hearing the “C” word

Second Life is in the midst of the 2018 Relay for Life season, most notably (at the time of writing) with Fantasy Faire. Given that it is, I would like to step to one side from my usual writing and offer a personal piece on the subject of cancer. It’s something I’ve spent a couple of days wrestling over committing to print, and I’m now doing so not to illicit sympathy, but to hopefully offer insight into why it’s better to confront things then shy away from things out of fear of hearing the “c” word.

Earlier this year I was diagnosed with DCIS – ductal carcinoma in situ – in my left breast. This is a form of best cancer where the cancerous cells are contained within the milk ducts of the breast. Because the cancer cells have not invaded nearby breast tissue, DCIS is regarded as non-invasive breast cancer, and accounts for about 20% of all breast cancer cases, and around 85% of all in-situ (confined to a specific area) forms of breast cancer.

While there is a risk it might become invasive if left untreated (the American Cancer Society estimate between 20-53% of untreated in-situ cancer cases become invasive over a period of about a decade, DCIS can be dealt with in a relatively straightforward manner through what amounts to a two-step treatment process.

The first step is for the affected area of breast duct to be surgically removed in a localised procedure referred to as a lumpectomy. This is a form of surgery designed to excise the affected area, and as a rule leaves the breast looking as close as possible to how it did before surgery, with its general shape and the nipple area remaining intact.

After a time for healing, the second step is generally a period of localised radiotherapy. This is designed to destroy any remaining cancer cells that would otherwise by too small to see on scans or to measure with lab tests. In addition, it can lower both the risk of DCIS returning to the breast, or of the breast developing an invasive cancer later in life.

Ductal carcinoma in situ is a form of breast cancer in which the cancer cells are confined within the milk ducts of the breast

Obviously, “surgery” and “radiotherapy” are themselves terrifying words; but the fact is that often, DCIS can be dealt with on an out-patient basis – there’s no need for a protracted stay in hospital;  while the radiotherapy is localised enough such that the risk of it giving rise to cancer later in life is around 5% – far less a risk than that of the DCIS leading to a more invasive form of cancer.

A key point with DCIS is that it is hard to detect; while it may be indicated by a subcutaneous lump, often it is only through a scan and / or biopsy that it may be identified. In my case, I noticed a small lump in my right breast; when it hadn’t gone away after a number of weeks, I went to see my GP.

I admit, my feelings were mixed when I did so: cancer has been a frequent visitor within both sides of my family, so I was concerned I would hear the words “breast cancer”; at the same time, there was also a feeling that I was “just being silly” and over-reacting to something that would go away – after all, lumps in the breast can be caused by a lot of non-cancerous events.

In-situ breast cancer types: location and percentage of cases

In fact, the right breast lump did prove to be a small non-cancerous node of breast calcification. However, as a result of the scans my GP sent me to have, the left breast DCIS was spotted.

Cutting a long story short, I was referred for surgery at the cancer unit of a local hospital, where I underwent two bouts of surgery some 14 days apart. The first was to excise the affected ductal area, the second to remove a small amount of tissue from the surrounding area. Both bouts of surgery were performed on an out-patient basis, so I went into hospital in the morning and was back home and in my own bed in the evening.

After the surgery I had several weeks of recovery to allow the surgical wound and the (admittedly extensive) bruising around it to heal. I have been left with a scar marking the entry wound, but the shape of my breast hasn’t changed and as is common with this type of surgery, the scar itself is on the underside of the breast, so it’s not naturally visible.

As to the radiotherapy, I was given 15 sessions broken down over just over three workday weeks, plus an initial “targeting” session a week ahead of the treatment. The treatment took the form of spirometry-monitored deep inspiration breath hold (SMDIBH). Again this sounds a mouthful, and possibly frightening, but what it amounts to is being subjected to a short burst of radiation while controlling you breathing and holding your breath for around 20-30 seconds. This approach is used when treating left breast cancer, as filling the lungs with air raises the breast away from the heart, reducing the amount of radiation to which the heart is exposed.

The treatment itself is quite painless, each “zap” lasting around 20 seconds as the breath is held, with the number of zaps you get varying according to need. However, due to the frequency of the treatment sessions, there are side-effects. These can include fatigue; a swelling in the breast due to fluid being unable to drain properly; a reddening and drying of the skin around the treated area, and a gradual feeling of heat build-up in the breast which takes time to dissipate. I found these symptoms took several weeks to abate, and was recommended to use a non-metallic moisturising cream to ease the dryness / discomfort.

As I write this, I’m into my second week of post-radiotherapy recovery. I’ll make no bones about it, my breast is sore I’m at times in a little discomfort and have felt lethargic at times – an effect that should subside over the next few weeks. However, the preliminary results of the treatment is that the surgery has been successful, and the radiotherapy will have hopefully done its job.

So why tell you all this? Because – as I said at the top, cancer’s biggest weapon is fear – fear of what it might mean if diagnosed and, equally, the fear of learning you have it in the first place. Yet the fact is, as my case hopefully shows, getting diagnosed early enough not only means a better chance of dealing with it – it also means the treatment is often less protracted and invasive than might otherwise be the case (put it this way, while it may well sound worrying when first heard, a lumpectomy is, overall, a lot less traumatic than a mastectomy)  – whereas the longer it is ignored in the hope it might “go away” or because it spares us having to confront it, the greater the risk that it might reach a point were it cannot be more effectively dealt with.

Cancer is not something we can avoid simply by ignoring the signs (when they are present) or by avoiding the opportunity to have it diagnosed. So please, if you have concerns about anything, a lump here or there, a mole-like mark on your skin that has appeared or which has changed in size or has been subject to bleeding – go and get it checked. It might be cancer – or it might be something else entirely; it might be entirely benign. But if you don’t get it checked, you run the risk of not knowing – or of receiving medical help at a time when, should it prove to be cancer, it might be more easily dealt with than might be the case if you just ignore it.

In my case, I’m grateful I didn’t let the feeling of “being silly” when going to see my GP get the better of me; as a woman in my 40’s (no, I’m not saying where in my 40s!) I’m still several years from my first routine breast cancer screenings, possibly time enough for the DCIS to have become more of a problem. As it is, it’s now excised, and I’ll be having regular scans to make sure it stays that way. And that’s a form of peace of mind I’m grateful to have.

So again, if you have a suspicion or concern, don’t leave it for “another day”; go get it seen to.

Bid a Linden Bald for RFL in Second Life

via the Relay Rockers

A traditional event during the RFL season is the Bid Me Bald challenge organised by the Relay Rockers. As the name suggests, people are invited to bid (make donations to RFL) to see a well-known Second Life resident go bald for a period of time in-world. First held in 2007, Bid Me Bald is presented as a means to honour those who have lost their hair as a result of their cancer treatment, with those volunteering to participate going bald for one day for each L$5000 raised through donations.

In 2017, to mark the 10th anniversary of Bid Me bald, a new twist was added to the mix when three teams from Linden Lab put themselves up for bidding / donations in Bid A Linden Bald. Their willingness to participate saw a total of L$1,478,599 (approx. US $5686) raised, and members of the Concierge Team went bald for a total of 297 days afterwards.

For 2018, the Lab is again participating in Bid Me Bald, with three teams once more joining in – Product Operations, Support Leaders, and Support Agents. The team raising the least amount of money will once again go bald for the amount of days equal to the total of the team raising the most, with the time shared among the losing team members.

The donation Kiosks for Bid A Linden Bald, a part of the Relay Rockers Bid Me Bald event
Product Operations Support Leaders Support Agents
Alexa Linden Ami Linden Corky Linden
Ekim Linden Garry Linden Evie Linden
Grumpity Linden Keira Linden Ginger Linden
Oz Linden Tommy Linden izzy Linden
Patch Linden Kristin Linden
Madori Linden
Sparky Linden
TJ Linden
Vix Linden
Vanessa Linden

Bid A Linden Bald this year takes place between Monday, April 30th 2018 and  Wednesday, May 9th 2018, and coincides with the Relay Rocker’s multi-team fund-raising even, Relaystock. Held between Friday May 4th, through Sunday May 6th, 2018 inclusive, RelayStock will feature entertainment and live performances provided by individual Relay For Life teams for the entire Second Life community to enjoy, and you can find out more about it on the Relay Rockers website.

To join in the fun of Bid a Linden Bald, visit the bidding kiosks in-world and make a donation to the team you’d like to see win (or against the team you’d like to see lose!).

The Relaystock event area being set-up

Additional Links

Do you see yourself in the white spotlight?

Is it worth the time? is it worth the price?
Do you see yourself in the white spotlight?
Then play the game tonight.

– Play The Game Tonight by Kansas

Hi there, This is R. Crap Mariner, your Dance Correspondent.

I’ve been photographing dance shows for over a year, but one thing I promised myself was that I’d stick to shooting dance. I wouldn’t get all involved in the whole scene, I wouldn’t blog any of it, and God forbid I ever think of taking the stage myself, let alone choreograph my own routines. “No, no, no, no, no, no.” I said when people taunted and tempted me. I was not going to give in.

Point. Shoot. Leave. That’s the plan. Stick to it.

Well, I kinda screwed that all up. Because I début at Guerilla Burlesque’s pitshow on April 13th.

You see, in order to better understand dance performance, I figured I had to perform at some point. Especially if I were to get away with some of the jokes with my Don’t Make Me Call The Dance Police column. It’s a case of “put up or shut up.”

But it wouldn’t just do to ride someone else’s mover and be their puppet. Not that there’s anything wrong with that, and the times I’ve done that have been fun…

https://www.flickr.com/photos/isfullofcrap/27138148058/in/album-72157674461229002/

(Had to fight Terri to get that last Club Image mover, but she got even with me by shivving me in the lunch line.)

But I felt that I had to try to make my own. Kind of like how Hunter Thompson immersed himself into a story with Gonzo and George Plympton would put on a helmet or strap on some cleats in his participatory style. Or Gonzo the great would… erm… okay, he was a Muppet. Never mind.

Building my own act would give me a better appreciation of what it takes for a choreographer to put together a routine and also to learn the different styles that each director and choreographer brings to the table. Finally, everybody’s got their short cuts, tricks, and signature elements in an act, so building something to work with allows them to say, “Hey, there’s an easier way to do this…” or “I know of a better version of this object…”

Looking back over the process and the plan, I’m going to share my journey with you. It’s the order in which I did things, and not necessarily the right order to follow. Also, it’s not a cookbook with individually numbered steps to follow to build your own act. You’re going to need to fill in some of the gaps and details on your own or in your class or with your teacher.

Most importantly, maybe you’ll read my story and think “If that dingbat can do this, maybe I can, too?”

WARNING: This article is long. Really, really long. I’d break it up into multiple parts, but… nah. Anywhere you slice it, you’re cutting into my soul. Let’s just mark this edge here as the cliff from which you can dive into the madness. Wheeeeeeeee…

… splat.

“You think that something’s happening…”

When I start anything, I watch Internet Genius, Motivator, and Commentator Ze Frank’s Invocation For Beginnings.

Yes, the man who challenged the world to dress up their vacuum cleaners and make an Earth Sandwich. That man. Internet God, he is.

This video gets me in the mindset to be patient, forgiving, persistent, and accepting. If you’ve got a ritual or routine or motivator, use it to get in the right frame of mind.

Plus, he’s got a lot of good quippy quotes over the years of using the Internet as a playpen, even if he isn’t a pretty princess.

“But it’s only what you’re hearing…”

The longest journey begins with a swift kick in the ass, so yeah, I started to watch performers and learned from what I saw, asking questions and opinions from others in private chats for what they thought worked well, what didn’t, my thoughts on the routines and what I took away from the experience.

This was both easy and hard. I mean, yeah, I enjoy going to performances and shooting photography, but I also needed to learn the language of dance and what made a good performance with dances, sets, costumes, etc. And also, learn what didn’t work, such as overwhelming particles, slow-rezzing sculpties, too many textures, dance moves that just didn’t fit the song, acts that were too small for the stage, costume changes that fail due to lag, etc.

The Basics

Here’s the basic components of a dance act:

  • The event list contains the commands for a performance engine to run. It’s a run-down of animations, positions, and shouted commands to various effects or your costume changer.
  • The movers pass along the movements and animations to dancers as well as objects on the set.
  • The way points provide a path along which the movers travel, and they mark the speed and pauses along that path.
  • The packlist contains a list of all the objects for the set, including the movers.
  • The camera list contains all of the camera moves that you want the viewer to experience, but we’re not covering that here.
  • You pack everything into the performance engine, including dance animations and set objects. The engine controls everything in the act.
  • You set up folders for your costume, and RLV folders for any costume changes.
  • The stage contains a centre-point to let the performance engine know where things go or happen.

Put them all together, and… okay, you’re dancing to silence. Gotta hand a song track to the host/deejay/music director too.

We’ll cover all of these things, plus a few frustrations and surprises along the way.

Continue reading “Do you see yourself in the white spotlight?”

Fix-ups, satire, and fantasy in Second Life

Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home at Holly Kai Park, unless otherwise indicated.

Monday, April 30th 19:00: The Crucible of Time

crucibleGyro Muggins reads the fix-up by John Brunner. First published as two-part story which appeared in Isaac Asimov’s Science Fiction Magazine, it’s an ambitious tale of alien intelligence which grew to a series of six linked tales pushed as a single novel in 1983.

Far off in space is an alien race which is so much like us, yet so un-alike. From the birth of their earliest civilisation through to their attainment of star flight as their star system passes through the galaxy, we follow their development through the ages.

Aquatic by nature, this race presents some significant challenges well outside the realms of anything encountered by humanity. But they are also driven by all too familiar hopes, fears, desires, needs, wants, prejudices, impact of religious ideologies, and the quest for knowledge we have experienced in the growth of our own civilisation.

Charting six periods of time, each a thousand years after the previous, the six stories focus on the efforts of a group of individuals in each era as they face one or more challenges, their success in overcoming these challenges inevitably leading them towards a greater understanding of their planet’s plight, and ultimately, the ability to deal with that plight and the survival of their civilisation.

Tuesday, May 1st 19:00: National Lampoon’s Doon

In a distant galaxy, far, far away, a plot is brewing as vast and elaborate as the Empire itself…

Evil powers plot to harvest the wild pools of beer that grow only on the savage, sugar-swept world of Doon, take control of the native pretzel population, and turn the plucky little orb into the lounge-planet of the universe!

And only one man, Pall Agamemnides, heir to a dukedom can stop the galaxy-wide web of conspiracy and intrigue that is being fomented, and bring an end to the threat facing Soon.

Although reliant on a knowledge of both Frank Herbert’s sprawling story of Dune and Herbert’s often heady and flowery prose, Ellis Weiner’s tongue-in-cheek Doon is a masterpiece, offering a perfect parody of Herbert’s novel and brilliantly and accurately mimicking his prose.

Wednesday, May 2nd 19:00: What Is This Crap

More 100 word delights from R. Crap Mariner.

Thursday, May 3rd 19:00

19:00: Monsters and Myths: Fafnir

Sigurd fighting Fafnir, as imagined by English illustrator Arthur Rackham

Fafnir lives with his family in a fortress-like house deep in the forest. His father, descended from an archdemon, shares the secrets of the dark arts with Fafnir and his two brothers.

Regnir, the eldest, is a deformed dwarf who lusts after gold and relies on his cunning to get it. Hungering only for food, Oter, the middle brother, can transform himself into a bird of prey. The shape-shifting Fafnir desires to be feared, and when Odin, king of the gods, sets a trap with a treasure that tempts every giant, ogre, and dwarf in his domain, Fafnir becomes a dragon. However, he is about to confront an even fiercer rival: a mortal named Siegfried.

This adventure-filled Norse myth is a powerful story of magic, curses, doom, and destruction featuring an unlikely hero whose perils are only just beginning.

Also presented in Kitely (hop://grid.kitely.com:8002/Seanchai/144/129/29).

21:00: Seanchai Late Night

Contemporary Sci-Fi with Finn Zeddmore.

 


Please check with the Seanchai Library’s blog for updates and for additions or changes to the week’s schedule.

Rock Your Rack: designer registrations and more

via Rock Your Rack

Rock Your Rack, the annual fund-raiser organised by Models Giving Back (MGB) in aid of the National Breast Cancer Foundation (NBCF), will again take place in 2018. The dates for the event are Saturday, September 29th through Saturday, October 13th, 2018.

Officially endorsed by the National Breast Cancer Foundation, the event is a combined fashion and entertainment event, offering the best in both to visitors, with designer booths, fashions shows, live performances and DJ sessions. In addition, there will be a range of supporting activities, including:

  • A silent auction featuring one-of-a-kind items from Rock Your Rack designers who will give 100% of the sales to the cause
  • A Rock Your Rack Hunt featuring collectables offered by participating designers at L$10 each – with all proceeds going directly into the fund-raising.
  • An Art show and auction organised by Kultivate Magazine on behalf of Models Giving Back.

The theme for this year’s event is Music for the Decades with the organisers noting, “We envision areas of the build that fit different decades of music and that our DJ’s, live artists and other entertainers will work this theme into their sets for the event.”

Rock Your Rack 2017

Designer Registrations

At the start of April the event opened applications from designers wishing to participate in Rock Your Rack, and is open to any content designers and SL established businesses. Those interested in participating are asked to meet the following high-level requirements:

  • Provide an Exclusive item not for sale anywhere else during the time of the event and has never been previously sold or given away (designer keeps 100% of sales from this item).
  • Provide a Limited Edition item which can be a new design or a remake of an old favourite. 100% of proceeds from this item must go to Rock Your Rack for the National Breast Cancer Foundation, and the item must be marked as such and retired from sales after the event.
  • Offer either the Exclusive item or the Limited Edition in keeping with the event’s theme Music for the Decades.
  • Provide one item of the designer’s choice for the event’s L$10 Hunt, which gives 100% of funds raised to the NBCF.
  • Sales of all other items can be offered at 100% of proceeds going to the designer, or can be set to give a percentage donation to Rock Your Rack, entirely at the designer’s discretion.

For a full run-down of the designer participant guidelines and rules can be found on the designer’s information page at Rock Your Rack, which also includes a link to the application form.

Rock Your Rack 2017

Pricing for participating in the event as a design starts at L$2,000. This provides a Regular booth with a 50 LI allowance which can be used for vendors and decoration; the designer’s logo displayed on the booth and on the Rock Your Rack website, and a SLurl listing to the designer’s in-world store; event advertising on social media and with in-world groups alongside the Rock Your Rack website; and paid advertising through Seraphim and other outlets if approved by those outlets.

There are then a series of options available at additional pricing which designers can opt to take advantage of in order to maximise their exposure in this event. Again, please refer to the information page for full pricing details.

Entertainment

If you are DJ or Live performer wishing to donate your time to the event, registrations will be open in the summer – so keep an eye on the Rock Your Rack website. However, a number of special invited entertainment guests have been announced by the organisers:

  • The Hiess Project and Johnathan Hiess will be staging at least three tribute concerts.
  • The Dazzlers dance troupe will be performing a very special dance event.
  • The Fantasy Angels will be making their first appearance at Rock Your Rack, including a meet and greet session.

Related Links