Exploring Second Life – Page 5 – Inara Pey: Living in a Modemworld

A Return to The Rusty Nail in Second Life

Posted on July 22, 2026 by Inara Pey

*The Rusty Nail, July 2026 – click any image for full size*

Busta (Busta Blakewell, and formerly known as BadboyHi) has over a decade or so, been responsible for many region designs in Second Life. He’s built locations both for himself and the enjoyment of others, and he has designed settings for others, some of which have been opened to the public as well.

I’ve been covering Busta’s work since 2016, including The Rusty Nail, a setting mixing public spaces with private rentals and which I first covered when it was located within a Homestead region (see: The Rusty Nail in Second Life). It has since moved to a Full region utilising the additional Land Capacity bonus, and that was reason enough for me to pop have and have a look.

The first thing to note about this iteration of The Rusty Nail is that while it does offer extensive parcels for rent, they are placed around the outside of the region so that each enjoys a waterfront view. This allows the interior of the setting to be left open to public spaces, the majority of which are separated from the rentals by the looping flow of a body of water cutting into the landscape, although a neck of land does extend out from the south-east corner to connect with the central spaces, also forming a public area of its own.

This latter space, whilst abutting some of the rental properties, includes some foreshore seating locations and a kind of garden space within the remnants of some ruins complete with a meditative shrine and a climb up to the region’s highest point where a deck-straddling lookout / retreat can be found.

The remains of an old church sits at the foot of the climb up the hill, now propped up against its own potential collapse, together with more remnants of the older ruins. The ground here is extensively paved to form the neck reaching out to the centre spaces of the region, whilst a path meanders out to a southern corner of the setting to present a quiet retreat looking out over open waters.

The main bulk of the public spaces sit on a long paved terrace running south-to-north from where it joins to the rest of the setting, and broadly split into four areas.

The first of these is a centred around a pond from which a Kraken rises, with seating available for customers of the Solace Bar and Café. A single pier extends out into the waters, rowing boats moored alongside together with a deserted houseboat

Through the gates from the pond is the main bar and events space. The latter provides room for dancing together with seating to one side under a trellis and a small wild garden. The bar is fronted by the DJ stage, also under an extensive trellis, and is an inspired use of Cory Edo’s Yara Treehouse design, copies of which have been neatly kitbashed together, with one element sitting to one side as a little coffee house.

The final area is given to the main café and a wine bar, the terrace space before them carrying with it Parisian flavours together with a comfortable range of seating, with a further very cosy seating space to the rear of the café.

The detail packed into these spaces very much bring them to life, and it is worth spending time wandering around and through them to see all that is on offer. Outside of them to the east, the paving takes on the look of a waterfront walk, complete with places to sit out over the water, a horse stand for those wishing to rez a horse and take a ride and views out across the inland waters.

Beyond the terraces, the land broadens out into a continuing paved area edged by places to sit by the water and dominated by huge metal frame of a former glasshouse, now forming the nucleus of one of the many wildling gardens cultivated across the region. This area is also home to the region’s Land Point.

Those exploring the wider reached of this area and around the west side of the bar and café terraces will doubtless come across slabs of heavy rock arrange to form broad, shallow steps leading down to the water, where flat-topped boulders provide the means to cross to steps on the water’s far side, where smaller public spaces have been cosied-in between some of the rentals, providing further places to sit and pass the time.

Sitting under the perfect EEP sky – do be sure to use the Shared Environment when visiting – The Rusty Nail is a gorgeous, extremely photogenic region, folding into itself as it does hints of the East, a sense of swamplands without their more claustrophobic elements (or alligators / crocodiles!) and smatterings of cosmopolitan necessities, all wrapped in an idyllic atmosphere and given a sense of tranquil age by the ruins.

As with the rentals in the original Rusty Nail, the houses offered here have been select to fit the environment, allowing them to blend into it rather than standing apart or appearing uneasily placed within the landscape. There is no rental office to clutter the place up – so anyone interested in renting one of the houses (there were at least a couple available when I dropped in), contact Busta in-world.

Should you require rezzing rights for photo props, these can be obtained by joining the local Group. As auto return is not set, please do pick-up your pieces afterwards!

Slurl Details and Website

The Rusty Nail (Solace, rated Moderate)
Rusty Nail website

The artistic beauty of Monet’s Pond, Frogmore in Second Life

Posted on July 21, 2026 by Inara Pey

*Frogmore: Monet’s Pond, July 2026 – click any image for full size*

I recently caught a new entry in the Destination Guide for Frogmore, the region and setting held by Dandelion Rabbit (or as she used to be known, Tolla Crisp) – something bound to get me reaching for my camera and notebook before doing the magical teleport hop.

Over the years, Dandelion has been responsible for a number of public regions in Second Life, some she has created herself, and others – as with the various Frogmore iterations – in collaboration with Dandy Warhlol Terry Fothrington), with most of them created under her Frogmore estate banner, and a fair few, past and present, covered within these pages.

A Full region leveraging the available Land Capacity Bonus, Frogmore has – at least during the time I had been covering it through to 2022 (it’s been a whole four years since I last dropped in!) – tended to take inspiration from the coastal regions of England’s county of Cornwall. However, for the summer 2026 version the inspiration shifts more toward France in terms of some of the architecture present, and takes the name Monet’s Pond in reflection of the use of colour throughout.

Which is not to say any of the dramatic beauty of the region has been lost, far from it; the rugged looks and the mix of both elevation and water continue to result in a place of visual and natural splendour.

Step into a dreamy summer at Frogmore’s newest chapter — Monet’s Pond. All the waters of the region have been freshly painted in the soft, shimmering hues of a Claude Monet masterpiece — hushed lilacs, misty greens, silvered blues, and warm golden reflections that dance gently in the sunlight.

– Frogmore’s Destination Guide entry

This is a place which genuinely feel much larger than a 256×256 sized region; just when you think you’ve managed to see all of it, the chances are you’ll find another corner awaiting exploration.

It is also a place where a degree of mystery and magic await discovery, and a sense of fantasy enters without ever feeling out of place. Indeed, the entire setting carries with it a feeling it is one step removed from the world in which we otherwise live, where the everyday happily resides with the not-so-ordinary.

Part of the reason the setting feels so big is that use of elevation mentioned above. Parts of the setting are set with high cliffs and escarpments rising to flat tops. These form an arc around the edge of one corner of the setting whilst points fingers inland the naturally intrude into the lowlands and serve to bot reveal and hide. The highest elevation of these uplands is taken up by the bulk of an almost-Norman-style castle and the houses of a somewhat medieval-looking town for which the castle may have once served as guardian.

Sitting between the two is a dramatic gorge, spanned by a bridge forming an excellent choke-point for any armies which may once have attempted to attack the castle in times past. The long finger of rock on which the village is set points its way north is one of the escarpment naturally splitting the land, descending through gentle tiers down to the lowlands and waters below.

Another promontory also extends northwards from the castle’s feet, pushing inland with steep slopes and walls of rock. Sheltered between the tall rms of rock and overlooked by the village, sits an inlet cutting deep into the landscape by way of the gorge spanned by the castle’s bridge.

With outlets passing under further bridges, the inlet gives way to wetlands and lowlands this inlet while the foreshores are beautifully set out (including possibly the best integrations of Marcthur Goosson’s Ma Maison farmhouse into a landscape I’ve seen). All of this, with its richness of colour, wildlife and coves and islands, remains largely hidden from the lands to the west.

The lowlands across the region offer a mix of architectural styles, with cottages and small hold farms rubbing shoulders with larger townhouse-style homes. A second, very different castle raises its bulk to the north whilst free-flowing waters and wetlands quite naturally break the land up, further helping to give the setting a sense of size and space, whilst bridges help to keep feet dry as one explores.

The bridges, paths and trails running through the landscape provide the means to explore it fully and in detail and discover all that lies within. Whilst some of the buildings to the west are understandably unfurnished, this is more than made up for the manner in which has been set out as a mix of farmlands and wetlands rich in flora and wildfowl.

In terms of the mystery and hints of magic can be found along the paths and steps of the village. It is here as well, that colour again brings depth and atmosphere to a wander between the shops, cottages and houses – all of which are decorated and furnished, adding to the delight of visiting this portion of the region.

One of the things essential for a visit is to use the region’s Shared Environment. This will really bring out the beauty of Monet’s Pond, including the reflections of colour across the waters when seen from the right angles which work with the hues of the trees and flowers and hanging lights to give the setting a feeling of being something Monet, had he been so minded, might have painted.

To be perfectly honest, to describe Monet’s Pond is an exercise in futility; it simply has to be seen for itself. There is so much to be discovered, and so much attention to detail, the use of a colour palette with flowers, water reflections, blossoming tree and amongst the houses and shops of the village befitting of a Monet painting, words simply made the place feel dry.

What I will say is, I’ve followed Dandy’s work in landscaping down the years – ever since he worked with Belle des Champs (Bridget Genna) to produce the BarDeco series of locations (2016 through 2021) – and watching his landscaping skill mature and refine to produce truly memorable locations for land-holder and visitors alike has been a genuine pleasure. With the latest iteration of Frogmore he has achieve something truly special.

SLurl Details

Monet’s Pond (Frogmore, rated General)

A Swaying Shelf and a Greenwitch Café in Second Life

Posted on July 20, 2026August 6, 2026 by Inara Pey

*The Swaying Shelf, July 2026 – click any image for full size*

In my previous Exploring Second life piece, I wrote about Storywood Sanctuary, noting that it is one of two settings located in the Mainland continent of Heterocera designed by the Wild Abundance team. The other of these locations is The Swaying Shelf, sitting a little further to the east along Mock Heather Road, and which I also recently visited.

Around twice the size of Storywood Sanctuary, The Swaying Shelf contains themes and motifs in keeping with the former whilst offering its own character and nature.

There is no set Landing Point, but a pair of tree houses (the excellent Yara Treehouse by Cory Edo) sit close to the roadside, one of which acts as the entrance from the road – just climb and descend the steps. As this delivers visitors from the road to the setting’s footpath, I’ve arbitrarily used a SLurl in this piece which will drop you more-or-less onto the same spot on the footpath.

The path forms a loop around an arbour on its opposite side to the tree houses. Draped in vines and with grass for a carpet, the arbour sits as a cosy reading room complete with rocking chair and blazing fire in the hearth.

Pointing eastwards, the path, lit by lanterns – the setting had its own day / night cycle – makes its way past another tree house, this one atop a tree apparently growing out of a storybook, before weaving its way to where a gate provides access to the Greenwitch Cafe.

Whilst larger than Storybook Sanctuary, The Swaying Shelf is more open in nature, just the one path winding through it and most of the land is give over to trees and flowers. Which is not to say it is not without its own little details worth looking out for; in this regard, do be careful where you tread when you’re approaching the gate to the café next door.

Sitting in a parcel of just 1024 sq metres, The Greenwitch Café sits just over the region boundary from The Swaying Shelf.

As a part of The Nature Collective, the café has been designed by the extended Cerulean family under the Le’eaf & Co banner. This talented group are responsible for many such builds beautifying corners of Mainland, a good few of which I’ve covered in these pages, as well as operating the Cerulean estate, which I’ve also written about several times.

*The Greenwitch Café, July 2026 – click any image for full size*

Savour garden-to-table meals in a queer-owned, cannabis-friendly café nestled in the Lake District, surrounded by forest and blooms. Everything is grown on-site — from herbs to healing plants. A cosy, magical LGBTQIA+ friendly retreat.

– Greenwitch Café About Land description

Apparently utilising a converted shipping container as its structure, the café offers outdoor seating on the wooden deck placed before it and on its roof, there latter reached by a set of outside stairs to one side of the deck. Additional seating for visitors sits just to the right of the entrance gates in the form of a small pergola neatly and cosily set with furnishings and décor.

As the About Land description and signs on and around the café make clear, this is a place to enjoy a drink or two and nibble on something sweet or savoury – or which may well give a person a certain buzz, shall we say.

The Landing Point sits between between the sweep of Mock Heather Road and the gabled gates providing access to the café’s grounds, it being only a few steps from the gates to either the café or the pergola.

Bees and Silkies – Chinese silk chickens – are cared for here, and it’s easy to assume the honey produced by the former finds its way into and onto some of café’s offerings. Eggs from Silkies are known to be especially rich in favour, so its likely some of these also find their way into the cafés kitchen – although Silkies are often kept as much for pets / exhibition birds as they are for their eggs. Towards the back of the land is a neat little area with pagan / occult-ish vibes – and with a neat little twist on the idea of Tarot cards.

Surrounded by tall fir trees and wild grasses, the café also shares its space with the local squirrels – do be careful where you tread on the deck! – whilst a barn owl keeps an eye on all that goes on. I admit to finding the parcel’s Shared Environment leaning a little towards the dim side and so played around with the Sun position to brighten things a little (rather than playing with the HDR slider), but that’s purely a personal thing.

Taken individually or as a joint visit (no pun intended given the nature of the café!), The Swaying Shelf and The Greenwitch Café again demonstrate how small corners of the Mainland can be turned into welcoming little spaces for people to freely enjoy.

Slurl Details

The Swaying Shelf (Itame, rated Moderate)
The Greenwitch Café (Notata, rated Moderate)

Wandering a Storywood Sanctuary in Second Life

Posted on July 18, 2026 by Inara Pey

*Storywood Sanctuary, July 2026 – click any image for full size*

I was back on my jaunt around the Mainland once more, seeking cafés and coffee houses that offer neat little corners of the Second Life experience. Once again I found myself I Heterocera, but this time south of the atoll compared to my previous visit to take in Hi Cafe.

My destination this time was Storywood Sanctuary, the work of the Wild Abundance team founded and led by Aphiris Moris (Aphiris Mercury).

Welcome to Storywood Sanctuary! Here, you’re invited to wander through lush landscapes, dream under the shade of ancient trees, and savour a freshly brewed coffee. Enjoy the magic of this haven, where every corner holds a story.

– Storywood Sanctuary greeting

Located just to the north of Mock Heather Road and not far from the lake on the south side of that road, Storywood Sanctuary is one of two locations designed by the Wild Abundance team in close proximity to one another (I’ll be covering the other in an upcoming piece).

Covering a little over 6,000 square metres, the spot is – as the name suggests – literary themed, focusing on stories and books, and is LGBTQIA+ friendly.

The Landing Point sits within on a trellis-covered deck bearing the location’s name and where books and a table covered in the pages of a manuscript further hint at the setting’s theme. Just mind you don’t wake up Francine as she sleeps close by!

From here, a path winds through the setting, meandering past little motifs and details related to books or hinting at stories. These are nicely done with, for example, The World of Christopher Robin leaning against a tree stump on which a bear is asleep (possibly from enjoying too much honey?); while just off the path, a large copy of Mary Poppins has fallen open to allow three carousel horses to fly out, recalling a scene from the book (and perhaps more vividly, Disney’s take on the book). Feel free to sit on any of the horse for a photo.

In addition, on the approach to the coffee shop it is possible to see the stone figure of a little girl who might be taken as a certain Alice. Not too far from her and mottled by sunlight, is a glass coffin beneath a tree. Roses grow under its cover, but the reference to a certain story by the Brothers Grimm is clear.

Along with these motifs is much else to please the eye. There’s the friendly garden troll under the bridge, the flowering books along one bank of the stream and vying for attention with the butterflies made from printed pages. There are animals and birds to be found throughout; there’s tree trunk offering the chance to take and share stories, and more.

Obviously, there are places to sit throughout, from the library / reading room alongside the Landing Point deck all the way through to the coffee shop (and beyond), with some of quite interesting designs (three particularly in keeping with the book theme).

Not all the places to sit are on the ground or necessarily obvious (again, one of the very booked themed places might not appear to be so but for the brazier with its little fire sitting in front of it) – so taking a good look around as you follow path around the setting is recommended 🙂 .

Beyond the coffee shop is a further garden space available for wandering, a rutting track forming a loop around it while flowers of a more exotic nature grow and a forest carousel turns in time to fairground music, whilst the laughter of children (or wood nymphs?) might be heard by those with local sounds enabled.

Cosy and charming, Storywood Sanctuary is a place that does exactly what its name implies: takes you into a garden of stories and present a setting in which sanctuary from the pressures of daily life might be found.

Slurl Details

Storywood Sanctuary (Sabra, rated Moderate)

Pususaari’s summer of 2026 in Second Life

Posted on July 17, 2026 by Inara Pey

*Pususaari, July 2026 – click any image for full size*

Over the years there have been places within Second Life that have called me back to them again and again, either to write about or simply to enjoy. Currently, one of my favourite places where I find I can do both is Pususaari, the Full region held and designed by Lu and Leelou Von Perkle (Lu Carrillo and LeeLou Graves respectively).

Since it first appeared in SL as a Homestead region design, Pususaari has always been a place of beauty and romance, changing with the seasons but always remaining true to its core.

Pususaari is a peaceful island made for wanderers, photographers, dreamers, and curious hearts. Since 2025, it has been a place to explore soft meadows, quiet beaches, animals, hidden corners, old stones, cosy places, and little scenes waiting to become your next story. Come alone, with a friend, or someone special — slow down, look closer, and feel at home.

– Pususaari’s Destination Guide entry

For this iteration, Pususaari takes the form of a rugged island with a Mediterranean touch to its architecture. With beaches to the south to particularly catch the Sun and split by a sheer-walled headland, the island sits under a perfect EEP setting (so viewing the region under its Shared Environment is highly recommended).

The Landing Point sits on a wide terrace overlooking the broader of the two southern beaches. It shares the terrace with a large villa serving as a patisserie-come-office-come art gallery (upper floor). There is plenty of outdoor seating on the terrace, whilst steps to one side climb up to the island’s main plateau and the farm occupying its west side.

Steps also sit on the other side of the villa, these descending to a flat, paved shoulder of the island, home to the Tipsy Crane tavern (a very appropriate reference to other parts of the island, as will become clear) and the Pususaari store. The latter offers three very reasonably-priced collections of animals: otters (14 in the pack), cats (again, 14 to a pack) and puffins (17 to a pack).

All of the packs are offered with both Blinn-Phong and PBR materials and are copy / modify. When exploring the island it is possible to come across the cats and otters and get a real appreciation for how delightful and well-made they are.

From the terrace serving the inn and souvenir store two further sets of steps, one to the southern side of the beach, the other to the beach as it runs up the eastern side of the island toward the northern cliffs.

While there is open ground to be reached beyond the souvenir shop, the best way to reach the uplands of the region is either by following the east beach to where aged steps start to climb up the slopes of the escarpment, or take the steps from the main terrace up to the farm and the go onwards from there.

The farm points westwards and is small, but still has a field for dairy cattle and two for growing crops – corn, in this case. Beyond the fields, the land opens up into a wide paddock, home to horses and donkeys, a swing in the shade of a large oak tree offering a place to sit.

The main part of the plateau uplands is given over to a large and quite eye-catching body of water bounded by a sweeping arc of grass and wildflowers running from the farm and around the east side of the water.

This lake-sized body has been made into a summer home by red-crowned cranes (hence the reference in the inn’s name), which are happy to share the water with the local otters (and vice-versa). Humans are welcome as well, as there is a cosy little waterside open-fronted shack to one side of the water. Just behind this more steps climb up to the highest point on the island, crowned by standing stones.

The north side of the water forms a shallow arc of waterfalls dropping away to the lowlands. This lowland area is again quite spectacular and can be reached by following – you guessed 🙂 – steps leading down from the horse paddock.

The waterfalls have created a further pool of water where more cranes and their young might be found, and which is largely separated from the sea by a wide sweep of land where tough grasses and flowers grow and trees brave what must be at times be rough weather, going by the one that has fallen. There are several places to sit tucked away here, including one among local seals.

The waters from the falls find their way to the sea via a narrow channel they have forced over time, including through an out-thrust of rock which now forms a high arch under which the waters pass. As they do so, they also pass an old fortification, now deserted save for a lone piano within, as it sits facing the sea.

Further falls drop away from the highland lake, these facing due north and separated from the others. Headlands on either side of them mean the sea below is potentially a deadly mix of eddies and powerful undercurrents as the tide and waters from the falls mix.

Throughout all of this there are multiple places to sit, high and low. They encompass a large beach house on the eastern sands together with a pergola dipping its toes into the tide; another pergola sitting right at the end of the headland separating the two southern beaches; and another summer house on the smaller and more isolated of these two southern stretches of sand. Oh, and the latter can be reached by following the tunnels carved through the intervening headland (and which also connect to the northern lowlands).

As well as places to sit – singles and couples poses liberally mixed throughout – there are also wooden signs dotted around offering the chance to dance. And, of course there are the Pususaari cats. They are quietly spread throughout the island, keeping an eye on all that is going on (even if one does appear to be more interested in the ducklings swimming in the inland waters and carefully remaining outside the reach of swiping paws!).

As I’ve noted, Pususaari has become an established favourite of mine, and with each iteration, Lu and Leelou continue to produce the most remarkable locations to visit. Long may it continue!

Slurl Details

Pususaari (Bisous Island, rated Moderate)

Discovering Deception in Second Life

Posted on July 16, 2026 by Inara Pey

*Deception, July 2026 – click any image for full size*

Deception is a Full private region designed by Ashaki Hunt (who also appears to be a fan of Cica Ghost 🙂 ) with the assistance of Angelique Haven and Dandy Warhlol (terry Fotherington) on behalf of region holder NiaMarie Simons.

Come enjoy a walk through the Redwoods of Deception. It’s all about relaxing, enjoying nature, and visiting with friends. Stop by the Inn for a game of Cheesy! All are welcome. From the Inn, you can catch the Train to the Valley of Stones and visit the castle ruins.

– Deception Destination Guide entry

This sounds nice and relaxing – almost ordinary. However, Deception is anything but ordinary; there is an eclectic randomness about it that makes it just that little bit different. Not strange or bad or anything like that; quite the reverse in fact. A clue as to why this feeling of quirkiness might make itself known perhaps lies in the region’s About Land description:

A home for those oddities who think friendship, laughter and joy are important necessities in life. Wander around and enjoy a day lost in Deception.

– Deception About Land Description

Fairly rural in styling – there is what might be regarded as a little hamlet to the north-east of the region – the region folds into itself a potpourri of architectural styles from ancient to modern; so much so that it is nigh impossible to pin down when – or where – Deception might be.

Turn one way, and it appears as if the setting might be in France; turn another and it might be in the wilds of the North of England or in Scotland at a time when noblemen held sway and lived in great castles. Meanwhile, a (mostly) single track railway line runs around the edge of the region, around which a little diesel car might travel.

Then there’s the fact that within Deception, Jack Sparrow metaphorically rubs shoulders with electric cabs and powered tricycles (by Cica Ghost), where it is possible to run into strange creatures in the woods and huge crows looking ever so slightly worried about – something and a Nessie-like creature swims the waters while Neolithic standing stones bear African masks. Everything seems to be a melting pot of ideas and elements.

And yet it all works – and quite charmingly so.

Tall mountains surround the setting, adding to the feeling that this is a place cut-off from the world at large, where time flows differently, allowing all of its different facets to exist together and its quirks and oddities to manifest peacefully.

Which is not to say there is no normality to be found – all of the buildings, despite their different geographical styles, are naturally furnished; between the various points of habitation / history within the setting, the landscape unfolds as would many others. Trees give shade to open fields where horse roam, rowing boats bob gently on inland bodies of water; paths offer routes of exploration, gardens offer places of retreat, horses peacefully graze, and so on.

The region is a home role-playing on Saturdays at 13:00 SLT. I didn’t come across specifics of what form this might take during my travels across the region, outside of a book providing information on non-player characters at Greystone Manor, but given the overall eclectic mix of ideas and subjects within Deception, it could be an interesting and fun experience.

As noted above, games tables are to be found at ground level (as is a playable game of garden chess). More are to be found via a neatly hidden-without-being-hidden teleport trapdoor. Also awaiting discovery is the “invisible rope climb” – where it goes (or not) is up to you to discover 🙂 . Just look for it very close to the Landing Point.

In all, Deception is – and pardon the play on words – deceptively engaging. It offers something slightly different in tone and design without going overboard in the name of being “different” and without losing any of its photogenic nature.

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Deception (rated General)

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Savour garden-to-table meals in a queer-owned, cannabis-friendly café nestled in the Lake District, surrounded by forest and blooms. Everything is grown on-site — from herbs to healing plants. A cosy, magical LGBTQIA+ friendly retreat.

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Welcome to Storywood Sanctuary! Here, you’re invited to wander through lush landscapes, dream under the shade of ancient trees, and savour a freshly brewed coffee. Enjoy the magic of this haven, where every corner holds a story.

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Come enjoy a walk through the Redwoods of Deception. It’s all about relaxing, enjoying nature, and visiting with friends. Stop by the Inn for a game of Cheesy! All are welcome. From the Inn, you can catch the Train to the Valley of Stones and visit the castle ruins.

A home for those oddities who think friendship, laughter and joy are important necessities in life. Wander around and enjoy a day lost in Deception.

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