Author: Inara Pey

Occupying one quarter of a Full region leveraging the private region Land Capacity bonus, lies The Last Aokigahara Souls. A highly photogenic setting cast beneath a night sky, this is a place designed primarily designed by Eddie Takeda and Clair Wolf Takeda (Kajda1610) which is open to the public, and is described as a piece of Japanese nature where visitors can relax and enjoy a good cup of tea.

The name appears to have been taken from Aokigahara, the Blue Tree Meadow (also known as the Sea of Trees); a rich forest which has grown on some 30 square kilometres of lava laid down by the last major eruption of Mount Fuji in 864 CE. Located on the volcano’s north-west flank, the forest is a popular tourist destination, and has a historical reputation as a home to yūrei, the ghosts of the dead – something which might again be perhaps reflected in the parcel’s name.

Like its namesake, The Last Aokigahara Souls is a place where volcanic rock can be found – notably in the curtain cliffs which bound this sky-based location, and in the multiple basalt columns and outcrops found throughout. Also like its namesake, this is a richly wooded setting, home to both streams and pools of water, where exploration is encouraged along paths and trails.

The landing point sits within the outer courtyard of a large traditional-styles Japanese house, a smaller guest house facing it from across the gravel floor of the courtyard. Information boards to one side avail themselves to visitors, as does the seating located within the courtyard. Access to the house is via a set of inner courtyards, and once inside, visitors can make their way through the inner courtyards to where coffee awaits thirsty folk at the back of the house, or those wishing to unwind a little more can partake of sake in one of the two side rooms of the lower floor.

There are two exits from the landing point. The first is a gravel footpath marked by a red Torii gate to one side of the main courtyard or by crossing a simply log bridge which spans the stream paralleling the courtyard beyond the screen of bamboo running alongside the guest house. This to another Torii gate on the far side of the stream and a short gravel path alive with local wildlife, which provides access to a romantic little gazebo where couple might enjoy a dance or two.

The main path, meanwhile point the way to a little outdoor eatery, complete with its own little lantern-strung courtyard eating area. Here the path splits the two arms each bordering a side of a large pond fed by low waterfalls. Pointing away from the eatery, the first arm of the path directs explorers between the pond and more bamboo to where a further Torii gate guards stone steps as they start a curving climb up a hill whose flanks are hidden under the drooping cover of the trees. The second arm of the path runs onward past the eatery to joint to be cross by another path running down from the hills via a further – and straight – stair, which is again marked at its base by the presence of a Torii gate.

Both of the paths up the hill lead to the same destination: a temple and shrine. Illuminated by lanterns and sitting within a small garden space, the temple presents visitors with the options of spending time in quiet contemplation or sitting before Buddha whilst awaiting enlightenment as the heavens turn overhead. That the two paths both lead up to and down from the temple means they offer a tidy loop around this part of the setting without the need to retrace steps.

The path at the foot of the straight stairway not only crosses the one leading outward from the landing point, it continues on to where a small red bridge arches over the stream as it is beautifully lit by floating lanterns sitting on rafts clearly anchored against the swift flow of its current. Across the bridge, the path enters a Zen garden offering multiple points of interest to explore and in which to spend time.

Within this corner of the setting can be found a further shrine, a small watermill sharing its space with a family of pandas (a typical inclusion within many Japanese-themed settings, despite the fact the panda is not native to that land – although it is beloved of Japanese people); a garden marked by the presence of a huge tree in Sakura-like bloom where a couple might enjoy cuddles under a smaller tree, watched over by both Buddha and Japanese cranes; and a gravel-floored space beyond the latter garden, which can also reached by a separate path running from the Zen garden, providing the home for a small teahouse where a rather talent kitty is available to entertain visitors.

In addition, for those passing by the watermill, a further pair of bridges cross over the water channel cut to turn the mill’s wheel and (again) over the stream. These connect with a further path running under the lee of one of the boundary cliffs, climbing a set of steps as it does so to reach a little hideaway overlooking a rounded pond. Fed on one side by falls dropping from the cliffs and with its own falls tumbling to feed both mill and stream below, the pond is home to dancing crane, koi that calmly swim under the surface and lanterns which float above, lilies and basalt outcrops completing this near-idyllic spot where tea might again be enjoyed.

Set as it is within a sky platform, The Last Aokigahara Souls is beautifully presented; the space has been wisely used to give a sense of a location larger than its actual size, allowing for plenty of exploration without immediately feeling one is simply retracing steps. There are also multiple opportunities throughout for photography, whilst the setting gives people a chance to get away from others and enjoy a little time alone and in peace.

As noted, The Last Aokigahara Souls does sit under a (quite glorious) night sky by default, but it also lends itself to other EEP settings for photography, as I hope a couple of the images here demonstrate.

Definitely a place to be visited, and my thanks to Shawn Shakespeare for pointing me to it.

SLurl Details

• The Last Aokigahara Souls (Lam, rated Moderate)

It is said that as his government faced the Sterling Crisis of 1964, former British Prime Minister Harold Wilson quipped, “A week is a long time in politics”. Whether he did in fact say anything of the sort is a subject for debate by those so inclined. However, it does give me the opportunity to offer something of a corollary of sorts: a month is a long time in Second Life.

I say this because within a month of my writing about Monica Mercury’s Burrow Wood County, originally located within a quarter-region parcel of a Full private region, had closed and elements from within it relocated to an expanded set of parcels occupying fully half of another Full private region. Here they sit within a setting of two halves: Burrow Wood – Road to Nowhere and Burrow Wood by the Sea, and Monica recently and kindly invited me over to pay a visit and update my records.

Once again designed for Monica by Teagan Lefevre of Le’eaf & Co fame, there is much about the this location that is mindful of Burrow Wood County: the same dusty roads, the presence of a run-down motel, the auto shop / garage, the trailer par, and so on. But so too is there much that is new within the expanded landscape, making a further visit worthwhile, even if you did drop into Burrow Wood County just before it closed. That said, a little care might be required with explorations this time around, as the setting now includes a number of rental properties available as private residences, so trespass is to be avoided.

Each part of the location has its own landing point; however, for the sake of convenience, I’m starting my description from the Road to Nowhere landing point, given it sits towards the back of the setting, below the curtain of cliffs which separate Burrow Wood from the neighbouring parcel occupying the region. I also opted to use my personal “travelling” EEP settings when taking the pictures seen in this piece.

As with the former incarnation of Burrow Wood, this landing point sits at a bus stop, giving visitors the impression they’ve just been dropped off by said transport. Across the road is a lumber yard, and next door to that the familiar motel, facing a slightly upbeat diner as the track runs arrow-straight to the auto shop / garage and splits, one arm sweeping into the little trailer park, the other pointing due south. As it does so, it passes over a familiar old railway bridge, giving the suggestion the track from the landing point may have once been the bed of the railway line. Beyond the bridge, the track runs parallel to a water channel cutting through this part of the setting, passing one of the rental homes before diving trough another tunnel to arrive at the gated access to Burrow Wood by the Sea (passing the latter’s bus stop landing point in the process).

Here the channel the track has been accompanying is given the look of a canal, the banks built over with retaining walls supporting pedestrian-only sidewalks serving. These serve the shop on either side of the channel before dipping down to become / serve small wharves where larger boats moor moor. Two bridges span the channel, each elevated enough to allow smaller boats to pass under them and possibly moor at the floating pier with its gas pump. Sitting between the channel and a small shingle beach is another familiar location: the local oyster house from Burrow Wood County, now offering more outdoor space for diners – and possibly the local seagulls if people aren’t careful!

A single track runs outwards from the town to the west, forming a broad alley between the local bookshop and café. Unpaved and with dirt compacted down from years of use, it runs uphill to where a third tunnel sits,  as the track leads up to another tunnel, this one apparently closed to traffic for whatever reason. Either side of the track is tree-shaded grasslands offer a sense of open wilderness. To one side, this land is cut through by a fast-flowing stream as it tumbles away from the falls which give it life, before it dives into what is presumably a natural bore hole which drops the water down under Burrow Wood by the Sea’s café and into that main waterway.

The falls feeding the stream drop from an arm of rock reaching out from the western curtain of cliffs to neatly split the landscape in two as it steps its way down to meet the main water channel. Tucked under this arm of rock and reached by a makeshift bridge spanning the tumbling stream, is a small cobble-floored terrace and wooden pergola offering visitors a place to sit. Across the stream from it and a little more down slope can be found a shaded picnic spot caught in the loop of a public footpath and, beyond that, another rental property.

Across the dividing wall of rock the landscape is equally rich and varied as it reaches back towards the building of Road to Nowhere. A wild garden, open to the public can be found on the slopes as they drop down from cliffs to water channel. A round gazebo, well shaded by trees sits within this garden, and both garden and gazebo might at first glance easily be taken to be extensions of the rental home sitting at the top of the slope as it climbs towards the backdrop of cliffs. However, this is not the case, as the fence marking the boundary of the rental property makes clear.

A large and deep pool of water makes up a good part of the landscape here, crossed towards one end by an old wood-framed, covered bridge; what appears to be a relic of a bygone era. A rutted track curves up from one side of the bridge and under the lee of the cliffs, suggesting that perhaps this was once a main right-of-way for carts and wagons – perhaps back in the day when the main track was still home to a railway track. However, across its span, the rest of this rutted route has in part been lost, leaving only a sign alongside at the back of the auto shop to note it is now “road closed”.

With its richly diverse landings, good use of ambient locals sounds, and the careful, natural dividing of the overall setting into a number of distinct areas, Burrow Wood offers photographer, explorers and casual visitors a lot to see and appreciate, and perfectly expands upon Burrow Wood County. My thanks to Monica for the invite to visit!

SLurl Details

All of Burrow Wood is rated Adult.

• Burrow Wood: Road to Nowhere
• Burrow Wood by the Sea