Logos representative only and should not be seen as an endorsement / preference / recommendation
Updates from the week through to Sunday, February 23rd, 2025
This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:
It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.
Official LL Viewers
Release viewer: version 7.1.11.12363455226. formerly the ExtraFPS RC, dated December 17, promoted December 19 – No change.
Release Candidate: Forever FPS, version 7.1.12.12999043440, February 4, 2025 – No change.
On Monday, February 24th, Linden Lab announced the final rounds of perks and enticements in their February “membership mania” promotion to encourage users to subscribe to the Second Life membership tiers (Plus, Premium and Premium Plus). This is the third such announced for the month, and comprises the following:
SeraPlus – In Association with Seraphim
via Linden Lab
SeraPlus is an all-new exclusive perk in partnership with Seraphim and available to Plus, Premium, and Premium Plus members intended to bring subscribers “all new exclusive, high-quality virtual items from some of Second Life’s top creators”.
Starting in April, Plus, Premium, and Premium Plus members will be able to claim their new perks inworld at the Seraphim region including:
Quarterly SeraPlus Boxes: Four times a year, members will receive a curated box filled with exclusive virtual creations from some of Second Life’s top creators.
Monthly Exclusive Gifts: For each of the remaining eight months of the year, members will receive one additional exclusive item created in partnership with a top creator.
Expanded Access to the Updated AI Character Generator & More Profile Picks
Expanded Access to the AI Character Designer
At the end of 2024, Linden Lab announced the Alpha release of a new AI Character Generator utilising Convai, a platform for developers and creators proving an intuitive approach to designing characters with multimodal perception abilities in both virtual and real world environments. At the time, the service was only available to Premium Plus subscribers – although it was suspended shortly thereafter so it might be overhauled in response to feedback (see: Linden Lab leverage Convai for AI character generation in Second Life).
With this announcement, the Character Designer is re-launched, and is now available to all three subscription tiers: Plus, Premium and Premium Plus.
Members can now access this innovative tool to craft and customize virtual characters with intelligent responses, unique personalities, and immersive roleplay capabilities. It’s an exciting way to enhance community-building, storytelling, and social interaction in Second Life. While still in development, we’re excited to give a wider audience early access to this experimental creator tool.
– from the Lab’s official announcement
Profile Picks Increased for ALL Second Life
In response to multiple requests from users, Linden Lab will be increasing the number of Profile Picks users can have from 10 to 20.
This will require a simulator update, and so the capability will be rolling out “over the next couple of weeks”.
Membership Mania Offerings
As noted, the above is the third such multi-part promotion linked to Second Life subscription tiers, with the first two being:
Isla Enchanted, February 2025 – click any image for full size
Isla Enchanted is a charming Homestead region designed by Isla Nebula and currently open to exploration by visitors. It comes with a simple description:
A charming village, nestled in the mountains and beside a peaceful lake, calls for exploration. Wander the area to discover its magical, hidden gardens.
– Isla Enchanted About Land description
Isla Enchanted, February 2025
Surrounded by mountains, if separated from them by water, the region sits as two contiguous but separate parts. The larger area of the region, mostly low-lying and shouldered by walls of rocky cliffs, is home to the village mentioned in the About Land description. Encompasses the region’s Landing Point, the village comprises little cottages and cabins scattered between fields both cultivated and rich in wildflowers, the way through the landscape marked by a meandering gravel track.
These lowlands are overlooked to the west by a large plateau topped by two rocky peaks, the larger of which is in turn capped by a large abandoned house. Reached via the track from below switch-backing its way up one side of the plateau, one of these rocky peaks is surrounded by an ouroboros-like stream which, if not exactly eating its own “tail”, is very much chasing its rushing, bubbling self around and around never losing tempo.
Isla Enchanted, February 2025
Spanned by two bridges – neither of which connect to the outer path as it skirts around the lip of the plateau – the stream’s endless circling is the first aspect of mystery to be found atop the plateau. Two more can be found in the caverns under the two peaks, both connected one to the other by the bridges.
One of the caverns offers a hint of magical goings-on, whilst the other appears to be as mysteriously deserted (outside of stone fireplace and its rising flames) as the house above, perhaps prompting questions as to what might have gone on within both , and why they now appear abandoned. A further hint of magic is to be found tucked behind the two rocky peaks, in the form of a peace meadow with a fairy garden.
Isla Enchanted, February 2025
Unlike the house up on the peek, the cottages and cabin down in the village are far from abandoned, instead offering themselves as cosily-furnished little retreats, their gardens presenting photogenic vignettes alongside of the fields, all of which – gardens, fields and footpaths are dotted with little touches of details to bring them further to life.
To the east, cliffs throw themselves across the land as a tree-flanked wall seeking to repel invaders, a single arched pathway allowing passage through their bulk. It leads to a marvellous enclosed garden quite magical in its presentation. Here, just past the arch, a rowing boat floats on a sea of flowering grass, mooring lines holding it close the a tree-shaded dock as swans stand guard around it, a shoal of fish pass overhead and taller flower throw their leaves and tendrils upwards like plumes of water frozen as time around them stands still.
Isla Enchanted, February 2025Close by, and on the same sea of flowering grass, carved creatures, perhaps a mother and youngling, cast ripples outwards across the flowers as their moss-covered forms appear to swim past another tree. Rich in multi-hued leaves, this tree also appears to offer the perfect hide to which the floating blue jellyfish drifting through the air might retreat, should danger threaten.
Facing these vignettes is a delightful outdoor tea room offering tempting delights whilst surrounded by its own garden. Elsewhere, topiary horses guard a shaded piano and candles burn before a mirror while swings and cup-seats add their own attractiveness to the setting.
Isla Enchanted, February 2025
Designed in a way to be attractive under a range of environment settings, Isla Enchanted could perhaps benefit from a little more in the way of ambient sounds (bird song from the trees, perhaps?). But that aside, there is no mistaking its tranquil beauty and opportunities for exploration and relaxation.
SLEA 6, February 2025, Lalie Sorbet and Chrix: Murmuration – A Never-Ending Show
Currently open at SLEA 6, and created by Lalie Sorbet and Chrix (chrixbed) is Murmuration – A Never-Ending Show, an immersive, semi-interactive, engaging – almost hypnotic in the way it constantly evolves and changes – environment in which to relax and enjoy on your own or in the company of another.
Murmuration—named after the mesmerising patterns formed by flocks of birds and swarms of insects—is the latest creation by Lalie Sorbet and Chrix. This immersive and organic experience continually reinvents itself. Nothing is static: dancing particles, animated textures, and random animeshes emerge to form ever-changing compositions. Each glance is unique, and each visit reveals a new facet of this evolving display.
– The Artists’ statement on the installation
SLEA 6, February 2025, Lalie Sorbet and Chrix: Murmuration – A Never-Ending Show
Perhaps the most famous murmuration (at least in the UK and Europe) is those of the common starling. They take place from November through February, occurring about 45 minutes to an hour ahead of sunset, and when witnessed can be one of the most memorable sights nature can offer: literally hundreds of thousands of starlings coming together to fly, sometimes so close together they are like a dark cloud roiling over the land, other times spreading broadly apart before coming back together, soaring high and then diving down towards the ground, the cloud they form rippling and changing, folding and unfolding as if alive.
The murmuration of starlings are a unique form of swam-like behaviour; no-one is quite sure as to why the birds do it, and theories range from what scientists call the selfish herd theory through to some form of complex dance intended to offer an invitation for the birds to come together in groups to roost.
SLEA 6, February 2025, Lalie Sorbet and Chrix: Murmuration – A Never-Ending ShowHowever, as a swarm-like behaviours – and indeed, as a part of the selfish herd theory – starling murmuration is one of many such large group behaviours found within birds, insects, and fish. And it is these dance-like behaviours celebrated within Murmuration – A Never-Ending Show, as noted in the installation’s introduction.
For the installation, Chrix has combined animated elements which feature Lalie’s natural photography, scripted particles, and Animesh creatures, into which is suspended a single island with a lone tree, the surrounding water surface spreading to the limits of an enclosing sphere as it projects an ever-changing backdrop of day and night skies and more.
SLEA 6, February 2025, Lalie Sorbet and Chrix: Murmuration – A Never-Ending Show
The result is an environment where tunnels of light swirl and change, fantastical creatures – winged whales and spiders, fae folk and giant dragonflies – appear and rise and fall, and clouds of leaves, butterflies and flower bulbs rise, rotate, and shimmering whirlpools of light tendrils descend, anemone-like trees reach high overhead, the patterns and what is seen constantly shifting and changing organically such that what is seen appears to never repeat in quite the same way.
Clinging to the island’s tree are three rightly coloured beetles, two paired and one solo. The latter beetle offers a solo poseball and the pair a set of poseballs for couples / friends. Right-clicking on these (obviously, two people required for the Duo set!) will allow you to join the ever-changing display from within, flying and floating around the sky (several poses available). It’s a further and – using the camera control to rotate your camera around you – immersive way to appreciate the installation.
SLEA 6, February 2025, Lalie Sorbet and Chrix: Murmuration – A Never-Ending Show
In this, I would also suggest that using CTRL-ALT-SHIFT-4 (Advanced → Rendering Types → Avatar) to derender your own (and all avatars), offers a further way to immerse yourself in the environment (just don’t forget to re-enable avatar rendering the same way afterwards!).
Those who prefer can apparently take a boat out over the water to witness the displays, offering a further unique perspective on what is an engaging visual display, one which can be further enhanced by enabling the local audio stream.
SLEA 6, February 2025, Lalie Sorbet and Chrix: Murmuration – A Never-Ending Show
The following notes were taken from the Tuesday, February 18th, 2025 Simulator User Group (SUG) meeting. They form a summary of the items discussed, and are not intended to be a full transcript, and were taken from Pantera’s video of the meeting, which is embedded at the end – my thanks to her for providing it.
Meeting Overview
The Simulator User Group (also referred to by its older name of Server User Group) exists to provide an opportunity for discussion about simulator technology, bugs, and feature ideas.
Meetings are open to anyone with a concern / interest in the above topics, and form one of a series of regular / semi-regular User Group meetings conducted by Linden Lab.
Dates and times of all current meetings can be found on the Second Life Public Calendar, and descriptions of meetings are defined on the SL wiki.
Simulator Deployments
On Tuesday, February 18th, 2025, the Banana Bread update was deployed to the SLS Main channel This update includes expansions to llGetObjectPermMask that let you get an object’s permission mask taking into account the permissions on its inventory, and that ability has been added to llGOD.
On Wednesday, February 19th, 2025:
Carrot Cake should be deployed to the Bluesteel RC. This includes Monty Linden’s work on EventQueueGet (a simulator Capability that delivers messages from a simulator to viewers over HTTP using a long-poll scheme. It is core functionality without which viewer/simulator coordination is impossible).
The remaining RC channel will be restarted without any deployment.
SL Viewer Updates
Default viewer: version 7.1.11.12363455226, formerly the ExtraFPS RC (multiple performance fixes, aesthetic improvements and UI optimisations), dated December 17, promoted December 20 – No Change.
Release Candidate: Forever FPS, version 7.1.12.12999043440, February 4, 2025 – No Change.
In Brief
Please refer to the video below for the following:
Leviathan Linden has been been working with another Lab developer to improve avatar loading. He believes they have been able to make a few improvements, particularly in improving near-to-far sorting for avatar loading, with those nearby loading the fastest.
He hopes that the work will surface in a viewer update in March.
This is seen as offering “small” improvements, as further work will be required on the simulator end so the server sorts avatar data at its end rather than just sending it, but this has yet to be done.
Leviathan also noted that the packet loss / UDP data loss noted in the last SUG meeting appears to be a result of the viewer allowing the network socket buffer (the one managed by the OS) to overflow, which can happen when the viewer experiences a long frame. It can also affect avatar loading, so his fix for the issue is going into that work.
Region crossings / Disconnects: More reports of issues, particularly around teleports and disconnects user Quinn Elara has been logging her experiences, which the Lab has been looking at (note: be aware if posting viewer log information to the Feedback Portal, as it can contain personal information). This issue became a topic of conversation through a portion of the meeting.
The above slid into a conversation of using the BugSplat tool in the viewer for reporting data.
† The header images included in these summaries are not intended to represent anything discussed at the meetings; they are simply here to avoid a repeated image of a rooftop of people every week. They are taken from my list of region visits, with a link to the post for those interested.
Peng Lai, February 2025 – click on any image for full size
In classical Chinese mythology it was said that immortals dwelt within the Penglai Palace, a place built of gold and silver, surrounded by trees on which jewels grew and within which lay the elixir of life – and thus the goal of explorers sent by Emperor Qin Shi Huang to “recover”. But where, exactly, was this palace?
According to the Shanhai jing (“Classic of Mountains and Seas”), the palace sat atop Mount Penglai, one of three “godly mountains” set within the gulf of the Bohai Sea. However, the Xuanhe fengshi Gaoli tujing (“Illustrated Account of the Embassy to Goryeo in the Xuanhe Era”), Mount Penglai sat on an island “across thousands of league of shallow water” within the Changguo Prefecture, and loosely thought to possibly be the location of modern-day Zhoushan City. Or perhaps Zhoushan Island might have been the point from which those seeking the palace and elixir set off across those many leagues – perhaps as far as Japan, where, according to legend, Xu Fu mistook Mount Fiji to be the fabled mountain of the immortals.
Peng Lai, February 2025
Scholars have debated the likely root of the legendary palace and mountain’s location down the ages, and it has spread its presence to Japan (where it is known as Hōrai), Korea and Vietnam. Fortunately for those of us in Second Life, we don’t have to puzzle mysteries of the Palace; instead we can visit a place that takes its name from the legend. And while it might not be intended as the home of immortals or to location of any marvellous elixir. Rather, it presents a place of tranquil retreat, Tai-Chi, contemplation, Chinese-inspired music and even mixes a little Japanese touch.
Designed by Polees, Peng Lai offers a sense of the legends of Penglai both as a mountainous location as as being on an island, presenting as it does a small complex of buildings surrounded by the peaks of distant mountains as if the rocky islands on which they sit are themselves mountainous peaks, and as if they are built upon rafts of rock floating upon a sea of white cloud. Located within a Mainland parcel of just 2048 sq m, this is an elegant setting, small in size and with a sense of detail that is enticing.
Peng Lai, February 2025
Peng Lai is a fairyland above the clouds, where you can see ancient Chinese art and Taoist culture with architecture, furniture, paintings, decorations of China. You can relax, enjoy music, meditate … and have tea here.
– from the Penglai About Land description
The Landing Point sits as a a literally gateway which, although high in the clouds, is actually the lowest level, a wooden stairway climbing from it to give the impression of ascent further into the heavens, thus presenting the sense of rising into the realm of gods.
Peng Lai, February 2025
At the top of this stairway stands a great carved wheel of stone; a crossroads, if you will on the journey through the setting. To the left as one reaches the stone, a walkway and short set of steps rises to small single-roomed building wherein sits a small curtain-draped shrine facing the door and music and seating to the left and right. Facing this across the rounded stone, and reached via an angled walkway is an open-air railed platform where communal tea might be shared and trees bloom.
The stone wheel offers Tai Chi for up to four, whilst facing the gateway, a further stairway slopes gently upwards and outwards to where the largest island of rock floats serenely, water tumbling from one side to provide a backdrop to the tea platform. Here stands a grand building, a home to three side-by-side shrines awaiting prayers or meditation, as with the single shrine in the smaller building. Heavy drapes to either side of the shrines, together with lighter curtains help to divide the building into smaller spaces, although these are bereft of furniture, instead offering a shelter place where thoughts might be contemplated in silent pacing along the enclosed corridor.
Peng Lai, February 2025
With trees and shrubs clinging to the rocks to give them both a sense of life and the feeling they are linked – if invisibly – to the surrounding mountains of the enclosing sky sphere, presenting a sense of unity and space as well as that of location. This is further increased by the fact this is a veritable tour de force of work by Deo Rain, Polees’ SL partner.
Deo specialises in historical Chinese architecture, furnishings décor, and more, and Peng Lai really brings them together and to the fore as to how they might be combined to create a memorable setting, complete with elements from other creators specialising in pieces from the same eras (or close to them) helping to further entice and enhance. Further, those who have Autoplay enabled will be treated to a media track of suitable music playing periodically.
Peng Lai, February 2025
Beautifully presented and with the air of a modern take on a Chinese watercolour painting, Peng Lai is a highly engaging and picturesque visit (with one or two little nods towards the influence Penglai has had on Japanese legends), offering more than the small size of the parcel over which it sits might suggest.