Petite Provence d’Annisss, July 2024 – click any image for full size
In leafing through the Destination Guide recently, I happened across an entry for Petite Provence d’Annisss, a full private region setting leveraging the Land Capacity bonus, designed by Annisss Mathịṣ (annisss). Offering a mix of public spaces and rental properties (so some caution might be in order during wanderings to avoid invading someone’s privacy), it offers a good deal to see and appreciate and some pleasing opportunities for photography.
Visit a village in the south-east of France, have lunch at a restaurant with a sea view or enjoy its beaches and small isolated coves, visit its superb caves or come and enjoy the evenings at the Club.
– Petite Provence d’Annisss About Land description
Petite Provence d’Annisss, July 2024
A visit commences towards the west side of the region where a tall clock tower keeps watch over a channel cutting its way into the landscape. Perhaps this watery cutting and the bay at its eastern end may once have been a natural inlet, but where the banks may have once stood has been built up with walls and topped out with paving to provide space for local businesses, the town church, with the inlet becoming something of a small harbour, offering a safe haven to various craft which appear to enter via a separate channel.
Gathered behind the clock tower, the part of the town adjacent to the landing point carries hints of multiple locations – some of the buildings having a lean towards Tuscany; others seemingly plucked from rural France. It’s a mix that is pleasing to the eyes with cobblestones an paving run around and between the buildings, inviting feet to follow, while to the south a road sweeps down from the heights before performing a u-turn and ending as abruptly as it started have served its intent and brought visitors down to the golden sands of a beach whilst cupping one of the region’s restaurants in its arms as it does so.
Petite Provence d’Annisss, July 2024
The beach offers plenty of places and space to catch the sun, whilst a makeshift bar might allow sunbathers to quench their thirst when it is stocked and operating. For those who prefer, steps to one side of the clock tower offer a quicker way down from the landing point to the beach, and both the the steps and the road will direct wanderers to where a horse rezzer is also available should clip-clopping around the town appeal.
Across the channel, and linked to the clock tower by way of a bridge, the north side of town has fairly packed itself into a small island, the buildings shuffling together shoulder-to-shoulder is if in mutual protection. Between them might be found narrow streets and alleys that – as is so often the way with old towns – suddenly burst forth into a square or walk raised above a beach, offering places to sit and pace the time and / or steps down to the sands.
Petite Provence d’Annisss, July 2024
Follow the raised water front here down to where it overlooks the moorings for boats, and you cannot fail to find The Blue Note, the club mentioned in the About Land description. Sitting within the remnants and façades of a number of buildings and with its very roof the sky above, this a a place ready to host both DJs and live musicians alike, its dancefloor sitting above a tropical isle in miniature.
Reached by walking through the town and passing by the church and another restaurant, visitors can make their way to the region’s art gallery. Sitting with cliffs on three of its four sides, the gallery was hosting a exhibition of photography by Ludi Tarus at the time of my visit, with its courtyard area sporting various 3D pieces. Just to the south of the gallery are two blocky promontories, a narrow cove cutting between them. One of these promontories is home to a public baths, and those seeking it out might also notice there’s a path edging its way around the cliffs below it, offering access to the cove.
Petite Provence d’Annisss, July 2024
The second promontory is the location to one of the setting’s rental homes. Overlooking another cove-like beach sheltering between the rocky bluffs, this house looks across the sands to another headland marked by more rentals, and with another path running through it connecting the two baches along its shoreline. To be honest, I’ve not sure if this aspect of the island is intended to be open to the public; while it links directly to the the gallery and its courtyard, the only means to reach the footpath and the beached appears to be by taking a walk through the gardens of the rental houses. I wasn’t keen on doing this in case I was trapsing across private property, so I simply cammed over and looked around.
Some of the cliffs dropping away to the harbour from the rentals and the gallery have waterfalls bursting out of them, suggesting the presence of a rocky aquifer. More to the point, for those who find it, there’s a stairway leading down to the base of some of these falls, where a bag of gifts awaits, together with the entrance to the cave mentioned in the About Land description.
Petite Provence d’Annisss, July 2024
Charming, quiet and with plenty of opportunities for photography, Petite Provence d’Annisss makes from a pleasing visit with plenty to seen and photograph.
The following notes were taken from the Tuesday, July 30th, 2024 Simulator User Group (SUG) meeting. They form a summary of the items discussed, and are not intended to be a full transcript, and were taken from my chat log. Pantera videoed the meeting, and the recording is embedded at the end of this piece – my thanks, as always, for her work.
Meeting Overview
The Simulator User Group (also referred to by its older name of Server User Group) exists to provide an opportunity for discussion about simulator technology, bugs, and feature ideas.
Meetings are open to anyone with a concern / interest in the above topics, and form one of a series of regular / semi-regular User Group meetings conducted by Linden Lab.
Dates and times of all current meetings can be found on the Second Life Public Calendar, and descriptions of meetings are defined on the SL wiki.
Simulator Deployments
The SLS Main channel was restarted on Tuesday, July 30th 2024.
On Wednesday, July 24th:
The BlueSteel RC is due to (again) receive Summer Fun simulator update, which includes the initial Combat 2 updates from Rider Linden. Hopefully this third attempt will see it stick.
The remaining RC channels will be restarted.
SL Viewer Updates
Release viewer: version 7.1.8.9375512768, formerly the Graphics Featurettes RC viewer dated June 5 and promoted June 10th.
WebRTC is something of a “defacto standard”, with features such as automatic echo cancellation, better noise cancellation and automatic gain control, etc., and offers much improved audio sampling rates for improved audio quality
WebRTC will be supplied within the viewer using a library and wrapper. This will mean no requirement to run a third-party voice plugin (SLvoice.exe, as supplied by Vivox) going forward.
The switch to WebRTC also opens the door to adding new features and capabilities to SL Voice, some of which have been long-requested.
Care is being taking to address potential security issues (e.g. preventing eavesdropping, exposing users’ IP address (by using an internal proxy server), etc.).
Feature requests for WebRTC made via the WebRTC board on the SL Feedback Portal are being evaluated and some are being actioned, together with issues being investigated.
LL will be looking to Linux devs to help give feedback on how well WebRTC is working on their Linux viewers.
Status
The plan remains to potentially make a switch-over to WebRTC on the back-end in August.
This is dependent upon third-party viewers picking up the WebRTC updates from LL and incorporating them.
During the transition period, viewers will connect to either Vivox or WebRTC voice, depending on the service available to them. As such most voice services should be uninterrupted.
HOWEVER, during the transitional period, there will be some short-term issues around peer-to-peer, Group and ad-hoc voice connections between those on regions running the two different voice services (Vivox and WebRTC).
In Brief
A further conversation on Lua(u), including supported data types and whether an integer type will be added to LL’s implementation. The answer may be no, going on the Lua FAQ.
There is a reported uptick in vehicle region crossing issues in the Blake Sea regions, but more than anecdotal reports are required (e.g. information such as timestamps, agents, and regions need to be properly reported which incidents occur.
Changes related to avatar teleports are due to be included in the Picnic simulator update, which should start deployment as Summer Fun reached the Main SLS channel (or shortly thereafter).
Monty Linden has some event-queue fixes to bring to life, and would like to get them up on Aditi as a pilot test for various viewers.
This is a re-writing of a fundamental service between viewer and server. *Not* the LSL scripting event queue – communications event queue between viewers and simulators (we have lots of things called ‘event queue’). [The] discussion is deep inside this [forum] topic for the interested.
– Monty Linden
Concern was raised over recent changes to llSensor doubling the number of objects returned, causing some scripts to receive more data than they are designed to manage, resulting in increased stack heap collisions.
It was requested that when fundamental changes are made to a function like this, they are used within a new function, rather than changing the existing function. This sparked a conversation on what a new llSensor function (“llSensorPlus” or whatever) might include / work.
It was further equested that if llSensor is being updated, news flags / filters are added (e.g. HAS_SIT_TARGET, TOUCH_EVENT, SOUND_EMITTER).
A Canny feature request on the latter was requested, with examples of how the flags might be used.
† The header images included in these summaries are not intended to represent anything discussed at the meetings; they are simply here to avoid a repeated image of a rooftop of people every week. They are taken from my list of region visits, with a link to the post for those interested.
Logos representative only and should not be seen as an endorsement / preference / recommendation
Updates from the week through to Sunday, July 28th, 2024
This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:
It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.
Official LL Viewers
Release viewer: version 7.1.8.9375512768, formerly the Graphics Featurettes RC viewer dated June 5 and promoted June 10th.
An artist’s impression of the Chandra X-Ray Observatory orbiting Earth. Credit: NASA
Twenty-five years ago, on July 23rd, 1999, the Chandra X-Ray Observatory was launched aboard the Space Shuttle Columbia as a part of STS-93. At the time of its launch, it was the third of NASA’s four Great Observatories, the other three being the Hubble space Telescope (HST), launched in 1990; the Compton Gamma Ray Observatory (1991–2000) and the Spitzer Space Telescope launched after Chandra, in 2003 and operating through until 2020.
Originally called the Advanced X-ray Astrophysics Facility (AXAF), Chandra can trace its history back to the mid-1970s. Originally intended for operations in an orbit similar to that of Hubble, thus making its servicing and upgrade possible using the space shuttle, the observatory went through various design changes during the 1980s and 1990s, with its overall mission being redefined in 1992. This saw Chandra have four of it planned 12 mirrors eliminated from the telescope, together with two of the six planned science payloads. To compensate for this, the telescope’s mission was revised so that it could be placed in an orbit well above Earth and well clear of the planet’s radiation belts, allowing it to have a clearer view of deep space.
The Chandra X-ray observatory, wrapped it its thermal protection blanket, attached to its IUS space launcher, images from the space shuttle Columbia shortly after the latter had deployed them from its payload bay, July 23rd, 1999. Credit: NASA
Renamed in 1998 in honour of Nobel Prize-winning astrophysicist Subrahmanyan Chandrasekhar, Chandra was deployed from Columbia’s payload the same day as it launched, attached to a 2-stage Boeing Inertial upper Stage (IUS) space launch system. Together, they represented the heaviest payload ever carried to orbit by the shuttle system, massing 22.75 tonnes.
Once the shuttle had moved to a safe distance, the IUS first stage fired for 125 seconds, boosting Chandra away from Earth (and beyond any capacity for it to be upgraded or serviced), followed by a 117-second burn of the IUS upper stage motor. The later placed Chandra into a geocentric orbit with a perigee some 14,307.9 km from Earth and an apogee of 134,527.6 km, roughly one-third of the way to the Moon.
Following a short period of commissioning, Chandra started returning data to Earth within a month of launch, and has continued to do so almost without interruption through to 2024 – although its primary mission period was placed at a conservative 5 years. Through this time, only one system on board has suffered significant damage, but it is still operational alongside the other science instruments, and only one significant glitch – lasting three days in October 2018 – when the observatory entered a safe mode as a result of a short-term issue with one of the gyroscopes used for pointing it at targets and holding it steady during observations. All science functions were fully restored once the issue had been resolved.
Chandra X-Ray Observatory diagram. Credit: NASA Chandra Space Centre
Over the years, Chandra’s import and discoveries have tended to be overshadowed by Hubble and, more recently, the James Webb Space Telescope (JWST). These have included the first observations of a “mid-sized” black hole, claimed to be the “missing link” between stellar-sized black holes and the super massive black holes found at the centres of galaxies; making one of the most accurate measurements of the Hubble constant; observing the most massive X-ray flare yet recorded from the super massive black hole Sagittarius A* (pronounced “Sagittarius A star”) at the centre of our galaxy; and making possibly the first observation of an object (possibly an asteroid) crossing the black hole’s event horizon; and also making potentially the first indirect observations of an exoplanet in another galaxy.
In additional to all of this, Chandra has supported Hubble in making significant observations of the planet and dwarf planets and moons in our own solar system, and also like Hubble, has benefitted the work of early career researchers, helping them to become established in the fields of astronomy, astrophysics and space science.
To mark Chandra’s 25th anniversary, NASA has issued a wallpaper featuring 25 of Chandra’s most stunning images captured in the X-ray wavelengths. The official announcement of the images can be found on the Chandra website, and the images are previewed in the video below, as well as being available for download as a wallpaper mosaic for computers.
Sadly, the celebration is a potentially bitter-sweet affair. Currently, Chandra has the ability to remain operational for at least another decade – possibly long enough to see the European Space Agency launch what might be seen as its successor, the Advanced Telescope for High-ENergy Astrophysics (Athena), which is due to be launched sometime in the early-to-mid 2030s. Unfortunately, this is may not now be the case; Chandra could cease operations within the next 12 months.
The reason for this is that NASA’s space science budget is being tightly squeezed, largely as a result of the rising costs associated with Project Artemis and returning humans to the surface of the Moon. In 2024, the space science budget had been due to get a US $500 million boost. Instead, Congress actually cut it by that amount. For 2025, Congress is looking to cut NASA’s space science directorate’s budget by almost US $1 billion.
Cassiopeia A, a supernova remnant 11,000 light-years away, imaged in X-ray & Infrared light, with the x-ray image produced by Chandra. Credit: NASA / ESA / CXC
As a result NASA has been looking at programmes to cut – and Chandra has been one to top the lists, with NASA management suggesting its US $67 million budget could be cut by 40%. The reaction to this was swift, with those managing Chandra both from within and without NASA pointing out that a cut that large would effectively end Chandra’s science mission forthwith. Thus, in an attempt to find some middle ground that would allow both Chandra and Hubble to continued to be operated, various ideas were put forward as to how Chandra’s costs could be reduced and / or how both the Chandra and Hubble science missions could be redefined, in order to allow both to continue for the next few years.
In response to this efforts, NASA authorised an Operations Paradigm Change Review (OPCR) to look at all of the suggested options and make a determination on their viability to reduce costs. The findings of this review were presented on the very day of the 25th anniversary of Chandra’s launch, during a meeting of the Astrophysics Advisory Committee, or APAC, the body, chartered to provide advice to NASA’s astrophysics programme. And the news was not good.
Having reviewed all the options weighted the costs and saving, the OPCR has essentially concluded that while they believe Chandra could be operated a a budget smaller than its present allocation, it would still require funding beyond what the new science directorate budget can afford – at least not without putting programmes and missions outside of it and Hubble at risk. Therefore, it may not be feasible for Chandra to continue from 2025 onwards.
When a massive star exploded in the Large Magellanic Cloud LMC), a satellite galaxy to the Milky Way, it left behind an expanding shell of debris called SNR 0519-69.0. This image shows a composite of the debris gas field using Chandra to reveal the multimillion degree gas cloud (blue) and Hubble to reveal the expanding edge of the explosion (red) and the stars of the The outer edge of the explosion (red) and stars of the LMC. Credit: NASA / STScl / CXC
The OPCR findings drew some frustration from APAC members, in part because APAC was itself excluded from any involvement in the OPCR process and was not given the opportunity to review the report ahead of the announcement. In response, OPCR members stated the review had to be handled on a short-term turn-around so that if a way forward could be identified and which offered a reasonable compromise on costs, it had to be published rapidly, so as to allow NASA and the agencies responsible for both Chandra and Hubble (the Chandra X-Ray Centre and Space Telescope Science Institute) to assess the overall feasibility ahead of staff layoffs across both programmes that are due to commence in September 2024.
The report does not automatically seal Shandra’s fate, options may yet arise where it is allowed to continue – such as through the support of one or both of the houses in Congress – but right now, it does make Chandra’s future appear to be grim.
SpaceX Resumes Starlink Flights with Falcon 9; Announces Dragon Splashdowns to Move back to US West Coast
In my previous Space Sunday article, I noted that SpaceX Falcon 9 flights were suspended pending the results of a Federal Aviation Administration (FAA) Mishap Investigation relating to the loss of a Falcon 9 upper stage and its Starlink payload during a July 11th/12th launch.
On July 25th, SpaceX announced the root cause of the loss had been traced to fatigue causing a a crack in a redundant “sense line” in the upper stage, resulting in “excessive cooling” of engine components, causing the rocket motor to fail. A near-term fix – removing the redundant line – has been identified pending a more in-depth fix, and this has been enough for the FAA to clear Falcon 9 to resume commercial launches. As a result, on July 27th, a Falcon 9 lifted-off from Kennedy Space Centre’s Launch Complex 39A, carrying 23 of the company’s own Starlink satellites.
One Falcon 9 stands on the pad at Space Launch Complex 40 while another lifts off from nearly by Launch Complex 39A early July 27th, 2024, marking the resumption of non-NASA related Falcon 9 launches. Credit: SpaceX
Whilst successful, the flight does not mean Falcon 9 flights to the International Space Station will necessarily immediately resume. NASA still plans for a “rigorous certification” of Falcon 9 and the software associated with the sensor to which the sense line had been connected, once SpaceX has completed all modifications to the upper stage of the vehicle. As such, the agency is not committing to going ahead with the launch of the 4-person Crew 9 mission to the ISS, due to lift-off on August 18th, 2024. However, whether this also means the planned launch of an automated Cygnus resupply vehicle to the station due on August 3rd remains on hold, is unclear; NASA’s had previously indicated all Falcon 9 flights to the ISS would be suspended pending re-certification, but following the July 27th launch, the agency specifically only mentioned the Crew 9 flight.
In a separate press release, SpaceX has indicated it will be switching Dragon splashdowns to off the west coast of the United States from 2025 onwards, rather than bringing them down off the Florida coast.
The decision is in the wake of significant pieces of debris from the Dragon vehicle’s trunk (effectively the power and propulsion “service module”) surviving re-entry into the denser atmosphere to fall to ground in places as wide apart as Australia, North Carolina and Saskatchewan. The change means that from 2025, instead of being used in the initial de-orbit burn and and then jettisoned from the Dragon capsule, which then performs its own final de-orbit burn, leaving the trunk to decay in its orbit and later re-enter the atmosphere a burn up, dragon vehicles will remain attached to the trunk throughout both de-orbit burns, with the trunk being jettisoned just before both reach the re-enter interface.
This means the the capsule and trunk will come down over the Pacific Ocean, rather than passing over the North American continent, with any trunk debris surviving its re-entry hitting the water somewhat up-range from where the capsule will splash down under parachutes.
Boeing Starliner Remains at ISS Amidst More Media Alarmism
The past week saw NASA provide an update on the Boeing Starliner situation, in which the CST-100 Calypso remains docked at the International Space Station, where it has been for some 50 days, despite the first planned crewed flight of the vehicle only being intended to last some 6 days in total following its launch in early June 2024.
As noted previously in these pages, issues occurred during the vehicle flight to the ISS, when it suffered a series of thruster failures – an issue that has been dogging the Starliner programme for some time. While the vehicle, carrying astronauts Barry “Butch” Wilmore and Sunita “Suni” Williams managed to safely docked with the ISS, its return has been repeatedly delayed leading to highly inaccurate references in the media and on social media to the idea that Wilmore and Williams are somehow “stranded” in space.
A time-lapse photograph of the CST-100 Starliner Calypso docked at the International Space Station as both orbit the Earth. Credit: NASA
This is far from the case, again as I noted as recently as June 30th (see: Space Sunday: of samples and sheltering); the delays have been purely to allow Boeing and NASA to conduct further comparative tests between systems on the ground and those aboard the Starliner docked at the ISS to better understand precisely where the issue lies. These tests are necessary inasmuch as the service module of the vehicle – which is home to the problematic thruster systems –will not be returning to Earth, but will burn-up in the atmosphere when Calypso does eventually make its return. Ergo, keeping it in space and carrying out these tests is the only means of verifying the findings of on-going Earthside investigations.
With further tests taking place over the weekend of July 27th/28th, both NASA and Boeing believe they are honing into on the root cause. Starliner has four clusters of thrusters gathered around the outside of the service module. These clusters, comprising a mix of four larger orbital manoeuvring and attitude control (OMAC) thrusters and smaller reaction control system (RCS) thrusters (28 in total, of which only one has completely failed) are housed in protective units call “doghouses”. Both the OMACs and RCS units are required during flight operations, often firing in sequence.
What appears to be happening is that under orbital conditions, pulse-firing the RCS thrusters (a rapid series of short, sharp burst of firing) immediately following the use of the OMACs thrusters in a doghouse can cause the temperatures inside the unit to rise well above anticipated levels. This causes the helium purge valves to leak, causing problems.
Boeing’s Starliner capsule is seen docked to the International Space Station in this zoomed-in and slightly pixelated view of an image captured by Maxar Technologies’ WorldView-3 satellite on June 7th, 2024. Credit: Maxar Technologies
Because of this, engineers, together with Wilmore and Williams, have been looking to make operational changes to how the OMCS and RCS system are used – such as by reducing the number of pulses the RCS makes when fired, or by reducing the number of times OMACs and RCS need to be fired either individually or in sequence, thus preventing the temperature spikes within the doghouse units.
During the update, NASA clearly stated that if the July 27th/28th tests yield good results, then an agency-level review on clearing Starliner for a return to Earth could take place within a week of the test results being confirmed. However, this still didn’t stop some media continuing to report Wilmore and Williams as continuing to be “stuck” or “stranded” in orbit, because drama maketh the headline.
Ākādo, A Love Project, July 2024 – click any image for full size
In my previous Exploring Second Life piece, I wrote about Ai-mura, a part of a region called A Love Project (see: Ai-mura: A Love Project in Second Life). Primarily created by ラパ (Rapa Tone) and Indra Herouin, Ai-mura, as I noted in that article, sits on a sky platform as one of a number of public spaces within the region, and I said I’d cover the rest in a future piece. So, here we are.
Occupying an area approaching a quarter of the region’s area in size, Ai-mura is, I believe, the largest single public space open to visitors within this Full region. By contrast Ākādo, also sitting on a sky platform and continuing the Japanese theme, covers an area a little over 5,000 square metres in size – which doesn’t make it any less curious and interesting to explore.
Ākādo, A Love Project, July 2024
Every now and then, Ākādo experiences a peculiar transformation, beckoning the townspeople to an otherworldly celebration. The narrow streets become alive with masked figures in ornate kimonos moving to the rhythmic beat.
– Ākādo About Land description
The landing point sits as an open-sided path running alongside of a water channel. The façades of little shops line the other side of the cobbles, whilst the landing area itself offers a note-card giver providing more information on the minds behind A Love Project as well as offering a teleport HUD giver. Experience-driven, this provides access to other public spaces within the region (including Ai-mura) and also to other related regions.
Ākādo, A Love Project, July 2024
At the far end of the footpath is a small precinct of businesses selling variety of wares, and a large boat with sitting with it bow abutting the local jetty. Unfortunately, the boat appears to sit within a boundary prim for the settings, and so sitting on board doesn’t appear to be possible (I got bounced up onto the awning). One of the eateries making up one of the little businesses does offer seating, however, whilst the other sits alongside the path leading up to a large, open-air paved space that’s given over the music.
This may well be the place of the celebrations mentioned in the parcel’s About Land description; it is certainly curious in tone. At first seeming innocent in looks, one only has to look at the waters over which the DJ booth sits to realise it has its own mystery. For there, rising from the depths, are a series of demon-like creatures. They are in fact oni statues, although they appear to have been called forth by the music – or perhaps they are seeking the Cthulhu-like creature on in the open waters…
Ākādo, A Love Project, July 2024
Steps rise from a corner of this square to pass by way of a shrine and then climb on upwards to where a temple sits at the top of the hill overlooking the events area. Here, prayers might be offered to Ōkuninushi – perhaps to keep the demons below at bay!
Using the teleporter HUD can carry one to a further sky platform, and a very different environment. Taking the name Saudade – the Portuguese term referencing the profoundly nostalgic longing for a beloved yet absent something or someone, this is a small space given over to remembering those whom have been lost.
Saudade, July 2024
It’s a beautiful setting designed by RavenStarr Fairelander in which visitors can literally walk among the clouds and commemorate someone dear to them whom they miss deeply through the release of a prayer balloon, or by sending a full permissions image (and presumably a short IM / note) to RavenStarr, who will add it to the picture board within the space.
Two further public spaces can be reached via the teleporter HUD. Both reside on the ground level of the region, which is also the location of a number of private residences, so please do keep to just the two public areas when visiting. The first I’ll mention is Bachata Magica, a waterfront destination mindful of the Caribbean or Latin America, and where – as the name suggests, Latin American music (and, presumably other forms of music) can be enjoyed whilst dancing on the sands between the gaily-painted houses and bars. The remaining space is a small gallery called Piece of Work, and is home to Indra’s avatar-centric and attention-holding photography.
Piece of Work, July 2024
Love Project offers may to see and appreciate, as I hope this and my previous article show – so enjoy.
Gallery Bjork, July 2024: Angelika Corrall – I Am A Woman
I recently returned to Venus by the Water, the Homestead region created by Elizabeth (ElizabethNantes) and Cecilia Nansen, a place I first visited in April (see: A Venus by the Water in Second Life). My reason for this visit was to see the latest exhibition at Gallery Bjork, featuring the work of Angelika Corral.
Angelika is for some perhaps best known for her time operating the DaphneArts centre alongside of Sheldon Bergman (SheldonBR). For the length of its run in Second Life, DaphneArts was one of the foremost galleries in presenting persistently engaging exhibitions and installations, a gallery I always enjoyed visiting. However, Angelika is a photographer-artist with a gifted eyed and the ability to tell a story – even a life – of emotion and spirit within the single frame of an image.
Within I Am A Woman, she presents a dozen images (I’ll come to the final two in the collection further into this article) focused on the female form. Presented in black and white – the medium Angelika prefers to utilise for her photography, these are images intend to speak to the beauty of the female form, yes; but not necessarily the beauty that is seen from without – although that is very evident through all of the pieces through look, pose, poise, framing, focus, etc. Rather, the beauty being celebrated here is that with lays within: the beauty of strength and grace women demonstrate in a world which has too long been biased more towards the male gender.
Gallery Bjork, July 2024: Angelika Corrall – I Am A Woman
Across the globe many women and girls still face discrimination on the basis of sex and gender. Gender inequality underpins many problems which affect women and girls, such as lower pay at work, lack of access to education, domestic and sexual violence. Women are roughly four times as likely as men to say they have been treated as if they were not competent because of their gender.
– Angelika Corral, I Am A Woman
However, to assume from the above that this is some form of “political” treatise on the “unfairness” of life when it comes to gender – it is not (although were it to be so would not lessen its message in any way given what is going on right now in many parts of the world – including the the United States, albeit not solely aimed at those of us of the female gender). Instead, within I am Woman Angelika offers up reminders of who we area as women; creates really not that different to the male of the species: creates of love, hope, strength, vulnerability; people who can love, thinking, create, manage, and excel.
Women artists have used photography as a tool of resistance. Self-portraiture has always been a tool of empowerment for women. The exhibition is dedicated to the “divine feminine” and intends to celebrate women’s power and grace.
– Angelika Corral, I Am A Woman
Each of the twelve primary images carries with it a reminder of the beauty, grace and strength to be found in a woman. Sometimes identifying all three is easy, in others, it is more nuanced. In this latter regard, I found The Flower particularly powerful, with its subtle references to natural beauty (the flower held in one hand, the naked back), and the clear references to fertility, and the core role of women as the mothers of all humankind and the truth that, without us, there would be no humankind.
Gallery Bjork, July 2024: Angelika Corrall – I Am A WomanWhich brings me to the final two images within this collection, which sit within the gallery’s smallest room. Presented as a pair one male (the only such male image within the collection) and one female. They are entitled Gemini Male and Gemini Female, and serve to underscore the the fact that, when all is said and done, not only are men and women really not that dissimilar, the vast majority of the so-called differences we encounter in life: inequality, discrimination, perceptions of value / worth / competency, are as much artificial constructs as the garments in which we clothe ourselves. In this these final two images also underscore the question Angelika poses throughout this exhibition, once again asking visitors (of any gender) to contemplate it further:
Don’t we all want to find new ways to live in a fair and just society, in a world of equity and equality?
– Angelika Corral, I Am A Woman
Powerful and evocative, an exhibition of beautiful artistry and powerful reflections. When visiting, do be sure, as well, to read Angelika’s dedication to her daughter – ad the all daughters of the world.