ONCEAGAIN: art and landscape in Second Life

ONCEAGAIN Gallery and region, May 2024 – click any image for full size

While writing about Splash the Gouache, the May / June 2024 exhibition by Onceagain (Manoji Yachvili) at Nitroglobus Roof Gallery (see: Splash the Gouache at Nitroglobus in Second Life), I realised it had been a while since I last visited Onceagain’s gallery. At the same time I learned that she holds her region open to public visits, and so I made a mental note to hop over and pay another visit as soon as time allowed.

That time turned out to be sooner rather than later after Onceagain contacted me to act if I would pop over and photograph the region in its current form, ahead of her closing the region for a summer make-over.

ONCEAGAIN Gallery and region, May 2024
The invite was offered without any request for me to blog the region- Onceagain was extremely generous in her comments about my efforts in photographing Second Life regions – but having spent time wandering through the landscape, I felt it more than worth the time to write about, and I believe that Onceagain is going to hold-off closing the region for its makeover for a few more days so that people can see it as I’ve written about it here.

The first thing to note about the setting is that it is a place that freely mixes art – Onceagain’s work as well as pieces by other artists and photographers active in Second Life – with landscaping; as such those familiar with exploring countryside and similar settings in-world should not expect the region of have a central theme or styling; rather, it should be enjoyed for its own innate beauty and for the art within it.

ONCEAGAIN Gallery and region, May 2024

The landing point is located on the south side of the region, within a warehouse-like building which presents the first confirmations of the artistic lean, within images and pieces by a number of SL artists. Also to be found here is the teleport up to the main gallery space. The latter is going through a state of flux at the moment as Onceagain makes changes; nevertheless the range of art on display is more than worth the time taken to visit.

Outside of the landing point the landscape sits under the custom EPP setting, which I would suggest is the best way to view everything (World → Environment → Use Shared Environment), although admittedly, I’ve blended skies in the images used here.

ONCEAGAIN Gallery and region, May 2024

Where you wander once you do set out is simply a matter of letting your feet take you towards whatever catches your eye; scattered across the landscape are several more buildings which are home to displays of art, whilst 3D pieces can be found outdoors as well as indoors.

The art offered throughout is captivatingly broad, but I will confess to being particularly drawn to a collection of Onceagain’s own work located within a raised building on the east side of the region. Here she has used her art to illustrate a series of poems (touch each picture for a copy of the poem it represents). Alongside of this (figuratively speaking, as the two are in different buildings) is another selection of pieces by Onceagain which frame quotes on art by artists.

ONCEAGAIN Gallery and region, May 2024

All of the buildings across the region are open to the public, with the possible exception of the house located in the north-west corner. Whilst not formally marked as private, it is a visual ode to the kind of home Onceagain would love to have in the physical world; a place set behind hedgerows and at the end of a well-set Zen garden.

Sitting within its own parcel, the house combines a place to live with a home studio any artist would probably love to call home. As it is separated from the rest of the setting by hedgerows and gates, I would advise staying outside and gently camming around if you want to take a peep, rather than potentially intruding. That said, the Zen garden is available to spend time in, and makes for a restful space in which to spend some time.

ONCEAGAIN Gallery and region, May 2024

One of the reasons I found the region so inviting on a personal level lay not only in the flow of the landscape and the blending of nature and art, but also in the fact that Onceagain and I share a similar taste in design aesthetics and Second Life creators. We both have a fondness for the work of Alex Bader, Sasaya Kayo, Kriss Lehmann and Krystali Rabini and for the architecture of Marcthur Goosson – all of whom are represented within my main island home. Thus, in walking through the setting, I felt a certain kinship, although her region and my island are vastly different in terms of look and feel.

Calm, inviting and with a superb selection of art, Onceagain’s gallery and region is well worth a visit by anyone appreciative of art, photography or simply visiting a creative, well-designed region in Second Life.

ONCEAGAIN Gallery and region, May 2024

SLurl Details

Splash the Gouache at Nitroglobus in Second Life

Nitroglobus Roof Gallery Annex, May/June 2024: Onceagain (Manoji Yachvili)

Currently open within the Nitroglobus Roof Gallery Annex, operated and curated by Dido Haas, is a fascinating mixed-media exhibition of art by Onceagain (Manoji Yachvili). It brings together gouache painting, Second Life avatar photography and software post-processing to produce a series (or should that be part of a series, given this is apparently not the full collection?) of 16 utterly engaging pieces of the artist calls Splash the Gauche.

As a self-taught artist, Onceagain has a creative range to her work that is as impressive as it is visually engaging. She notes in her own introduction to A Splash of Gouache, that part of the inspiration for the pieces contained in this exhibition came by way of having recently completely a course in tempera painting whilst also experimenting software tools focused on painting and drawing, before going on to state:

So I took some photos of my avi on SL and then post-produced them with this software and printed them on watercolour paper, giving them some real touches. I’m old school, I need to experiment first hand by touching and not just looking at what I’ve produced on a monitor and I often hang what I like on the walls of my home … The mix between three media: SL, SW and RL seemed like an interesting path to experiment and I simply enjoyed working on this.

– Onceagain (Manoji Yachvili)

Nitroglobus Roof Gallery Annex, May/June 2024: Onceagain (Manoji Yachvili)

For those not familiar with them, tempera and gouache are somewhat similar techniques, each with a very long history. They consist of combining pigments with a water-soluble binding agent (often egg yolk in the case of tempera, or gum arabic in the case of gouache). Both are long-lasting, and can infuse the paper on which they are painted whilst being very opaque when dry. Tempera is perhaps the faster drying of the two, with gouache capable of being moistened again to dry in a matte finish.

Within Splash the Gouache – the title presumably referring to the overall finish to the pieces in the collection – Onceagain presents a series of avatar studies, some of which feature sufficient nudity to potentially be considered NSFW. All of them have a feeling watercolour lightness combined with the gouache aspect of lighter tones appearing to have perhaps dried darker than than they had originally been, and the darker tones similarly lighter. This gives all of the pieces a blending of colour and tone that – even in those leaning towards darker tones and shades – have a certain lightness of being about them; a sense of life and vitality as the eyes are inevitably drawn to the figure within each piece.

Nitroglobus Roof Gallery Annex, May/June 2024: Onceagain (Manoji Yachvili)

Also present within each picture – again in part thanks to the combining of technique and the use of colour as much as the subject’s pose – is a sense of emotion and / or reflection of mood which more traditional means of imaging and portrayal might not so easily convey. There is narrative within each piece, although what that narrative might be is likely to vary according to the eyes viewing the pieces. In all they are tactile in the manner in which they hold the eye and mind – which is not unfitting, given Onceagain’s own preference for making physical contact with her art, rather than just rendering on a monitor screen.

Running through to the latter part of June 2024, Splash the Gouache is well suited to the large image format utilised at Nitroglobus, allowing us to fully appreciate the beauty of the pieces and Onceagain’s mastery of both her art and her use of technology. Thoroughly recommended.

SLurl Details

Time at Hylia’s Lake in Second Life

Hylia’s Lake, May 2024 – click any image for full size

Occupying a Full private region leveraging the 30K Land Capacity bonus, Hylia’s Lake is a charming public / residential location which mixes North American and northern European influences to offer an engaging and photogenic visit and, for those seeking it, a place to call home.

Operated by Anastasia Juriya and Gianella Melodious, the region is laid out around the central lake of its name, which forms a significant body of water without the rest of the region feeling in any way cramped. In this, the region is assisted through the use of off-region surrounds which have been blended into the region’s edges as much as possible to give the setting the sense of being within a verdant landscape of rolling hills, with some of the gaps between the landscape surrounds serving to look like further bodies of water sitting within the distant folds of land.

Hylia’s Lake, May 2024

The landing point sits on the south side of the region and within a small lakeside hamlet which combines several influences and which has at least on rather surprising (actual) place of business (the region is rated Adult). However, like its real-world counterparts, outside of the neon signage, the place is discreet in terms of no windows displays! It sits at one end of a row of virtual business and alongside the local chapel, patrons of which might well disapprove of being sandwiched between the shop and the local night spot – but c’est la vie.  Book-ending the row at its other end is the local pub, which as well as offering a pint and a game of pool also has a bike rezzing rack outside for those wishing to good for a ride.

Across the road is a car park / paved square which forms the actual landing point for the region. Here visitors can enjoy an outdoor drink, a meal at the marina restaurant or pick up the region’s rules and learn about the available rentals. The rules are worth reading – not because of any significant “do’s or “don’ts”, but because they provide information on available activities within the region which may or may not be available; during the winter, for example the ski lift appears to be operational, as is the slope alongside it, although for summer it is shut down (for obvious reasons!).

Hylia’s Lake, May 2024
Hylia’s Lake is a place to walk, take photos, or live with the seasons. Cottage rentals, chalets, or trailers are available for rent. The destination lives with the seasons and changes its appearance, winter invites itself with snow and at first the flowers spring forth. A small ski resort comes to life in winter with its chairlift and ski slope. There is a place to dock your boat and sail the lake.

– From the Destination Guide Entry

The rules also highlight the slipway rez zone, where boats and water vehicles of up to 100 LI might be rezzed to take out on the water (please mind the waterfowl also making use of the lake and avoid cross the marker line into the waters reserved of swimmers at the beach.

Hylia’s Lake, May 2024

For those who don’t have a boat, the slipway includes a jet ski rezzer – just sit on the one on the trailer and let it slip down onto the water, whilst to the side of the slipway there is a a Snipe 2.2 rezzer for those who might like sailing around the lake as well.Jet skis, sail boats and bikes are not all that is available to rez and use. A horse rezzer might be found on one side of the square for those who wish to ride around the region (and you can always slip on a wearable horse for riding around the region), with a quad bike rezzer in the parking area. The quad bike is a good choice, as the paved road running through the hamlet quickly gives way to a rutted track that circumnavigates the lake. Whilst cars could well likely make it around the track, the quad bike is more fun.

Hylia’s Lake, May 2024

The rentals within the region are all located around the shoreline of the lake and take a variety of styles well suited to the landscape. They all offer boat moorings and sit within their own parcels between the water and the track as it winds its way around the setting. In terms of public spaces, as well as the hamlet and the lake, there’s the aforementioned beach at the south- eastern extent of the lake (complete with a convenient horse rezzer if you have been riding and decided to dismount for time at the beach). The ruins of an old castle sit behind and above the beach (and are cut through by the meandering track), whilst elsewhere visitors might fight paths and trails meandering through the woodlands.

Swimming in the lake appears to be permitted, and the beach offers windsurfing  – but this is an activity for which local Group membership is required (fee: L$150, although the rules sate L$400). I’m not sure if other activities are Group limited, but joining appears to include rezzing rights for those wishing to place out props for photography – but as always, please clean up behind you!

Hylia’s Lake, May 2024

Considerable care has been taken with the landscaping and region design, making Hylia’s Lake exceptionally pleasing to the eye and camera, with the setting well suited to a range of EEP settings as well as the local default (I’ve used one on my own day settings for the images here). The accompanying soundscape rounds-off the region perfectly, with the entire atmosphere one of relaxed charm and gentle sophistication. As the rules note, and I mentioned above, this is an Adult region, so sexual activity is permitted, although I suspect the tenants and region holders might prefer this to be kept to with the rentals (all of which are fairly reasonably priced), and nudity is public spaces is discouraged.

A genuinely pleasing to the eye setting, well laid-out and with a sense of space and natural beauty that reaches well beyond the region’s physical boundaries, Hylia’s Lake is an engaging visit.

Hylia’s Lake, May 2024

SLurl Details

Hylia’s Lake (Riot, rated Adult)

2024 SL SUG meetings week #22 summary

Mirai Melody, May 2024 – blog post

The following notes were taken from the Tuesday, May 28th, 2024 Simulator User Group (SUG) meeting. They form a summary of the items discussed, and are not intended to be a full transcript, and were taken from my chat log and the video by Pantera – my thanks to her as always for providing it.

Meeting Overview

  • The Simulator User Group (also referred to by its older name of Server User Group) exists to provide an opportunity for discussion about simulator technology, bugs, and feature ideas.
  • These meetings are conducted (as a rule):
  • Meetings are open to anyone with a concern / interest in the above topics, and form one of a series of regular / semi-regular User Group meetings conducted by Linden Lab.
  • Dates and times of all current meetings can be found on the Second Life Public Calendar, and descriptions of meetings are defined on the SL wiki.

Simulator Deployments

  • On Tuesday, May 28, the Main SLS channel was restarted without any deployment.
  • On Wednesday, May 29th:
    • The BlueSteel RC channel should be updated with a re-deployment of the Spring Break Simulator update, after this had to be rolled back in week #20, and didn’t make the cut for week #21.
    • The rest of the RC simhosts will be restarted.

Upcoming Deployment

The major deployment for June is set to be Summer Fun. Among other things this should include:

  • Leviathan Linden’s game controller event work to support game controllers – although these will require a viewer-side update to expose the updated viewer UI.
  • Rider Linden’s work on the SL Combat System (SLCS) 2.0 updates (see my Combat User Group summaries for more).
  • LSL updates:
    • A new parameter to llRezObjectWithParams REZ_PARAM_STRING – allows the passing of a 1024 char string to the object being rezzed.
    • llGetStartString() to retrieve the string.
  • A fix for the notecard cache so that it a fixed amount of memory (enough memory to store 48 max-sized notecards) rather than the count of notecards.

SL Viewer Updates

No official viewer updates at the start of the week, leaving the pipeline as:

  • Release viewer: Maintenance X RC (usability improvements), version 7.1.7.8974243247, dated May 8 and  promoted May 13 – no change.
  • Release channel cohorts:
  • Project viewers:

In Brief

Please refer to the video for the following:

  • A further discussion on potential HTTP updates (such has the ability to read HTML).
  • A question on increasing the memory limit for scripts – in short, nothing in the works at present.
  • Both of the above sparked a general and overlapping discussion – please refer to the video below.
  • A request was made for a SL Combat 2.0 feature – the ability to teleport vehicles (which obviously could be used for other applications).
    • As Rider Linden pointed out, just one issue here is that regions (and parcels within them) can block object entry, and thus could cause teleports of vehicle at scale to go awry at times, as the teleport would have no way of knowing if vehicle entry is permitted at the destination location.
    • However, he requested the idea be submitted as a feature request so that it can be discussed internally.

† The header images included in these summaries are not intended to represent anything discussed at the meetings; they are simply here to avoid a repeated image of a rooftop of people every week. They are taken from my list of region visits, with a link to the post for those interested.

The Power of Hope at NovaOwl in Second Life

NovaOwl, May 2024: Christian Carter – The Power of Hope

The Power of Hope is the title of the May / June exhibition within the ground-level gallery space at the NovaOwl Gallery, operated by Uli Jansma and Owl Dragonash. It features images by Christian Carter (and marks for me, I believe, the first time I’ve encountered his work in a solo exhibition)which are linked by a core theme, as symbolised by a vibrantly coloured butterfly.

[In] this exhibition I wanted to be uplifting. We all need more positive things, more smiles, more light.
Here I am telling a story about a butterfly that symbolizes a Hope and travels around the World. Travel with me…
Once you choose hope anything is possible.

– Christian Carter, The Power of Hope

NovaOwl, May 2024: Christian Carter – The Power of Hope

What follows, across the two halves of the gallery space is a journey of images, some of them framed by quotes or aphorisms emphasising the power of hope, even in the more desolate or downtrodden aspects of life. The art is loosely grouped within the galley’s halls in terms of style and presentation: within the larger, airer hall are very large format pieces leaning strongly towards a black-and-white / monochrome finish, with the sub-divided space of the smaller hall presenting pieces sized to suit its wall space and within which the use of colour is much more prominent.

It’s a highly effective approach; with their focus perhaps more on the realities of day-to-day life as well as touching on the more metaphysical aspects of hope, the monochrome images give a clear symbol of the latter through the focused presence of colour or the considered use of reflections on glass to suggest brightness (and therefore hope), whilst their broader monochrome composition offers commentary on the realities of the present.

NovaOwl, May 2024: Christian Carter – The Power of Hope

It is within this section that the exhibition has perhaps its most poignant pieces in the form of There is Always the Light and Despite all of the Darkness, both of which particularly speak to some of the malaise affecting modern society (waste and destruction / homelessness and our too-often indifference to it) – and the expression of hope that one day we will all overcome these issues and attitudes for the betterment of ourselves and others.

Within the smaller gallery space, the images are perhaps more metaphorical in nature, reflecting the aphorisms (some of which might be seen as truisms, but which are nevertheless lifted above the trite through Christian’s excellent artwork and use of colour). These are perhaps more uplifting images in terms of the richness of colour within them, although the underpinning truths they contain speak as clearly as those framing the monochrome pieces. In addition, further touches of social commentary might be seen in both some of the expressions written on the gallery walls and in the little 3D elements Christian has put together is support of his images (such as the little homeless bear in one corner).

NovaOwl, May 2024: Christian Carter – The Power of Hope

Visually engaging and with a positive message for the future built on reflections on life, The Power of Hope will remain at NovaOwl through May and into June.

SLurl Details

2024 SL viewer release summaries week #21

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates from the week through to Sunday, May 26th, 2024

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.

Official LL Viewers

  • Release viewer: 7.1.6.8745209917, formerly the Maintenance Y/Z RC ( My Outfits folder improvements; ability to remove entries from landmark history), dated April 19 and promoted April 23 – No Change
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself).
    • No updates.
  • Project viewers:
    • No updates.

LL Viewer Resources

Third-party Viewers

V6-style

  • Alchemy – 7.1.7.2486 (Beta PBR build) May 25 – release notes.
  • Black Dragon for Windows version 5.1.3 (PBR) May 22 – release notes.
  • Kokua: 7.1.7.54548 (no RLV) and 7.1.7.58088 (RLV variants)  (PBR), May 25 – release notes.

V1-style

  • Cool VL Viewer Stable branch updated to version: 1.32.0.24 (PBR); and Experimental to version 1.32.1.7 (PBR) on May 25 – release notes.

Mobile / Other Clients

  • No updates.

Additional TPV Resources

Related Links