Florence Bay – click any image for full size
Update, February 2020: Florence Bay has closed. SLurls have therefore been removed from this article. However, Florence at Low Tide is now open – see Witnessing Florence at low tide in Second Life for more.
Florence Bay is a homestead region held by Gnaaah Xeltentat and Tomaso Franizzi, with landscaping by Minnie Blanco (Minnie Atlass). Minnie both runs and landscapes the Soul 2 Soul region (some of which you can read about here, and here); given my fondness for hers work, I was curious to take a look at Florence Bay, so we recently hopped over to explore.
The region is listed by Gnaaah and Tomaso as “private, but please wander and enjoy”. Two large houses are located on the island; as these are private residences for both Tomaso and Gnaaah, people are asked to respect their privacy and consider both properties as off limits, although there are no security systems in place.
Florence Bay – click any image for full size
The setting is suggestive of somewhere in northern latitudes, the tall off-region peaks on two sides suggesting this is a rugged upthrust of rock just off a stretch of untamed coastline, caught under a cold, wintry sky. Fir trees and scrub grass are the dominant flora on this hunched landscape, their presence and the sound of the wind whistling its way in off the sea further enhancing the sense that this is somewhere well north of the Topic of Cancer.
At the time of our visit, there was no enforced landing point for the region, so for this article I’ve arbitrarily selected a point in the south-east corner of the region, as it seems a logical place to start explorations. A narrow ribbon of shale beach curls around a low-lying promontory here, the home to a copse of tall firs and an old chapel. The latter appears to have been converted to a place for general meditation or reflection, rather than being a place a worship, the altar replaced by a warming fireplace. For those with a taste for adventure, a raft lies among the reeds of the shallows close by. This again offers a place of rest and shelter, although the manner in which its makeshift sail is catching the wind suggests it is eager to break free of whatever ropes or chains are holding it in place…
The little promontory curls around to connect to the bulk of the landscape, climbing as it does so. Here rocky paths can be found, one running west, the other north, each leading to the private residences. It is also here that things get a little confusing with exploring.
Beyond the western house is a little café and, sitting behind it on a second headland, a shed housing – rather incongruously, given the overall rugged setting – a car undergoing repair. However, while the café would appear to be a public space, the only way to reach it is by walking directly in front of or around one of the two private residences, potentially impinging your presence, even in passing, on the property. It thus becomes a little confusing as to whether the café is a public space or not.
Similarly, beyond the headland with the garage, the land falls away to another low-lying finger of rock and shale beach, complete with a set of piers reaching out into the deep cut of the western bay. Chairs sit on the piers, and a rowing boat with sitting poses is moored alongside, together with a fishing boat, all of which suggests this is also a public space; but again, to reach it requires a degree of trespass through the garden of the private house.
This pier looks both eastwards and back inland to where the second of the two houses sits high above the frigid water atop a shoulder of rock, and north to were a narrow cleft splits the land, spanned by a wooden bridge. This can be reached by following the path from the my offering arrival point westwards and up over the low hump of a hill, before turning right and away from the first house and its gardens.
This route passes over another grey beach of shale curing within the large bay before rising to the western headland, offering a view down to a small, and previously hidden cottage sitting right on the coast, and access to a path running up to the bridge and the small knuckle of rock beyond – the home of firs trees and a bear with her cub.
There are odd little issues that might be found when travelling across the region: the rocks used to mark the paths can be seen hovering over the landscape in places, while there were a few points where we either bounced off of flora that wasn’t phantom or fell through rocks that unexpectedly were. But when taken in total, there is no denying the atmosphere exuded by Florence Bay, accentuated nicely by the region’s soundscape, and the fact that it lends itself as a perfect location for photography.