This Week in Second Life Dance

 

Statue

Hi there. R. Crap Mariner, your Dance Correspondent.

I’ll be posting dance performance schedules, similar to Inara’s posts about Seanchai Library readings. We’ll start with the weekend events for now, but if y’all want more, I can expand this to This Week in Second Life Dance.

Let’s get started…


All times SLT

FRIDAY, FEBRUARY 1

6:00PM ELYSIUM CABARET

Welcome to the Weekend!

If it’s Friday, it’s Elysium Cabaret! Fancy some imagination? In The Empire Room at Copperhead Road, every Friday at 6pm SLT the dynamic performers of Elysium Cabaret take the stage to bring you a solid hour of entertainment! Featuring elaborate sets and choreography sequenced to an eclectic genre of music, Elysium Cabaret offers something for everyone. Grab your friends and get their early because the sim fills. Come celebrate Friday! Welcome to the weekend!

SLURL: The Empire Room

NOTE: After the performer acts, there’s a participatory dance where the audience is invited to join on stage. As they say “In every avatar’s heart, there’s an Elysium Cabaret dancer!”

Empire Room - March 24 2017

SATURDAY, FEBRUARY 2

6:00PM WHYMSEE NOIR

Whymsee Noir Your Cabaret: Into the Depths Saturday For the Let’s Dance show, we trade in our sets for MORE dancing and LESS wait time between songs! There will be lots of wiggling, dancing, physics, and a little dazzle thrown in for good measure! Dance along with us or have a seat in our comfy chairs, we like it when you watch! No naked avatars, just dancing. Come to the show and see what all the fuss is about!

SLURL: Whymsee Noir

NOTE: This is a participatory dance event where the choreographer brings the whole crowd along in the themed dance.

7:00PM PARAMOUNT GRAND THEATRE

Paramount Grand Theatre Krewe de Paramount! Paramount Grand Theatre’s brand new show for February. Come join us for an evening of classy but sassy entertainment as we the Paramount Players dance for you, February 3rd and 10th at 7pm slt. The Players are dancing in the Mardi Gras and Carnival. It’s even the month of Love with your Valentine! Put your dancing shoes on, come in costume if you like, and see the Players dance!

SLURL: Paramount Grand Theatre

7:00PM MOULIN ROUGE

LIVE – Carnival Dance Show Please come on out and join us tonight for a sparkling night of carnival with lots of Brazilian flaire and Mardi Gras delights straight from the streets of New Orleans, with lots of swing, love beads, and perhaps some voodoo, too! Sexy babes and studly take the stage tonight in a smorgasboard of visual and auditory delights! Hope to see you all there! Semi-formal or formal is always acceptable or dress within theme of the show for the night. Thank you!

SLURL: Moulin Rouge Island

Moulin Rouge

SUNDAY, FEBRUARY 3

6:00AM CLUB IMAGE

We have beautiful dance shows on Sundays at 6 am SLT!
Join us at Club IMAGE ! It’s worth getting up early !
Grab your friends and morning coffee !
Enjoy one of the finest dance shows on SL!

SLURL: Club IMAGE

Club Image

5:00PM WINDS OF THE SAHARA

Winds of the Sahara Each Sunday we have a shiny, new show at Winds of the Sahara Theater. Our dances range from burlesque to performance art and you are sure to be amazed at all of the wonder that sets, costumes and music can create. We’ll put sparkles in your eyes and leave sequins on your shirt collars.

SLURL: Winds of the Sahara

Winds of the Sahara - January 28 2018


Please check with the Dance Queens event calendar for updates and additions to the weekend’s schedule, as well as the many events that happen during the week.

Also, not all dance groups in Second Life post to the Dance Queens event calendar (but they should!) Until that glorious day, you’ll need to join that specific announcement group for updates.

Now is the time on Living in a Modem World when we dance…

Hi. I’m R. Crap Mariner. I write things.

While Inara’s keeping busy in both Second Life and Sansar, I thought I’d share a bit about something that’s been keeping me busy for a while (No, it doesn’t have anything to do with a certain pirate who’s not a very good pirate).

For the past year or so, I’ve been obsessed with shooting photographs of the Second Life dance performance scene.

Guerilla Burlesque

A few months ago, I pinged Inara about an upcoming Monarchs full-sim dance show, but she was busy with some stuff, and she asked me if I could write something up about it. Being a professional writer, I did what came naturally: I dawdled and procrastinated, and I missed the deadline.

Yeah, I suck.

It All Begins at the Beginning…

I got an invitation to see a show by Guerilla Burlesque on the Idle Rogue region (okay, dozens of invitations over the years, but remember, I suck). I enjoyed the performance very much, and got to know the folks there, Over time, I’ve learned of so many other groups, 50 so far. And every month there’s somebody new out there learning the dance controller systems and putting their imagination out there for an audience.

Guerilla Burlesque

It’s amazing what people come up with, individually and in groups, bringing together so many elements:

  • Costumes
  • Sets
  • Controller systems
  • Animations
  • Music

It all comes together to make something truly alive and special. It’s art in motion and sound.

Club Image

So Many Groups

There are groups and performers from countries all over the world. England, Scotland, Japan, Germany, France, Russia, Australia, and Brazil to name a few.

Debauche - July 23 2017

Some of these groups, such as the dadaesque Ballet Pixelle, have been creating and performing for over ten years. Man, all those shows I’ve missed… big time sad panda. But sometimes, Ballet Pixelle brings back the classics.

Ballet Pixelle - Olmannen - August 27 2017

There are many different types of shows out there:

  • Themed shows, like Guerilla Burlesque of the Idle Rogues recently did with Caledonia Skytower’s Dickens Project or TerpsiCorps movie-inspired productions. The Royal Opera does some impressive ballet and opera productions, too.
  • Full-region productions, like Monarchs Kingdom does for Halloween and Christmas, or Club Image did for their Monsters Tea Party for Halloween.
  • Variety shows, like Winds of the Sahara and Noir Neverland.
  • Racier shows, such as the complex classy choreography of Debauche and La Coquette, or the naughty fancy of Kiki’s Burlesque.

From individual cabaret acts to full-on dance theatre, there’s something for everyone.

A&M Mocap - August 12 2017

Yes, everyone.

After a while, you’ll notice a few names that come up over and over again in performances. A lot of performers work the circuit, whether bringing an act to multiple variety shows, or lending a hand (and a body) to a group act for their friends at different shows. It’s like a large extended family, odd cousins and all.

Elysium Cabaret Roster

Galleries and Resources

There’s an in-world gallery at the Dance Queens infocenter, where you can learn of many of the groups that perform in Second Life. They have also a group for performance announcements (search for DANCE QUEENS), and an online calendar and blog which collect announcements for upcoming shows. This is useful if you don’t have all that many group slots available to keep track of upcoming shows.

Dance Queens Lobby

The Burlesque Network and Belly Dance Goddess groups are similar to Dance Queens, only for Burlesque and bellydancing.

There a lot of other photographers out there who maintain in-world galleries and Flickr galleries. And there’s a large number of people who post videos of dance performances to YouTube, too. These previews can give you an idea if a group’s performances suit your tastes or pique your interest.

I post my photo archive on Flickr, and I maintain an in-world gallery of the best of these photos on the recently-highlighted Edloe region. Each pushpin under a group’s frame contains that dance group’s home venue landmark.

The Gallery

Audience Etiquette

When you do attend a performance, and I strongly encourage that you do, please keep in mind that scripting load and memory on a region is absolutely critical for the movers and controllers and HUDs to work properly. Just as many people come up with minimal outfits for shopping and events, I’d recommend that you come up with a minimal and optimized outfit for attending dance performances. You do not need that Maitreya Lara Body HUD or the Catwa mesh head controller, do you? Many of their venues post script-shaming boards, and they will let you know if you need to pare down a bit to help keep things moving smoothly. After all, everyone’s there to see the show, not you in your seat, right?

Club Image Audience Shots

Also, facelights can disrupt the lighting configuration that many choreographers use in their sets and performances. Once again, everyone’s there to see the show, not you.

One trick that some people use is to derender everyone in the audience to reduce their impact on your viewer’s performance. Be sure to use Temporary derender, because a lot of people in the audience may turn out to be performers in other groups.

Winds of the Sahara - December 10 2017

Oops!

Tips are not required, but greatly appreciated. That’s how the performers buy new mocap dances, costumes, and pieces for their sets.]Some groups and venues have individual performer tipjars, while others have a collective tipjar that’s split among the choreographers. They’ll let you know how they share the loot, but it’s also okay just to applaud and hoot and holler if you’re spent your last dime at The Arcade, okay?

The host of the event will go over the rest, such as Windlight settings, draw distances, nametags, and so on. But the most important thing is to enjoy the show.

Learning the Moves

If at some point you catch the dancing bug and you’re interested in learning how to perform, some groups and performers teach classes on how to put together dance routines. In fact, Bernard Herzog’s New Brighton Belles recently put out a call for new performers.

I haven’t yet gone down this road, because I’m still into the whole photography thing, but at some point, I should probably take a class so I can have a better appreciation for what my friends do to bring that experience together.

Of course, the chalkboards may also be dancing…

Elysium Cabaret - November 17 2017

But every now and then, when there’s an audience participation event…

Debauche? - December 24 2017

There’s so much more…

I strongly encourage performers and groups to post in the comments some friendly invitations to their performances. Because there’s just so many of y’all out there, I feel like I’m letting a bunch of y’all down by not mentioning everyone, but I’ve got to keep it concise, right?

Oh, and by the way, Inara’s invited me to cover the dance performance art scene, and I’m hoping to do some profiles of dance performers and groups. You know, like Inara does sim journeys and explorations, with interviews and photos and video and stuff.

Thank you, Inara, for this opportunity to get the word out, and here’s hoping something I post here entices y’all to check out some of these amazing and entertaining performances.

Until then, this has been your fast easy fun reporte- oh, wait. That’s the alt.

(Back to your regularly scheduled programming.)

Thank you, R., for writing this, and for agreeing to run a new series through these pages – I’m absolutely delighted you did, and looking forward to the reviews, profiles, pictures and learning more about performance dance in SL.

Inara.

Monarchs: a royal dance treat in Second Life

Monarchs AMNESIA, Filling the Cauldron, April 2017

On Saturday, April 8th, I was among a 40+ audience for Monarchs Dance Company’s special production of Amnesia for Filling the Cauldron. And I have to say from the outset – it was fantastic.

“Allow us to invite you to join us on a trip along our twisting memory lane!” Diiar Vader Shippe, lead for Monarchs stated in the promotional material for the show, “Six very different dance performances, with original builds, choreography and a wide assortment of music take you back and forwards, up and down in time. Our time. The Monarchs’ time. To a distant past and a hopefully not so distant future.

“If that is not incentive enough to join us, consider this: there will be unicorns, giant robots, girl power, magic pianos and a new spin to a classic tale…and dragons!”

Monarchs AMNESIA, Filling the Cauldron, April 2017

And oh my, did they deliver!

I’ve seen many shows and dance performances in Second Life over the years, some of which I’ve reviewed in these pages, but Amensia was something else again. As Diiar states, six individual dances brought together into a single show. A show which  lifted-off from the world of steampunk and carried us through a marvellous “solo” dance in which two dancers offered a perfectly synchronised dance in which one was the “reflection” of the other,  mirrored in the water by which the other danced.

Monarchs AMNESIA, Filling the Cauldron, April 2017

From here we travelled deep into the jungles and an exotic dance complete with runes and fire, before we were all felt the chills multiplin’ as were carried by Greased Lighting to a world of cars, and a rendition of You’re The One That I Want, complete with rapping.  Nor did it end there; our next destination: an exotic garden worthy of Elicio himself for an enticing dance among towering plants.

Monarchs AMNESIA, Filling the Cauldron, April 2017 via Crap Mariner

Each dance was marvellously choreographed, perfect synchronised even with an audience of 40+ people in the auditorium. Each sequence offered a unique environment and some magical touches. The mirrored dance, mentioned above, was simply breathtaking in its technical creation and the elegant beauty of its execution. The jungle dance, complete with fight scene as two warriors appeared to the via for the attention of their tribal chieftess was magical, the Grease tribute a foot-tapping treat.

But it was the final dance of the evening which delivered the must visually stunning spectacle as we were carried to the lands of Ice and Fire and the gates of a fortress echoing both Winterfell and Kings Landing, for a tremendous dance scene which carried us on a tour de force reckoning of the Games of Thrones universe – complete with the promised dragons. The latter took to the sky over the audience in a choreographed flight and a fiery climax.

Monarchs AMNESIA, Filling the Cauldron, April 2017 via Crap Mariner

Amnesia was a stunning performance and an amazing introduction to the Monarchs and their shows, which I’ve previously (and foolishly) not had the opportunity to witness. From this show, you can certainly count me a convert – so much so that it is more than likely the Monarchs will be back at Holly Kai park in the future.

In the meantime, their next major performance will be Draco Eternum, a new show they will be unveiling at this year’s Fantasy Faire, and which Diiar describes thus:

The show tells the story of a world where dragons reigned supreme long ago. Their very existence securing peace and prosperity to the land – but now they are gone. Even in houses of learning dragons are but a myth, a legend, a story for drunken nights by the tavern fires…

Now the quest is on to discover the true secret behind the fall of the dragons and to save the kingdom before it is too late!

The show will be performed on April 21st at 15:00 at Fantasy Faire, and then daily from the 24th though 29th April. I’ll have more on the show – and on the Monarchs in an upcoming article in this blog and on the Fantasy Faire website.

With thanks to Crap Mariner for the images used in this article – see the rest on Flickr.

Of Montagues and Capulets and dances of desire

"O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;" - Roemo+Juliet, the Basilique Performing Arts Company
“O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;” – Romeo+Juliet, the Basilique Performing Arts Company

I’ve recently blogged a few times about the Basilique Performing Arts Company’s productions, both the upcoming  Paradise Lost and the current Romeo + Juliet. The latter is now into its final run for the current season, having just four more presentations to go during January and February. Lauded and acclaimed since opening in April 2013, this really is a show not to be missed, and I do encourage anyone who has not seen it to take advantage of the remaining four show dates and attend a performance; you will not be disappointed.

A love-struck romeo - Romeo+Juliet, the Basilique Performing Arts Company
A love-struck Romeo – Romeo+Juliet, the Basilique Performing Arts Company

Those familiar with the filmography of Baz Luhrmann may spot from the production’s title that it carries something of a hat-tip towards his 1996 cinematic piece starring Leonardo DiCaprio and Clare Danes. However, this isn’t merely a transcribing of Luhrmann’s cult classic; this production more than stands on its own as a slick and creative retelling of the tale of tragic love and star cross’d lovers.

With a costume style carrying a distinctly mid-1940s USA look, complete with sharp suits, fedoras, brogues and automatic handguns but with a distinctly renaissance-inspired feel to the sets, the production has been beautiful conceived and directed by Canary Beck (who is also the narrator) and produced by Harvey Crabsticks. Dance and music lay at the heart of the production, the latter from the likes of Nat King Cole, Ewan McGregor and Nicole Kidman, Michael Buble, Jack Black, Carl Douglas, Moby, Duran Duran, The Indigo Girls, and Queen.

Unrequited love: : Paris dances with Juliet, Romeo+Juliet. the Basilique Performing Arts Company
Unrequited love: : Paris dances with Juliet, Romeo+Juliet. the Basilique Performing Arts Company

This eclectic soundtrack brilliantly enhances each scene, bringing to each a sense of mood which is very cleverly conceived and, in places, not a little mischievous.  At the start of the performance, for example, Mercutio, standing-in for Benvolio,  has his view that love is a simple matter of sexual appetite engagingly underlined in the opening number, Straighten-up and Fly Right as he seeks to lift the spirits of a downcast Romeo. Later, his showdown with Tybalt is played-out to Carl Davis’ Kung-Fu Fighting, which, despite the tragic outcomes of that confrontation and the one which immediately follows it, again underlines Mercutio’s irreverent outlook on life.

One also cannot mention the music within the play without mention of the choreography. This is simply exquisite, the dances clearly conceived and executed to suit the numbers to which they are danced, further lifting Romeo+Juliet into the realm of the extraordinary. Through the combination of dance and the accompanying soundtrack, the audience experiences the range of emotions reflected in the tale, such as both the passion Juliet and Romeo feel for one another, and the pain of unrequited love Paris feels towards Juliet. In the case of Paris in particular, the use of music and dance further serves to make him more of a sympathetic character than perhaps the original play allows.

Romeo and Paris confront one another outside the tomb where Juliet lay - Romeo+Juliet, the Basilique Performing Arts Company
Romeo and Paris confront one another outside the tomb where Juliet lay – Romeo+Juliet, the Basilique Performing Arts Company

The nods towards Luhrmann’s film are not limited to the name of this production, either, but are cleverly carried through several scenes. Note Juliet’s costume for the Capulet feast, for example, and the use of television sets between each set, which are reminiscent of Luhrmann’s use of news broadcasts to convey the broader strife between the two families. Other motifs from the film are also used with great effect in the production, most notably, perhaps, during Act V.

All told, the Basilique Performing Arts Company’s Romeo+Juliet is a remarkable piece which substantially raises the bar for performance art and drama in Second Life. Aso noted at the top of this article, if you’ve not already seen it, I cannot recommend it highly enough nor urge you strongly enough to make sure you do. Full kudos to all involved.

"O my love! my wife! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty" - Remeo+Juliet the Basilique Performing Arts Company
“O my love! my wife! Death, that hath suck’d the honey of thy breath, Hath had no power yet upon thy beauty” – Romeo+Juliet the Basilique Performing Arts Company

The last four presentations for the current run of the production will be:

  • Saturday, January 25th, 13:00
  • Saturday, February 1st, 13:00
  • Saturday, February 8th, 13:00
  • Friday, February 14th, 13:00

All performances take place at The Basilique Playhouse. Please refer to my earlier article on the production for notes on how to enjoy it to the fullest.

A Sneak Preview

Paradise LostFollowing the performance of Romeo+Juliet on Sunday January 19th, Canary and Harvey generously invited me backstage to the rehearsals area for the Company’s upcoming new production Paradise Lost: The story of Adam and Eve’s original sin, which opens in Spring 2014, and which currently has an open casting call for a number of roles.

While backstage, I was privileged to see a performance of three scenes from the new production. Sadly – although fully understandably – I was asked not to take any pictures while the cast were performing, so I cannot visually share just how impressive Paradise Lost will be. However, I can say, with hand firmly on heart, that the production further builds on the incredible work that has gone into Romeo+Juliet, and promises to be something extraordinarily special in Second Life when the curtain rises this spring.

It is evident that considerable effort has been put into refining and improving the techniques used within Romeo+Juliet, and an enormous amount of care and attention has again been put into developing choreography which carefully and precisely matches Mozart’s Requiem. This will definitely not be a production to miss, and I’m already keenly anticipating its opening.

Moulin Rouge: love and loss in dance

showgirlsI’ve been remiss in not posting about this sooner – but schedules have been such that it was only this weekend that I managed to see Moulin Rouge, the latest show performed by Alma Fushikizoh and Blysse Biondi’s Showgirls. And I wish I’d seen it sooner.

Putting on any live show in Second Life is never easy, as any artist will tell you. A “simple” concert can be prone to a wide variety of problems at the best of times, particularly when Second Life wants to really misbehave and start crashing people. When you’re trying to combine a stage piece with live / streamed music and / or Voice, the issues can frequently be compounded – trying to get everyone moving at the right time, combatting lag, ensuring dances are correctly synced, the music is streaming correctly – it all takes time, patience, understanding and a lot of hard work by the cast and crew.

mr-20

As such, Moulin Rouge – which is probably best described as a dance interpretation of key songs and scenes from Baz Luhrmann’s 2001 version of the film Moulin Rouge! which featured Nicole Kidman, Ewan McGregor and John Leguizamo – is a daring undertaking.

Conceived by Blysse Biondi, directed by Alma Fushikizoh, and produced by Alma, Blysse and Ayesha Lytton, and with choreography by Alma and Dixie Barbosa (animations), the show currently runs through until the 24th of March, with performances on Saturday and Sunday nights commencing at 18:00 SLT at the Balboa Theatre in San Diego – and it really is worth seeing.

Moulin Rouge is being staged at the Balboa Theatre, March 16/17 and 23/24 at 18:00
Moulin Rouge is being staged at the Balboa Theatre, March 16/17 and 23/24 at 18:00

With a cast of ten, and dance numbers of significant complexity – performers being both synced to one another and to the music while at times performing entirely separate dance sequences to one another – Moulin Rouge really does need to be seen, rather than described. The stage sets themselves are both original and familiar, encompassing both the famous red windmill of Le Moulin Rouge itself, as well as representing the interior of the great cabaret club in a reflection of scenes from Luhrmann’s movie.

Moulin Rouge: Satine (Jaine Elvehjem) flanked by Christian (Mischievious John) and Toulouse Lautrec (Mishimaishi Resident) with the Showgirl dancers in one of the show's several complex routines
Moulin Rouge: Satine (Jaine Elvehjem) flanked by Christian (Mischievious John) and Toulouse Lautrec (Mishimaishi Resident) with the Showgirl dancers in one of the show’s several complex routines

Each dance interprets a key scenes from the film, including Satine’s arrival via trapeze, Jacek Koman’s gutteral rendition of Roxanne in El Tango Roxanne, together with The Show Must Go OnNature Boy and Hindi Sad Diamonds, and, of course, Come What May. With a total of eight dance “acts”, the entire show runs for some 30 minutes, and not even SL deciding to be especially mischievous on the night I sat down in the theatre (a dancer crashed immediately prior to curtain-up, then two more suffered the same fate during El Tango Roxanne – one of who was operating the stage HUD) could dampen the enthusiasm of both cast and audience.

El Tango Roxanne - Moulin Rouge
El Tango Roxanne – Moulin Rouge

As mentioned above, Moulin Rouge has four more performances currently planned for the Balboa Theatre, on the 16th, 17th, 23rd and 24th March. It is a show worth seeing.

Tips on Attending

Live performances in virtual worlds frequently face challenges such as lag. Virtual Dance is no exception to this, particularly as it involves a lot of scripting and gestures. To assist in the audience’s enjoyment of the show, therefore, patrons attending any presentation of Moulin Rouge are respectively asked to consider:

  • Arriving early: performances can be held up as a result of a lot of people arriving just before the curtain is due to go up, and who inevitably suffer rendering delays, problems getting audio streaming active, etc. A slightly earlier arrival ensures these things can be dealt with easier and without the fear of missing part of the show
  • Reducing lag both in the viewer and on the region where the performance is taking place by: removing any heavily scripted HUDs and other items; wearing lower-prim hair; dispensing with the bling;  turning off nametags / Show Lookat to reduce the number of things your viewer has to process
  • Making sure all microphones are off if Voice is used within SL. If someone does leave their microphone open, the gentle thing to do is to open the “Active Speakers” list or “Nearby Voice” list, select the person, and roll the volume slider at the bottom of the window down
  • Keeping calm: most performances encourage audience reactions in local chat.  It helps the performers know that you are there and having a good time.   However, please save such noisemaking until it is time to applaud
  • Turning on Quiet Snapshots, if taking photos.
Christian and
Christian (Mischievious John) and Satine (Jaine Elvehjem) in the finale of Moulin Rouge

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