Maps as metaphors: Second Life and Sansar

The map is Second Life offers a powerful metaphor for the grid being a contiguous whole, even where private reagions may be remote and physically isolated from their neighbours
The map in Second Life is seen as a powerful metaphor for the grid being a contiguous whole, even where private regions may be remote or physically isolated from their immediate neighbours

Just how important a metaphor is the concept of a “world map” to Project Sansar? Given it has been a topic of discussion in both the first and second instalments of LabChat, and has been given by some as a reason for not wanting to be involved at all in Project Sansar, one might say “very important”; and there is no denying it does have its uses. But is it really as intrinsic to our use of Second Life as has been portrayed, and because it may not exist within Project Sansar in the manner we’re accustomed to seeing in SL, is it really a reason to proclaim we’ve no interest in the Lab’s new platform?

Within LabChat, the discussions on the Map have revolved around two ideas: that without the map, there will be “no sense of community”, and that it gives Second Life a greater sense of presence and of being a place when we’re within it.

I admit that in terms of the map being somehow central to the ideal of community, I find myself in agreement with Ebbe Altberg; that when all is said and done, the world map (and mini-map) don’t hugely contribute to a genuine sense of “community”. Yes, they help us find busy places we might want to visit (or avoid!), or see how busy a venue or store is, etc. But really, this doesn’t add to any feeling of “community” within SL. That comes from the people we meet within those spaces and how they interact with one another and us; how we in turn relate to them; what is going on within those spaces in terms of activities and events, etc. These are the things which are going to bring us into a community, and in that regard, the map really places no larger a role than search; it is simply a means to an end.

Is it really the map which gives SL its sense of community - or is it the people themselves. I'd tend to go with the latter (image: Richard Finkelstein (Leko Littlebird), SLCC 2011)
Is it really the map which gives SL its sense of community – or is it the people themselves? I’d tend to go with the latter (image: Richard Finkelstein (Leko Littlebird), SLCC 2011)

However, the idea that the world map presents Second Life as a place, adding to our sense of presence, is harder to deny. In fact, given that Second Life is intended to be a single world of (largely) interconnected spaces, its representation via a map can be a vital aspect of reinforcing this view. In other words, the map is, for many  – but not necessarily all of us – an intrinsic part of how we see Second Life as a connected whole, a place.

When it comes to Project Sansar, however, things are slightly more complicated. For one thing, it is not designed to be a single “world” in the same manner as Second Life. It’s a platform for hosting multiple “worlds” (“experiences”, “spaces”, “environments”, call them what you will), many of which may well have nothing whatsoever in common with one another – and certainly no way of moving directly from one to another in-world as we can in Second Life. Thus, presenting a single, all-encompassing map of “Sansar spaces” actually makes a lot less sense that it does with Second Life.

Within specific spaces, maps do have enormous value for visitors, so providing the means / support by which experience creators in Sansar can produce them could be of enormous benefit to the platform
While having some kind of over-arching map of all Project Sansar experiences might not be either practical or useful, providing the means by which experience creators can represent their spaces in a map which can be accessed by their users / clients / visitors remains both a useful tool and a powerful means of adding to the sense of presence within a space

Which is not to say the map is entirely redundant for Project Sansar. While some kind of all-encompassing map of “every” Sansar experience might not hold much value, the fact remains that as noted, maps do assist in giving one a greater sense of presence in an environment (as well as being useful for things like navigation!). As such, providing the means for experience creators to provide maps of their environments, and those to which they connect, would appear to be something Project Sansar should provide. In fairness, this isn’t something the Lab has ruled out, as Ebbe Altberg noted in the first Lab Chat:

So, that’s where we’ll start, and then it could be that maybe people create continents, or whatever you want to call it, even worlds, and maybe over time we’ll think about ways in which those can figure out how to have a map of that experience, and those could be vast.

The only caveat I’d have here is the idea that “over time” consideration will be given to enabling people to graphically represent their spaces. As noted, a map does provide a powerful metaphor for giving the environment you’re in a sense of greater presence. It’s also often the best means of showing people what is where, allowing them to see what might be of interest to them, and  – most basically – how to navigate from A to B to C.

Given this, and the fact that there may often be circumstances within Project Sansar where direct “in-world” transfer from one experience to another may not be possible, I’d say that having some kind of all-encompassing “world map” of every available experience within Sansar actually isn’t that important or something we should perhaps get too hung up about. Certainly, it doesn’t seem to be as important as perhaps encouraging the Lab to fully appreciate how useful a tool a map can be to visitors within a specific experience  (or connected group of experiences), and thus provide the means by which experience creators can easily create such maps sooner rather than later.

Sansar: of images and reactions

 Project Sansar (image: Linden Lab)
Project Sansar (image: Linden Lab)

There’s been a lot of reaction to recent images release via Twitter of scenes from Project Sansar. The images, one of the surface of Mars, and another an almost alien-looking beach scene, were Tweeted by Ebbe Altberg.

The first came on February 4th, and prompted several Tweets in reply, the second on February 10th. Both were picked-up by various media outlets such as Tom’s Hardware and VR Focus. Each of the images reveal very little, and this has led to a certain amount of negative feedback and potentially incorrect comparisons to Second Life, with some of the criticism reading as attempts to write-off Project Sansar before people have been given the opportunity to look inside it.

The February 4th Tweet by Ebbe Altberg
The February 4th Tweet by Ebbe Altberg

Some of those critiquing the images point to similar work being possible in Second Life. On the surface, this is a fair comment – such environments are possible in SL; however, they also seem to miss the point.

While Project Sansar isn’t exclusively VR HMD oriented, when discussing its initial use, Ebbe Altberg has made it clear that the Lab is firstly looking to those market verticals which are already demonstrating interest in getting involved with immersive environments through to use of (relatively, when compared to the “traditional” costs of such systems) low-cost era of HMDs and their peripherals. Verticals such as education, training, simulation, healthcare, design, architecture and business have all been mentioned time and again. Hence why,  for example and as I’ve previously pointed out, it was no accident that the first public demonstration for Project Sansar came during month-long Architecture and the City Festival in San Francisco, held in September 2015.

The February 10th Tweet by Ebbe Altberg
The February 10th Tweet by Ebbe Altberg

The hard reality here is that for the most part, these are sectors which have little or no interest in delving into Second Life to achieve their aims; it is simply too costly and / or too complex to do so (even were it capable of supporting HMDs at things like the recommended frame rates, etc). Thus, comparisons with what is shown in the images and what can be created in Second Life is really irrelevant.

Of course, by the same standard, aiming for specific verticals and opportunities and actually gathering a sufficient audience from those vertical to help grow the platform more broadly isn’t an automatic given. That in itself is a worthwhile debate, but it is one far beyond determining Sansar’s worth based on a couple of in-world snapshots.

Others have critiqued the images on the basis that they are leveraging pre-built models and thus the comment that Sansar environments can be built in “a few hours” is misleading. But is this really the case?

Ebbe Altberg on Sansar's marketplace, January 21st, 2016
Ebbe Altberg on Sansar’s marketplace, January 21st, 2016

The reality is that in this regard, Project Sansar isn’t that different to Second Life, where we leverage existing assets and content, purchased in-world or through the Marketplace, every day to create our environments.

What Project Sansar aims to do is take things further by offering those who wish to simply acquire and use assets up to and including dedicated experiences, the means to do so. This can then be coupled to a much easier means of direct access to those environments, possibly hooked directly into their own  user authentication systems (see the 3rd bullet point here), to provide a direct means of immediate access to that environment for their staff / students / users / clients, thus entirely bypassing the stress of user access which is so much a part of Second Life.

As such, the use of pre-existing content in the Tweeted images isn’t misleading or “cheating” when placed alongside the “few hours” statement of build time. Rather, it’s a reflection of one of the ways the Lab envisages Project Sansar being used.

There is a lot about Project Sansar that has yet to be revealed and / or understood. There’s also much about it that would seem to be a gamble on the part of the Lab. As such, there is a lot worthy of debate about it and platforms like it – High Fidelity, Sinwave.space, AltspaceVR, et al, their potential for success, how they fit with the VR ecosystem, how that ecosystem will fair over time when faced with things like emerging AR capabilities and potential, and so on and so forth. But to dismiss Project Sansar purely on the basis of a handful of screen shot seems, at least to me, a tad bit premature.

Wareable examines Project Sansar

"Project Sansar" promotional image via linden Lab
Project Sansar promotional image via Linden Lab

In Virtual worlds reborn: Can Second Life’s second life democratise VR? Sophie Charara, features editor at Wareable, examines Project Sansar, using in part Ebbe’s comments from an on-stage discussion they had, together with Ken Bretschneider of The Void during the December 2015 Web Summit. I’ve embedded the video of that discussion at the end of this article.

While the piece in Wearable doesn’t offer much that’s new to those who have been following the Lab’s conversations to the press and SL users about their hopes for the new platform, the article does offer some interesting insights to what the Lab is doing and some of their thinking behind Sansar.

Sophie Charara
Sophie Charara

Starting out with what we already know – the Lab is pitching the platform as “WordPress for VR”: an environment where people can come in and create virtual environments without the need to be a software engineer, coder, etc. – the article covers a lot of ground, with comparisons to Second Life, references to other pioneers in VR (Chris Milk, Nonny de la Pena and Jeremy Bailenson) and a further look at hoped-for time frames with “Sansar”.

The Lab has, on numerous occasions, indicated that initially, Sansar is being targeted at some very specific verticals where immersive VR has practical application. Education, healthcare, simulation, business, design and architecture have all be very specifically mentioned in this regard. So a point of interest for me was reading the specific example cited by Ebbe as to how Sansar is already been used, albeit on a test basis, by an architect:

An architect named Diego, who works for a big firm that is completing a major medical centre project, built the entire building in Sansar as an experiment.

“When he experienced it in virtual reality for the first time, he walked into the lobby and said ‘Damn, it’s too big,'” said Altberg. “It took him one second to realise that something was off and he’d been working on this project for a long time. That had value instantly.”

In this instance, the power of virtual realisation is clear, and having a platform which allows companies and individuals easily leverage this kind of visualisation, connect with other and have them shared in such visualisations / experiences / models is clear. In the example above, it is only a short step from Diego witnessing the flaws in his design (and being able to correct them as a result) to him being able to invite his clients into the model, so they can witness first-hand what his company’s vision for the project is. It also potentially allows his company to retain the model as a part of a virtual portfolio of projects they can showcase to future clients.

That the Lab had identified architecture as a suitable environment where Sansar could offer significant value for clients can also be ssen in the fact that the first public demonstration of the new platform took place San Francisco’s month-long Architecture and the City Festival in September 2015.

VR capabilities have a huge potential for various vertical markets, such as architecture and design, and these are markets the Lab have indicated they are targeting (image archvertical.com)
In 2014, Jon Brouchoud demonstrated the potential of architectural visualisation using the Oculus Rift and Unity 3D (image archvertical.com)

Hence why “Sansar” could, potentially, be a very powerful platform with the sectors the Lab has identified, particularly if it really does allow clients the freedom to create environments which can be standalone or interconnected, and / or which can be accessed directly through a closed Intranet, or open to all via direct web portal, according to individual needs.

Picture, for example, a university using Sansar to build a virtual teaching environment, access through its own Intranet and using it’s exiting log-in and authentication process so students and staff can seamlessly move into and out of the virtual space. They could then open a public portal to elements of that space, and / or link-up with other education institutions, enabling students to share in their virtual learning spaces, building-up their own “world” of connected experiences.

Second Life has proven itself and the value of virtual environments in education. "Project Sansar" could present opportunities to significantly build on the foundations laid by SL
Second Life has proven itself and the value of virtual environments in education. “Project Sansar” could present opportunities to significantly build on the foundations laid by SL

Not that Sansar is purely about these niche environments. The potential social power of virtual spaces and virtual opportunities has long been established by Second Life, and the article does make it clear that as things progress, the Lab does see Sansar as potentially being able to replicate a lot of what Second Life can already do and offering it to an audience as a much more accessible medium.

This obviously is something of a worry for those of us deeply rooted in Second Life – much has already been made of the potential for the “cannibalisation effect” Sansar might have on the current Second Life user base. It’s actually a valid concern, and something we should perhaps be prepared for at some point down the road, if Sansar proves to be a success and starts to pull SL users away from this platform. But frankly, it’s not something which should be held up as a reason for the Lab not to press ahead with Project Sansar.

Continue reading “Wareable examines Project Sansar”

Ebbe Altberg on DW: words and thoughts on the next gen platform

Ebbe Altberg discusses the Lab's next generation VW platform (among other things) with Designing Worlds
Ebbe Altberg discusses the Lab’s next generation VW platform (among other things) with Designing Worlds

On Monday October 6th, Designing Worlds, hosted by Saffia Widdershins and Elrik Merlin, broadcast a special celebratory edition, marking the show’s 250th edition, and the show featured a very special guest: Linden Lab’s CEO, Ebbe Altberg.

The interview covered a number of topics, and ou can watch the show via the links at the end of this article, or read the transcript. One of the items discussed was, inevitably, the Lab’s next generation virtual world platform.

The following is intended to provide a more direct look at some of what was said about the new platform, and to offer some speculation  / thoughts on my part. Audio clips are provided, but please note they do not necessarily include everything said about the new platform; my aim in including them is to present what I feel is the core comments made about it, and offer some thoughts of my own. Should you wish to hear the comments in the context of the interview, time stamps are included with each audio extract for the point at which they occur in the original video.

What’s in a Name?

One of the points of interest / speculation in the new platform has been on the subject of its name. The Lab have simply referred to it as their “next generation platform”, and users have variously referred to it as “SL 2.0”, “The New Thing” (or TNT) or “SL: The Next Generation”, and so on. Ebbe explained why there isn’t a more formal name for the new platform at present.

[1:10:10]

The second point bears thinking about. Consider the term “SL 2.0”; while innocuous-sounding, its use could encourage us to consider the new platform purely in terms of how we see SL. For example, using the “SL 2.0” label might cause us to think of land in the new platform as being the same as in SL – defined region types providing specific capabilities – when there is no indication that this will in fact be the case. Thus preconceptions are established which can have unwanted repercussions down the road. So while it might be handy to have a label, keeping things to a very generic “next generation platform” or “new platform” offers the easiest way of avoiding this from the Lab’s perspective.

On the Question of Open-source

Much has been made of the initial decision to make the new platform closed-source, with some commenting on the decision going so far as to describe it as a “mistake”. However, Ebbe points-out during the programmed that “closed-source” doesn’t necessarily mean that there can be no involvement on the part of TPV developers, nor is the closed-source nature of the new platform set in stone.

[0:54:08 and 0:56:50]

Will making the new platform's client extensible, rather than open-source, prove the best route? The Lab is open either way
Will making the new platform’s client extensible, rather than open-source, prove the best route? The Lab is open either way

Given that the new platform is intended to operate across different hardware environments and operating systems, there would appear to be a certain logic to the approach the Lab is taking in trying to make the client end extensible, rather than open-source right off the bat which might offer a way of achieving greater uniformity in how additional features are presented across these multiple devices.

Of course, a lot of the success of such an approach depends on the gateway the Lab put in place by which additional plug-ins (or whatever) are vetted and “allowed” where the client is concerned, their improved track-record with TPV and open-source developer contributions for SL notwithstanding.

Whether it might also mean that users get that Holy Grail long desired in SL – a client which is fully customisable by the user in terms of which features they “download” and use, or plug-in to their experience, remains to be seen. However, to lay eyes, it would appear that this approach might make it easier to achieve.

Compatibility and Portability

[0:57:39-0:59:03, 1:00:05-1:00:41, and 1:01:01-1:01:30]

When it comes to people’s inventory there are a couple of potential, but valid points that need to be made, both of which I hinted at in response to comments about the new platform on this blog back in June 2014.

The first is that while we may well have tens of thousands of items sitting in inventory representing a lot of expenditure, there’s a good chance that a fair percentage of those items are “dead weight”, having been long since superseded, replaced, gone out of fashion, etc. As such, any value in these items has already been written-off given we’ll likely never use them again. So perhaps we shouldn’t be so focused on “losing” the investment they seem to represent as might be the case.

The second point is the not-so-small questions on whether we actually have the right to transfer items in our inventory elsewhere, be it another grid or the Lab’s new platform. The IP for the items in our inventories resides with the creators of those items – and if they do not wish their creations to be ported to the new platform, we should be prepared to respect that wish. Hopefully, this is also something the Lab will be considering as well.

Continue reading “Ebbe Altberg on DW: words and thoughts on the next gen platform”