Tag: Exploring Second Life 2025

The last week has been a little rough on me with things health-wise throwing a bit of a wobbly – probably not for the last time, things being what they are, but c’est la vie as they say. So to try to get back into things within Second Life, I decided to hop over to see the 2025 winter setting at Lam Erin’s Cherishville.

This is a location I’ve been visiting pretty much annually (at least) since 2017. As a landscape photographer himself, Lam has the eye for putting together settings that are always pleasing to the eye and well-balanced, and this attracts me to his designs. There’s also the fact that whilst each iteration of Cherishville is unique to itself, can oft carry motifs and themes forward one to the next, and I’m a fan of such themes and motifs.

Some of these motifs clear to see for regular visitors to Cherishville, such as the little town theme running through several of his 2024 Cherishville designs, other of which are more subtle in nature

For 2025, Lam offers a genuinely delightful winter setting which offers a new landscape perfectly blending with the region surround to create a very real sense of depth to the design, but which again presents little familiar nods to past designs, even if they might not be recognised as such by the casual eye. There’s also – to me at least – a little quasi-literary touch to be found by lovers of F. Scott Fitzgerald.

The first of those potentially familiar motifs seen with Lam’s designs comes at the Landing Point. This takes the form a railways platform, which here is indirectly linked to a small station house and with a single line of track also close to hand. The latter runs straight eastwards to an engine shed, whilst to the west it doglegs around what looks to be a permanent fairground sitting with its back to the frozen waters of a ribbon lake.

The lake in turn snakes between the high mountains surrounding the setting as snow falls from a leaden sky to blanket almost everything it touches. These mountains in turn help to give the impression this is a place far inland among a snow-capped mountain range, thus given Cherishville that sense of depth. The depth is furthered by the way in which the frozen water cuts through the region, neatly splitting it.

Again, for those familiar with past iterations of the region, this use of water to split the land in twain is a motif frequently found within Cherishville designs. Here, the land is divided between north and south, with a single bridge linking them located at the western extent of the setting.

Splitting the landscape like this further enhances the feeling of depth within it, giving as it does a real sense that human habitation here has been forced to crowd itself into the narrow lowlands sitting between the passage of the lake and the sharply rising slopes of the mountains.

It is here that the visual allusion to F. Scott Fitzgerald – whether intentional or purely an invention of my imagination – might be found. Cross the tracks from the Landing Point and walk towards the two steam locomotives and you’ll find, just off to the right, a little wooden pier jutting out over the frozen waters of the lake.

The pier sits almost directly opposite the grand house on the far side of the lake. When standing on it, it’s hard not to have thoughts of Jay Gatsby standing at the end of his dock staring out over the waters towards East Egg and the bulk of the Buchanan mansion, the Christmas lights outside of the grand house here standing in for the green light at the end of the Buchanan’s dock.

Another attraction – for me, at least – with this version of Cherishville is the fact that while Christmas-y touches are to be found throughout, they are not overwhelming. Thus when they are seen, they tend to feel more like a seasonal addition to a place that has long been in existence, rather than the entire setting built in celebration of the holiday season.

As always with Lam’s Cherishville, this iteration has a lot of detail tucked away within it, indoors and out, with the entire setting highly photogenic. So, do be sure to go and visit – and do be sure to use the local environment settings to see the region at its best.

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• Cherishville (Tuscan Hills, rated Moderate)

My first and – at least until a few days before writing this piece – only visit to Pususaari, the Homestead region setting designed by Lu and Leelou Von Perkle (Lu Carrillo and LeeLou Graves respectively) for 2025 was made back in April, just as spring was about to burst forth. It was a location that immediately struck a chord in me, and I thoroughly enjoyed exploring it back then, as I noted in Pususaari: romance and kisses in Second Life.

Well, the year has clearly rolled on by since then, and 2026 is not that far off. As a result, much of Second Life turning to winter settings and wintery things to do, in keeping with the northern hemisphere – including Pususaari. Given this, I felt it was time for me to make a return visit and take in how the region has been transformed into an entirely natural wintertime setting.

Enjoy winter on Pususaari.

Glide on the frozen lake, drift over white hills, or ride through snow. Warm up at the café, slip under the northern lights with your date, and let the night soften around you

Maybe you’ll be the one to find the butterflies?

– Pususaari’s winter 2025 About Land description

The first thing that struck me on my arrival – alongside the sheer beauty of the setting – was the manner the landscape, whilst different in form and content, echoed in part the rugged handsomeness that had marked Pususaari when I first visited in April, albeit it this iteration of the setting only having a single rocky highland over which Nature has thrown a blanket of snow.

The Landing Point faces this highland area from across the region. It sits on a large deck reaching out over the icy waters from a snow-covered beach. The home of a little café, the deck offers a striking view to the north across the island and west towards the revolving eye of light as it is cast around by the lamp of a tall lighthouse.

Sitting between the beach and the highlands is a broad meadow, again somewhat mindful of the April 2025 iteration of the setting. Within it, horses and donkeys roam through tall grass. Across it, and sheltered in part by the lee of a large table of rock extending southwards from the setting’s higher slopes, sits a barn in which the local chickens and turkeys are wisely avoiding the snow.

The well alongside this barn offers a rapid ascent up to the snowy peaks, being an Experience-driven teleport. Clicking on it and accepting the local Experience will play the teleport animation and deliver you to the local Office up on the hills. The sign is one of a number scattered across the setting offering opportunities to do things – teleport, dance, obtain skates for use on the local frozen pond, rez a sled, and so on.

The sled (and skis) can be obtained from the little office on the hill, the western slope of which is ideal for getting back down to the lowlands when using them (or indeed, for walking up to the office). Whilst there is a slope to the east of the office, using it for sledding or skiing might be inadvisable, given both the gorge barring a part of the way down and the fact that were the slope does descend to the lowlands, it does so steeply and ends abruptly in the waters of a cold stream dropping down from the lower plateau.

For romantics, there is a little hideaway sitting on this plateau as it reaches south towards the meadow, and which can be reached easily enough by walking part-way down the eastern slope of the peak – or by turning off as you climb up the western slope. This little cabin is one of several places waiting to be found around Pususaari which offer nice little retreats. Some are easily spotted when wandering, others might need a little more work to find, such as the little greenhouse converted into a cosy cliff-top nook.

It is these little locations, each one neatly furnished and offering its own particular attractiveness to visitors, which make wandering the setting on foot more than worthwhile. As is reading the various signs scattered about the landscape, not just because they might offer opportunities for activities, but because one in particular will help guide you to the butterflies mentioned in the setting’s About Land description. I’m not going to tell you where this is; suffice it to say that the butterflies reside in a little suggestion of warmer, snow-free months, thus reminding us that even in the depths of winter, summer is not that far away.

With skating available on the large frozen lake, a mix of wildlife that suggests this is very definitely a northern hemisphere sub-Arctic / Arctic location, all caught under the snow / star spangled sky with a rippling aurora, Pususaari – Where winter comes to rest is an engaging and peaceful wintertime setting.

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• Pususaari (Bisous Island, rated Moderate)

Lake Ruby is a Full region held by Donna Helendale (Donna Pavlova) and Rakir Helendale, leveraging the Land Capacity bonus available to Full private regions and which is currently the home of Lake Ruby WinterLand 2025.

This is a richly engaging and very visual setting which – as the name implies – is currently dressed for winter and which has, for those willing to seek them out, some surprises that might be missed by the casual visitor.

The Landing Point sits along the northern edge of the region, on a cobbled street running between a parade of shops and the platform of a railway station and caught under gently falling snow.

Two billboards sit between the cobbles and the station’s platform. One of which will provide two notecards: the first will provide a list (extending across two further notecards) of winter-themed regions across Second Life and the other (obtained by clicking the little gift sock on the same billboard) providing a hint to finding a gift forming a part of a hunt. Most of the shops, meanwhile, appear innocent enough – although one does contain a secret of its own (albeit it clearly signed, which I felt somewhat spoilt things, even if I understand why it is so labelled).

And it is at the station that the first touch of the magic imbued in the region might be seen: a steam locomotive is departing the station, hauling carriages behind it as it rises into the sky along magical tracks that fade into the twilight – perhaps as the train will as it goes on its way.  Directly under the train and tracks sits a frozen extent of water where visitors can enjoy the ice skating referenced in the region’s About Land and Destination Guide descriptions.

To the south, behind the little row shops, the land climbs sharply, stepping its way up to where the towers and Gothic spires of a tall castle rise. A fast-flowing stream tumbles from these highlands to form a partial barrier between the castle and the Landing Point.

Crossing this stream without actually entering it demands visitors follow paths, steps and bridges, all of which lead them on a journey of exploration of the rest of the setting; an exploration in which they will discover some – but not necessarily all – of the other secrets sitting within the snowy and rugged landscape.

Some of the latter include a little model village; a cosy cottage carved into the bole of a great tree and another occupying a fallen tree trunk; wooden carvings and stone statues; lantern-draped trees; gazebos hiding in plain sight; what might be a Viking’s tomb; and places to dance and places to sit.

There is no singular path by which the region can be discovered; instead it branches here and there, sometimes clearly, sometimes perhaps less so. Stone steps rise and fall, bridges cross streams, sometimes sturdy in form, other times less so. But whichever path you take, there is something waiting to be seen, and when you’ve done with one route – particularly should you reach the castle – does not mean your explorations are at an end; backtracking to a fork or to where a set of steps might rise or fall could well be in order if you are to discover everything.

The castle itself offers a large cobbled courtyard before its doors, the ruins of a chapel to one side within which stone-carved chess pieces appear to be engaged in a battle royal. Between castle walls and chapel ruins one of those many paths snakes around the southern side of the island, presenting a way to reach the Wizards tower and stone-built lighthouse, the latter occupying the region’s south-eastern headland.

Within the castle there are rooms to be explored, from the grand entrance hall to the library with its flying books and banquet room with its floating candles, while a fire warms a comfortable lounge as rabbits play on cloud-like islands outside.

It is also with – or rather, below – the castle that the deeper secrets of the setting await discovery.  To find them one must pass through the gates to one side of the castle’s cobbled courtyard to where an ice dragon reigns supreme. Here, to one side, the darkened maw of a tunnel entrance awaits the opportunity to swallow you (complete with stalactites and stalagmites sitting tooth-like as once commences once descent within).

I don’t want to give too much away about what lies blow the castle, as this would spoil the surprises. Suffice it to say, go deep enough, and you’ll pass beyond the ice and cold and reach a point where three further routes of exploration wait within the walls of a great crypt.

Depending on the door picked, these involve a circle of chambers where hot pools and crystals and more might be found, together, perhaps with in some Riddles in the Dark (Tolkien fans will understand when they see); a path to a hidden retreat of a wine cellar and the way back to the Landing Point (by way of that “secret” within one of the shops I mentioned earlier) or tunnels (complete with a literal mouth at their far end!) leading to a cove sitting below the castle’s walls.

Rugged and beautiful with a definite twist of mystery-magic and full of places to sit and / or dance, Lake Ruby WinterLand 2025 is engaging visit.

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• Lake Ruby WinterLand 2025 (Lake Ruby, rated Moderate)

Sakura Islands is a richly detailed Japanese-inspired space with three immersive zones: a funky rooftop cityscape, a dreamy night skybox nestled among cherry trees beneath starry skies, and lush, pastoral islands blanketed with cherry blossoms. Enjoy contemplation and quiet reflection or a peaceful balloon ride. You may even spot a forest troll!

– Sakura Islands Destination Guide and About Land description

I’m always drawn to evocative Oriental-themed settings in Second Life – as I’ve oft mentioned, I spent a fair amount of time in the Far East at one point in my life (and still like to return when the opportunity presents itself), and it left a lasting impression on me. So when I came across the Destination Guide entry for Sakura Islands, I had to hop over and take a look.

Occupying just over one-sixth of a Full private region leveraging the Land Capacity bonus available to such regions, Sakura Islands is the work of Nic Belmonte-Voxel (Nic Voxel). As its description notes, it is vertically split into three parts, with the rooftop setting serving as the main Landing Point (although this is not enforced).

The latter is a small setting that is not without its quirks, such as the chairs held aloft by little balloons and available for the intrepid looking for somewhere to it. It’s also a place clearly under the control of our feline overlords (you know what they say: dogs have owners, cats have – staff).

Visitors arrive on the “central” rooftop, a place where a figure of Totoro, the first of several references to the acclaimed 1988 Japanese animated fantasy film, My Neighbour Totoro, stands under an umbrella, presumably waiting to greet new arrivals. Another reference to the film is also hidden in plain sight, but I’ll leave you to find it (clue: mouseover things, and assuming no-one else has left it running!).

A little penthouse-like room sits to one side of the roof, offering places to sit (and a third reference to the film 🙂 ) while soot sprites bounce around in a corner. Outside, bridges span the alleyways between buildings, presenting access to three more rooftops. One of these looks like a flying saucer out of the 1950s or 1960s, a steel-and-concrete frame with stairs climbing up to it giving the impression it is hovering above the roof over which it sits.

Facing the flying saucer / UFO on the opposite side of the Landing Point rooftop is a shipping container reached by a makeshift bridge and which has been converted into a little cabin, presumably for a painter. The remaining accessible roof has a lean towards the industrial. Watched over by a Japanese ghost floating over it, it also has a shower tub sitting on it – possibly for use by the cabin owner? The other visible rooftops are not directly accessible, but are home to blossoming sakura.

Moving between the three main locations is via teleport boards and the use of a local Experience (with the ground level offering two destinations – one on the higher reaches of the setting (which I would recommend as a good arrival point during a first-time visit), and one at the foot of high waterfalls.

Meanwhile, the second skybox in the region is located at a higher altitude, and presented within a sky sphere giving it the Oblivion-like impression of being set high in the sky, looking down on surrounding peaks, with rocky lands rich in more sakura below it. It’s a quiet place offering places to sit, the skybox itself one of Cory Edo’s designs.

However, it is the ground level which really caught my attention. Rugged, it is lined on two sides by high curtain walls of rock separating it nicely from the rest of the region, leaving the remain two sides looking out over water to off-region islands, the tall tower of a lighthouse rising from a nub of rock to stand as a sentinel between the setting and the islands to the south.

If you follow my suggestion vis. ground level teleporting, you’ll find yourself standing on a flat-topped table of rock forming an attract wildling garden crossed by two main footpaths. One of these, running east-to-west connects the garden with bridges providing access to two of the other highland areas, whilst the north-south path provides access to the shoreline on the southern side of the setting and to the shingles of the gorge separating the larger islands from the more northern parts of the setting.

Within this garden, and reached by a separate path, is a dry landscape / rock /Zen garden (pick your preferred name!), and also a hot spring with seating for those wanting to relax in the water. Meanwhile, the main garden continues westward on the far side of the bridge, where the second of the table-topped islands resides.

Roughly the same size as the first island, this is home to the summer / tea house and again offers indoor and outdoor seating, together with more sakura sprinkling blossoms over paths, grass and flowers. A bridge has been slung across the cleft between this island and the smallest of the three (which can also be reached via a further bridge reaching out to it from the landing point rock), where sits a small shrine.

Eastwards from the landing point rock, the land juts out from the surrounding cliffs to form a promontory alongside the high waterfall feeding the main gorge. This again forms a garden space with room to sit down under the watchful eyes of a goat. Stone steps curve down from here to arrive at the foot of the falls, presenting a further means to reach the main gorge and explore its length, with a little bridge and stepping stones helping you to keep your feet dry as you head for the waterside tea house or the steps leading up to the north side of the setting.

Throughout all of this there is much to discover – such as the hot air balloon rezzer (which is not the only means to taking to the air by balloon and drafting around the setting; again, mouseover things! 🙂 – plus, a third balloon is also present, but it is static in nature); the raft and rowing boat out on the waters offering their own little retreats; the prone Totoro tucked away and perhaps not too obvious to at first spot, but nevertheless offering another place to sit.

There are a couple of oddities that perhaps need correcting – a floating tree, water tumbling out of mid-air (unless a part of the landscape was simply refusing to load in my viewer!) – but these in no way detract from the setting’s beauty and sense of calm. In all, Sakura Islands is perfectly conceived and executed, and – needless to say – very photogenic.

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• Sakura Islands (Isle of Currents, rated Adult)

Sakrisoya is the name given to the latest region setting from the combination of Dandelion Rabbit (formerly Tolla Crisp) and Dandy Warhlol Terry Fothrington), and presented under Tolla’s Frogmore estate brand.

I’ll note up front that it is a setting with access restricted to members of the Frogmore Land Management Group, which requires a payment of L$500 – but this does include rezzing rights and unfettered access to all of the estate’s public locations, many of which I’ve covered in these pages. In this case, my own attraction to the setting is that it is inspired by Lofoten, a dramatic archipelago extending into the Norwegian Sea from Norway, lying within the Arctic Circle.

Lofoten is not a place I’ve visited, but I have seen photographs of several of the islands and as a result have often wondered about visiting. They are marked bay dramatic mountains as well as stunning bays and sheltered beaches and largely untouched beauty, despite attracting up to a million visitors a year. The link between the region and Lofoten is stated in the region’s About Land description:

Lofoten:
Picasso’s brush strokes reflect
 onto the fjord’s arctic mirrored surface
ethereal landscape expanding
where mountains meet the sea

It’s a perfect description of both locations, with Sakrisoya beautifully encapsulating much of Lofoten’s renown: towering mountains and peaks, a rugged landscape carpeted by hardy grass and the presence / passage of water have had a particular role to play in shaping the land.

This is a place showing limited signed of human habitation – a wooden chapel, an dry stone barn and a couple of cosy cabins (one of which is furnished) sitting above a stretch of coast. These in particular added a touch of familiarity for me personally, having visited similar turf-roofed homes in Iceland.

The setting is surrounded by water, allowing it to have a rocky coast complete with shallows and deep waters coming directly up to the shoreline, much as might be found in a landscape formed by fault-derived ridges and graben. The Landing Point sits towards the centre of the region, close to the junction of two highways rushing through the region to split it into three parts.

The Landing Point faces north over the longer of the two streams and towards rocky uplands marked by two square peaks and from which wall falls to fill a large body of water split by a smaller fall, before dropping down to the surrounding water. A broad shoulder of grassland lies between the stream and the peaks, on which the local chapel can be found. This shoulder of land extends out into a lower-lying finger of land extended out to the west and offering a couple of places to sit and look back at the rest of the island.

The portion of the island on which the Landing Point sits forms the lowlands of one half of a high horseshoe of rock with its back to the southern waters. Falls drop on the inland side of this horseshoe to where it has formed a deep, open-ended bowl  largely walled by basalt columns, suggesting something of a volcanic past to the island. It is on this portion of the island that the cabins mentioned above sit, dry stone walls marking their property, with outdoor seating for people to enjoy. Close to these is one of the two bridges connecting the north sides of the setting to the southern.

The remaining portion of the setting, lying to the south-west, offers a further semi-rugged area, backed to the south by the remaining half of the rocky horseshoe, the lower portion of the land given over to rough grazing for a local herd of horses, the dry stone barn offering them some shelter for them against harsher weather.

There are two ways to reach this side of the island: take a plunge into the waters of the stream separating the north side of the island from the rest and then crossing back over the stream via the bridge sitting below the chapel,  or by walking up to the bridge mentioned above and then along the northern island and down to the second bridge. Doing so is worthwhile for explorers, as there is a walk to be taken out to the setting’s lighthouse, and another that is neatly tucked away among the rocks that leads up to the flattened heights of the southern horseshoe.

The one small regret I have with the setting – and it is purely personal – is that it doesn’t directly abutting the off-region mountain surround. Had it done so, I feel that it would give the location greater depth, allowing it to feel a part of something much larger in terms of a mountainous, rugged island in the manner of those forming Lofoten. Doing so might not be easy, hence why I call this a very minor quibble.

That thought put to one side, Sakrisoya is an engaging and highly photogenic region that sits well on the eye and easy on the viewer. Yes, there is a fee to access it, but as noted, that does allow rezzing and unfettered access to all of the public settings within the Frogmore estate.

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• Sakrisoya (Dulcis, rated general)

I came across the region design of Sei Foire (“flowers for you”), within the Destination Guide. Its description immediately caught my attention, offering as it does a clear invitation to visit.

Sei Fiore is a whimsical daydream brought to life, where rolling meadows of daisies sway like tiny suns in the breeze and every path feels touched by a bit of magic. Here, the world softens, ponds shimmer with quiet secrets, petals twirl like confetti, and joy tiptoes back into your heart as naturally as breathing.

– Sei Fiore Destination Guide description

On my arrival, I was delighted to discover this Full private region design is the work of Raven Fairelander (RavenStarr Fairelander). She was the creator of Posey Wildes, a setting I visited back in August 2024, finding it to be a beautiful and evocative setting rich in poetry and short stories by classical writers such as Eliot, Dickinson, Poe, Wordsworth, Yeats, Wilde and more. I was captivated by that visit, and remembering it caused no small amount of anticipation as I started to explore Sei Foire.

That said, I should state from the outset that while there are some passing similarities between Posey Wildes and Sei Fiore, particularly in terms of the touches of whimsy, the two are very different – and richly engaging – settings, with Sei Fiore being unique to itself.

It is a setting perhaps most perfectly described through Raven’s words in the setting’s Destination Guide and About Land descriptions, the latter of which states:

A meadow-born dream where joy grows wild. Rolling fields of daisies stretch beneath a golden sky, their petals whispering laughter to the wind.  In Sei Fiore, joy isn’t chased, it’s found, blooming right where you stand.

– Sei Fiore About Land description

I found this description particularly apt because as soon as I stepped out of the Landing Point gazebo, the joy carried by the region immediately surrounded me. This is very much a setting where trying to view it logically is to face defeat; this is a place to simply be accepted and relished as it is explored.

In this, the various locations awaiting discovery – the pond with its giant frogs and sea serpent, the dinosaurs gossiping on the shoreline, the pink elephants, the crystal walk burrowing through the neck of a hill, the giant plants, and so much more – are all very different one to another, yet the all flow together into a unified whole.

Within the setting it is possible to wander, to sit, to meet the locals in all their forms (from the aforementioned dinosaurs et al to dapper-dressed mice, little fairies, mythical beats and more), or find your way to a beached pirate’s ship or to platform-hung tree, and visit gardens where dragons sleep and meadows where a horse awaits you as its rider…

With giraffes watching over terraces held aloft by balloons to a certain tea party sitting atop waterfalls that give rise to the setting’s modest brook, Sei Fiore is a tumbling mix of themes and ideas, all woven together with a sense of laughter and happiness within a landscape rich in detail and photogenically attractive.

This is a place to watch out for the smaller details as well as the large; where table-top games rub shoulders with the option to sit back in meditation or contemplation; where the gentle rocking of a boat on the water might send you to sleep or interactive elements might take you by surprise (do mouse-over things!).

And when you feel you’ve roamed enough, you can make your way up to the island’s hilly middle, past the Curious ‘Shrooms and under the living arch of a tree to reach the Green Witch Café, and available yourself of the company of Althea The Green Witch within the cosy walls of her establishment.

Beautifully crafted and a joy to explore, Sei Fiore is well worth taking the time to visit.

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Sea Fiore (Frozen Star, rated Moderate)