Tag: Exploring Second Life 2022

Angel Mist is a Full private region that is genuinely multi-faceted in its offerings to visitors; so much so that when I initially dropped in back earlier in 2022, I ended up stuck on how best to tackle it without ending up with just a list of SLurls and individual descriptions. Even now, I’m not sure I’ve really escaped doing that, but given the diverse range of settings it offers and its potential for broad-based appeal, it deserves a write-up.

When I say multi-faceted, I really mean it; designed by Madam Chaos (TheAwkwardMochi) and Maxi (Maxwell Raynier) this is a region that cannot be simply pigeon-holed as club venue or a photographing region, or a role-play setting or purely as a hang-out; it is a mix of all of these elements and more – and as such, can be slightly bewildering given the number of potential access points (on my original visit, I came to the region via a Destination Guide entry that delivered me to the ground level, for example, and initially oblivious to the skyborne locations). This being the case, I recommend fist-time visitor avail themselves of the main landing hub.

It is here that visitors can gain an introduction to the region as a whole, and obtain a Tour Guide HUD, offered as a 24-page book (and which includes map-based teleports). The book can also be found at many of the locations scatter across and over the region, as can teleport boards and portals in the forms of photographs of various locations within the region (walk through a picture to be teleported).

Which you take is entirely up to you – in this, the Guide Book can help with the major locations with the region as it offers a description of each of them. However, there are a couple of words of advice I would give as you start out on your explorations:

• This is an adult-themed region, and clearly noted as BDSM friendly; therefore there are some destinations within the region that include furnishings and other items associated with the lifestyle & sexual activities. Most of these items are in the more private areas within the region (e.g. the Boudoir, the Hidden Bedroom), but some can be found elsewhere and might be in use when you come across it. If such activities aren’t to your sensibilities or should the equipment / rooms are in use, the teleport will take you elsewhere in the region, such as the Cloud Garden.
• Parcel and altitude EEP settings are used throughout the region, so make sure you have your viewer set to Used Shared Environment (World → Environment).

The greater portion of the ground level is given over the The Cloud Garden, a fantasy / romance setting washed through with bright light. the light can be a little overwhelming when first encountered, but it gives the setting a dream-like quality, with all that is contained within the garden being revealed only as people explore. This is a place where clouds float with dance floors and houses sitting on their backs and when elven tree houses spiral upwards into the light and steps and stairs and paved footpaths present some of the ways by which the garden might be revealed.

The Cloud Garden sits nestled between rugged uplands reached via trail and stair. With towers rising from two shoulders, waterfalls tumble from their mid-point and paths winding across them, in places they hide a range of tunnels and caverns below, all with their own attractions, which I’ll let you discover. The coast and lowlands are a little rougher in terms of landscaping, with grassy and sandy landforms mixing a little chaotically, but there are further points of interest to be found here as well, with boardwalks and paths helping with explorations.

Overhead, the largest single area is Norrland, the name given to the Swedish-style village which shares a high sky platform shared with one of the regions clubs. The village is caught in the depths of midwinter, the aurora painting the night sky with swirls of colour and light. Here visitors can wander at leisure, sit and watch the snow fall or take a horse from one of the rezzers and ride around the snowlands and / or try their hand at the local jump course.

Overlooking the village to one side is the Graveyard Shift Goth Club, occupying the ruins of an old stone-built church. As noted, it is one of a couple of club venues within the region, the other being Max’s Jazz and Blues Club, located within its own sky box and offering three music venues inside as well as a link to The London Room, “for those who need a little romantic privacy”. Meanwhile, for those who prefer warmer settings, a further skybox offers the Harem, a more middle-eastern locale.

All of this is still barely scratching the surface of what is an intriguing region in many ways; one where these parts might be seen as individual destinations for those with specific interests. Those who enjoy romance and dancing are bound to find a lot to enjoy here (dances are offered through the region’s different locations, whilst those looking for intimate BDSM locales for a little fun are also well served, as are photographers through the like of the Cloud Garden and the Earthquake Room.

Thus, Angle Mist makes for an engaging visit and very different visit.

SLurl Details

• Angel Mist main landing point (rated Adult)

The last time I wrote about Maia Macabre’s Moochie was in January 2019 – see A Moochie Winter in Second Life – in what was a post-holiday visit. So this year I decided to make a pre-holiday visit and drop in to see the region in its 8th iteration of its theme ‘Tis the Season and have a little looks around.

This is a theme that carries with it from year-to-year familiar elements whilst also offering something new/and or different for visitors to appreciate. For example, the landing point tends to be located alongside a railway track; a place where arriving visitors can receive a folder containing an introduction to the region, a schedule of campfire events and a map denoting points of interest; there’s the ice-skating and the walk along a boxed hedgerow pointing the way to the local chapel; and, of course there are the many places for people sit together and / or enjoy a cuddle along the trails and paths and amongst the trees.

The smell of roasted chestnuts drifts on the air, and mugs of steaming hot cocoa are generously filled to keep us fortified during the cold nights ahead. The gentle whisper of singing carollers draws your ear, as the flickering festive lanterns guide your eye through the woods to awaiting pathways.

– From the Tis the Season introduction

And speaking of cuddles – couples who wish to enhance the romance of a visit may wish to available themselves of the couples walking rezzer also available at the landing point railcar!

The centrepiece of the region remains the frozen pond occupying a portion of the middle of the region. Surrounded by trees, this is reached by following the railway line south to where it is replaced by a string of wooden logs laid out over the snow to form a path. Illuminated by lights strung from and around the trees and by lanterns, its outer edge offers various places to sit and keep warm, whilst at its centre is a dance machine for those wishing to avail themselves of it.

Two further paths run through the tree from (or towards, depending on the direction of your wanderings!) this frozen pond; one of them taking visitors to the aforementioned chapel, and the other to where a box bridge spans a river as frozen as the pond. Beyond the bridge is a welcoming sight of a baked potato and hot drinks kiosk for tummies and hands in need of extra warmth, with copious seating seat out on the ice alongside the boardwalk running along what would otherwise be the water’s edge.

The kiosk, and another one across the ice, are overseen by Grannies Glittercrackers and Snoozypudding respectively. It is also on the ice of the river that visitors can avail themselves of the opportunities to skate on the river, go sledding or enjoy a tour around the region in the back of a sleigh (seating up to 2 avatars) as it almost circumnavigates the landscape, looping back through the start-point of the tour in the process, allowing you to resume your explorations from there. You can optionally jump out of the sleigh at any time to continue on foot, but it will immediately de-rez to avoid cluttering things up.

As well as offering the path down to the pond, the landing point offers a second route of exploration: a snow-bound track winding through the trees to the right of the North Pole sign at the end of the tracks, and marked by a red lantern. Also leading the way to the river, this path is marked by sleighs parked-up for cuddles, braziers bright with wood fires warming them and offering further illumination along the trail.

In retaining much that is familiar cross the years, ‘Tis the Season at Moochie offers something of a sense of tradition, comfort and familiarity to those who return each year. At the same time, the little tweaks here and there Maia makes to the setting helps to ensure there is always something new to discover and enjoy.

Those who do appreciate their time in the region can show their appreciation by signing the guestbook located at the middle of the frozen pond or by leaving a donation towards the region’s upkeep at the landing point. It is also at the landing point that people can send a postcard from the region to a friend in-world.

 SLurl Details

• ‘Tis the Season 2022 (Moochie, rated: Moderate)

Back in November I wrote a piece on three cafés within the Mainland continent of Heterocera (see: The coffee houses of Heterocera in Second Life). At the time, I noted that I might do further pieces of a similar nature in the future – although at the time, I didn’t realise how popular that article would be; following it I received several notes card and IMs suggesting other cafés I might appreciate visiting (thank you to all who sent them!) and the Destination Guide has recently highlighted its section on cafés and similar social spots.

Given the feedback I’ve had, I thought I’d offer another handful of such spots in Second Life, starting with a further destination in Heterocera:  Jitters Coffee Shop.

Located in the north-east of Heterocera and bordering Beach Road (Route 4), Jitters is the property of Cynthia Deere and landscaped by Emm Vintner (Emmalee Evergarden) of The Nature Collective fame (and who has helped with or formed other cafés with Second Life (and Heterocera).

Jitters Coffee is a feeling and a hope that we can all come together over a cup of your beverage of choice and have splendid conversations!

– Jitter Coffee Shop About Land

Occupying a tidy 4,256 square metre parcel, Jitters was, at the time of my visit dressed for winter which, given the largely outdoor nature of the seating, might make a visit a little on the chilly said at this time of year! Fortunately, warmth can be found in front of the terrace fireplace or the open fire pit a very short walk from the shop, for those who feel they may need warming up.

This is an wildlife-friendly spot, the grounds around the coffee shop playing host to a number of bird boxes and houses (some of them occupied / in use), while foxes and owls keep a watchful eyes on all comings and goings, whilst deer, rabbits and a weasel are also to be found. Being sited at the roadside, it’s a place that can easily be added to a road tour which might also encompass the cafés feature in my previous piece.

My next stop keeps with the winter theme, although it shifts continents and isn’t accessible by road, although that shouldn’t keep folk from visiting. Designed and built by Evangeline Miles, The Rainy Café sits within a skybox setting above the southern coast of Jeogeot. Established in Autumn 2021, this is a place which, despite being down on a southern continent, is joining in the general winter theme common to Second Life at the end of each year.

Come in out of the snow. The coffee and treats are fresh & there are plenty of cosy corners to curl up in. Discover a carefully-curated space for those who think life is better with coffee, conversation, & calm snowy days.

– The Rainy Café About Land

Sitting with woodlands where snow is falling gently to blanket the ground, The Rainy Café offers respite from the weather with a cosy interior composing the central coffee bar and sofa-style seating warmed cast-iron and electric heaters, it has been extended with the addition of two glass conservatory wings with counter seating and high tables. It’s a functional setting edged with cosiness. For those who prefer, there is a table outdoors to the rear of the café, whilst sitting back among the trees is a glass Gazebo offering a warm, cosy retreat for those who seek it.

Also found within southern Jeogeot and down on the ground is Pumpkin Spice Café. This is an ultra-modern design set alongside a small garden, both the work of Nutmeg (NutmegPinch) and Becca Vichan. Unlike the previous locations, this is a two-storey café brought to life by the presence of static non-player characters (NPCs) either seated in the building’s lower deck or queuing for coffee indoors. Upstairs is a small lounge area where coffee appears to be offered on a self-service basis and the seating a chic mix of sofas and armchairs. Outside, the garden offers a relaxed circular walk and a circular seating area sitting below a shaded swing.

My last two stops for this article like within Corsica, and between them offer the opportunity for a road trip, each with its own attractions.

The first is NovaOwl Café, down on the continent’s south coast. It combines both a café and the NovaOwl Gallery operated by ULi Jansma, Ceakay Ballyhoo & Owl Dragonash and a regular feature for art reviews in this blog, and which thus offers the opportunity to appreciate the current exhibitions on both the ground level alongside the café or in the sky galleries above. The outdoor deck of the café is used to host opening events at the ground-level gallery, whilst the indoor area offers addition dance space alongside the coffee bar whilst a mezzanine above offers a comfortable seating area.

Across the water to the north, Circuit la Corse – the major road looping around Corsica – passes around the continent’s southern headlands. Follow this eastwards and eventual and by way of tarmac, cobbles and wooden boardwalks, it is possible to reach The Reading Room by Shoshin Café,  operated by Zoe Foodiboo.

A haven for those who love reading, this is a novel café in that it is divided sharply into two parts. Approached from the road, it appears to be a glass-fronted reading room / library with little hint of it being a café. However, two of the large bookcases forming the back wall of the reading room are in fact doors. Behind them is a single large room where group reading can be enjoyed with a cup of coffee or tea or other beverage. With an opportunity to have your poetry feature on a board outside the front of the café, allowing The Reading Room to offer a personal touch for those wishing to available themselves to the offer.

Diverse but linked by a common theme, the cafés of Second Life offer plenty of reasons to explore the Mainland continents and also, for those who wish to, the many private estates found throughout the grid – some of which are also connected by water and may well be the subject of a further article in this series.

SLurl Details

• Jitters Coffee Shop (Dinker, rated Moderate)
• The Rainy Café (Jonestown, rated Moderate)
• Pumpkin Spice Café (Madhupak, rated General)
• NovaOwl Café (Novatron, rated General)
• The Reading Room by Shoshin Café (Annelie, rated General)

It was back to a wintry setting for me recently after an invitation of region Holder Tolla Crisp to visit a seasonal offshoot of her Frogmore estate regions: Winterset Hollow. Designed by Tolla and her go-to landscaper, Dandy Warhlol (Terry Fotherington), the region is intended to offer a Swedish-style winter setting – as its name suggests.

A Frogmore Christmas Region from Tolla Crisp and Terry Fotherington. Enjoy your stay in our Swedish inspired winter village.

– Winterset Hollow About Land.

By dint of my viewer hiccupping, I arrived within the region with my viewer settings reflecting the environment of the region I had just departed – a night with a Moon low in the sky. It was actually a set of environment settings which suited Winterset Hallow, and so I retained it for some of the photos taken as I flycammed through the region and have included them here. With the landing point located towards the centre of the region, this is a place blended into the surrounding snowy mountains to present the idea of a town deep within the rugged Swedish countryside, one perhaps cut-off from the rest of the world by the snowbound weather.

A long central cobbled street climbs (or descends, depending on your point of view!) through the middle of this blanketed town as it sits as if within a deep valley, houses and small places of business on either side. At the top end of this street is the local chapel, providing it with a commanding view back down over the town and its old fountain. Sitting with its water frozen, the latter is also overlooked the local coffee house. All of the business are furnished, with many of the houses either fully or partially furnished, offering many points for exploration (and escaping the snow!), although for those who prefer, there is outdoor seating as well. At the far end of the street compared to the chapel, a pair of holy-wrapped street lamps mark the steps descending to where a covered bridge spans a frozen body of water to where more steps slope down to what might – but for the snow – be a country road.

The broad expanse of snow curves north to come to an end before woodland with trees frosted with snow, naked branches reaching upwards and a narrow path winding between them. This path leads the way to where a pond has been converted into a skating rink, and else well-defined paths path onwards through the trees to snow-covered farmland tucked beneath the rocky arm on which the little town sits. To the south, the road continues to arc around the foot of the town, passing between it and a shoulder of a hill on which a trio of cabins sit. From here, and in summer, the road climbs the southern hills before ending in another tree-enclosed trail above the town. However, for winter, this rising road has perhaps been converted into a ski run complete with lift rising upslope beside it. at its upper reach, the slope offers a large deck built out over the hilltop, providing clear views of the surrounding mountains.

Whether you view the slope leading up to it as a road or not doesn’t matter; the deck, set with tables and with food and hot drinks on offer, propane heaters warming the air to make it a welcoming look and feel. Across from it, the little ski lodge provides snowboards for those wishing to make a fast descent back down the hill. Beyond the deck and ski lodge, the winding path runs between the tree to where a large, partially-furnished house sits above and separated from the rest of the town. Perhaps it is a private dwelling or perhaps it is a guest house; either way, it faces a footpath dropping down a short slope to where smaller houses flank a playground and the path connects back to the town’s chapel. before dropping away again to reach the northern farmlands under their blanket of heavy snow.

Rich in detail (and admittedly, a little heavy on viewer performance even with the recent improvements), Winterset Hollow offers a lot to see and photograph – including the local wildlife – and makes for an engaging visit, rich in a sense of the season and to enjoy. My thanks to Tolla for the invite!

SLurl Details

• Winterset Hollow (Pinewinds, rated Moderate)

At the start of the year I made a return visit to WQNC, an iteration of the Wo Qui Non Coin region design by Maasya I first visited in September 2021. With the end of 2022 approaching, Shawn Shakespeare suggested I make a return and witness the current version of the setting, which has relocated since my January 2022 visit, and downsized to a Homestead region. Not that the downsizing makes a difference; Maasya has a talent for creating captivating settings, and whilst this one may well be within a Homestead, that certainly remains true. In fact, I would suggest that it is perhaps a design that speaks closely to her self-described isolationist nature.

The setting takes the form of an east-west oriented island, a slender finger of rock rising from the surrounding seas, cut almost all the way through by a canyon, the western end of which blocked by a high table of rock, and what would otherwise by the open eastern end partially enclosed by a high-rise apartment building of indeterminate age. It is at the foot of this high-rise that visitors initially find themselves, standing knee-deep in tidal waters lapping a small beach. This gives the impression of literally having just arrived – whether by boat or by swimming or simple luck on having survived some event, is hard to tell. However, the overall design of the location does suggest some form of apocalyptic upheaval may have taken place.

A tunnel passes under the foot of the apartment building to provide access to the canyon beyond. A teleport sign is mounted on one wall of this tunnel; at the time of my first visit, this provided access to the skybox, but on my return visit it appeared to have restricted access, as attempting to use it left me floating in the air within the tunnel. Beyond the tunnel, a path winds through the canyon – a street winding through tall buildings backed against the rock walls of the natural canyon, such that they form their own man-made gorge. Neon and LED lights glow from street lamps and signs on the buildings and signs, some of which are mounted on metal poles to span the width of the road like latter-day Torii gates – much of the signage suggests this island street lies somewhere amidst the string of islands which make up the nation of Japan.

Follow the path to its western end, and the rock walls close to a narrow stair leading upwards, the bottom end marked by a traditional Torii gate. Ancient-looking lamps (fitted with LED or neon illumination) light the steps as they climb to the western table of rock to where a shrine is guarded by a pair of stone kitsune. Quite where the power for the lights is coming from is a mystery as this is hardly a bustling thoroughfare; the buildings are heavy in vines, shrubs have claimed ledges and windowsills and also the rooftops – together with the odd tree have claimed. Thus, there is a sense of this strange location having been deserted a long time ago – although quite why is for your own imagination to determine; to me, there is a hint of a global catastrophe having overtaken a city (or the world), leaving this enclosed alley with its cliffs of buildings as the sole survivor of a drowned township.

The sense of mystery prevalent throughout the setting is added to by the ambient sound system;  a distant sound of electronic drumming reverberates through the air, mixing here and there with echoes of music coming from somewhere – including one decidedly season tune. Also mixed in with the hissing crackle of electrical shorts from fallen power lines. Alongside of this is a sense of isolation and separation, as if this might be the last remnant of civilisation. In this, and as noted above, the setting might be seen as a reflection of Maasya’s nature; her Profile defines her as someone preferring her own company, and perhaps not overly friendly towards strangers. This is something I can actually attest to, having been summarily banned from the region (without much of a prior warning) as a result of standing still for too long whilst taking photos during my visit; so I would advise visitors to keep on the move, just in case!

Outside of this (while at the same time keeping it in mind), the region is as photogenic and eye-catching as Maasya’s previous builds and well worth witnessing.

SLurl Details

• WQNC (Blue Reef, rated Moderate)