A corner of Provence in Second Life

Tourtour de Prouvenco, July 2022 – click any image for full size

Occupying one half of a Full private region leveraging the additional Land Capacity bonus, sits Tourtour de Prouvenco, a setting designed by Annisss Moreau (annisss) that is offered for public enjoyment.

Tourtour is a small French Provencal village where you can relax by the sea and listen to the best DJs of the second life at the Blue Note ‘Club evenementiels Djs LIVE’.

– from Tourtour de Prouvenco’s About Land description

This is a setting very much of two parts separated by a deep inlet that cuts across the parcel, a wide bridge close to its mouth providing the sole direct link between the two elements, helping them to flow together. The parcel itself offers an east-west orientation, the landing point sitting upon a small square.

Tourtour de Prouvenco, July 2022

The home of a small open market, this square is book-ended on its west side by the bridge mentioned above, and a gatehouse accessing what might be considered the older part of the town. The square and the bridge offer good views of the almost rectangular inlet as it forms a natural shelter / harbour. Looking at the basin of the inlet, it is not hard to picture it as once having been a port of call for trading ships plying the coastal regions under the power of wind and canvas. Today, the stone wharf has been extended by wooden moorings that offer places of rest for a mix of small fishing boats and the shark-like forms of power boats and speedboats.

The way down to the boats is presented on the far side of the bridge from the landing point, steps descending down from road level, the buildings behind them set well back from the drop to the water to provide a broad waterfront area, home to stores, stalls, cafés, kids at play and a sandy pétanque court awaiting older players.

Tourtour de Prouvenco, July 2022
The buildings here are suggesting of having been built in the 18th or 19th centuries, although they are centred on a much older structure, almost a ruin, lacking a roof, some walls broken and the floors they once supported collapsed. Accessed via an arch, this has in fact been cleared out and partially renovated to become the Blue Note referenced in the About Land description, and home to DJ events.

A further arched passageway facing the bridge offers the way between the tall houses and buildings, allowing visitors to reach more features with the setting. These include the western beach, overlooked by the Chocolat, where visitors can enter into a (kilo-gaining!) romance with all forms of chocolate and dessert. This side of the town offers the local cinema, and a marvellous courtyard comprising façades of shuttered houses.

To the east, the older element of the setting is far more rural in nature, and includes some almost Tuscan touches thanks to some of the selected architecture. sitting on the top of rocky cliffs that fall to a further beach on their north side, and cut through by a deep gorge, this is much the larger of the two parts of the setting, and offers a huge amount to take in.

Tourtour de Prouvenco, July 2022

The houses and stores here are furnished, giving a rich sense of homeliness, whilst the town can be explored by following various paths through it. The most obvious of these is the rutted lane that runs between the Tuscan-like buildings to cross a natural rock pass over the waters of the gorge as it empties into the sea. In the far side, this road curls back on itself to follow the southern lip of the gorge, passing below the local art gallery.

Set within a grand building reached via a couple of separate footpaths leading up to it – both of which should be explored in order to fully appreciate the region – the gallery dominates the setting in terms of its elevation, and does tend to draw the attention. However, and while a visit is recommended, do take the opportunity to explore around and behind the houses to discover all that the setting has on offer.

Tourtour de Prouvenco, July 2022

And also, when passing under the arch from the landing point square, be sure to keep an eye out for the teleport posters that will take you up to a couple of locations in the sky that I’ll allow you to discover for yourselves!

Charming, well designed and laid out with plenty of opportunities for photography Tourtour de Prouvenco is well worth spending time visiting.

Tourtour de Prouvenco, July 2022

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Kids These Day in Second Life

Lex Machine (Archetype11 Nova): Kids These Days

It’s been over a year since I’ve written about the work of Lex Machine (Archetype11 Nova), perhaps one of the most engaging visual artists within Second Life. Part of the reason for this gap is that I understand Lex has been on something of a hiatus. Even so, his most recent installation opened back towards the beginning of July, and to my shame, I came very close to missing it.

Kids These Days takes as its topic the changing face of childhood; of the truth that even in so-called developed nations, children are all to prematurely being made to “put away childish things”, and deal with the “realities” of life. Before they are old enough to understand who they are, they are being forced to focus on “who they want to be”; before they can really understand if who they want to be reflects who they actually might be, they are being cajoled into confined tracks of thinking and discourse, channelled into taking decisions that are ill-equipped to understand – or which are patently harmful to their core self.

Lex Machine (Archetype11 Nova): Kids These Days

Of course, for many children the world over, this is very much a fact of life; they are from the earliest age forced into marriage and/or to bear children or take up arms on the basis of tribal or ethnic fealty. Day in and day out, they are forced into situations we in the west correctly view as abhorrent. But until now, those of us in developed nations have managed to remain aloof to all of this secure in the belief it couldn’t happen here.

Only it has; as noted, kids these days are subjected to pressure beyond their years. Some of this can be blamed on “the Internet”, and that dark and mysterious world beyond the computer and mobile device screen, and the increasingly role of the toxic and utterly partisan worlds of social media.

Lex Machine (Archetype11 Nova): Kids These Days

But more insidious than this is the fact that in many respects adults and parents are now making the situation worse for; just take, as two example: the matter of gender and the matter in which many on the religious right are determined to suppress any and all acceptance of anything but “male” and “female; and the blatant disregard the majority of adults today have for the environment, thus forcing those for whom we should be stewards in safeguarding the world, to fight for a future world where they can live without fear of climatic or other repercussions.

All of these ideas are explored within Lex’s Kids These Days through a series of individual, but interconnected vignettes. Some of these are – in his trademark and captivating way – on a massive scale, while others are of a more natural avatar-based size – and perhaps as a result, easier to miss.

Lex Machine (Archetype11 Nova): Kids These Days

Some of the latter might bring to mind the innocence the “childhoods past” – the locomotive suggesting playing with toy trains; a blanket set with cushions, parasol and the delights of a panic representing carefree family days out, adventures by car to new worlds to explore; the presence of cars themselves referencing time when teenager years were about engines, racing, personal freedom and escape, and not – as is all to frequently the case today – a focus of political activism or having to “rebel” in order to be recognised. Others offer commentary on the pressures piled on kids today – the demands that they “gain the keys of success” and “unlock their potential”; demand that all too often leave youngster forced to bear of drag weights of expectation they are ill equipped to carry.

The larger vignettes, meanwhile, offer a more immediate focus, speaking as they do to the central theme. Here we find pieces depicting the way technology can carry young minds to concepts and worlds they are ill equipped to handle. Scattered around the landscape stand Crow Demons, symbolising the many predators – criminal, psychological, familial, political, and so on, waiting to prey on young minds and bodies. And, in the midst of them stands a clown-like pied-piper, representing adults the world over touting their pipes of conformity over their young.

It is among these that Lex offers his clearest and most succinct observation about the future of kids across the globe being born into the world of today, a sentiment that should stand as a warning to us all for the way we continue to abuse our offspring.

Lex Machine (Archetype11 Nova): Kids These Days

Kids These Days is rich its visual expression and powerful in the manner in which it presents its subject. It is also – for those like me who are confirmed admirer’s of the artist’s installations and regions builds – a place that offers numerous Easter Eggs to Lex’s past works, some of which where build when he was known by a different name(!).

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An Endless: Birdlings Flat in Second Life

Endless: Birdlings Flat, July 2022 – click any image for full size

It was back to Endless:, the Full private region held by Sombre Nyx for me recently to witness her latest design inspired by a physical world location. For this build she has turned to the southern hemisphere, and a country for which I have a certain fondness; for reasons I’ll not bore you with here.

Birdlings Flat takes its name from a settlement in Canterbury, New Zealand, at the eastern end of Kaitorete Spit and the southern end of Lake Forsyth, where the lake discharges to the sea. It’s a place of rugged natural beauty named for the Birdling family, the first European settlers to farm the area.

Endless: Birdlings Flat, July 2022

In her About Land notes, Sombre describes the setting thus:

Inspired by a small and isolated coastal settlement in the South Island of New Zealand, Birdlings Flat offers wide vistas, unkempt fields, a pebbled coastline strewn with driftwood, a sprinkling of science, and a chance to find stillness.

However, prior to the arrival of William Birdling and his family, the area was called Te Mata Hapuku, with Birdlings Flat nowadays used to specifically in reference to the  pebble beach on the ocean side of Kaitorete Spit, a location well known as a place to find small agates and a variety of other attractive rounded pebbles.

Endless: Birdlings Flat, July 2022

Designated as a rural settlement, the area actually thrived for a time as a centre of farming, even gaining its own branch of the local railway, connecting the area to the nearby town of Lincoln to allow for easier shipment of goods and produce. This line became known as the Little River Line when it was extended to another settlement (called by that name in the 1880s), and while the line was closed in 1962 and the tracks torn up, the route today is known as a public walking and cycling track called the Little River Rail Trail.

Over the years, the area has seen various uses – it is popular for those carrying out coastal studies, and the the waters are known for the presence of significant number so Hector’s dolphins and can be used by southern right whales, while during certain times of the year, fur seals and (occasionally) elephant seals can be found along the pebbled coast.

As well as coastal studies, the area was once used by the University of Canterbury for meteorological studies, the university establishing a weather station there for several years. Birdlings Flat has also been used for launching sub-orbital sounding rockets, using the US-built Arcas (All-Purpose Rocket for Collecting Atmospheric Soundings) system. These launches also fall under the prevue of the University of Canterbury, which also established a radar station in the area to monitor rocket flights and the airspace around the launch area.

Endless: Birdlings Flat, July 2022

The latter forms a part of Sombre’s build, which encapsulates the small, rural nature of the location and its tiny community (in 2018, the local population was just 195) whilst also capturing the rugged nature of the landscape and life along this coastal area  simply but perfectly. It’s not a setting one needs to wax lyrical about, because it speaks very eloquently for itself, and exploration and photography within it are both a delight.

However, in order to reach Birdlings Flat, visitors must go via the region’s Landing Point, and this once again presents visitors with the opportunity to visit not one, but two settings within the region. This is because Sombre is once again joined by Jackson Cruyff, who offers people the chance to visit his Forest.

Occupying a sky platform some 2,000m above the ground-level setting of Birdlings Flat, Forest presents a wooded environment somewhat mindful of the North American continent rather than anywhere antipodean; a place left to the wilds and where assorted animals and wildfowl might be found wandering and / or circling over head. It’s a place where people can simply roam and find refuge, and also – for those who look – places to sit and contemplate.

Endless: Birdlings Flat, July 2022

Two easy-on-the eye settings; one offering a rich depth of background on one of the more remote parts of the physical world few of us are likely to have the opportunity to visit.

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An Underwater World at Le Monde Perdu in Second Life

Luane’s Underwater World, July 2022 – click any image for full size

It might not seem that long since I last wrote about LuaneMeo’s Luane’s World – largely because it isn’t; I covered the spring look to the region just a couple of months back, in May 2022 (see Spring 2022 at Le Monde Perdu in Second Life).

However, I have good reason for returning so quickly to the region of Le Monde Perdu (The Lost World), because Laune, again working with Gorba McMahon, has made the Summer 2022 build a place to be enjoyed by both land lovers and those who enjoy dipping under the waves in either human form or as merfolk, as she presents Luane’s Underwater World.

Laune’s Underwater World, July 2022

With this iteration, the setting presents a south-facing arc of land sitting with its back to the rest of Luane’s estate, which embraces a wide and relatively deep bay within its protective arms. The south-facing arc of the land forms a sweeping curve of sun-bleached sand with many places set across it for people to sit or cuddle as gulls wheel and turn overhead, and waves break gently against the sloping sand.

Behind the beach, the land rises sharply but not precipitously or to great height; just enough to present stepped uplands sliced into from the north by a tight inlet, and whose grassy hills carry a suggestion of this being a Mediterranean setting, courtesy of the Tuscan style villas, houses and outlands scattered across them. Furnished within and showing outward signs of being occupied, these are actually public spaces as well, offering further places to sit and pass the time – and, as with the beach, plenty of opportunities for photos.

Luane’s Underwater World, July 2022

However, do be aware that behind the villa occupying the north-east lowlands, there is a trail and bridge leading into the neighbouring regions of the estate. These regions do have private residences scattered across them, so do please take care to avoid trespassing when wandering in that direction.

Throughout the landscape, there is a gentle sense of peace and of time passing slowly; a vibe that this is a place where nothing seems to happen as the minutes and days tick one to the next. But dive into the waters of the bay, and it becomes apparent something has happened here at some point. Caught in the arms of the land and sheltered under the waves is a world which at one time lay above the waters that now guards it.

Luane’s Underwater World, July 2022

This is a place rich in colour, with corals and anemones bloom, oysters hold great pearls, shark, fish, dolphin and turtle swim – and the ruins of an ancient civilisation stand in silence, the wooden wreck of a once proud sailing ship close to hand.

Exactly what caused this place to drown and when it happened is unclear – and actually unimportant; for who is to say this place was ever once above the waters of that bay? Perhaps the ruins and statues here were not carved by human hand, but by those of the merfolk they appear to celebrate?

Laune’s Underwater World, July 2022

What is clear is that here, among the corals and anemone, watched over by sea creatures great and small, are many more hiding places where lovers can rest in one another’s arms, photographers can find ready to be used within their arts, and those who simply want to sit and pass a little time can find peace. Some of these may well be out in the open and easy to spot, but others are tucked away and may require a little effort to find – but it will be time well spent, and are welcoming to both human and merfolk.

As always, Laune’s World offers much to see and appreciate with this Summer 2022 build, and I recommend that rather than reading my twaddle, you go see for yourselves!

Luane’s Underwater World, July 2022

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A Rain-Washed Soul in Second Life

Rain-Washed Soul, July 2022 – click any image for full size
Rain-Washed Soul is an immersive sound environment nestled into nature, complete with guided meditations, Tibetan singing bowls, and of course the soothing sounds of rain and thunder. Have a cup of tea, meditate, relax and be one with your surroundings while listening to the healing and renewing sounds of rain and thunder.

So states the Destination Guide entry for this little setting, a part of The Nature Collective, designed by Emm (Emmalee Evergarden), and it was more than enough to guide me to Rain-Washed Soul.

Rain-Washed Soul, July 2022

Located on the northern arc of Heterocera, and tucked between Route 6 and the railway (with access directly off of Route 6), this is a parcel-based setting intended – as the description above suggests – to create a little haven of peace and retreat for those who need it.

The landing point for the locations sits on a covered boardwalk that effectively links the two halves to the setting, which overall has an east-west orientation.

Rain-Washed Soul, July 2022

To the west, surrounded by trees and with its back to the neighbouring parcel (reached through a gate in the fence), is an A-frame retreat, reached via a walk through a light tropical shower. It offers a place of meditation for individuals or groups, with a cosy little shelter for two close by. This is a place rich in local sounds, and visitors are encouraged to turn up in-world sounds and try the local bells, etc., to appreciate the local soundscape.

At the eastern end of the boardwalk the land is a little more open, with a stone terrace with a little information kiosk, together with places to sit, waterfalls, and a further immersive soundscape, with everything watched over by the local wildlife.

Rain-Washed Soul, July 2022

As with all locations connected to The Nature Collective, Rain-Washed Soul is participating in TNC’s summer hunt (July 18th through 21st, 2022) – details available from the signs within the setting.

A simple, charming little place to visit, with plenty of opportunities to recharge the batteries and forget worries!

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WillowWood’s wild beauty in Second Life

WillowWood, July 2022 – click any image for full size

WillowWood is the name given to a Full private region leveraging the additional Land Capacity bonus which is held by Doc Battitude. Largely open to the public, it features landscaping by Dandy Warhlol (Terry Fotherington) and at the time of my writing this, it was a feature location in the Editor’s Picks section of the Second Life Destination Guide.

The About Land description for the region sits slightly at odds with the design of the land – describing this region which is mindful of a wild coastal region somewhere in the temperate regions of the northern hemisphere as, “a once thriving town reduced to ruins and secluded happy places”. However, while there is little sign of any former conurbation within the region, there is absolutely no doubting its beauty and restfulness.

WillowWood, July 2022

The landing point sits toward the south-west of the region, and sits before a table of rock on the west coast which is home to a mansion-like private residence with oceans views directly to the south and west. Accessed via a single drive guarded by walls and gates that are clearly marked as Private Property, the mansion is the only no-go area with the setting; the rest is otherwise fully open to explorations, including the little café sitting a short walk from the landing point.

The rest of the land is cut through by little streams and creeks. These break it up such that the easiest way to find your way around its to follow the trails and paths to the little bridges that span the water, with the land as a whole given over to a rugged set of low undulations rich in trees and wild grass.

WillowWood, July 2022 – “Tunnel Vision”

Scattered throughout this landscape are signs of civilisation – but nothing that would denote anything like a town being close to hand anywhere. Instead, the coastal areas offer signs that the locals make a living fishing, with a slightly run-down wharf looking west from a southern headland, and little fishing cabins and a boathouse lying further around the southern coast, while away to the north lies the wreck of a coaster that came too close the region’s sandy shallows.

A sense of age is added to the setting thanks to the inclusion of a pair of ruins – the Ruined Chapel by Markus Inkpen (a personal favourite structure that naturally lends itself to modding), and the Studio Skye Temple Ruins by Alex Bader (which have tempted me a few times, although I have yet to purchase and fiddle with it). These sit across the region from one another, the latter overlooking the north-side beach, and together they give the region a sense that it once held significant religious meaning.

Throughout the setting are numerous places to sit and / or spend time awaiting discovery. These range of wooden gazebos located above streams and water holes, to benches sitting alongside the paths and trails, to places to relax on the beachy headland and along the waterways. In addition, there are multiple places to enjoy a dance or two, including within the chapel ruins and at a small outdoor events area tucked into the north-east corner of the region.

The overall lay of the land helps given the region a feeling of being much bigger than the usual 256 metres on a side, the paths meandering up and down the hills and between them, often leading to more little surprises and touches that bring the setting further to life. These range from dry stone walls to pieces of sculpture, and even a hint of what might once have been a World War fortification.

WillowWood, July 2022

Given this is a design by Dandy, you might expect my usual warning about performance (mesh + textures), but with WillowWood, I didn’t encounter any significant issues; even with Shadows enabled, my FPS remained in the mid-teens rather than dropping to single digits, whilst for general flycaming around with Shadows disabled, FPS was generally around the mid-to-upper 20s (I’m currently using Firestorm without any auto-tuning enabled, and (obviously) without the Lab’s own performance improvements), giving me a reasonably comfortable experience.  Even so, you may find you need to make some adjustments to your viewer, as is oft the way with SL builds.

Finished with a subtle soundscape, perhaps with default environment settings a little on the dark side for some (I varied between it and using my “default” avatar-attached EEP settings for photos) WillowWood is an engaging, picturesque region design.

WillowWood, July 2022

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