Tag: Exploring Second Life 2021

This is the first of two pieces on  Tonarino, a Full region we originally visited just over a year ago in December 2019 (see: Tonarino: an oriental curio in Second Life). At that time, the region was a ground-level build, the work of 秋元のん (n0rik0), offering a Japanese urban design theme that was photogenic and fun to explore.

However, not long after our initial visit, n0rik0 extended the region design with the inclusion of a sky platform – Nekomachi Street – which we actually managed to miss at the time it was available. So, when I noted by way of Annie Brightstar’s Scoop-it pages that Nekomachi Street was back, I knew it was time for a return visit to Tonarino, starting with the sky platform lest it only be available for a limited time, and then progressing to the ground to see what has changed there.

The clue to the theme of the sky platform, if the preceding shots above haven’t actually given it away, is in the name – neko, as in cat, so “Nekomachi” could be taken literally as “cat town” or “cat city”, with the setting itself being precisely that: a street scene featuring cats. However, these are not your average domesticated cats, as clever as they may be. These are cats that are completely anthropomorphic and who have overcome the limitations of not having an opposable thumb, in order to create a very human-like life for themselves in what is a delightful continuation of the overall Japanese theme for the region.

For those who visited the location in its past iteration, I understand that outside of the restaurant specialising in crab delicacies, not much has changed between this iteration of Nekomachi Street and the last. Which doesn’t mean it shouldn’t be re-visited; quite the reverse, I’d say: the entire setting is utterly adorable, whether or not you have seen it before.

These feline characters – from sets by 丸角の人 (shiro0822), and sold under their Maru Kado brand (just search for “cats” to list the three sets) – are going about their daily lives just as we humans might. In this, n0rik0 has sown considerable creativity in how the various cats are presented and what they are doing.

Take the crab restaurant, which I’ve arbitrarily selected as a landing point for the article (the setting does have a more “formal” point of arrival / departure, but I’ll come to that later). Here, a kimono-wearing cat is clearly being tempted by the window display as she walks by – and is about to be further tempted by the platter (of samples?) a member of staff is holding by the entrance, whilst inside customers are happily eyeing their meals of fresh crab and supping beer.

Further down the road from the restaurant, another cat is on his pizza delivery round, skilfully managing his bicycle while holding aloft a veritable tower of boxed pizzas, meals the group of cats and kittens putting on their own show outside the local cinema might actually enjoy, although they seem quite wrapped up in their dancing. Around a corner, meanwhile, another cat has stopped his little van above the local river to appreciate the view. A few metres away, another cat peruses the outdoor racks of the local bookshop while inside, the shop owner stands engrossed in one of his tomes.

Throughout the setting, around every corner and within many of the little shops and stores, similar scenes unfold, from the mechanic taking a break from work to enjoy and garden lunch and a read of a newspaper, to the baker and the happy-go-lucky delivery cats with their cart. Unsurprisingly, food does play a considerable role in daily life here – but name me a cat that doesn’t consider every minute of the day to be approximately half-past dinner time and therefore ideal for a snack?

However, the most endearing little scene awaits discovery along the eastern street.

Here, outside the local theatre and before a growing crowd, two highly skilled jugglers put on a show intended to entice people into the theatre – and their use of parasols and little boxes is a delight to watch. Animesh in nature, these are part of a gacha set by shiro0822, items of which can be obtained from the Maru Kado in-world store.

Just across the road from the theatre is a little alley linking the street with another, and which is notable for the little work cat climbing out of the manhole there. However, more than just working, he offers the way down to the ground level, and forms the “official” landing point for Nekomachi Street – touching his head will deliver you to the ground-level town, but I’ll be covering that in the follow-up to this article in due course.

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• Nekomachi Street (Tonarino, rated Moderate)

When a region’s title includes “Handmaiden” (albeit without the apostrophe and ess), one might be forgiven if the mind jumps immediately to speculation on whether it might have something to do with Margaret Atwood‘s dystopian novel or the television that arose from it.

However, The Handmaiden Estate, designed by StephiDreamEverMore Doune (stephidreamevermore.doune) and Bella Cavanaugh (Bellacatorina McKeenan) on behalf of region holder Takao Kishijoten (Takao Kiyori), looks a lot further east the the totalitarian state of Gilead, drawing as it does primarily on Japan and other Asian elements  for its inspiration. 

The region’s description notes that it is a place for “both lust and relaxation”, with the region rating further hinting that it can be a  place where adult activities might be found – as does some of the décor with the main houses. However, to classify The Handmaiden Estate as being solely about adult pursuits would be unfair and inaccurate.

The landing point sits within the gardens of the main houses, both of which are imposing wood and slate structures of neo-classical Japanese design. One has a more direct reference to adult – or more precisely, BDSM – pursuits,  whilst the other has furniture – including modern hot tubs – that perhaps leans more towards the occidental than oriental, making for an interesting mix.

The gardens between the houses sits as a continuation of the landscape the beyond the houses and their walls, featuring grass and free-growing flowers and blossoms, which is again a step away from the more stereotypical representation of an oriental environment, where gardens can so often be more formally laid out.

Beyond the main houses the landscape is a further interesting mix. To one side, a canal-like channel splits the landscape, a bath house occupying the far bank. This looks like it could be the home of an onsen, but within, the bath room is more mundane. A large pools sits behind the bathhouse, its unheated water fed by four carved koi, towels and oils neatly laid out along one side for the use of patrons. Shaded by blossoms and lit by paper lamps, I found this pool to be perhaps the most enticing location within the setting in which to spend time.

Outside of the bath house’s walls to the west, sits a natural pool fed by water tumbling from a rocky hill. It is the home to pedestal Shoji lanterns and water lilies, a stone bench under a Torii gate presenting it as a place to sit and perhaps meditate. A  short walk away, stone steps rise to a higher peak, one topped by a further house. Guarded by a Buddha at the foot of the steps and stone lions at the top, I’m not entirely sure if this house is intended to be for public use or not, although there were no overt signs that it is reserved as a private setting or residence.

East of the bathhouse lies a small grassy bay, home to a pagoda style pavilion where tea might be taken and offering a view across the bay to where a small island is occupied by an Indonesian statue protected by the dome of a smaller pavilion whilst watched over by a sampan styled boat.

With hints of formal gardens that never quite mature along a north-south path running beside the walls of the large houses, a statue of an emperor that perhaps leans more towards Sino origins than Japanese, and the aforementioned occidental furnishings, the Handmaiden Estate offers and interesting fusion of ideas and elements that, whilst perhaps eclectic, actually come together very well to present an interesting setting.

There are definitely some particular gems to be found when exploring. The aforementioned outdoor pool, for example, and / or the circular pond to the south-west, home to heron and guarding a further pavilion that looks in part to be a sitting area and in part a small shrine. However, I confess I did find the region  to be a little let down by the default environment settings, which tender to render it a little flat. As such, I’d recommend dialling the environment over to one of your preferred environments for better ambient lighting. I found doing so really mad aspects of the region really pop, as I hope the images here demonstrate, making it ideal for photography and appreciation.

With thanks to Morganacarter for the note card and LM.

SLurl Details

• The Handmaiden Estate (BASED, rated Adult)

Note: This is a Preview article; until Saturday, January 30th, access to MARFA is restricted to members of the [Valium] group  and invited guests of Vally Lavender.

Up in the high desert lands of the Trans-Pecos (and more specifically within the the Chihuahuan Desert) sits the town of Marfa. It’s not a particularly big place – the 2010 census put its population at around 1,900-2,100 – but it is a place of romance and mystery. Founded in the early 1880’s, even the town’s name has an air of romance about it.

“Marfa” is the Russian form of “Martha”, leading to the hypothesis the town is named for a character in Dostoevsky’s The Brothers Karamazov. However, this is apocryphal – the town is actually named after Marfa Strogoff from Jules Verne‘s novel Michael Strogoff.

The town started as a watering point for trains travelling the Southern Pacific Railroad and for most of its life, never grew particularly large. It reached its zenith in the period between 1920 and the end of World War 2 – the former decade marking the start of a period of rapid growth that included the establishment of military training facilities through the war years.

Following the closure of those facilities in 1945, the town gradually shrank both in the number of residents and its actual size: by 2010 it was said to cover just 4.1 square kilometres. It did, however, enjoy a period of movie making popularity in the 1950s with various western films made in and around the town – most notably Giant (released in 1956), starring Elizabeth Taylor, Rock Hudson and James Dean – the film being the last Dean made before his death in a car accident.

In the last two decades Marfa has again become a popular location for films – notably There Will Be Blood and No Country for Old Men both filmed in 2006 – and for television, even featuring in an episode of The Simpsons (Mad About the Toy).  However, the town has perhaps become most famous for two things: the growing arts community within its borders, and the mysterious Marfa Lights.

And now it has a further claim to fame, being the inspiration for the latest ValiumSL region design – MARFA – instigated by Vally Lavender, who sent me an invitation to visit the region ahead of its Group opening on January 22nd, 2021.

The work of Vally, together with Fred Hamilton (frecoi), Lotus Mastroianni and Sofie Janic, MARFA captures several iconic elements of its west Texas namesake – the railway line, the surrounding desert prairie, a homage to the Presidio County Courthouse that dominates the centre of the town, the aforementioned arts community – as well as the general feel of “small town USA”.

Arts first came to Marfa in the 1971 when Minimalist artist Donald Judd relocated from New York to the town. Initially he displayed his work in two large hangers, but over the ensuing years he expanded his presence in and around the town, indoors and out. Following his death in 1994, two foundations took over the work of maintaining Judd’s legacy, with one of them – the Chinati Foundation – now occupying 30 buildings in the town and providing space for 13 artists in residence.

Chinati was also responsible in launching an open-house arts event that attracted – and still attracts – people from across the USA and around the world to visit it as a centre for contemporary arts, with more artists moving to the town in recent years to establish workshops and galleries. The town has also seen a writers-in-residence programme launched, together with a new theatre company, with pop art installations such as Prada Marfa being established within driving distances of the town.

This arts influence is fully reflected in MARFA, with reproductions of Prada Marfa (artistically relocated to the edge of the town)  and Judd’s unmistakable concrete “boxes”, while a trailer park that offers a bit of a nod towards Ready Player One sits as the venue for music and performance arts. I was a little disappointed the town’s high water tower was not presented, but this was countered by the presence of the large cut-out of James Dean, part of a display at Marfa celebrating the town’s connection with Giant.

Alongside the trailer park sits the MARFA observatory. Based on the Marfa Lights Viewing Platform, it allows visitors to the region a vantage point from which to witness the digital version of the mysterious Marfa Lights which routinely appear to the south / south-west of the town, attributed to everything from UFOs to ghosts or spirits – although science suggests they are the result of odd atmospheric reflections of vehicle lights or the light of camp fires. Legend has them dating back to at least the time of the town’s founding, although the first actual published record of the phenomenon wasn’t made until 1957 (the references to the 1880s only appeared in print in 1985).

You might just see mysterious orbs of light suddenly appear above desert foliage. These balls of light may remain stationary as they pulse on and off with intensity varying from dim to almost blinding brilliance. Then again, these ghostly lights may dart across the desert … or perform splits and mergers. Light colours are usually yellow-orange but other hues, including green, blue and red are also seen. Marfa Mystery Lights (MLs) usually fly above desert vegetation but below background mesas.

Marfa resident James Bunnell

Rich in photographic opportunities and offering several opportunities to appreciate art (including the Empty Chair Gallery), MARFA additionally offers a number of small rentals for those who fancy they’d like to experience life in the town.

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Open access from Saturday, January 30th at 11:00 SLT.

• MARFA (ValuimSL, rated Moderate)