The tropical splendour of Lotus Bay

Lotus Bay; Inara Pey, June 2019, on FlickrLotus Bay, June 2019 – click any image for full size

Update: Lotus Bay may no longer be open to public access.

Lotus Bay is a new homestead region design by the combined talents of Maria Kobaiernen (Dreamy Lebed) and Aydenn Palazzo (Aaydenn29) that recently slipped into the Destination Guide, and in doing so caught our attention.

Described as “a luxurious tropical island with a hedonistic resort vibe”, this is a quite marvellous design rich in content and detail. Admittedly, the amount of mesh and texture present can take something of a toll on a computer if you happen to like running with a lot of the viewer’s options active; however, this does not mean Lotus Bay should be avoided by the keen SL traveller, as doing so would rick missing out on seeing a very special place.

Lotus Bay; Inara Pey, June 2019, on FlickrLotus Bay, June 2019

Rising from the sea with beaches to the west and east offering a buffer between land and water, Lotus Bay sits atop a magnificent table of rock. Sheer cliffs on all sides seem at first to rebuff visitors. However, the stone steps carefully cut into them just a short walk from the landing point give the lie to this.

Winding upwards and slightly inland from the beach, these steps lead the way to a lush plateau, rich in foliage and colour, and home to a large, whitewashed house with a distinctly colonial look to it.  Old and with its walls patched and the home to strands of vines, it is nonetheless furnished inside, witnessing its occupancy while the presence of the piano in the wooden-floored courtyard perhaps gives an indication that the rainy season here is very predictable.

Lotus Bay; Inara Pey, June 2019, on FlickrLotus Bay, June 2019

While open to visitors, this house nevertheless raises questions: is it a primary residence or a holiday home? Certainly the nature of the island suggests it was never the centre of something like a working plantation. The log marked trails that extend away from the house at various points to make their way through the foliage and between rocks, suggest that the house is a vacation retreat, a Second Life Necker Island, if you will.

These paths, running snake-like and often branching to offer choices of route, provide access to swimming pools and  open-air decks where people can relax and sit or dance. They offer the way to other steps leading back down to the golden sands of the beaches below, or to where a hot tub sits under the shade of rocks and palms. However, all of these little touches, each beautifully executed and presented, also speak to the idea that this is a resort more than a private location; a secret getaway for the well-informed.

Lotus Bay; Inara Pey, June 2019, on FlickrLotus Bay, June 2019

This feeling of paradise delight is furthered down on the sweep of the east-side beach, where a deck awaits those wishing to partake of a Second Life wedding. There is also a little cluster of cabins built over the water, each one offered for rent by those wishing to extend their stay on the island as a vacation away from the rest of SL. Rates for both cabins and weddings can, I understand, be obtained by contacting Maria.

The care put into the design of Lotus Bay is evident throughout. The use of space, the placement of rocks, trees, paths, buildings, and so on has a perfectly natural feel that greatly enhances the sense of immersion; Lotus Bay feels like a place in which the building and structures have been placed to both take advantage of the landscape and utilise available spaces, rather than the landscape feeling it has been designed to fit around the buildings and locations within it.

Lotus Bay; Inara Pey, June 2019, on FlickrLotus Bay, June 2019

The landscaping itself also has a wonderful eclectic feel to it: temperate shrubs and bushes mix with Junipers and cacti and palm trees in a glorious mix that gives Lotus Bay no fixed location, but the ability for it to be anywhere we might wish to imagine it – off the coast of central America, or an Indonesian island, or somewhere sitting off the coast of Vietnam or China, and so on.

For me, and despite the differences in local plant life, I was put in mind of the forests in Dambulla region of Sri Lanka and the Sinharaja Forest Reserve further to the south of that country. While there is nothing specific to the landscape at Lotus Bay to align it with Sri Lanka, I was nevertheless put in mind of walking through forest trails there, and reminded of the care with which some resort spaces in those places have been blended into their surroundings.

Lotus Bay; Inara Pey, June 2019, on FlickrLotus Bay, June 2019

But wherever you might wish to place this setting, the important thing is that you go and see it, because it is a true delight for the eyes. Photographers can obtain rezzing rights for props by joining the local group. Photographs themselves can also be submitted to the region’s Flickr group.

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Touring Jilin in Second Life

Jilin Estates; Inara Pey, June 2019, on FlickrJilin Estates, June 2019 – click any image for full size

Jilin is the name of one of the provinces of north-east China that borders North Korea, whilst also sharing a border with Russia. It is a region rich in minerals (a total of 136) including gas, coal, iron, nickel, molybdenum, graphite, gypsum, gold and silver, and has China’s largest reserves of shale oil. As well as this, it is the garden of traditional Chinese medicine resources, with approximately 27,000 kinds of wild plants and 9,000 kinds of medicinal herbs.

A rugged place, with four major mountain ranges, Jilin is a richly diverse place. It also lends its name to a new, visually stunning residential Full region within Second Life operating under the title Jilin Estates. It’s a place that offers a considered balance between private rental properties and public spaces that are open to visitors to explore – a group joining fee of L$250 additionally gives visitors rezzing rights, if they desire.

Jilin Estates; Inara Pey, June 2019, on FlickrJilin Estates, June 2019

The work of Li Zhu (JamaicasianBaby) and Jin Zhu (KidDreamz), the region offers, in the words of the website, “pre-landscaped private residential and community residential spaces, where tenants can enjoy scenic views from all angles of their respective homes.”

The majority of the residential spaces are places around the outside of the region, each to its own island space offering views out over the ocean. In addition there are three “community cabins” offering smaller rental space, but which are more integrated with the public / community areas of the region. What is interesting about the rentals is the eclectic mix of houses that are supplied; there is no central theme, instead the houses ranging from a Tuscan villa through to converted industrial units going by way of wooden homes in what might be considered “traditional” looks and far more modern units of wood or cement construction.

Jilin Estates; Inara Pey, June 2019, on FlickrJilin Estates, June 2019

All of this makes for an interesting layout and visually appealing appearance those seeking a new Second Life home within a private estate might find appealing. The various style of home also make for an interesting and varied backdrop for photography. However, it is the public spaces that potentially offer greater interest to those who enjoy exploring second Life.

These occupy the large central land mass of the region, together with a couple of the outlying islands. With two large tables of rock rising from low-lying cinder-tracked roads and a rocky coastline, the primary landmass is rich in detail and finely laid out with much to discover and photograph. The landing point sits in the shadow of one of the rocky plateaus, a little garden / picnic space looking east to where the some of the private homes straddle their various islands.

Jilin Estates; Inara Pey, June 2019, on FlickrJilin Estates, June 2019

A track winds through the area, bordering the landing point as it does so. This connects to the trails leading up to the cliff-top tables, and to the other points of interest: the garage and “secret garden”, the old docks, a bridge spanning the water to one of the “community cabins” and the walled garden of a second “community cabin”.

A third rental place sits at the top of one of the rock plateaus, while the second plateau is home to one of the region’s public events spaces: a space for music and dancing. Reached via a winding rocky path, this rises above the community “games cabin” and open-air theatre space to the north. These are linked one to another via wooden platforms, one of which offers a public seating area, and via a rope bridge that spans a narrow channel of water to the region’s beach lounge and dining space.

Jilin Estates; Inara Pey, June 2019, on FlickrJilin Estates, June 2019

The latter is an impressive structure that sits astride a rocky waterway than tumbles to the sea channel, and which has an infinity pool fronting its ocean view. These public spots are the focus of special events within the region – DJ party nights up on the high plateau, movie nights at the cosy theatre and karaoke at the games cabin. In addition, the public spaces are available for hire with private events – contact the owners through the website for details.

Whether or not you’re looking for somewhere different to live in Second Life, or are looking for somewhere new to explore and photograph as part of your SL travels, Jilin Estates is an eye-catching, photogenic and enjoyable place in which to send time and explore (and there is more to discover than I’ve directly mentioned here: take the Games Mountain and the secret fishing spot for example). One that is as richly diverse as its Chinese namesake.

Jilin Estates; Inara Pey, June 2019, on FlickrJilin Estates, June 2019

Our thanks to Miro Collas for the tip-off and SLurl.

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Return to Cherishville in Second Life

Cherishville; Inara Pey, June 2019, on FlickrCherishville, June 2019 – click any image for full size

When reader Miro Collas asked if we’d ever visited Cherishville, I was a little surprised to look back through my SL travelogue and see that the last time I wrote about Lam Erin’s region design had been back in November 2017, when things had been deep in the grip of winter. Snow lay deep on the ground and roof-tops while trees lay frosted in white, and visitors needed to he wrapped up against the cold.

A lot has changed since then. Our return to Cherishville in June 2019 not only took us to a new region design, but a new simulator location as well, that of Villa Baldeney. Sitting beneath a somewhat glowering sky when seen in the default windlight, the setting is as far removed from the winter of my last Cherishville write-up as it is possible to get, the design we visited positively tropical in its presentation.

Cherishville; Inara Pey, June 2019, on FlickrCherishville, June 2019

There is no defined  / enforced landing point, so I’m arbitrarily using one to deliver those following it to a stretch of old road lying on the region’s east side. This offers a route from nowhere to nowhere, bordered on one side by a row of commercial properties almost shanty in their shabby looks, and on the other by a bay that cuts deeply into the region via a narrow neck of water. The road ends at this neck, dipping gracefully down to the blue waters to offer a convenient ramp boats might be drawn up to keep them out of the tide that must pass back and forth.

The commercial properties along the road vary between bars and places to buy spirits – that latter a popular draw for vacationers, it would seem – and the odd place to eat. All of them have the look and feel of having once seen better days, albeit perhaps a long time ago; now they look out over the old road, itself little more than a pedestrian thoroughfare, despite the motor vehicles at its southern end, and out over the bay.

Cherishville; Inara Pey, June 2019, on FlickrCherishville, June 2019

This southern end of the road offers access to  a broad swath of sand that curves gently west and north to hold the bay within its arm, facing the wash of tide from the south whilst home to undisciplined ranks of palm trees that offer moments of shade cast across the fine sands. A path is staked out along part of this beach, running at right-angles to the old road, but such a formal marking of route is hardly necessary; perhaps some local resident here was trying to offer a little sense of order.

Dropped onto the beach, and facing the open seas to the south are a couple of building which are again perhaps a little way past their prime. One presents a swimming pool beneath its raised wooden roof, the other appears to be a holiday home complete with a pool of its own. Balancing these on the inward curve of the bay is a fishing shack which, together with the small trawler sitting in the shallow waters, suggests some see this island as a place of work and not a vacation destination.

Cherishville; Inara Pey, June 2019, on FlickrCherishville, June 2019

Walking the route from street along the sands tends to offer the suggestion that this is a place that, while clearly within the tropics, is perhaps located somewhere in the Caribbean. The western elements just seem to push it in that direction. But then, follow the sand as it turns northwards and passing a strange little A-frame structure sitting out on a small sandy headland along the way, and perceptions are challenged.

To the north, the sand abruptly ends, and rocky slopes rise upwards, cliffs forming around three sides. This is topped by a single-roomed building with an infinity pool alongside looking to the west. With an aged statue of Buddha out on the grass, this aspect of the island presents a strongly Asian feel to it, with thoughts turning away from the Caribbean and perhaps more towards Thailand.

Cherishville; Inara Pey, June 2019, on FlickrCherishville, June 2019

There are some rough elements within the build – the odd floating palm tree or boat floating over the water than on it and the lighthouse for the region is oddly canted – but overall, there is plenty here that the visitor can enjoy and photograph within the setting, making time spent their worthwhile. For those so-minded, there are also some poses to be found for photography – a couple leaning against the sea wall above the bay, a walking hand-in-hand pose for those leasing the local bar, while bicycles can be obtained from a couple of rezzer racks for those who fancy taking a ride around the island. As always, photographs are welcome at the Cherishville Flickr group.

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A Sweet Paradise in Second Life

Sweet Paradise; Inara Pey, June 2019, on FlickrSweet Paradise, June 2019 – click any image for full size

Update: This parcel is no longer open to public access, and SLurls have therefore been removed from this article.

Sweet Paradise to the Darks sounds a rather unusual name to for a location in Second Life; at least until you realise it references a private home that has been opened to public visits – the Darks in this case being Anita Dark (Anita Khaos) and Kiara Dark (kiaraslet).

Occupying a 8192 sq m parcel, Sweet Paradise is one of those settings I like finding / exploring (although in this case, it’s the latter, as I was pointed to the parcel by reader Morgana Carter); the kind of place that demonstrates you don’t need an entire region in which to create a space that can be both home and somewhere for others to visit.

Sweet Paradise; Inara Pey, June 2019, on FlickrSweet Paradise, June 2019

Embracing a tropical island feel, this is a location that’s easy to explore, and even easier to while away the time within. A large, two-storey houseboat dominates the setting, the little patio to one side of it forming the landing point. The lower deck of the houseboat is filled with bric-a-brac, much of it focused on art, the clutter giving the place something of a bohemian feel.

A short walk along sandy grass, the path marked by large rocks and the fenced-in form of a VW Beetle that’s clearly not going anywhere soon, will bring visitors to a large, cement-sides beach house that continues the arty / bohemian feel, presenting a study-like environment again filled with the kind of cosy clutter that marks a space – be it a single room or an entire building  –  as a home.

Sweet Paradise; Inara Pey, June 2019, on FlickrSweet Paradise, June 2019

Oriented north-to south, the parcel has a westward beach looking out over the open sea, the view it provides shared by both the veranda of the beach house and the little patio fronting the houseboat. Nor are these the only places from which to enjoy the view. An old rowing boat vies for the attention of visitors (with singles and couples / friends poses) together with a couple of rattan loungers under the shade of parasols, while to the north end of the parcel sits an old camper trailer. This sits within a curve of beach and might possibly be the home of a surfer, but is currently the abode of a Siamese cat who is enjoying the sunshine and a nap.

A mix of trees are scattered across the landscape help to both break it up and screen the various buildings and locations one from the next, helping to present a sense a privacy along the parcel’s sandy ribbon. Together with the rocks breaking up the shoreline they also help give the parcel more of an island-like feel, on the east side of which lays another beach house, this one shaded by palm trees that also cast their cooling influence over another waterside nook visitors can enjoy as a box kite flies overhead.

Sweet Paradise; Inara Pey, June 2019, on FlickrSweet Paradise, June 2019

Small but beautifully landscaped and with a eye for detail, Sweet Paradise makes for an pleasing, homely visit. There are numerous places for people to simply relax, and  / or take photos. It’s the kind of place that can easily fulfil the greeting given in the About Land description: where people can make a lot of happy moments.

Simply perfect!

Exploring Iona Shores in Second Life

Iona Shore; Inara Pey, June 2019, on FlickrIona Shores, June 2019 – click any image for full size

I’m always a little wary of blogging residential regions for a number of reasons. While many are open to the public to visit, for example, I’m uncomfortable in recommending them where there is a risk that visitor trundling in and out could be off-putting / annoying to those trying to live on them.

To this end, I use a (and admittedly very rough-and-ready) rule of thumb, which encompasses looking at the overall ratio of public and private space(s) in the region, the ease with which a region can be navigated without necessarily encroaching on people’s private residences, general public attractions, whether or not parcel ban lines are in force (often – although by no means always – a sign that people are somewhat narked by the idea of passers-by wandering through the gardens / yards), etc.

Iona Shore; Inara Pey, June 2019, on FlickrIona Shores, June 2019

Iona Shores is a region that sits almost exactly within in the middle ground between “to blog” and “not to blog”.  A homestead region, the landmass is pretty evenly split between public spaces, in which visitors are invited to space time and explore and take photos, and three large rental parcels with, it would seem, room for a potential fourth.

However, there is no doubting the region has been beautifully designed – the work of Adalynne Romano (AdalynneReed), who along with her SL partner, Doc Battitude, is responsible for the delightful Candlewood (see Touring CandleWood in Second Life) and the designs used for Bay of Dream (see The seasons at Bay of Dreams in Second Life and Destiny Gardens (see Destiny Gardens in Second Life). This alone would be enough to bring me to Iona Shores, being an admirer of Adalynne’s work, but the fact it came recommended by Shawn and Max increased my interest; and the rental spaces are clearly enough differentiated from the public spaces to allow for exploration by those not living there.

Iona Shore; Inara Pey, June 2019, on FlickrIona Shores, June 2019

The landing point sits towards the middle of the region, on a long south-pointing finger that extended itself from the eastern side of the largest of the region’s three islands. A low, cinder-beached promontory rising from calm seas, the headland is dressed as something of an aged garden, completed with greenhouse (the landing point) and paved terrace before it. To the north sits an dry stone wall with tired iron gates marking the way to where the land rises up to a flat crown of fir trees in the midst of which sits one of the three rental properties.

Two bridges sit on the headland, the first forms a double strand of wood and rope reaching across the inlet cutting inland by way of a little nub of rock, to reach a western promontory. Another cinder uprising, it sits a little higher than the landing points and offers the open space that could potentially be used by another house. For now, however, it is topped by trees and a small wooden deck, stone steps leading down to a rough, dark beach on the seaward side.

Iona Shore; Inara Pey, June 2019, on FlickrIona Shores, June 2019

The second bridge reaches across a sliver of water to where rocks step their way up to a broad plateau where sits the second of the rental homes. The base of this island offers a public path around the south-west of the rocks, passing stepping stones that breach another tongue of water to reach the three of the larger islands, the home to the remaining rental house.

Throughout all of this, there are places to discover: a little studio space, a rowing boat offering singles and couples seating, horses grazing on the scrub grass, while wolves and deer wander parts of the landscape. All of this is watched over by the revolving eye of a lighthouse as trawlers chug by on the waters below it.

Iona Shore; Inara Pey, June 2019, on FlickrIona Shores, June 2019

Finished with a gentle sound scape, Iona Shores makes for a photogenic and visually pleasing visit. For those seeking a place to living that offers space and a feel for the wilderness, it come offer the ideal home. For the rest of us, it presents a delightful sense of escape.

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The return of Calas’ Santorini in Second Life

New Santorini; Inara Pey, June 2019, on FlickrNew Santorini, June 2019 – click any image for full size

Once upon a time within the Calas Galadhon park regions lay a tribute to Santorini, the largest island of a archipelago in the southern Aegean Sea. Officially called Thira (Thera in classic Greek), the island is world-renowned for the brilliant, white-washed walls of its buildings – most keenly, perhaps, exemplified by photographs of the principal city, Fira.

Obviously scaled-down, the Calas tribute to Santorini was nevertheless a marvellous build. So, when in 2014, Ty Tenk and Truck Meredith, owners of the Calas park regions, announced the Santorini build would be closing at the end of  that year (see A farewell to Santorini, December 2014), the news was greeted with disappointment among Calas Galadhon fans – myself among them.

New Santorini; Inara Pey, June 2019, on FlickrNew Santorini, June 2019

However, in April 2019, Tapped me with a photo of him standing in one of the Santorini terraces looking up at the distinctive houses and with the comment, “Just thought you’d enjoy seeing what we are working on 🙂 still a big secret but I know you loved the original ..all mesh 🙂 “. To say I was excited would be an understatement.

The new build – called, appropriately enough, New Santorini – was unveiled by invitation only on May 25th, 2019 – and Caitlyn and I were fortunate enough to be along those invited, although we were like all the guests, asked to keep quiet about what we saw until after the public unveiling, which took place on the weekend of June 1st / 2nd, 2019.

New Santorini; Inara Pey, June 2019, on FlickrNew Santorini, June 2019

Located on the Calas “holiday regions” of Eriador and Erebor, New Santorini recaptures almost everything from the original (although the waterfront café / events area has been replaced by a new open-air events area called Phoenix, sitting across the water from the main build, and within Erebor (Santorini itself lies within Eriador). However, being mesh and finely designed and implemented New Santorini offers much for explorers to discover both within its whitewashed walls and on and under the surrounding waters.

The landing point lies off to the east side of the region, within a semi-submerged cave. Follow the signs, and you’ll be led from this cave to a watery footpath that will present you with your first view of Santorini and the new events area (you may have to pump your draw distance up to see both, if your computer can handle things). This paths passes the gateway and steps leading down to the submerged gardens of Thera – an attraction in their own right, and again seeing a happy return (with a few revisions) as an ideal for merfolk to enjoy – although folk with legs are free to explore them as well.

New Santorini; Inara Pey, June 2019, on FlickrNew Santorini, June 2019

The town offers a lot to see: terraces offer places to sit and to dance, stairs climb between houses and buildings, plants offer bright bursts of colour and cafés beckon the weary. Around the base of the main island and on the surrounding islets are hints of a much older civilisation, echoing Minoan Thera. Some of these are best seen from the automated boat tour around the islands that starts at the Santorini end of the long, low causeway linking the island with the Phoenix events area.

One aspect of the town that should not be missed is the updated interiors of many of the houses. These represent a fine mix of different historical / cultural styles that are a complete delight to see, each one decorated, I understand, by Truck.

New Santorini; Inara Pey, June 2019, on FlickrNew Santorini, June 2019

Just how long new Santorini will remain is uncertain, and Ty candidly informed me.

We weren’t sure how we were going to show it off. We wanted it to be a special build, but we weren’t sure people would let us pack it up! But these are the regions we use for the holidays and our other special builds … although [as] both [Erebor and Eriador] are full regions now, we could put our special sky builds above where we have the [Phoenix] venue now. I’ve kept scripts down on Erebor to make room for builds above, so we’re still mulling it over.

– Ty Tenk on the new Santorini build and the future

However, the fact that it is back is a cause for celebration, and if you never got to see the original build (first built back in the days when prims were everything), then I cannot recommend finding the time to partake an excursion to New Santorini enough.

New Santorini; Inara Pey, June 2019, on FlickrNew Santorini, June 2019

As it is, Phoenix will be the focus for all of the planned Calas musical events through June. These start on Sunday, June 2nd, at 14:00 SLT with Samm Qendra, and will include Reggie Sunset, Savannah Rain, Djembe Dragonfire, Voodoo Shilton, Antonio Galloway and Chapman Zane. There will also be two special themed FlyGearz events in June – Toga & Greek Mythology and Pirates. To stay informed of all Calas Galadhon events, be sure to check out the Calas Galadhon website and the Calas in-world group.

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