Tag: Art 2023

Terrygold has always been and complex and expressive artist, her work often touching on matters of politics, ecology, the environment and more, her installations often a treatise of a theme intended (and succeeding) in getting the grey matter going. Some of her more recent works – Empty Chairs, Rain, I Would –  have contained autobiographical elements and reflections on life.

Such is the case – if only in part, perhaps – with My Friend, an installation which opened on May 20th. Given that they are somewhat autobiographical, these more recent installations can be difficult to follow; not because the narrative is particularly confusing, but simply because the subject matter is so personal. Such is the case with My Friend; but also, like Empty Chairs, Rain, and I Would, it has a message that can resonate deeply.

However, before getting into the installation itself, a quick detour into viewer settings. Terry’s work relies heavily on ambience, and the local environment is an important part in My Friend, so make sure you have your viewer set to Use Shared Environment (World → Environment →), and that Advanced Lighting Model (ALM) is enabled (Preferences → Graphics). Terry also advises the Shadows are set to Sun/Moon+Projectors, which can place an additional render load on a system; however, as this appears to be for the projected lights – which work just as well with just ALM enabled, so don’t fret if your system cannot hand Shadows. For the benefit of other, do please remove any facelights.

The installation combines three elements – a story presented in text, 2D images, and 3D dioramas, which in turn are combined into three parts. In the first, the story and images continue the broader narrative found in Terry’s earlier instalments, the narrative mixing with images to present the opening idea of how life can be shaped by memories and dreams. From here, on turning a corner, the story segues into a different narrative, one which may well leave the more autobiographic elements behind. It deals with reflections and memories of a lost friendship – and what might have been a first, and ultimately unrequited / lost, love. Finally, and on the upper level of the installation, we are invited to share in some of the memories that form recollections of that friendship.

The darkened environment reflects both the subtext of dreams used to open the installation and the fact that for many of us, memories most vividly come at night, in the darkened period between the lights going out and sleep arriving, leaping out unbidden. Here, the darkness of the setting causes the images Terry uses to illustrate her story do much the same: their  muted colours leaping from wall to eyes, reflecting that way in which those memories mentioned above flash into being.

In travelling through the art and story, we are drawn into a tale of a precious friendship held by one person towards another, and the mixing of positive and negative emotions that so often ebb and flow through the interactions which mark that friendship, and its eventual – perhaps inevitable – end. I don’t want to spoil the story by saying too much; however, there are elements throughout that will doubtless echo with us as we progresses through the lower level – for who has not had a certain friendship / love that has become framed by regret? What I will note is that all of the images presented have been created in Second Life and sans post-processing of any description, instead relying entirely on the available environment settings.

At the end of the story, two round openings offer access to a stairway leading to the upper level and a parkland sitting in darkness, pools of light illuminating little vignettes reflective of the story below (most notable the two bicycles).

Exactly how autobiographical the friendship elements within the My Friend might be is not for me to say; they could just as easily be born of the imagination. That is for Terrygold to reveal (or not!). But taken as a whole, My Friend is an evocation and nuanced story in both art and words.

  SLurl Details

• Terrygold: My Friend (Peaceful Land, rated Adult)

Wednesday May 10th 2023 saw the opening of a new exhibition of work by Wicked Eiren at the Heartsong Erotica Galleries owned and curated by Luanamae Heartsong. Entitled Ocean’s Dance, this is a small but utterly captivating selection of black-and-white / monochrome pieces is located in the West Gallery at Heartsong. All of the images feature the-artist-as-the-model, and all convey and emotional depth and narrative strength.

I first encountered Wicked’s avatar-focused SL photography in June 2022, when Dido Haas hosted Body Language/The Invisible Woman, an intensely powerful visual narrative focused on Wicked’s life as someone suffering from Complex Chronic Disease – also known as Central Sensitivity Syndromes (CSS) and it resultant psychological impact, in terms of both the condition and the reaction of others around the sufferer to their situation, it can cause (see Art and Complex Chronic Disease in Second Life).

Her condition has not robbed Wicked for her zest for life; she is passionate about the things she enjoys, and as a practicing Buddhist, she does her best to offer a positive, loving outlook in her interactions with all living things she encounters and refusing to allow the demands of CCD / CSS deny her her womanhood as much as she can.

This attitude is very much present within the images presented within Ocean’s Dance, a selection of 16 greyscale images, six of which are reproduced as  split monochrome works  on three free-standing displays, all of which feature oceanside settings. All are deliberately untitled (other than the name of the exhibition and a number), there only supporting text coming in the form of a single-stanza ode in celebration of the ocean’s call. In this, Wicked notes:

As a creator, I like the image to transcend the viewer into a memory or emotional that is purely of their own intimate personal journey inspired by my work [and] not to be formed from any “title” I might place on it. So please step in and don’t be afraid to dip your toes!

– Wicked Eiren

By leaving the pieces so open to interpretation like this, Wicked does indeed invite us to go where our thoughts opt to walk as when look at the images in this series – a freedom enhanced by the fact that there is not explicit order to viewing the pieces; just enter and appreciate and let go of your imagination.

For me, Ocean’s Dance is once again a celebratory story; the freedom visible in each of the pieces, be it expressed by pose or windswept hair or expression or scudding and seemingly roiling clouds or the foaming splash of a wave, is only too apparent. These are pieces that speak to the core desire of being free in and of oneself to express a vitality and sensuality of life and desire free from labels and unencumbered by thoughts of how the resultant images speak to an audience.

I could continue to was lyrical about Ocean’s Dance, but honestly, and as with Body Language/The Invisible Woman, this is an exhibition which deserves to be seen first-hand.

SLurl Details

• Heartsong Erotica Galleries (Cira, rated Adult)

Now open at the Third Eye Gallery, curated by Jaz (Jessamine2108) in Second Life, is a broad cross-section of art from both the virtual and physical worlds, and which stands as a excellent introduction for those seeking to discover more about artistic expression in Second Life.

Entitled Songs of Earth it is an outreach of the Unity Art project, founded by Viktor Savior, the exhibition is intended to present “the artists’ vision of thanking, and cherishing this beautiful planet which has enabled us all to experience the joys of life in a tiny corner of the universe.”

With 33 artists participating, it is perhaps the most extensive exhibition mounted at Third Eye, with the art displayed over three balconied levels within the gallery space, all connected by staircases and walkways. Each artist has provided two pieces of art each, with their works displayed side-by-by, with most also providing a giver which will present those touching it with further information on the artist – always a welcome element in such a broad ranging display of art, allowing those particularly taken by an artist to find out more about them and where more of their work might be appreciated / purchased.

And when I say “broad ranging”, I do mean precisely that. Within Songs of Earth one can find images of Second Life Landscapes, reproductions of abstract pieces, mandalas, and digital compositions from the physical world; avatar studies, and even a touch of art utilised the Midjourney AI system.

All of the pieces offer a unique take on celebrating the world around us; some doing so through the presentation of flowers, landscapes, and so on, others more creativity, calling on the eye and mind to work a little. In this latter regard, I would particularly call attention to Lalie Sorbet’s Song Of Earth pairing, two images which perfectly encompass the unique beauty of the planet on which we walk, the complete encapsulation of nature’s creativeness through the beauty of a flower and that of the human eye itself – the very organ which allows us to see and appreciate nature and beauty.

However, it would be unfair to single one just one artist or one or two pieces of art; the entire exhibition is engaging and rewarding of a visit, and as it opened on May 8th, you likely have the rest of the month in which to do so and appreciate it.

SLurl Details

• Third Eye Gallery (Ravenglass, rated Moderate)