Within a Goddess Temple in Second Life

Goddess Temple, August 2025 – click any image for full size

I discovered Goddess Temple by way of the Destination Guide, and was immediately intrigued by its description. Occupying one quarter of a Full private region leveraging the Land Capacity Bonus available to such regions, it is a genuinely magical setting created by Sharon Edwyn, offering a virtual journey into a realm of physical world mythology.

A sanctuary of stillness and mystery, where one may reflect, find serenity, and awaken the spirit. A temple consecrated to the goddess Hekate.

– Goddess Temple Destination Guide description

Goddess Temple, August 2025

More generally spelt as Hecate (HEK-ə-tee), the name belongs to one of the more multifaceted deities in Greek mythology; a figure associated with the Moon, the underworld; with magic, mystical arts and witchcraft, and whose name was invoked for a range of reasons, such as healing, protection, and divination. Her roots span ancient Greece, Egypt and Caria, as well as both the Titan and Olympian pantheons, Hecate having originally been a Titan prior to their downfall at the hands of the Olympians, who then allowed her to retain her powers and position.

Further, her influence also encompassed the Roman civilisation, and she even featured in post-Christian writings of the 2nd and 3rd centuries, in which she was seen as (among other things) the Mother of Angels, and she was frequently worshipped with offering of food at crossroads where she was said to dwell as a protector of thresholds.

Goddess Temple, August 2025

Goddess Temple most notably reflects Hecate as the goddess of magic and mysteries; protector of households, thresholds and crossroads; keeper of wisdom and her links to the underworld. What’s more, it does so quite marvellously through the core temple space, which is quite magnificent, and which I’ll come to in a moment or two, as the rest of the setting is equally as visually engaging.

Before continuing, however, this is a setting which should be visited using the local Shared Environment and with local sounds enabled. A PBR-enabled viewer is also highly recommended. The Landing Point is located towards the southern side of the setting. It sits upon a junction of path which, whilst not a crossroads, is still highly appropriate to Hecate’s aforementioned role as protector of crossroads.

Goddess Temple, August 2025

An information giver stands alongside the Landing Point, and I recommend touching it to receive more information on the setting and to be clear on the rules. Of the three paths offered to those arriving, one appears to lead to the entrance to Sharon’s private residence in the adjoining parcel (no trespassing please!), although a right turn at the door will lead visitors to a terrace with a view out over the waters beyond the region to an off-region surround.

A second path, pointing north and guarded at either end by two pairs of triple-headed street lamps (a subtle reference to Hecate often being depicted as triple-bodied, perhaps?), sits another terrace overlooking a large pool of water fed by water falling from on high on its far side.

Goddess Temple, August 2025

Like the costal terrace, this offers places to sit, whilst a statue of Persephone, the goddess of spring and the queen of the underworld kneels in the middle of the pool, the waters of which escape to the west, dropping to the sea by way of a rocky, fast-flowing stream. Beyond Persephone, and just visible through the curtain of water from the high falls, is the first hint of the secrets awaiting discovery.

However, to reaches these secrets, it is necessary to travel west along the third arm of the footpath and through the arch of a great stone portal wrapped in trailing vines and lightly fingered by the boughs of the trees pressing close to it. Here the path becomes more of a trail and the trees multiply in number as they continue to cast a green and brown canopy over much of the landscape, the ground of which is lush in shrubs, grasses and flowers whilst lanterns hang from boughs to provide gentle illumination.

Goddess Temple, August 2025

Within this part of the setting there is much to be discovered. There is a partially ruined pavilion offering a place to sit and perhaps read (or cuddle!) and enjoy tea from a copper samovar; then there is the remnants of a temple to Aphrodite, again with places to sit;  whilst within a clearing within a ring of trees and ancient columns can be found a place of ritual.

But it is the path leading to the entrance to the temple of Hecate which offers the way to greatest surprise / reward for visitors. Watched over by a statue of the Three Charities (or Graces, if you prefer), and passing by way of a bridge over the stream tumbling down from the central pool, this path leads to the unassuming entrance to what appears to be a cave with another columned stone portal standing before it.

Goddess Temple, August 2025

This cave proves to be a tunnel with a paved floor wet with what may be water formed from condensation rather than by any water flowing or dripping through the rock. Lit by torches mounted on the rough rock walls, the tunnel reveals itself beautifully a little at a time (if you are running with Shadows enabled).

The appearance of the Temple of Hecate is itself a literal revelation as you round a corner, its full, stunning beauty suddenly laid out before you without warning. Its astonishing beauty is literally breath-taking, and folds into it subtle references to Hecate’s manifold roles. Tall bookcases in the main chamber of the temple, complete with a reading table before them speak to her role as a goddess of wisdom, while the runes within the pages of the book mounted in the reading table suggests magic / mysticism.

Goddess Temple, August 2025

Meanwhile the flooded floor of the temple’s inner chamber not only points towards a statue of Hecate, it offers a reminder of the Underworld’s River Styx and thus Hecate’s own links to that realm. In addition, the use of torches and fire bowls reflect Hecate’s role of illumination and guidance through darkness.

Whilst the statue might not reflect the three-body form in which Hecate is often – but not always – depicted (the three forms reference her ability to see the past, present and future), it does include a pair of dogs. The latter were seen as both her loyal companions within the Underworld and as symbols of her links to the nocturnal and the mysterious. That the statue is set against the slowly swirling backdrop of a spiral galaxy appears to echo Hecate’s celestial place and being.

Goddess Temple, August 2025

There is more to see within this main temple – and more to explore with the tunnels, including the marvellous retreat hidden behind the waterfall mentioned above and dominated by a painting of Hecate; but I’ve leave you to discover the beauty of that room for yourself.

A genuine tour de force of creativity and design, and offering plenty to see – and learn: look for the information boards to find information on the likes of Hecate and Aphrodite – Goddess Temple is an absolute jewel within Second Life.

Goddess Temple, August 2025

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Visiting an Enchanted Glen in Second Life

Enchanted Glen, August 2025 – click any image for full size
In between fantasy and reality, between the seasons of the year and the time of day, lies a place where the magical beauty of nature is reclaiming the land.

So reads the About Land and Destination Guide description for Enchanted Glen, a marvellous Homestead region held and designed by Flower Caerndow and which I recently had the opportunity to visit after noting it in the Destination Guide.

Enchanted Glen, August 2025

The Landing Point sits on the south coast of the region alongside the junction of a gravel footpath, one arm of which sweeps around the inlet sitting behind the landing point, to follow a headland as it curls around the inlet to end at an ivy-hung pavilion.

Directly opposite the Landing Point lay a set of steps leading up to the central highlands of the region, while a second arm of the path runs inland to where another set of steps lead upwards, a tunnel close by also inviting visitors to go underground.

Enchanted Glen, August 2025

However, the simple fact is that wherever you go within Enchanted Glen, the regions offers a lot to see and appreciate. Caught under an EEP setting created be Flower, every inch of the setting has a sense of beauty and mystery much in keeping with its description.

The top of the hill offers a largely open landscape with scattered trees and shrubs. Also spread across its relatively flat top is a multitude of ruins suggesting this was once a place of import and give region a sense of age and romance. They sit draped with ivy and climbing vines or hugged by shrubs, tall grass and wild flowers, with standing stone on the north side of the hill.

Enchanted Glen, August 2025

The largest of the ruins overlooks a rocky shoulder of rock which may have once formed the roof of the caverns under the hill. However, a part of the roof appears to have collapsed, leaving a ring of rock looking down onto a river following outwards.

Enchanted Glen, August 2025

Water tumbles from the ruins above to feed this river, the falls forming a curtain of water behind which the bulk of these caverns sit. Meanwhile, the river flows outwards under the rest of the rocky shoulder, before branching into two streams to reach out to the east and north-east coasts of the island.

Enchanted Glen, August 2025

The island’s lowlands offer multiple routes of exploration with plenty to see that adds to the region’s serenity and grace. The local wildlife is sufficient to add a sense of life to the island and, in places, nicely frames the various places singles and couples might choose to sit and relax.

Enchanted Glen, August 2025

Such is the overall design of Enchanted Glen that lengthy descriptions are not required; it speaks clearly and softly for itself in so many ways. This being the case, I’ll simply going to encourage readers to take time out and go and visit and see for themselves – and offer Flower my thanks for her greeting while I was exploring, and for her very kind gift.

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Two exhibitions at ArtCare for August in Second Life

ArtCare Gallery, August 2025: Solen – Walking the Land 

Two art exhibitions opened earlier in August, at ArtCare Gallery curated and operated by Carelyna. The first, and longer running of the two, is a series of photo-paintings by Solen (Solen Karu). It opened on August 1st, 2025 so in truth may not have too much longer to run – my apologies to Solen and Carelyna for taking so long to get to it.

The second opened on August 18th, 2025, and features the Second Life photography of Anja (Neobookie). Both are very different one to the other, but both share a common aspect of representing their artists’ unique outlook on life and Second Life.

ArtCare Gallery, August 2025: Solen – Walking the Land 

Solen’s road to art has been an interesting one; from a career in information technology to that of land ownership, cultivating nut and fruit trees to form a small woodland. Whilst doing the latter over a period of some three decades, he also spent / spends time walking a local country trail and taking photographs of the trees and wildlife together with the local river.

He called these photographs “mediocre”; whether the originals were / are or not is an entirely subjective matter. What is clear is the manner in which Solen has used computer software tools and a range of processing techniques to turn them into photo-paintings which are anything but mediocre – rather the reverse, in fact: they are, completely captivating, as can be seen within Walking the Land.

ArtCare Gallery, August 2025: Solen – Walking the Land 

Incorporating multiple aspects of art from abstract to impressionism / abstract impressionism to expressionism, and spread across the two levels of its gallery space, Solen’s work conveys so much within each picture, making this a simply superb exhibition.

Hailing from the Netherlands, Anja has been involved in Second Life for some 12 years and who remains fascinated with the multiple ways in which creativity can be expressed through the platform.

ArtCare Gallery, August 2025: Anja – Distraction Visions 

It’s a fascination which led Anja to start taking photographs of the places she visited in-world, and this exhibition allows visitors to explore both her photography and her travels through Second Life.

Entitled Distraction Visions, this is no ordinary pictorial tour of Second Life; the images chosen illustrate the more surreal beauty to be found within our digital world: an island floating in the sky, complete with buildings attached to it almost like barnacles while a whale swims in an embedded aquarium; guitars rising from the ground sprouting branches and leaves; a lunar lander sitting within a multi-level chess board; a racing car formed from a wine bottle; a jet propelled industrial building, and so on.

ArtCare Gallery, August 2025: Anja – Distraction Visions 

Each piece is a story in its own right, simply awaiting our imaginations to offer up a narrative (or perhaps narratives, such is the potential of each piece). Whilst they are not necessarily required, the gallery space also offers a series of props reflective of some of the images, given Distracted Vision further depth.

Expressive and engaging, there are very much two exhibitions deserving to be seen and enjoyed.

ArtCare Gallery, August 2025: Anja – Distraction Visions 

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The tranquil beauty of a Celestial Vale in Second Life

Celestial Vale, August 2025 – click any image for full size

Designed and held by Kimma McGregor (Kimmie Rayna), Celestial Vale is a Full private region leveraging the available Land Capacity bonus to offer a mix of private and public spaces. The latter forms the larger part of the region, while the majority of the former are clearly separated from the public spaces, allowing visitors to wander without too much risk of trespass.

Seasonal, tranquil, nature-focused haven where peace and beauty intertwine. Ground yourself with meditation and yoga in serene surroundings. Feel the rhythm of life.  Come unwind. Come home.

– Celestial Vale About Land description

Celestial Vale, August 2025

The Landing Point sits on a high plateau overlooking the small island of the southern aspect of the region. A large, friendly Welcome Centre occupies one part of the plateau’s top, a path to one side leading up to the uppermost part of the plateau and the Tea & Tack Café. This is a charming little place with indoor and outdoor seating, the ground around it set out as something of a garden space.

A path runs down from the café to a shoulder of the plateau where a little country chapel sits. From here, steps lead down to the lowlands as a means to continue exploring the region. However, this isn’t the only way down from the Landing Point plateau; in front of the Welcome Centre steps ending in a rock path also descend to the region’s lower public spaces.

Celestial Vale, August 2025

The lowland areas might be split into three major parts. The path down from the Welcome Centre leads to a small camping area, fronted by a large pool of water fed from high waterfalls and the home to swans swimming gracefully. It’s a nice little retreat, completely with a table top game for those some inclined.

Another path curves around one side of the pool, hugging the plateau’s cliffs below the chapel.  As it does so, it reveals one of the region’s little secrets – a tunnel cutting through the rock to reach the lowlands on the west side of the region – of which more anon.

Celestial Vale, August 2025

Follow the path without passing through the tunnel and you’ll reach the steps coming down from the chapel. Here the land becomes something of a meditation garden, with a grotto, a garden pavilion and a summer house now converted into something of a contemplative shrine or temple to Buddha.

Rich with flowers in bloom, the space flows neatly into an outdoor music events area partially screened by trees threaded with strings of lights. This area can be reached by walking along one of the bursts of path among the grass and flowers and under the trees, or by passing along the length an old covered bridge set upon the grass and which actually forms the formal entrance to the events space.

Celestial Vale, August 2025

Sitting close to one side of the summer house / shrine / temple is another archway cut through the rock separating these central areas of the region from its west side. Passing through this arch brings visitors to a broad flat meadow, on which has been built a barn with accommodation on the ground for the horses roaming within its surrounding fences, and for humans on the upper floor.

A road wraps itself around most of the meadow and barn, connecting with a footbridge at its southern end. It is here that a degree of caution is required; cross the bridge brings visitors to another portion of the region dominated by a large, flat-topped hill on which sits a private residence and gardens.

Celestial Vale, August 2025

This is the only private residence directly accessible from the region’s public spaces (the others being screened by hills and curtains of rock), so it is best to skirt around the land below the hill to avoid accidental trespass, and towards another covered bridge. This bridge, also covered, leads back over the water to the tunnel cutting through the shoulder of the rocky plateau I mentioned above. A tarmac track runs a short distance from this covered bridge to link it to a smaller footbridge which in turn provides access to a little corner retreat snuggled under the cliffs of the high plateau.

Perfectly landscaped, rich in detail throughout and highly photogenic, Celestial Vale more than lives up to its About Land description; it’s a place that soothes the eye and mind and offers one or two little surprises I’ve not mentioned here (hint for one: look behind the waterfalls). Very well worth taking time out to visit and appreciate; joining the local Group will provide information on events, etc.

Celestial Vale, August 2025

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A Bloom Haven in Second Life

Bloom Haven, August 2025 – click any image for full size

Bloom Haven is the latest Homestead region design by Yoyo Collas and AmyDenise. I’ve covered many of Yoyo’s designs in these pages, whether his own or collaborations with AmyDenise, so I’m always keen to what has sprung from his imagination.

The region sits as a rugged island sitting under a late summer sky, its three high peaks topped by wind turbine (depending on the position of the Sun) cast long shadows across the lower-lying landscape. Two of these tall peaks directly overlook the fourth major element in the setting’s landscape: a large lake towards the south-west of the island.

Bloom Haven, August 2025
Nestled in the vast expanse of the ocean lies Bloom Haven, a charming little green island waiting to be explored. Surrounded by shimmering blue waters, this tranquil paradise is covered in lush, vibrant foliage and blooming flowers that fill the air with sweet fragrances. The island’s gentle hills and hidden coves invite adventurers to discover their secrets, while the peaceful beaches offer perfect spots to relax and soak in the natural beauty. Bloom Haven is a hidden gem in the ocean’s embrace, ready to welcome curious explorers seeking adventure and serenity alike.

– Bloom Haven’s Destination Guide description

Bloom Haven, August 2025

The Landing Point sits within a meadow to the east side of the island. It has its back towards southern hills that climb up to one of the two peaks overlooking the lake mentioned above. A second of the two peaks rises on the east side of the meadow, as if standing guard over one of the routes down to the island’s accessible coastal shelf.

An outcropping on rock extends inland from this third peak, breaking up what might otherwise have been an island-spanning meadow of lush grass and wild flowers.

Bloom Haven, August 2025

With a small pond of water trapped within its clutches, this spine of rock is topped by a tall and broad wooden deck, which in turn supports a large, open-plan cabin complete with a tall stone-built tower rising from one side. The latter has the appearance of a lighthouse tower although no lantern sits within its upper level, despite the manner in which it emulates the lamp room and cupola of a lighthouse.

To reach the northern meadow, visitors must skirt around the cabin and the rocks under it, passing by way of a wide wooden deck sitting above the northern extent of the western lake. A long suspension bridge is anchored to this deck. Reaching out over the water, it swings low over the lake and even resting on rocks before gently rising to the southern shore and proving access to the western side of the island.

Bloom Haven, August 2025

Whereas the southern meadow appears to be in part something of a garden space to the deck-occupying cabin – albeit with sheep grazing on the slopes rising to the southern peak – the northern meadow appears to be solely given over to cattle grazing, there being no direct access to it from the cabin (save by jumping from the deck!).

This northern meadow provides further access to the coastal area of the island. This is largely notable for its houseboats and caravan gathered around and on a shingle headland, where they form something of a shoreline encampment.

Bloom Haven, August 2025

As well as the large lake with its low-slung bridge, the western extent of the island is home to another meadow where horses graze and an artist has been at work. A hilly climb offers the way up to the island’s western peak and its wind turbine, beneath which a bench offers a view out over the island’s interior.

Throughout the region are multiple places to sit, indoors and out, on the water and close by it, on the coast and among the hills and slopes. All encourage visitor to lengthen their stay and enjoy the region’s relaxing beauty. The island is also rich in wildlife in addition to the more domesticate animals and chickens. Capybara, otters, ferrets and raccoons mix with egrets, red-crowned cranes, geese and other wildfowl to add a further layer of life to the region.

Bloom Haven, August 2025

In all, Bloom Haven is a richly detailed and engaging destination in SL, and well worth a visit.

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Art and an Eternal Bastion in Second Life

SLEA 8: Sophie de Saint Phalle – Eternal Bastion
The world is changing in multiples way. From politics through economics to climate, everything is in flux; and in the case of the first in particular, established norms so long a part of our lives are being torn down, or at least remodelled into something unfamiliar – and not necessarily better. Foundations we once believed to be firm and unchanging are crumbling, and we are increasingly faced with daily confusion and uncertainty. Given this, it is essential we have a place of silence and solitude; a place where we can have room to breathe, to think, to regain clarity. This is the central theme offered by Sophie de Saint Phalle in her latest installation Eternal Bastion, which recently opened at SLEA 8, and will remain so for the next 6 months. This is something of an interactive installation, featuring Sophie’s copper etchings and lithographs, which visitors are invited to explore in light of the core theme for the installation, and the need for a sense of stability and peace.
SLEA 8: Sophie de Saint Phalle – Eternal Bastion
The ETERNAL BASTION is one such place: Beyond the noise, beyond the headlines.
It stands for our innermost self — the centre, the core, the untouched soul. A bastion on an island — far away, and yet only a spiritual sea journey from your own inner self. But to get there you often have to travel through the darkness.
To truly see, we must first close our eyes. The blindfold becomes a paradox: it covers the visible world so that another one is revealed — an inner world, an invisible truth. In the darkness, another light emerges: A view, not of the eye, but of the mind.

– Sophie de Saint Phalle, Eternal Bastion

On arrival, visitors will be asked to join the local Experience, which enables the auto-teleport. The Landing Point, a small outcropping of rock – one of three – lying off the coast of the main installation island, features a plinth and a circle of slowly rotating, floating stones. The former offers an introduction to the installation, a blindfold and a note to step through the floating stones when ready. The instructions should be read for the full context for the installation, while the blindfold is an illustrative means of representing the one Sophie references in her introduction.
SLEA 8: Sophie de Saint Phalle – Eternal Bastion
Providing you have accepted the local Experience and shared environment, and you’ve enabled both local sounds and the music stream for the installation, walk through the slowly rotating floating stones to be teleported to the main installation island. It is here that a massive edifice of basalt columns, concrete blocks and glass resides. It stands as a cross between a modern take on a cathedral and a kind of fortress of solitude. It ideally represents the idea of an inner world, a place in which we can feel safe – and contemplative.  Within this structure, beautifully illuminated with point lights, hang Sophie’s etchings and lithographs.
SLEA 8: Sophie de Saint Phalle – Eternal Bastion
Those familiar with Sophie’s work may recognise these from her own Subcutan gallery, about which I’ve written on several occasions within these pages, and / or her 2022 installation Cyborgs (see: Art and Cyborgs in Second Life). That they have been seen / used before doe not make their use any less impactful here; they are vivid and carry a depth of narrative which greatly encourages contemplation and (potentially) self-reflection within the framework of the installation’s central theme. Surrounding the “fortress” are grounds overlooking the surrounding sea and offering points of interest – waterfalls, sculptures (one of which is by Sophie) and a stone grotto overlooking one of Lia Woodget’s sailing vessels.  I think the latter may have been left over from the opening event, offering as it does a bar, cabins and clay pigeon (skeet) shooting. It does not appear to be connected to the rest of the installation via teleport (unless I missed it), so I wasn’t sure quite what to make of it. The above aside, Eternal Bastion is a deeply engaging and thought-provoking installation.
SLEA 8: Sophie de Saint Phalle – Eternal Bastion

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