Art, AI and Totems in Second Life

Third Eye Gallery: Lalie Sorbet – Totem
Totem
tō′təm – noun
An animal, plant, or natural object serving among certain tribal or traditional peoples as the emblem of a clan or family and sometimes revered as its founder, ancestor, or guardian.
A representation of such an object.
A social group having a common affiliation to such an object.

So reads a typical dictionary definition definition for totem, a word believed to have entered the English language in the 18th century courtesy of the Ojibwe people, indigenous to the Subarctic and north-western woodlands of the North American continent. It is a term which perhaps most readily brings to mind the totem pole, although this is only one form a totem can take. It is also the one given by Lalie Sorbet to her latest exhibition of art, which opened at the Third Eye Gallery curated by Jaz (Jessamine2108) on July 29th, 2023.

Totem offers 16 AI generated, animated pieces representing plant totems intended not as emblems of a specific clan or family or ancestor, but in recognition of Nature itself – the greatest guardian for life and beauty there is on Earth.

Third Eye Gallery: Lalie Sorbet – Totem

Each of the pieces has been generated through the use of the Midjourney AI software, using a phrase or comment by Lalie, to produce images of leaves and flowers in exquisite close-up detail (thus mirroring Lalie’s equally captivating physical world macro photography). These images are then layered onto “blocks”, each with two faces (both facing the observer) each bearing an image, animated via script to move gently in opposition to one another to give the finished piece a sense of three-dimensional depth and life.

These are incredibly beautiful pieces, large in size, caught as if by a light breeze, their colours and brightness shifting in response to SL’s ambient lighting – make sure you are using the Shared Environment when visiting (World → Environment → Use Shared Environment) when visiting. They are rendered (presumably by considered post-processing by Lalie) to offer unique pieces, captivating in their presentation and potentially layered in their possible interpretation.

Third Eye Gallery: Lalie Sorbet – Totem

Take the pieces showing leaves for example. These have generally been rendered to present the lamina in a gossamer lightness, allowing major and minor veins to come to the fore, sometimes in a feather-like beauty, as they flow outwards from midrib to margins, gorgeously emphasising the life flowing through them.

In doing so, they reveal the marvellous complexity and elegance of nature’s design inherent in a leaf which otherwise tends to pass us by unseen. At the same time, the detail brought forth within each of these images echo other life-giving marvels of nature; the veins fanning outwards from the midrib, for example, are like the many outflow channels crossing the delta of a river, turning the wetlands between them into richly diverse living ecosystems.

Similarly, the pieces featuring flowers bloom not only present stunning studies which bring home the beauty and complexity of such blooms petals, stamen, stigma, anther, filament et al, their macro presentation reminds us, perhaps of both the interconnectedness of life on Earth through the simple, yet complex dance of pollination, and that it is also delicate and fragile; that if we do not learn to be better stewards of the world around us, to become better guardians of our planet, then its beauty, its very essence of life, will be all too fleeting.

Third Eye Gallery: Lalie Sorbet – Totem

I would have perhaps liked to have seen the terms Lalie used in initially used to generate each of the images through Midjourney displayed with each piece. However, this is a personal point of view and it does not diminish in any way from what is an engaging exihibition of AI art.

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Exploring Kuroshima’s many sides in Second Life

Kuroshima, July 2023 – click any image for full size

Occupying a Full private region leveraging the additional Land Capacity bonus, Kuroshima is a group-build led by Yuki Ayashi, and offering multiple areas to visit and / or explore. This includes a ground-level environment mixing public and private spaces, multiple sky locations  – including two stores – and more. Set out with a strong Sino-Japanese look and feel in terms of presentation and architecture, the region also has some unexpected touches, such as the presence of African Elephants on one of the island.

The Landing Point, sitting towards the west side of the region, can be found in the lee of a Shogun-style pavilion repurposed as a restaurant. It is here within the arms of three Torii gates that some of the secrets of the region are revealed.

Kuroshima, July 2023

The first of these is a sign offering free housing for those wishing to be an active part of the Kuroshima estate. Touching the sign will furnish interested parties with folder with multi-language note cards which cover what is on offer, what is expected and how to apply for a unit. Participation in this case means things like blogging the estate, promoting it through social media / Flickr, offering DJ services, and more.

These homes are offered to you free of charge. They are privately parcelled. You can pay with your choice of donation or work. If we do well, we can expand. If we door poorly, well you still have a private place to rest your head.
We are looking for designers, creators, artists, bloggers, photographers, scripters, DJ’s and other awesome people with talent that have great potential, but lack opportunity … You must produce something or contribute in some way to the region and show proof of it. Your progress will be monitored bi-monthly or monthly as our time allows.
Let’s work together. Let’s be creative. Let’s have fun!

– Extracts from the Kuroshima rentals cards

Kuroshima, July 2023

Flanking this information board are two smaller Torii gates, each home to a teleport system. One of these provides a route up to the main teleport hub which connects to the locations in the sky. The second uses an Experience to (literally) cannonball visitors around the ground-level locations within the region. However, when it comes to exploring the ground level it is best to do so on foot in order to fully appreciate it.

A walk around or through the restaurant will bring visitors to a bridge spanning a cleft opened by waterfalls dropping from the rocks – although it has been converted into something of an open bath-house, the waters no doubt startlingly fresh and cold as that are caught from the falls, a (presumably) subterranean exit allowing the unused water to reach the surrounding bay.

Kuroshima, July 2023

On the far side of the bridge, a path winds through a garden before descending to reach a shale-like beach to provide access to the bath-house. As it does so, it runs between cliffs shadowed by trees and a small public house sitting just above the open waters on a low table of rock. From here, it is possible to start a partial circumnavigation of this island – one of a number making up the setting -, passing around the south to where a narrow channel can be waded across to reach a shingle sandbar of the next. This is home to a open-sided house sitting as a quite retreat and the beach stretches away from it as a tongue of land separated from two further islands by narrow channels.

From here it is possible to reach the large central island, home to an impressive Japanese house of traditional design, beautifully furnished and offering multiple places in which to pass the time. This in turn offers a further shallow wade to the north-east to where a beach reaches back to the uplands where the landing point and restaurant sits. It is from this beach that the rentals might be reached; or for those who prefer, the eastern end of the low-lying island presents a bridge spanning the water to its much taller neighbour and the last of the islands in the group.

Kuroshima, July 2023

Rising cone-like from the sands which almost completely around it, this island has two routes up its steep, hardened lava-like slopes. One of these passes up the southern slopes alongside a set of human-made and natural-looking pools fed by waterfalls sourced from springs at the top of island. However, this route does go all the way to the top. For that, climbers must travel to the northern end of the island, where winding stone stairs pass by way of giant banyan and a vertiginous drop to end at the bridge spanning the island’s waterfalls and access a hilltop lookout point / hideaway.

All of which sounds straightforward, but actually (and intentionally) skates over a lot. As noted, there are multiple points of interest to be found throughout the islands. While the major points of interest can be reached via the experience-led teleport, the keen-eyed should spot them whilst exploring on foot. For example, those descending from the landing point to pass along the beach to the bath-house mentioned earlier can hardly fail to miss the stone doors set within the cliffs under the shade of cliff-side trees. Touch these doors and they will part to reveal a hidden pool guarded by exotic plants and giant flame sconces held aloft by two mer statues.

Kuroshima, July 2023

It looks a simple, hidden space, a cosy cavern – if one devoid of places to sit, leading to the temptation to turn and walk out again. But the wiser traveller will wade into the pool and allow themselves to be swallowed by the waters. In doing so, they will enter one of the region’s hidden worlds; a place sitting beneath the waves, reach via a descending tunnel and chambers off-shots to reach a place of ruins and a drowned dome ideal for dancing (if perhaps lacking a a dance machine) and, beyond it, an garden perhaps inspired by a song.

Those taking the teleport arrow up to the sky hub will find yet more to explore – the region’s futuristic club venue, a room devoted to magic, Persian baths, a way back to the undersea world, a games world, the local stores and a suite of rooms which would not look out of place on the set of Blade Runner, and more. But rather than prattle on about all of these, I’ll instead just say each is worth a visit and / or offers more opportunities for photos – and this obviously, Kuroshima makes for a more than engaging visit.

Kuroshima, July 2023

My thanks to Morganacarter and Shawn Shakespeare for the pointers.

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More artistic beauty of steam machines in Second Life

IMAGO Suburbs Galleries, July 2023: Hermes Kondor – Mechanical Whispers

In 2020, Hermes Kondor presented an exhibition of his physical world photography focused – pun intentional – on the Tejo Power Station (and now museum) in Lisbon. It was a captivating collection of photographs, richly demonstrating Hermes’ skill as a photographer and in the manner in which it tweaked curiosity about this outstanding Portuguese landmark. It’s also one I covered in The beauty of steam machines in Second Life.

While I am admittedly getting to it a little on the later side – the exhibition having opened on July 7th, 2023 – Hermes is now back with a further collection celebrating another or Lisbon’s historical industrial landmarks, and which again offers an opportunity to both admire his photographic eye and to learn about an important physical-world landmark.

Mechanical Whispers, hosted by Mareea Farrasco via her IMAGO Suburbs Galleries, presents a series of monochrome images of Lisbon’s Museu da Água (Water Museum), formerly the Barbadinhos Steam Pumping Station, responsible for pumping fresh water to the city delivered to the artificial Barbadinhos reservoir by the Aqueduto das Águas Livres (“Aqueduct of the Free Waters”), itself one of the most remarkable examples of  18th-and 19th-century Portuguese engineering.

IMAGO Suburbs Galleries, July 2023: Hermes Kondor – Mechanical Whispers

From the 1880s through until 1928, the steam engines of the pumping station pushed water to more households across Lisbon that had been able to be reached prior to it entering service. Given its historical significance, safter its working life ended, the station eventually became a museum, retaining the great pumps and engines used to drive water from the reservoir to the city proper.

Such was the historical importance of the museum’s role in the conservation and dissemination of European cultural heritage, in 1990 it was the recipient of the prestigious Council of Europe’s European Museum of the Year Award, remaining (at the time of writing) the only Portuguese to be so honoured. Since then, the museum has continued to evolve, encompassing modern display areas offering insights into water and its importance to life, research, science, and topics such as developing sustainable supplies of fresh water in the face of climate change and population growth, as well as providing event spaces for conferences, etc.

However, it is in the steam and pump rooms where the museum holds its magic, and it is these which are the subject of Hermes’ photography. Presented entirely in monochrome, Mechanical Whispers offers an entirely unique perspective of these once mighty machines by focusing not just on their bulk and hard-edged engineering, with its heavy iron forms of its boilers and bulky pipes with oversized nuts and bolts joining their various segments, but also on the smaller – but equally important – forms of the stations, gauges, pressure valves, pistons and pressure releases.

IMAGO Suburbs Galleries, July 2023: Hermes Kondor – Mechanical Whispers

That they are in monochrome, the images might be seen by some as missing the richness of colour evident in the actual museum, with is rich wooden floors, widespread use of brass / copper in its smaller piping and the polished steel of pressure caps and the like.  However, I’d actually disagree; the use of monochrome allows many of these pieces to use a chiaroscuro-like used of dark and light. The former, seen within the machinery itself, gives a sense of a brooding sense of presence, whilst the latter – in the form of the brickwork and natural light falling from skylights above – combines with that sense of brooding presence gives the machinery a sense of life, as if giants are asleep within the alcoves and the shadows, requiring only the slightest noise to bring them to heavy wakefulness.

Coupled with this is a marvellous use of near-macro levels of focus coupled with the use of depth of field. This again brings the small elements of the remarkable engineering present within the machinery to life, allowing us to see the beautiful simplicity of a simple spiral screw valve, together with the craftsmanship evident within something as simple as a pointer on a pressure gauge, and the elegant simplicity of making adjustments to a complex machine by simply altering the position of a piston arm.

IMAGO Suburbs Galleries, July 2023: Hermes Kondor – Mechanical Whispers

Occupying both “hanger” buildings of Imago’s Suburbs Galleries, Mechanical Whispers is a genuinely engaging exhibition by a master photographer; one which not only presents a unique view of its subject but also for the way in which encourages the visitor to learn more about that subject and its history.

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A visit to a cloud island in Second Life

Cloud Island, July 2023 – click any image for full size
Transport yourself to this abandoned island, among horses, seagulls, waves, snow-capped peaks; here nature has taken over, the beauty of a solitary place where paths and trails help us to appreciate all that nature offers us.

– About Land, Cloud Island

So reads the description for the public Homestead region of Cloud Island, another location in Second Life Shawn Shakespeare pointed me towards at the start of July 2023 and which I finally managed to drop into during the latter half of that month.

Cloud Island, July 2023

What appears to be a group build under the Country by V&L partnership, led by LunetteLuna and Vincy7, this is a setting which does pretty much what it says on the tin: offers a natural, almost untamed island location where nature is in command, and the touch of human hand is light. It’s a place ripe for exploration on foot or on horseback, and where lovers of all things equine will feel very at home.

These latter points are immediately apparent at the coastal landing point on the east side of the island, where a small cup of a beach, swept by spray and rain, is cupped within the protection of low-lying and outstretched arms of rock as they reach towards deeper waters.

Here, far enough from the spray, rain and flotsam the tide has brought to the sand to avoid getting wet, a horse is hitched to a rail, ready to rez a rideable version for visitors to use in their explorations. Roughly-made steps sit just behind this rezzer, pointing the way for explorations to begin.

Cloud Island, July 2023

Of course, you don’t have to necessarily take to one of the horses available in the rezzer; if you have a wearable horse, you can opt to use that, or you can opt for good old shank’s pony. Whichever you take, the island offers multiple routes of exploration, some forming trails which follow the natural lie of the land and might have – at least in part – be the result of the local wildlife using them down the years; others carry hints that humans are responsible for them, and sit as a reminder that whilst deserted now, the island wasn’t always so.

One of these trails circumnavigates the island, skirting between water and hillsides, passing around the coast and under rocky arches, revealing places to sit and evidence of past habitation and tragedy, with an attempt at preventing further such tragedies standing just off the coast to the north before the trail returns once more to the landing point and the stream tumbling down through the island’s single, deep valley.

Cloud Island, July 2023

Depending on the direction taken when setting out to follow the path, visitors might quickly come across a track running up the valley and the pool of water within it, or around the outside of the ridge forming one side of the valley as the trails climbs north around the island, a further path leading up to the head of the valley to overlook the falls feeding the broad pool below.

Another path almost reaches into the valley, this time from the landward side of the island. The path switchbacks its way up through the hills from the landing point, dividing as it goes, one arm reaching up and then down into the valley, another passing over the ridge separating the east and west sides  of the island, plunging down on the far side to re-join the coastal trail, whilst a third travels south along that same ridge to where it forms a headland and a bench under the spreading branches of an aged tree.

Cloud Island, July 2023

For those wishing to climb the snowy heights , a further path continues upwards into the snows and the clouds before once again switchbacking back down to the remnants of what might have once been a small homestead farm on the island – and if so, possibly account for the horses and goats now present across the landscape.

Rugged in its beauty, open to a wide range of EEP settings and ripe for photography and exploration, Cloud Island makes for an ideal destination for exploration and the camera-happy.

Cloud Island, July 2023

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An artistic Touch of Magic in Second Life

Lost Unicorn Gallery, July 2023: Lori Bailey – A Touch of Magic

A Touch of Magic is the title Lori Bailey has given to her latest art exhibition, opened at the Lost Unicorn Gallery on July 23rd, 2023. Curated by Natalie Starlight and Nessa Nova, who together operate the always enchanting Lost Unicorn estate, the gallery is a fitting venue of Lori’s art, offering as it does a fantasy-style venue within its fairy tale castle walls that is entirely in keeping with Lori’s dream-like images.

Like myself, Lori is one of Second Life’s travellers, spending her time exploring regions and settings across the grid, and recording the things she sees in photographs presented through her Flickr account. Also like myself, she enjoys playing with EEP settings and experimenting with them to produce her core images.

Lost Unicorn Gallery, July 2023: Lori Bailey – A Touch of Magic

However, and quite unlike, me, she possesses an artist’s eye and a compositional style that combine to produce genuinely enchanting images of the the places she visits, together with thoroughly engaging avatar studies (an ability I have never come close to mastering), in which post-processing plays a minor role compared to the overall original composition and framing of each picture.

All of this is every much in evidence within A Touch of Magic as it occupies the main lower gallery space at Lost Unicorn Gallery, mixing avatar studies and landscape pieces with easy grace whilst fully demonstrating Lori’s self-developed talent as a Second Life photographer-artist.

Noting that she prefers other tools to PhotoShop, she exposes her pieces to minimal re-touching / editing, tending to limit such activities to colour enhancement, some depth of field blurring, and light touches to adjust light. The result of this are images which have an genuine ethereal air about them, which has unique, and very different ways of drawing the observer into them.

Lost Unicorn Gallery, July 2023: Lori Bailey – A Touch of Magic

Within the landscape pieces, this etherealness manifests as unique interpretations of the the locations captured, allowing us to view the scenes through Lori’s eyes and imagination whilst simultaneously both presenting their beauty while also translating it into a dreamlike, almost empyrean state, where  light become a gossamer, almost tactile presence which seems to drift through each piece as if as much a physical part of the scene despite its impalpable nature, making it as much an embodiment of the scene as anything to be be found within it, be it tree, plant, boat, object or structure.

For the avatar studies, this ethereal quality gives a sense of narrative and emotion that reaches well beyond the limits of the image itself; a narrative mostly clearly, perhaps, suggested through a gaze directed beyond the canvas by the subject of the image, or through the look being exchanged between those featured within the image.

Lost Unicorn Gallery, July 2023: Lori Bailey – A Touch of Magic

Like the music she adores and which forms such an important part of her life (something else we happen to share; I am rarely without music surrounding me), Lori’s art is melodic in form and presentation, each piece combining individual notes and movements – from focus to subject, to lighting to environment – to deliver a finished pieces which, whilst “symphonic” might sound overly descriptive, are undeniably  both lyrical and harmonious – and a delight to the eye and the imagination.

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An enchanted library at the foot of a rabbit hole in Second Life

The Enchanted Library, July 2023 – click any image for full size

Lewis Carroll’s creation, Alice, and her adventures in Wonderland and Through the Looking Glass, are a popular inspiration for Second Life creators and region designers. I’ve covered numerous Alice-inspired builds within these pages; some of which focus on the stories as a whole, others of which take specific elements of the stories to offer something of interest / fun for Second Life residents to explore.

With The Enchanted Library, Kaneha (Kaneha Atheria) uses Alice’s trip down the the rabbit hole  – a trip which first appeared within the manuscript Alice’s Adventures Under Ground before being expanded into the published Alice’s Adventures in Wonderland – as the leaping off point for the exploration of the magic of books and stories, with a focus on not a single tale, but 16 books hidden within her 4096 sq metre setting.

The Enchanted Library – July 2023

The adventure begins by following the White Rabbit literally down his hole to arrive a very particular wonderland. Further references to Carroll’s stories can be foot at the hole and along the path leading to a twilight garden. Here, scattered among the trees, flowers and ruins are numerous places to sit – and one to dance – all gathered under a skydome of stars.

Meandering between the various locations is a path of stepping stones. This switchbacks its way to where a large draughts board forms a waiting dancefloor, overlooked by the remnants of the chapel. Along the way are clues to the 16 stories and books –  I’m not going to list them all here; the fun is in discovering them, and some might be a little more obvious than others, depending on your point of view.

The Enchanted Library – July 2023

That said, there are hints that a girl will go to the ball, that a Modern Prometheus may not be quite a monster or that whilst also being undead can suck or that winter might well be coming. There’s also at least one direct reference to a specific young wizard sitting within the broader pointers towards the world of magical tales, whilst a table apparently set for an afternoon cup of tea reminds us that poison was a favourite form of murder for a certain writer of mysteries – although this might also be a reference to wider forms of writing, such as plays.

This latter point might be further indicated by the presence of an advice booth which brings to mind the one oft visited by a little boy who doesn’t have the greatest amount of luck when it comes to baseball (or with footballs – although that’s largely down to the little girl sitting behind the booth). Also awaiting discovery are interactive elements; not just the dance machine or places to lie or sit, but givers allowing visitors to enjoy a touch of poetry,  adding another twist of interest for visitors.

The Enchanted Library – July 2023

 

The Enchanted Library – July 2023

Small but making good use of the available space, The Enchanted Library offers visitors an warm and engaging visit.

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