LeLoo’s Jingle Bells in Second Life

Leloo’s Jingle Bells Trails, November 2023 – click any image for full size

LeLooUlf is back with another setting for the end-of-year holiday season, Leloo’s Jingle Bells Trails. This delightful sky platform setting is probably best described using LeLoo’s own words:

An enchanting outdoor Holiday Season festival that promises a magical experience for all! Bring your skates and get ready to glide around the frozen pond using the skating system for singles and couples. You can also skate along the beautiful icy paths with the soft glow of twinkling lights. Then take a well-deserved break and visit the outdoor café for some hot cocoa or a cup of mulled wine … Everyone is Welcome to this PG event!

–  Jingle Bells Trails

Leloo’s Jingle Bells Trails, November 2023

This is a place that is unabashed in its celebration of the modern spirit of Christmas; there’s a Christmas market, ice skating, snow, reindeer, snowmen, decorated trees, baubles, a mistletoe kissing booth, hot chocolate – the list goes on.

Two paths lead away from the landing point. One is signposted the Skating Path, and the reason becomes clear as to why after travelling along it for a short distance visitors will find it turns to ice and a skate giver and sign where it does – allowing them to continue along the path on foot or by skating along it, passing under a pair of trestle tunnels with glittering lights as the path meanders onwards to reach a junction.

Leloo’s Jingle Bells Trails, November 2023

Here the main path turns to the right, whilst a short stretch continued onwards into the Playful Pond, where a little skating can be had (if the pond is not too crowded for you!). Passing onwards, however, the main path allows visitors to reach a little chapel which, in keeping with the Christmas theme, has a little nativity scene and a decorated tree within.

From here the way loops back towards the landing point once more, a small junction and a footpath enticing visitors to drop in on the setting’s one house, a cosy little place with a fire in the hearth and goodies to be enjoyed in the kitchen. Meanwhile, running westwards, the skating path once again slips under a couple of light-festooned trestle tunnels, one with another path leading away from it to offer a further little diversion – this to visit the setting’s horses.

Leloo’s Jingle Bells Trails, November 2023

Prior to getting back to the landing point, this arm of the path provides access to the main skating pond (around which it largely loops) where among other things, you can join a slightly odd-looking but fun-filled snowman in a dance (or several!) if the skating doesn’t appeal; and he certainly knows his dances (up to and including David Brent’s spectacularly weird dance from The Office – that’s the original UK version, not the US remake). That said, the skating options displayed under the tree occupying the middle of the pond offer an extensive range of opportunities for having a little icy fun.

Just beyond the entrance to the pond, the icy surface of the path gives way to snow, and that to cobbles and the setting’s café, where hot drinks and suchlike are on offer. From here, it is a short walk back to LeLoo’s little market and the landing point. But there is also much more the see and enjoy as you wander: there are little comic vignettes to cause a smile, polar bears who seem to be making the most of the wintery setting, LeLoo’s art to be enjoyed and lots of little photo opportunities. All of which makes for an engaging visit in preparation for the upcoming holidays.

Leloo’s Jingle Bells Trails, November 2023

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We Orange the World 2023 in Second Life

We Orange The World, November 2023

Opening on Saturday, November 25th at Artsville is We Orange The World, a 16-day arts event intended to coincide with the The United Nations Women’s 16 Days of Activism Against Gender-Based Violence, and which runs from November 25th, 2023 through to December 10th inclusive.

The physical world campaign started in 1991 at the inauguration of the Women’s Global Leadership Institute, which continues to coordinate each year’s campaign. It is used as a nexus strategy by individuals and organisations around the world to call for the prevention and elimination of violence against women and girls. Initially a civil society initiative, the campaign has – since 2008 – been supported by the UNiTE campaign,  which runs parallel events with the aim of ending violence against women by 2030.

We Orange The World, November 2023

Within We Orange the World, now in its third year, artists have been invited to submit 2D and / or 3D art to be displayed within the exhibition, related to the general theme of the beauty and empowerment of women around the world. Entrants were asked to keep pieces positive, uplifting and empowering rather than negative in nature, otherwise subject matter and presentation were left up to the artists.

Participating artists for 2023 include: Raven Arcana, Ceakay Ballyhoo, Bamboo Barnes, Bijoux, Abi Brewer, Carelyna, Mirabelle Biedermann, Melissandre Blade, Ilyra Chardi, Xia Chieng, Mareea Farrasco,  Dido Haas, Margo Hollak, Jeanie, Jessamine2108, Lizzy, Diney Mccallen, Maghda, Marvayu, Selen Minotaur, Raisa Reimse, Rhiana Rhiano, Sina, Souza, AmandaT Tamatzui, and Dakota Wind, with Artemis Greece providing 3D sculptures.

The event includes entertainment throughout the 16 days, with the schedule at the time of writing as follows (all times SLT):

Saturday, November 25

  • 12:00 Noon: DJ Pru
  • 13:00: Susie Star Twilighton
  • 14:00: Tay Tayana
Monday, December 4

  • 14:00: Maximillion Kleene
  • 15:00: Amberle Janniah
Monday, November 27

  • 13:00: Wytchwhisper Sadofsky
  • 14:00: Katia Portugal
Tuesday, December 5

  • 13:00: Open microphone poetry with Sabre and Jolie Carter
Tuesday, November 28

  • 13:00: Open microphone poetry with Sabre and Jolie Carter
Thursday, December 7

  • WOW event at the Spartan Empire (no time given)
Thursday, November 30

  • 11:30: DJ Lizzy and Tom
  • 13:00: DJ Noir Tater
Friday, December 8

  • 14:00: DJ Velvet (Women in SL)
Sunday, December 3

  • 12:00: WOW event at Arbors
Sunday, December 10

  • 11:00: Tillen Avers
  • 12:00 noon: Bsukmet
  • 13:00: DJ Carelyna
  • 14:00: DJ Streuner
  • 15:00: A-R-R-A
We Orange The World, November 2023

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Borkum’s Winter in Second Life

Borkum, November 2023 – click any image for full size

It was back to Yoyo Collas’ Homestead region of Borkum for me recently, on the grounds that I dropped in early on in 2023, so hopping over once more as the year draws to a close has something of a nice balance to it. Plus, I’d been informed that the region had received a winter make-over.

Drawing its name from the Lower Saxony island which forms the largest and westernmost of the East Frisian Islands as it sits alongside the border with the Netherlands, and caught between the North Sea and the Wadden Sea, Yoyo’s Borkum has always been a place that is both photogenic and a reminder of how good it is to spend time away from the bustle of life and simply be. This remains true with this winter 2023 iteration, which incorporates a couple of little  reminders from past builds to help generate a feeling of continuity through the changing seasons, whilst at the same time it presents an entirely new location to explore.

Borkum, November 2023

The first of these little reminders is the Apple Fall Old Manufactory. Still overlooking the beaches – if from a different location compared to my visit in March, it retains its feel as a place of work now converted into a place to life, with an inviting , warm interior, together with some furnishings on the deck which also serve as reminders of past builds. Behind it sits the familiar barn, this time occupied by the animals and fowl who might find the wintry weather and colder winds (the clothing pegged out on the line strung between house and barn give ample evidence that the wind is blustering its way over the landscape).

Down below the house, the broad beach is covered in snow – as is the rest of the landscape – and so hardly a place for soaking up the Sun or splashing out into the waters lapping the shore; well not if you are sane, at least. However, this hasn’t stopped the local beach chairs resolutely turning their backs on the wind and offering places for visitors to sit, the braziers burning brightly alongside each one perhaps adding their warmth to the invitation to sit for a while.

Borkum, November 2023

Inland, across a dip in the land from the converted warehouse sits another cabin, this one offering a view over the south-eastern side portion of the region, as it sits on a rocky bluff. Like the cabin to the north, it has a welcoming and cosy interior and a deck with further seating outside for those who enjoy the brisk air. However, someone has clearly gone to a lot of trouble to get it to its hilltop post, this particular cabin having once been an iron-hulled houseboat!

Off to the north-east lies another reminder of past builds, this one taking the form of a lighthouse standing on a blunt headland – although if memory serves, this one is of a different design to the one gracing the island back in March 2023. It shares the same coastal upland as the converted factory and its barn, a rocky line separating the north and east sides of the island from the beaches below as it crooks a finger southward from the lighthouse to end as a blank-face promontory overlooking a frozen inlet which is now being used for ice-skating, and where the locals have set-up little kiosks and trailers from which warming refreshments might be had.

Borkum, November 2023

Where much of the island’s interior was open was given over to rippling seas of lavender and other plants at my last visit, now they have become suitably wooded, frost-bearded firs covering the gently hills, paths and trails cutting through them as they are watched over by a tall wind turbine, its blades tuning in the wind to provide the power for the cabins and skate-side hostelries. Deer roam these woods as might the odd sledding enthusiast or two (look for the sign board!) – although some might find the presence of a trio of dire wolves among the trees a little worrying! Also foraging through the trees and the grass poking up through the snow slopes around them are white horses, their colouring a perfect camouflage in the circumstances.

Throughout all of this are boardwalks, paths and trails to roam, places to sit awaiting discovery (some with a lean towards the holiday period in their style) and a rich mixture of animals (some obviously mentioned above) and birds throughout, all of which add life and depth to the setting as well as upping the ante for photographers.

Borkum, November 2023

Finished with an ideal environment setting and subtle soundscape, winter’s Borkum in Second Life retains its status as a relaxing and photogenic location in which to spend time.

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  • Borkum (Golden Place, rated Moderate)

Lalie’s Carousels in Second Life

Kondor Art Garden, November 2023: Lalie Sorbet – Carousels

Currently mid-way through its November / December 2023 run at the Kondor Art Garden, a part of the Kondor Art Centre operated and curated by Hermes Kondor, is Carousels, a collection of animated art pieces by photographer-artist Lalie Sorbet.

The exhibition comprises some 20 animated mobiles, each one richly organic in form, and all of them floating serenely along the gravel paths circling the gardens. Each piece is formed from two elements, each bearing an image which has been set to rotate gently, one element moving clockwise and the other counter-clockwise.

Some have their parts rotating more-or-less at the same speed, others have their parts rotating at different speeds to one another; thus the sense of life and vitality is deftly imbued. But no liner notes from the artist are provided, so how we might interpret them is a matter between the eyes and the imagination of the beholder. Might they be exotic plants caught on a cushion of air? Otherworldly life-forms drifting through the gardens on an examination of their own? Objects from the sea-s depths brought forth upon the land? Something else? That is entirely for you to decide as you visit.

Kondor Art Garden, November 2023: Lalie Sorbet – Carousels

What is evident within all of the pieces is the manner in which each of them appears both tactile and delicate. On the one hand, they seem to dare us to reach out and feel the touch of what might be a veined leaf or a ripple of hair-like fibres or a gossamer-thin sphere of silk as it slides across finger tips. On the other, there is a countering sense as to what just the lightest of caresses might do to these exquisite forms of light and colour were we to try and touch them; would they respond open and positively responsive to our fingertips, or might they recoil, contract and deny us further revelations as to their form and nature?

I also found myself wondering as to their creation; were they the result of a digital freestyle approach by the artist, or might they be a continuation of her explorations in using AI software to create their component forms prior to being brought together by eye and script to gain life? This is perhaps not important in the overall scheme of things – Carousel stands “as is” as an engaging and visual collection of pieces – but having recently witnessed Lalie’s work with AI tools (see: Art, AI and Totems in Second Life), I cannot help but wonder if if Carousels is a further aspect of her use of AI as a means to extend her natural artistry.

Kondor Art Garden, November 2023: Lalie Sorbet – Carousels

Vital, rich in colour, subtle in form  – and perhaps carrying a hint of the hypnotic through the motion mere still images cannot convey – Carousels is a relaxing and engaging exhibition of animated art, with pieces available for purchase by those who would like to have a piece at home – floating in the garden, perhaps, as a peregrine visitor to their own garden.

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A Blue Finch Frosty Hollow in Second Life

Blue Finch Frosty Hollow, November 2023 – click any image for full size

A full region leveraging the private region Land Capacity bonus, Blue Finch Frosty Hollow is a gorgeous winter-themed design by Grant Wade (GMi7) and Dianna Wade (DiaMi7) which has a lot within it to appreciate, do and photograph. Bringing together a number of what are now “traditional” staples of Second Life winter settings alongside of some touches perhaps more common within fantasy settings, this is a region which simply works for the eye and imagination.

The first of those SL traditional elements can be found at the landing point, taking the form of the DRD Arctic Express waiting at the local station. With its dining car dressed for a festive meal, it offers a cosy retreat from the outset, with one the passenger cars laid out as a lounge  with sofa, Christmas decorations and both a brick-built fireplace with fire in the hearth and a wood burning stove!

Blue Finch Frosty Hollow, November 2023

Alongside the train, the local station presents a little café and pizza house for those seeking something to warm their insides, with a little gift wrapping shop rounding off the platform’s parade of shops. The café and pizza house might well be welcome, because the train is unlikely to be going anywhere soon (unless it is backwards), given the local reindeer appear to be engaged in a game of staring it down whilst occupying the lightly drifted snow lying across the tracks before it!

The landing point provides a summary of activities awaiting discovery within the region – a horse riding tour, ice skating, snowboarding and sledding. It also indicates that there will be a special Christmas Party within the setting at some point. The date and time were both TBA on my visit, so visitors might want to keep an eye out for that or join the local group via the sign at the LP to receive updates and notifications.

Blue Finch Frosty Hollow, November 2023

The horse tour can be found just south of the station and past the reindeer facing off against the train, where a sign board and horse sit close by the local (and again SL winter traditional) Hive Christmas Tree Farm. Sitting on the horse and clicking it will start the tour, which will proceed gently around the region along trails and paths, revealing places and locations to which visitors will doubtless wish to make a return. Lasting some 6 minutes, the ride will reveal the upland areas of the region as well, the route even allowing a for glimpse of Santa relaxing with a little skiing before the season gets really busy for him!

Skating can be found at the frozen lake occupying the southern central area of the region, with pre-choreographed single and couple skating pose balls awaiting people’s enjoyment. Those who prefer more freestyle skating and have skates in the inventories could doubtless slip them on and take to the ice as well.

Blue Finch Frosty Hollow, November 2023

Should the skating not warm the cockles of your soul, there are numerous little spots around the edge of the lake where warm food and drink can be had – roasted chestnuts, doughnuts and coffee, hot chocolate loaded with whipped cream… There are also various places where folk can just sit and watch the skaters go by; however, if the nippiness is still too much, then there is always the lakeside conservatory, where cosy armchairs await, espresso, hot chocolate and cakes are on hand – and most importantly, a roaring log fire keeps the air warm.

The uplands to the region lie mostly to the north and west and make very good use of space. On its northern side, high cliffs separate the region from its off-region surround, but in a manner which allows both region and off-region land elements to flow together to form a whole. These cliffs have a ribbon plateau running along their tops, reached via a snowy slope rising from the lowlands and presenting both an easy climb and a downhill run for sledding and snowboarding.

Blue Finch Frosty Hollow, November 2023

At the top of the slope, the plateau broadens to sit as the home of the fantasy-leaning element of the setting, providing as it does space for the Compulsion Elven House (a building I’ve oft been tempted by, but have managed – thus far – to resist purchasing!). Whilst intended more for fantasy / Middle-Earth themed settings, the house works very well here, forming a large retreat for people to enjoy, complete with a welcoming festive meal, music from a piano and places to sit.

To the south of the house is a second curtain of cliffs, reached via an elven style bridge topping a rocky arch. Dropping in a series of step-like levels as it runs close to the western edge of the region, this plateau is somewhat more rugged than its partner to the north, but offers its own points of interest, such as the tall towers clinging to the rocky bluffs as they rise from the lands below to be topped by stone-built pavilions (the excellent Trompe Loeil Amelie Pavilion I’ve frequently used myself) from where views across the entire region might be enjoyed.

Blue Finch Frosty Hollow, November 2023

Two other upland areas within the setting also await visitors. The first sits at the eastern end of the sledding / snowboarding slope, where a long finger of rock stretches forth as if to poke the lake below. At its northern end there stands a tall clock tower keeping SLT, a fenced path running south from it before switch-backing as it overlooks the lake, to descend down to the trails below.

The last highland area takes the form of a blocky mesa to the south-west, separated from the rest and reached by its own path. Water tumbles from its rocky flanks to feed an unfrozen pond which in turn feeds a fast-flowing stream as it runs down to the lake. Ruins sit on the top of this mesa, forming what appears to be an event space.

Blue Finch Frosty Hollow, November 2023

There is yet more to see within Blue Finch Frosty Hollow as the snow falls gently across it, but I’ve said enough here; this is a setting best appreciated first-hand and sans my gibbering. All I will add in closing is that do be sure to use the shared environment when you drop in to see for yourself, and have local sounds active. Otherwise – enjoy!

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Of art and Silence in Second Life

Melusina Parkin: Secret Shores, Nitroglobus Roof Gallery, November 2023

This will be the second of two recent art reviews in these pages presenting a joint coverage of art exhibitions running through November / December 2023, although unlike my last (see: Artistic reflections on the human form and intimacy in Second Life), they are not connected by some subjective and potentially nebulous cooked up in side my little noggin; this time they are very much jointed at the hip, because by the same artist and encapsulating the same core theme. Coincidentally, one of these exhibitions is also taking place at Nitroglobus Roof Gallery, curated by Dido Haas, which was also the location for one of the two exhibitions reported on in the above-linked review.

The artist in question is Melusina Parkin, and the exhibitions are Silent Shores and Silent Landscapes, with the former presented within the main hall at Nitroglobus, and the latter within Melu’s own gallery space. In terms of total number of images, the larger of the two is Silent Landscapes, offering a total of 48 images, whilst Silent Shores presents 16 pieces in what might be called a subset of some of those found at Meulsina’s Place, but offered in a much large format, allowing us to be drawn more deeply into them.

Melusina Parkin: Silent Landscapes, Melusina’s Place, November 2023

Given they are connected, I’m going to cover both exhibitions as if they were a single whole; however, were I pushed pushed to give a suggestion as to the order in which they should be viewed, I would recommend visiting Silent Landscapes first. It is here that the complete collection can be seen together with Melu’s own thoughts on how the collection came into being. Silent Shores, with its use of large format images, then allows for that deeper sense of engagement mentioned above.

I’ve oft commented on Melu’s work in these pages, particularly noting her use of tight focus and angles within her photographs to concentrate the eye and mind on a specific item or element within an image, thereby limiting our frame of reference whilst simultaneously opening the image up in a manner which springboards the imagination into framing its own narrative around the piece, rather than restricting us to interpreting the story the artist wished to convey. It’s a technique I much admire, inviting as it generally does the mind to take free flight.

Melusina Parkin: Secret Shores, Nitroglobus Roof Gallery, November 2023

Here, Melu does much the same in terms of allow her audience to view each piece and formulate a narrative around it, if they so wish. However, in terms of style, she uses a reverse approach, pulling the camera back, as it were, from her more usual tight focus and closed angles to offer us – quite literally- broad horizons into which landscapes and costal settings flow and fade. Thus, we are presented with images with the suggestion of the infinite  – and yet which are intimate and personal thanks to her use of soft tones, horizon haze and a deep sense of depth present within piece.

This sense of intimacy-without-open-spaces wraps within it a subtle yet deep sense of solitude enhanced by the fact that nary an image offers so much as a bird is the sky or creature on the ground. Even the man-made objects apparent in some of the pieces come across as natural elements within each setting, rather than something interjected into it.

Melusina Parkin: Silent Landscapes, Melusina’s Place, November 2023

The result of this is that each piece draws us into it in a very personal way; these are not images of places unknown, this are places reflective of mood and feeling; they exude a silence we all, at times, desire or have felt; times when Nature allows us to be true to ourselves in thought, and where we can accept the feelings we might otherwise repress – or at least lose in the daily hubbub of life. In this, silence can be a deep and calming friend.

Given this, these are also images that carry something personal to Melusina, as she notes in her introduction to Silent Landscapes whilst also noting the power of silence itself:

Silence isn’t only a matter of hearing; it can be depicted by an image. Lonely landscapes, fuzzy or faint images suggest [a] lack of noises or voices. Silence is absence; absence is peaceful, but can also be sad.  I shot and collected dozens of images of solitary landscapes that show silences; their slight sadness and their relaxing mood match the inspiration of many of the thousands [of] photos I took in many years of SL Photography. So, I consider these pictures as a summary of the deepest feelings I wanted to express in my work. 

– Melusina Parkin, Silent Landscapes

Melusina Parkin: Secret Shores, Nitroglobus Roof Gallery, November 2023Which, at the end of the day, is really what needed to be said. Evocative, personal – to those viewing them and to the artist, albeit in a myriad of different ways as they speak to each of us – Silent Landscapes and Silent Shores form an engaging and slime collection of SL photographic art which can speak to all who witness them.

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