Magnificent desolation

World of Beauty is the home region for Tableau Vivant, supplying skins, clothing, animations, mesh items and more, with goods spread across two stores, one at ground level, and the other some 2000m in the air.

The region is also the home of something of a “secret” and somewhat dark build by the Tableau Vivant team which though small, is nevertheless spectacular – particularly when viewed using deferred rendering.

Here
Tableau Vivant’s sky build at World of Beauty (click to enlarge)

Is this a world struck by a natural catastrophe, or the aftermath of a man-made apocalypse? That’s for you to decide. For me, and for reasons I can’t adequately explain, looking around the build kept bringing excerpts from T.S. Eliot’s Four Quartets to mind, starting with the opening of Burnt Norton.

Descend lower
Tableau Vivant’s sky build at World of Beauty (click to enlarge)

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.

Tableau Vivant”s sky build at World of Beauty (click to enlarge)

It’s perhaps unfair on both Eliot and the build to take both somewhat out-of-context in this way, but I was unable to shake myself from much of Four Quartets in camming around the ruined streets and shattered buildings. Although given the generall tone of the piece, perhaps a part of the third stanza from Burnt Norton has something of an understandable resonance.

O dark dark dark. They all go into the dark,
The vacant interstellar spaces, the vacant into the vacant,
The captains, merchant bankers, eminent men of letters,
The generous patrons of art, the statesmen and the rulers,
Distinguished civil servants, chairmen of many committees,
Industrial lords and petty contractors, all go into the dark,

WoB-7_001
Tableau Vivant”s sky build at World of Beauty (click to enlarge)

Nor should it be taken to mean that the build is in any way depressing. Yes it is dark; the feeling of emptiness is palpable and the desolation obvious. But then, as Edwin “Buzz” Aldrin reminded us as he stood on the surface of the Moon, there can be a certain magnificence within a scene of desolation.

Go see for yourselves!

T
Tableau Vivant”s sky build at World of Beauty (click to enlarge)

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Pyri Peaks: the mystery of the lost Moles


“Naughty Mole, Sylvian Mole, Opti Mole, Earthy Mole – these name might not ring out as mightily (or ’cause some need to offer up “innocent” explanations!) as does the name Magellan Linden, but they all pioneered many of the frontiers of Second Life, building roads, raising up towns, sculpting parks and rivers, fearlessly throwing bridges across deep gorges, taking the wilds of the Mainland and opening it for all who would follow.

North Forepaw and the path to Pyri Peaks
North Forepaw and the path to Pyri Peaks

“Until Pyri Peaks; those strange hills standing above the shoreline of North Forepaw,  which the moles believed would be an idea spot to site a fun fair, high up on a plateau overlooking the sea, For a time it seemed as though all was going well; building work was progressing well, steam engines were shipped in to power the rides, the sideshows were taking shape. Then came the reports of caverns being found under the site of the fair, and then – nothing.

“I’ve no idea if The Powers That Be attempted any form of investigation or rescue (were one needed), but the way in which attention was suddenly diverted away from those strange hills and the remaining moles directed towards new projects did seem a little odd, although I’d hesitate to use the words “cover-up” (the Rodviks, after all, do have ears!). So, in the interests of journalistic endeavour, I set out to visit the now largely deserted fun fair and see if I could unravel some of the mystery…

North Forepaw / Pyri Peaks
North Forepaw / Pyri Peaks

“It is, one has to say, a strange place. North Forepaw is innocent enough…but the climb to the fun fair; that’s something else entirely, lined with strange, silent trees, which stand like sentinels, their trunks carved into strange faces, which seemed to watch me every step of the climb. Looking up at them, I had to wonder why, in passing them all those years ago, the moles still thought this an ideal place to site a fun fair.

“Nor did things get any better as I approached the entrance to the fun fair itself, seemingly guarded as it is by one more of these strange trees, a hand-like branch stretched out, ‘palm’ upraised, a single glowing “eye” in the middle. A last warning, perhaps, to turn back?

North Forepaw / Pyri Peak
North Forepaw / Pyri Peaks

Continue reading “Pyri Peaks: the mystery of the lost Moles” →

UWA 6th Machinima Challenge: L$1.1 million in prizes

On Friday March 1st, the University of Western Australia (UWA) kicked-off their sixth MachinimUWA Challenge under the title Reflections.

This year is the biggest Challenge to date, offering are prizes totalling L$1.1 million (approx. $4,500 US) – almost a 50% increase over the last UWA Machinima Challenge. The figure includes a top prize of L$200,000 for the winning entry as decided by the judges, as well as 9 other prizes ranging from L$150,000 to L$40,000. In addition, the UWA Centenary Prize of L$50,000 will also be awarded to the Machinima that best captures the essence of 100 years of reflections on education, and the UWA Art of the Artists Prize of L$50,000 will be awarded to the Machinima that best incorporates one or a number of the artworks that have been submitted to the UWA Centenary 3D Art Challenge. Finally, all winners will also receive a special RL UWA package.

MachinimUWA VI

The theme for this year’s challenge is Reflections, which the UWA press release on the challenge describes as:

Reflections in a pool of water… Reflections of light… Reflecting on the grandeur of the universe… Reflections of art…. An Inner Reflection…..Reflecting on opportunities lost, or seized… How ‘Reflections’ is interpreted is exactly like how beauty is interpreted…. in the eyes of the beholder… or in this case, the eyes and lens of the machinimatographer.

The Major Rule and Requirements

As always, there is the familiar UWA Major Rule and entry requirements.

Your machinima can be about any type of ‘Reflections’ you may wish to portray. There is only one  requirement to make this a valid entry. At least one of the 3 major spaces of Reflection at UWA needs to be included in your storyline (the Reflection Pond, the Sunken Gardens, the Somerville Auditorium). You may choose to film in any other area of the campus if you so wish or you could include all 3 locations, but the rule is you need to select at least ONE. You may use props at the location, or maybe want to change the footage later during the post process, this is up to you… as long as one of the 3 spaces you choose to be part of your machinima can be recognised and form part of your storyline.

The other key requirements are:

  • The recommended running time for entries is around 4 minutes 30 seconds in length. This isn’t a hard rule, but entries aiming for the UWA special prize must fit within the recommended length
  • Entrants are asked that they acknowledge the works featured in their submission and the lands in which the submission was filmed
  • All work must be free of copyright issues. If requested, entrants must provide detailed information regarding the source, creator and background information of their work. If any 3rd party materials, such as music, is used, permission must be obtained from the creator
  • Completed entries should be uploaded to a suitable broadcast medium (e.g. Vimeo, YouTube, etc.), and links to the film sent to the UWA’s Jayjay Zifanwe and LaPiscean Liberty.

Please refer to the UWA presse release for full details on all requirements.

Key Dates

  • Entries Close at Midnight SLT 30th June 2013
  • Winners will be announced in August 2013.

And The Audience Can Get a Prize

There are also audience participation awards totalling L$45,000, with a top individual prize of L$15,000. All audience members have to do is watch all of the entrants and compile a top ten list of their favourites. Those which most closely match the judges’ top ten winners list will be awards prizes.

The Sponsors

This year’s UWA Machinima Challenge is generously sponsored by: The Parramatta City Council, Aview TV (LaPiscean Liberty), MetaHarpers (Arhenn Oberlander),  Freemnason Magic and a very generous anonymous donor.

Seek Wisdom: Second Place winner of the 2012 MachinimUWA Challenge, by Karima Hoisan and Natascha Randt

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The Drax Files: getting inside Second Life

Friday March 1st marks the launch of a new monthly series on YouTube, created, edited and produced by musician and machinima-maker Draxtor Despres.

Perhaps currently best known for his collaboration with Pooky Amsterdam and others in the high-successful (if now sadly defunct) Flufee shows, Draxtor has turned his not inconsiderable skills to looking behind Second Life and talking to the people who make it the vibrant, immersive world it is – its users. To quote from the press release accompanying the launch:

The Drax Files: World Makers, will be a monthly show on YouTube examining the creative people behind the avatars who continue to move the virtual world of Second Life forward with their passion and persistence.

The show utilises a mix of real-life footage, Skype interviews and machinima shot from within Second Life, to present a series of short, insightful visual vignettes of what SL means to content creators across the grid, from self-taught hobbyists to dedicated professionals from all walks of life, from all over the world, cutting across gender, ethnic and generational divides.

In the first episode, Drax interviews Kriss Lehmann, owner / operator of Botanical, a leading supplier of trees, plants, textures and landscaping items for Second Life users. In the 5-minute piece, Kris describes his work, his avatar and what Second Life has both brought him and means to him.

Botanical at Straylight: the focus of the first episode of The Drax Files
Botanical at Straylight: the focus of the first episode of The Drax Files

The mark of the piece is that it allows Kriss to present himself and Second Life with no overt editorial slant or prompting from Drax. This allows the potentials of SL to be explored as Kriss sees them, giving the entire video an entirely natural feel – a conversation, if you like, rather than a set-piece interview. Real-world video and machinima are interwoven beautifully, the latter almost completely devoid of the set-piece (and artificial) animations and gestures which are all too often the hallmark of LL’s own promotional efforts, allowing scenes to blend together seamlessly. Even where the machinima is staged, in the recounting of Kriss’ meeting and wooing of his SL partner (and now rl wife), Shai Delacroix, it is done so without unnecessary schmaltz, and simply adds a picture to Kriss’ own words.

Botanical at Straylight
Botanical at Straylight

That Kriss is given the freedom to express both his own work and what Second Life represents to him as someone who uses it to interact with others, offers an insight into Second Life which is so rarely seen in more traditional promotional videos. As such, and assuming the style and presentation of this first segment of the series is how the remaining five episodes will be handled, The Drax Files stand to offer a richer, more engaging promotion of Second Life than can currently be found in any of Linden Lab’s own attempts as seen either on their YouTube channel or on the SL WhatIs webpage.

So Rod, if you’re reading this, here’s a prime example of what I mean when talking about LL collaborating with users in the promotion of SL. The Drax Files – even one our two segments – could be a very positive addition to the WhatIs page.

But don’t just take my word for it – take five minutes and watch the show yourself.

Kudos to Draxtor for developing this series.

Loki’s Commemorative Hoodie

To mark the launch of The Drax Files. Loki Eliot has produced a special limited-edition hoodie in his glowing clothes range. The mesh hoodie is limited to a run of just 100, and is offered at L$250.

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LEA Full Sim artists 2013-14 announced

LEA_square_logo_60The Linden Endowment for the Arts has announced their choices for the 2013 Full Sim Art series, which will now run through until the end of April 2014.

The Full Sim Art series offers artists across the grid a full month’s access to an LEA region in which they can host a show of their choosing. As such, applicants receive:

  • A full, 15,000-prim region (inclusive of the media) – not all the prims have to be used!
  • The freedom to choose when to open the show to the public
  • Coverage within the LEA and UWA blog & potentially in any other blogs confirming their continuing support of the series

Access to regions will be granted to successful applicants on the first day of each month, and must end and be cleared from the region on the last day of the month.

The 2013-14 line-up, as announced by the LEA on Wednesday 27th February, comprises:

2013

  • March: Fuschia Nightfire, Fuschia’s Fantasy Fairyland
  • April: Krystali Rabeni, Virtually Real
  • May: paleillusion, Frozen in Time
  • June: Kalanglarik Tomorrow
  • July: Nino Vichan, Musical Tonalities & Colour
  • August: SerenVide, Hope Springs
  • September: Secret Rage, Connected by Commonalities
  • October: Rebeca Bashly, Key
  • November: Lilia Artis & Moeuhane Sandalwood The Machine
  • December: Giovanna Cerise Fisicofollia

2014

  • January: Gem Priez Fractal Cathedral
  • February: Sea Mizin California Giant Redwood Forest
  • March: Mary Wickentower, CINEMA! Take II
  • April: michaelromani & beawildered Americana Retread

Sometimes it’s good to be reminded of the value of shopping in-world

The Great Debate over the impact of the Marketplace on the in-world economy is not new; nor is it likely to run its course any time soon. Even with its bugs, quirks, issues and annoyances, the Marketplace is a convenient means of shopping for many of us; so much so that it is easy to dispense with in-world visits to stores at all, unless looking for something very specific which requires a visual once-over prior to purchase.

However, while the Marketplace may well be of great convenience, it does mean that often when using it, we can miss out on an important aspect of in-world shopping – which is that many stores are part of some really creative and eye-catching builds.

Pure Dreams
Pure Dreams

I was reminded of this while visiting Pure Dreams recently. The home of Amelie Knelstrom’s Vespertine Home and Deco is a beautiful sim currently lying under a blanket of snow, the water around it frozen, and the high mountains tinted blue in the fresh, crisp air.

The store itself features a coffee shop, where patrons can sit and chat if they so wish, and is surrounded by a beautiful winter scene worthy of a visit in its own right. This is a place where visitors are positively encouraged to take their time not only shopping, but in exploring and enjoying themselves.

Pure Dreams
Pure Dreams

Regular readers may have spotted that many of the destinations I’ve covered in this blog are actually connected to commercial ventures – Tatty Soup,  The Looking Glass, Cerridwen’s Cauldron, Black Spot, Sleepless Nights – to name but a handful. There’s no coincidence in this – it’s because these regions are, to me, some of the most outstanding and photogenic places in Second Life, and are often a tour-de-force of what the imagination can create when given the tools available to us through the viewer. By turning to the Marketplace first, they are also places we can all too easily miss in the rush to find whatever knickknacks we’re seeking; and that’s a shame.

Pure Dreams
Pure Dreams

Of course, it could be argued that not all stores offer such enticing – even romantic, at times – opportunities to explore, and finding them is pretty much a case of trial-and-error.  But that doesn’t mean we shouldn’t try. Within the Marketplace there is an option for a merchant to provide a SLurl to their in-world store – where it is provided, why not give it a go before making a purchase? It may not always lead you to a winter wonderland or a spring garden or a similar place of beauty and imagination – but if you don’t try, you’ll never know. And it’s not as if you’ll have to waste time getting there; the teleport is a wonderful thing…

Pure Dreams
Pure Dreams

While the Destination Guide may not be perfect, it does at least offer something of an alternative to blind chance in finding a store in an eye-catching location. And never forget the value of perusing blogs – I’m far from alone in featuring the beautiful builds often associated with stores in-world, as a visit to the likes of Honour McMillan and Ziki Questi will demonstrate.

The effort taken to find places like Pure Dreams or the Cheeky Tiramisu Cafe and others is not only in finding wonderful places to explore, it is also in finding places you can share with friends, and can return to agin and again – Cheeky Tiramisu’s cafe has a warm and friendly run of patrons happy to sit and chat, while places like Tatty Soup encourage quiet contemplation.

Pure Dreams
Pure Dreams

And even casual visits can help a business or merchant – even if you don’t drop in and buy something, there are always opportunities to show appreciation, both through telling others about your visit and the build, and in dropping a few lindens into any handy tip jar or donations box.

The Marketplace is great for the quick grab-and-go when you’re looking for something very specific or have limited time; it’s fast and convenient for most of us; but in an age when instant gratification tends to over-rule other considerations, it’s sometimes good to remember that window shopping can also be rewarding, can be shared – and may even lead to some wonderful discoveries.

Pure Dreams
Pure Dreams

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