Bring your Little Bee to life in Second Life

Neural's "Honey Bee" finish for the Little Bee is beautifully reflective of the boat's spirit
Neural’s “Honey Bee” finish for the Little Bee is beautifully reflective of the boat’s spirit

As regular visitors to this blog know, I’m quite the fan of Ape Piaggio’s boats (and also her autogyro!). I’ve owned her Kv23H FoilStream since the start of the year, and more recently was involved in helping with the development and promotion of her tender-style speedboat, the AD25H Little Bee, as well as owning a copy.

Both boats come with painting systems, and a friend of mine, Neural Blankes, has been producing a range of paint kits for both of them, which I think are well worth taking a look at if you have either boat are looking for a really eye-catching finish for it.

Neural's "sunset" finish for the Little Bee - one of (at the time of writing) 35 paint kits she has produced for the boat
Neural’s “sunset” finish for the Little Bee – one of (at the time of writing) 35 paint kits she has produced for the boat

As a fan of the Little Bee, Neural has focused on that boat to produce (at the time of writing) 35 paint kits, some of which are beautifully complex in design and execution, and all of which offer very unique loks for the boat, both in terms of hull finish and cockpit colours.

Prices for the kits vary, but this reflects the level of work Neural has invested in creating the different looks. I admit to being quite partial to the Honey Bee finish, which beautifully encapsulates the spirit of the boat – and I know Ape herself has been motoring around on the water with a Bee in that finish 🙂 .

Neural's FI (Foilborne Industries) custom finish for the Little Bee
Neural’s FI (Foilborne Industries) custom finish for the Little Bee

Neural is also responsible for a number of special custom finishes for individual Little Bees for close friends, and the results are impressive – I can say this with hand on heart, as Neural came to my assistance and helped me in my efforts to produce a specific look for my Bee when it wound up somewhat comprised due to my lack of talent in graphics manipulation.

While not as extensive as those for the Little Bee, Neural’s range of kits for the FoilStream can also be found on her MP store, and offer an equal level of quality and distinctive looks.

So, if you are looking for a design that is eye-catching and just that little bit special for either your Little Bee or your FoilStream, I have no hesitation in recommending Neural’s work.

Note: the Red Ensign visible in some of the images above is the flag I use on my Little Bee, and not a part of Neural’s kits. Bee owners can fly the flag of their choice.

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Sabbian Paine at The Living Room in Second Life

Sabbian Paine - The Living Room
Sabbian Paine – The Living Room

Now open at The Living Room, the music and arts venue operated by Owl Dragonash and Daallee, is an exhibition of images by Sabbian Paine, entitled Quiet the Mind.

The exhibition is the first to take place in a newly refurbished Living Room, which has been redesigned by Daallee to present a very light, airy environment on the top three floors of the tower the venue occupies at Lagrange Point Spaceport. For his exhibit, Sabbian also recommended the local windlight, AM Radio’s Nostalgia, which gives the venue a very atmospheric yellow-gold tint.

Sabbian Paine - The Living Room
Sabbian Paine – The Living Room

Quiet of the Mind offers an intriguing mix of images which those familiar with Sabbian’s work will doubtless recognise and appreciate. Many are set within well-known locations across Second Life  and feature Sabbian or one of this alter-egos or models, centrally featured within the picture. Somme appear to be quite natural in setting, sitting at a canal side, standing on the sands of Sommergewitter, etc., while others are perhaps more surreal or present a unique interpretation of a familiar piece of art – as with Damaged People, which utilises pieces by Mistero Hifeng.

However, if there is one thing all of the pieces have in common, it is the power of the imagery created within them and the emotions they exude – hence the title of the exhibit. Nor are these emotions limited to those featured in the pictures; viewing some of them, it is hard not to feel a tumult of thought and emotions in response.

Sabbian Paine - The Living Room
Sabbian Paine – The Living Room

The emotive context is heightened on the upper floor of the gallery, where sits a sculpture by Groll Greggan, overlaid by a series of emotive terms and feelings we can encounter in our daily lives, some of which are again reflected in the pieces offered for our viewing pleasure.

Quiet the Mind will be open through until Tuesday, October 27th, when it will close with a further party at 18:00 SLT, with music by Anidi Huet.

Visitors to The Living Room can also enjoy the following events during October:

  • Wednesday 21st, 12:00 noon SLT: Plowwie’s Fall Line ~ Fashion show, featuring the music of Dango
  • Thursday, October 22nd – 17:00 Kevin Thomas; 18:00 The Vinnie Show.

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Hestium: where stories await in Second Life

Hestium; Inara Pey, October 2015, on Flickr Hestium (Flickr) – click any image for full size

I’m fortunate to be able to count Boudicca Amat and her SL partner Anthony Wesburn as friends. Both are extremely talented, Anthony as a music lover and DJ with a focus on blues, jazz and rock, and Boudicca as both a storyteller and a gifted artist, as demonstrated by her Flickr stream.

As a storyteller, Boudicca presents readings in voice at Hestium, the home she shares with Anthony, and it was to Hestium that I found myself once again drawn after seeing it featured in the Lab’s Destination Guide Highlights.

Hestium; Inara Pey, October 2015, on Flickr Hestium (Flickr) – click any image for full size

A visit to Hestium begins on the steps leading up to a small terrace café overlooking a beach of golden sand and the wide open sea. A chalk board offers a warm greeting to new arrivals and provides a note card with further information about the land – and it is well worth a read. The terrace offers the opportunity to sit and enjoy the view as well as providing access to both Hestium and to the neighbouring parcel, Willow’s Oasis, which is held by Patti Peregrine, aka Willow Amat, one of Boudicca’s oldest and closest friends. Like Hestium, it is open for visitors to explore.

Follow the sign welcoming you to Hestium, and you’ll find yourself on a board walk along which a slightly harried-looking server is hurrying towards the café terrace, laden with cake and refreshments. At the end of the board walk and a short walk along a grassy path, sits a little cottage surrounded by trees. This is the kitchen for the café, and within it an even more harried-looking baker is hard at work.

Hestium; Inara Pey, October 2015, on Flickr Hestium (Flickr) – click any image for full size

The path continues onwards through the woods on the far side of the cottage, and will bring you by turn and bridge to Hestium itself, where there is much to discover.

This little township, sitting between high cliffs and split by a channel of water, suggests a place snuggled into the Mediterranean coastline somewhere. However, the mischievous raccoons running riot in places suggest an altogether different climatic location; thus we are free to imagine where – and when – Hestium might lie.

All the buildings here are open to visitors to explore, with the exception of the little cottage up on the hill just outside the township proper. This is Boudicca and Anthony’s home, and visitors are requested to respect their privacy. Also, note that in order to explore the library within the town, you’ll need to use the teleport system, otherwise the buildings are accessible on foot.

Hestium; Inara Pey, October 2015, on Flickr Hestium (Flickr) – click any image for full size

A place of invisible inhabitants, Hestium offers clues as to who they might be, but it is up to visitors to discover these clues, some of which might be hidden away somewhere in the houses while some might be in plain sight. There are also clues to be found in the Hestium stories Flickr group.

However, why (and how) they have come to Hestium is something for visitors to decide: there is an open invitation for people to write their own stories about the various characters, and to add a photo of themselves as that character, together with a link to their story in the description, to the Flickr group.

For those who enjoy landscape photography, there is a second Flickr group where photos can be submitted, and these may include avatars as well as being landscape studies.

Willow's Oasis; Inara Pey, October 2015, on Flickr Willow’s Oasis (Flickr) – click any image for full size

With cuddle spots and places to sit scattered around, and Willow’s Oasis garden next door also awaiting exploration, a visit to Hestium is well worth the time. There are numerous places to sit and relax while exploring, be they on the beach, on the water, or amidst the trees. And there’s also that opportunity to add to the history of Hestium through the stories Flickr group; or you can join Boudicca for a storytelling session in voice every Monday and Wednesday at 15:30 SLT.

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A photography selection in Second Life

Hills Gallery
A Photography Selection – Hills Gallery

“Photography is my passion in here and it s what keeps me coming back,” states Hillany Scofield, “Hills” to her friends. “I love to experiment and to discover new things and  I love to get inspired.”

If anyone needed any proof of her talent as one of Second life’s foremost avatar portraiture photographers, they need only visit her Flickr stream to see her creativity at work.  However, throughout October, they can get up close and personal with some of her more recent work by visiting her own Hills Gallery in-world, which is currently featuring a display of her images simply entitled A Photography Selection.

The images are all a part of a series Hills took for Photography magazine, published by Joaopedro Oh, and which for October features Hills’ work alongside Awesome Fallen, Darklyn Dover, Migan Forder, to name but three.

Hills Gallery
A Photography Selection – Hills Gallery – click any image for full size

Within A Photography Selection there is a mix of erotic and non-erotic pieces, with the former very much focused on the sensual rather than the sexual. However, nudity is in some of the images, so they might be considered NSFW. However, there is far more here than “just” nude studies.

Noted for her use of both monochrome and a studied balance of colour, Hills’ images are always extraordinary in their composition and presentation, and this is true of the pieces on display in this selection, which offers a clear demonstration of her eye for composition and balance through pose, structure and tone.

A Photography Selection - Hills Gallery
A Photography Selection – Hills Gallery

All told, a superb series of studies, all beautifully presented in a gallery which is itself an eye-catching design, and perfectly suited to the occasion of displaying Hill’s work.

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Amidst the Ironwood Hills in Second Life

Ironwood Hills; Inara Pey, October 2015, on Flickr Ironwood Hills (Flickr) – click any image for full size

While it draws its inspiration from further afield than Halloween, a visit to Ironwood Hills is nevertheless in keeping with the time of the year, offering as it does a suitably dark and atmospheric place for exploration and investigation.

The work of Cyrus Knight (josman2088) and Jestyr Knight (Zeke Jestyr), the region offers a range of environments, all linked by a common post-apocalyptic theme, with plenty of photographic opportunities (with rezzing available), all of which is loosely based on Silent Hill.

Ironwood Hills; Inara Pey, October 2015, on Flickr Ironwood Hills (Flickr)

This is a forever twilight place, where the sky is leaden, the streets wreathed in shadow and subject to the encroachments of nature. It is a town that has seen better days, still held thrall to whatever has befallen it. Quite what that might be is hard to determine, but the wailing of sirens tends to suggest something destructive, as does the ruined state of some of the buildings. similarly, the distant sounds of fairground music tends to suggest most of the locals departed in a hurry.

Or perhaps some remained. Certainly, when walking the cracked, darkened streets under the few still-working lamps, it is possible to come across echoes of childish laughter, which is not entirely comforting in its tone. Turn a corner here or there, and you may even come across a youngster, perhaps playing hopscotch and strangely indifferent to your presence…

Ironwood Hills; Inara Pey, October 2015, on Flickr Ironwood Hills (Flickr)

Signs of what seems to have been a panicked exodus (or some other upheaval) can be found elsewhere as well: a police car smashed into a fire hydrant, a taxi lying in the local river the local river, the wreck of a truck on the edge of town, victim of an altercation with a tree.

Just when all this occurred is hard to assess. On the one hand, that power still flows through part of the town, allowing street lights to offer some illumination and signs to flicker weakly, offers a suggestion that the calamity is only recently passed. On the other, however, the state of the local vegetation and the way it is encroaching on roads, buildings and vehicles, suggests a fair amount of time has passed since whatever transpired here.

Beyond the town, with its church and drive-in theatre, baseball court and the rest, lay much more to explore. Cross the bridge, for example, and you’ll come to a partially flooded fairground. Perhaps the water here is the result of some natural disaster. Travel further afield, and other things might be brought to light – but I’ll leave these for you to discover.

Ironwood Hills; Inara Pey, October 2015, on Flickr Ironwood Hills (Flickr)

This is a design which makes excellent use of the space available at ground level within a region to present an environment rich in content. So much so that given the ambient lighting and the care put into the design, it is possible to miss things if limiting yourself to just a casual visit. So be sure yo take your time and that your follow all the footpaths, roads, tracks and trails you come across, or you’ll never know where they might lead or what might await discovery.

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Art with an adult theme in Second Life

The Chamber Society 3rd annual photography contest: (l) Saritha Gabardini, (r) Yayshe – Dathúil Gallery
The Chamber Society 3rd annual photography contest: (l) Saritha Gabardini, (r) Yayshe – Dathúil Gallery

The latest exhibition of art to feature at the superb Dathúil Gallery, owned by Max Butoh and curated by Lυcy (LucyDiam0nd), opened on Friday, October 2nd. It is something of a slight departure from the monthly exhibitions held up until now. Rather the focus on the work of a particular artist or artistic coupling, the exhibition features the “top twenty” selection from this year’s  Chamber Society Photography Competition, and which have been selected from a total of over 90 entries overall.For those unfamiliar with it, [the Chamber] is a private members club also owned and operated by Max, and is one of several establishments also located on the same region – Floris – as the Dathúil gallery.

The Chamber Society 3rd annual photography contest: 2nd place Yum Parkin with Porsheen (l) and Simon Sonneblume (c) behind – Dathúil Gallery
The Chamber Society 3rd annual photography contest: 2nd place Yum Parkin with Porsheen (l) and Simon Sonneblume (c) behind – Dathúil Gallery

The focus of the club is “to create a deep and erotic atmosphere for role-play and erotic chat for members. We focus on politeness and manners with a twist. Our members expect intelligent, lively conversation and imagination along with beautiful and detailed surroundings.” Membership requires adherence to a dress code, an understood code of conduct, and observation of the society’s rules.

As one might imagine, given the erotic overtures within [the Chamber], the images on display within the gallery  are of a similarly erotic nature, with many among them perhaps NSFW.

The Chamber Society 3rd annual photography contest: HisOne - Dathúil Gallery
The Chamber Society 3rd annual photography contest: HisOne – Dathúil Gallery

Now in its third year, the competition awards prizes for the top three entries, which have been awarded to Ziekling Bunnyhug (1st place), Yum Parkin (2nd) and Ossia Xevion and Janet Patton (joint 3rd). The four winning entries are displayed at the front of the gallery space, with the remaining top twenty selections ranged around both the main floor and mezzanine, each piece individually displayed on an easel with the photographer’s name displayed above it.

While nudity is evident in some of the images (hence the NSFW warning above), it is not a common theme to all, and the overall approach of the photographers tends towards subtle eroticism, rather than blatant titillation. In this, as with [the Chamber] itself, the exhibition further gives the lie to the misconception held by some pundits that Adult themed locations in Second life are by default indicative of “pornographic” content.

The Chamber Society 3rd annual photography contest prizewinners: Ziekling Bunnyhug, Yum Parkin (r) and Janet Patton and Ossia Xevion (r) – Dathúil Gallery
The Chamber Society 3rd annual photography contest prize winners: Ziekling Bunnyhug, Yum Parkin (r) and Janet Patton and Ossia Xevion (r) – Dathúil Gallery

All told, another excellent exhibition from Lucy and Max which offers another window onto the range of creative and artistic talent which exists within Second Life.

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