Spirit of Sun, Spring 2018 in Second Life

Spirit of Sun; Inara Pey, March 2018, on FlickrSpirit of Sun – click any image for full size

Now open to the public through until approximately Sunday, March 18th, is Spirit of Sun, a normally private group-owned region. The region has been opened to public access as a part of a photo competition, in which entrants are asked to submit images to the Flickr group associated with the Spirit of Sun. Caitlyn and I were alerted to the opening by Shakespeare and Max, so given the brief period of opening we hopped over to take a look – and found a visually stunning region, well worth taking the time to visit.

The region has been split into three large islands of roughly equal size. The landing point is on the southernmost of the three, a slender finger that runs east-west across the sim’s entire length. A rugged plateau, it is topped by a  bumper car ride (available to visitors) at its eastern end, linked to a central plaza of shops by a broad cobbled walk and wooden steps. Beyond the shops sits a garden area featuring a small stage, open-air seating and a track leading back to the shops.

Spirit of Sun; Inara Pey, March 2018, on FlickrSpirit of Sun

A small headland extends from this island, pushing out into the waters of the region’s channels. A great stone bridge once spanned the channel between this southern island and the one to the north-west, where a knuckle of rock rises from the surrounding land. However, some disaster long ago broke the back of the bridge, leaving it a ruin on either side of the channel. Instead, the western island can be reached via a switchback path winding down to the foot of the blunt headland to where a pier sits, two sailing boats moored against it, the wreck of a fishing boat close by.

The boathouse behind the pier offers a cosy place to sit – one of several across the region – while on the side of it opposite to the wreck of the fishing boat lies a small wooden bridge. A little awkward to reach, it nevertheless provides access to the western island by way of a low table of rock and grass sitting mid-channel.

Spirit of Sun; Inara Pey, March 2018, on FlickrSpirit of Sun

The knuckle of rock against which the ruined bridge is anchored is one of two plateaus on this island, the second being home to an old lighthouse. A dirt track runs south-to-north along the island, passing under a rocky arch between these two plateaus, pointing the way to a third at the northern end of the island. This home to a broad wooden deck, reached by stairs. A greenhouse converted for use as a summer-house sits close to the foot of the steps, while the deck at the top sits around an old English-style folly. Tables and chairs are placed out across the deck, while the folly itself offers a further comfortable lounge.

Between these highland areas is more to be found – a café sitting in the middle of a small lake, another greenhouse – this one of more traditional design – presenting another cosy snug. Pass under the rocky arch to the southern headland, and you’ll find a camp site complete with a pair of British Land Rovers which look like they are on an outing from Encounter Overland.

Spirit of Sun; Inara Pey, March 2018, on FlickrSpirit of Sun

Across the water to east is the remaining island. Dominated by another massive plateau – one equalling the height of the southern island, leaving a deep gorge between the two – curls around the eastern coastline of the  island to form a broad ridge descending down to the lowlands. Six houses sit atop this plateau and ridge, spaced along the track that winds its way along both.  As these appear to be private residencies, discretion when walking by them is recommended.

The lower part of the island offers a broad greensward of grass running out to a narrow ribbon of a beach. This is the home of another camp site, this one apparently of a Romany origin, watched over by a stone windmill oddly built against the rocky face of the plateau. Further around this southern headland lies another summer-house and further secluded spot couples can enjoy.

Spirit of Sun; Inara Pey, March 2018, on FlickrSpirit of Sun

Spirit of Sun is a richly engaging place to explore – albeit one with a limited time with which people can appreciate it. With this latter point in mind, I’d suggest anyone wanting to visit do so sooner rather than later, least public access is restricted once more. And don’t forget to submit photos to the region’s Flickr group. Congrats to Justine Lemton, Doutz (Rianna Joubert), and the rest of the group for their creation.

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Bailey’s Norge in Second Life

Bailey's Norge; Inara Pey, March 2018, on FlickrBailey’s Norge – click any image for full size

Note: Bailey’s Norge is now La Frontera – read here for more.

In late January, Caitlyn and I visited Bailey’s Norge, designed by the Bailey family and in the Homestead region of Forest Haven. At the time, it wasn’t clear how long the region would be open to public visits, but as it is still open to people to explore, I thought I’d write a few words on it.

Designed to represent a piece of rural Norway, the region sits within a ring of green mountains, surrounded by water as if snuggled at the inland end of a fjord, a single channel leading out to sea, watched over by the rotating eye of a lighthouse.

Bailey's Norge; Inara Pey, March 2018, on FlickrBailey’s Norge

A visit starts close to the centre of the region, on a set of stepping-stones running across the mouth of a channel separating two of the region’s islands – so be sure to wait until everything has rezzed and rendered before taking too many steps, or you might end up taking and unexpected bath.

These stones link the two largest islands with one another. The easternmost of these islands has a north-south orientation, and is occupied by two large houses. One of these sits alongside the stepping-stones, the second to the north, reached by a walk through the long grasses which dominate the flatlands of the island. This second house has the look of a working home – a pier sits on the shoreline close by, perhaps home to the fishing boat out in the bay, and with fish drying on the lines alongside the pier. And old pick-up truck has been converted into a makeshift flower garden, while a seating area lies in the shade of trees.

Bailey's Norge; Inara Pey, March 2018, on FlickrBailey’s Norge

A box bridge spans the water separating the northern end of this island with one of the two small islands on the north side of the region. Cut by a man-made water channel, where a little snuggle spot can be found atop a raft, it is otherwise deserted. A second small island lies to the west – but please note it appears to be a private residence, so exploration there should perhaps be avoided in the interests of privacy.

Travel south through the grasslands of the east-side island, and you’ll find your way to a small cabin snug against the southern coastline, looking west towards the second of the large islands, on which sits a large number of structures. A gable roofed bridge sits close by, spanning the narrow channel dividing the two islands from each other.

Bailey's Norge; Inara Pey, March 2018, on FlickrBailey’s Norge

The closest of the  buildings across the bridge is a large Scandinavian-style house. It is clearly a family home, given the swings, slide, roundabout and see-saw in the fenced garden. Surrounding this on two sides are outhouses and barns. These give the house the feel of being a farm, although the outhouses have been converted for particular uses: a bathhouse and a small photography studio / gallery.

Slight further afield, on the north side of the island lies a little shop, a converted boat dock nearby, a swing seat replacing the covered moorings. Further along the curve of the shoreline sits an old Norse building, its apparent age hinting that there has been a settlement here for a long time. Meanwhile, on the west side of the island sits a wood-framed church. This faces a boathouse sitting on the shore alongside a wooden deck that extends out over the waters. As well as offering cosy seating indoors and chairs on the deck, the boathouse also has a hot tub and hammock outside.

Bailey's Norge; Inara Pey, March 2018, on FlickrBailey’s Norge

With rich, open spaces with places to sit and / or cuddle scattered throughout, and one or two little surprises waiting to be found – keep an eye out for the Norwegian troll keeping a watch on things from the tree-line – Bailey’s Norge offers a lot to see and enjoy. Should you enjoy a visit, please consider offering a donation towards the upkeep of the region (the donation box is at the southern end of the east-side island). And if you take photos, please consider sharing them with the region’s Flickr group.

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Second Life through La Baroque’s Eyes

Club LA and Gallery – La Baroque

Currently open on the mezzanine floor of Club LA and Gallery, curated by Fuyuko ‘冬子’ Amano (Wintergeist), is an exhibition of art based on Second Life photographs, by artist La Baroque.

Hailing from Italy, La Baroque entered Second Life in August 2007. Already keenly interested in photography, she quickly found Second Life photography as engaging as that of the physical world. However, what makes her work particularly fascinating is not only the subject matter of her images, but the manner in which she uses post-processing techniques to make her images look – and feel – as much like paintings as possible, often with an other-worldly feel.

Club LA and Gallery – La Baroque

All of this is very much in evidence in the exhibition at Club LA and Gallery. Placed within a beach-like setting, complete with sand and camp fire, are nineteen pieces from La Baroque’s portfolio, all richly diverse in subject, framing, composition and finish. Some are suggestive of watercolour landscapes and settings, others suggest they are oil paintings, rich in colour and texture to the point where it’s easy to imagine reaching out and feeling the uneven surface of the paint on canvas. At least one – Chairs – offers a suggestion of the abstract, while that feeling of other-worldliness is also to be found throughout many of the pieces on display.

In terms of subject matter, the images offer very personal takes on Second Life landscapes, some of which might be familiar to Second Life travellers, such as Orcadi Island (which you can read about here) and Sarawak (which I wrote about here). Others are composed avatar studies offering a narrative flow – such as with Nothing on the Horizon and Breathe the Scent of the Sea, two pieces I found particularly strong in story within this series of narrative images.

Club LA and Gallery – La Baroque

Another piece I found particularly evocative – although singling out pieces within this selection really isn’t fair – is Memories of a Dragon, which is perhaps the most powerfully expressive of La Baroque’s ability to create an expression of a parallel world.

As well as producing 2D art, La Baroque also produces 3D art, but notes she doesn’t do it too often as she claims she is “much too lazy” and lacks the patience to build. Given the depth of creativity and care  shown within the pieces on display at Club LA and Gallery, I beg to differ with La Baroque’s assessment; she is far from “lazy” and her patience with the creative process is abundantly clear.

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Gaia Calling in Second Life

Gaia Calling; Inara Pey, March 2018, on FlickrGaia Calling – click any image for full size

Update: Gaia Calling no longer exists at Serena Kiraly. The sim is under new management and has been repurposed.

Gaia Calling is the name given to the Homestead region design by Gidgy (Gidgette Adagio) – who has previously presented Savor Serenity and Hobbiton (see here and here respectively). It is something of a departure from these previous builds, which were rooted in Tolkien’s mythologies, offering instead a take on more classical mythology – specifically that of the primordial deity, Gaia, the ancestral mother of all life and primal Mother Earth goddess. But while a departure from Gidgette’s past designs, it is nonetheless as enchanting as they have been.

A visit begins on a transparent octagonal platform serenely floating above a deep gorge cutting into an elevated landscape. This platform contains an echo of Gidgette’s earlier builds in that it is ringed by a circle of elven-like arches. A single arched walkway points the way to a second platform, almost at the centre of the region. From this, a tall figure of Gaia rises, arms uplifted as she becomes a tree – the perfect symbol of mother Earth – framed by a rising Sun.

Gaia Calling; Inara Pey, March 2018, on FlickrGaia Calling

The roots for this great tree / statue reach down beneath the platform, extending down to the surface of the water below. The waters of this gorge are served by a series of waterfalls that tumble-down the cliffs and slopes of the surrounding ring of land – a right richly forested, but which doesn’t quite connect to either of the platforms, presenting visitors with an interesting quandary of how to get from platforms to land.

Flying is one means of crossing the divide – but there are preferable alternatives: the arrival platform includes a bubble rezzer for those who like to travel on their own. Simply touch to rez, sit in the bubble and use the WASD / arrow keys for forward / back motion and turnings, and PAGE UP and PAGE DOWN to increase / decrease altitude. For couples, there is a flying leaf rezzer, with the same principles applying to flying it.

Gaia Calling; Inara Pey, March 2018, on FlickrGaia Calling

The surrounding lands offer various paths through the aged trees, some of which are strung with lights. Along these paths visitors can find numerous points of interest: lanterns offering dances, “magic” mushroom that rez picnic spots and / or cuddle spots, a gazebo rich with flower growing in an old bathtub, a cosy camp fire … all offering places to sit and appreciate the ethereal surroundings.

Nor is this all: bears and wolves and rabbits are scattered across the landscape, and for those willing to take the plunge – preferably via bubble or flying leaf –  there is a world under the surface of the waters to be found, where whale, porpoise, shark and more swim together, their surroundings rich in colour from corals and plants.

Gaia Calling; Inara Pey, March 2018, on FlickrGaia Calling

“Many moons ago, many sunrises ago, Gaia called.” Gidgette says of the region, “Her song singing the essence of our being, the calling of the soul, the oneness of our dream, and as our consciousness arises, Gaia smiles.” Wandering this landscape, beautifully lit, it isn’t hard to imagine being one of Gaia’s first Earth-born, and even encouraging spiritual / conscious growth through the mediation platform extending from one of the cliffs of the gorge.

Gaia Calling is a marvellously ethereal setting, rich in content and beautifully photogenic (and photos can be submitted to the region’s Flickr group). It makes for both a restful and fun visit – particularly when floating around in the bubbles. There’s also a lot more to discover than might at first appear to be the case – not only because of the underwater setting mentioned above, but also because of other little spots I’ve refrained from mentioning here so that you might enjoy discovering them for yourself – just be sure to look underground and under tree…

Gaia Calling; Inara Pey, March 2018, on FlickrGaia Calling

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  • This sim is under new management, and Gaia Calling as a region no longer exists.

Bryn’s Tilt-a-Whirl in Second Life

Bryn Oh: Tilt-a-Whirl

At the end of February 2018, Bryn Oh opened Tilt-aWhirl, the third in a series of single-scene poems  she has been putting together whilst also working on a new immersive installation to succeed Hand (reviewed here). It joins Lady Carmagnolle and 26 Tines (both of which I wrote about here) on a darkened Immersiva. However, in difference to the first two pieces, Tilt-a-Whirl has something of a personal foundation for Bryn.

“It is pretty much a nostalgic memory of being young at a fairground or carnival,” Bryn says of the piece – albeit it a carnival with fantasy overtones. Two rides form the piece, the titular tilt-a-whirl ride, with flashing lights and regular-looking cars, and a carousel with a quite unusual set of animals on which to ride: a dragon, ball-balancing unicorn, a butterfly, and a mechanical octopus, seahorse and horseshoe crab …

Bryn Oh: Tilt-a-Whirl

These are not a random selection of creatures for the ride, however. In her notes accompanying the piece, Bryn notes how some of the creatures have a personal link to her – notably the dragon and the octopus – a creature she’s clearly fascinated by, and with good reason.

There seems to be a further personal element contained within this piece, a reflection of another childhood memory revealed by the accompanying 3-stanza poem, which opens:

I dreamt of my youth
when I met a girl
and kissed her by the
Tilt-a-Whirl

Bryn Oh: Tilt-a-Whirl

Glance under the front of the Tilt-a-Whirl, and this memory is revealed through two figures – Flutter and Juniper – cautiously leaning towards one another, one shrouded by a blanket, hands reaching for one another, heads tilting. It’s a poignant moment caught in time; an echo of a childhood event made manifest once more through art and expression. Click on them, and you can view the video accompanying the scene, and which I’ve taken the liberty of embedding below (the video, and those for Lady Carmagnolle and 26 Tines can also be video by clicking the images on the floor of the arrival point).

Like Lady Carmagnolle and 26 Tines, Tilt-a-Whirl is haunting in theme, but it is also perhaps warmer in tone and feel. All three make for a striking visit.

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Spring 2018 at La Vie in Second Life

La Vie; Inara Pey, March 2018, on FlickrLa Vie – click any image for full size

It’s just two months since our last visit to La Vie, the homestead region designed by Krys Vita and Arol Lightfoot (see here for our winter visit write-up). Normally, I prefer not to re-visit regions after so short a space of time, but La Vie has always been somewhere special, so when I received word from Krys that the region had received a spring 2018 make-over, I knew we had to hop over a take a look.

The new design brings with it some motifs and elements those familiar with earlier iterations of the region will recognise – a broad sandy beach, rural paths and fields, a little gathering of buildings – while the region as a whole presents something wholly new in terms of look and feel.

La Vie

A visit begins on the west side, where sits a little cobble square with a round-cornered road to nowhere set within it. Two sides of this square – north and east – are bounded by tall shops and town houses. To the west, the square overlooks the open sea, a wooden board walk extending out over the rocky shoreline.

On the east side sits a gym ready for those wishing to keep themselves in shape (try the boxing bag). Close to the gym, a set of wooden boards and steps provide passage over more rocks and cross a sliver of water to where a small warehouse store and wharf sit at the water’s edge. This finger of the region is almost – but not quite – cut off from the rest by the water’s narrow passage, allowing it to offer a little corner of solitude, its southern edge marked by a cinder beach, and a cosy gazebo sitting in the middle of its grassy top.

La Vie

Finding other routes out of the little village square is somewhat harder. It sits on a flat table of rock, the rugged making passage to the beach to the north or the open lands to the east a matter of scrambling over rugged  shoulders of rock; it would perhaps be nice to have another wooden walkway and steps to help guide visitors. However, once the rocks have been negotiated, visitors will likely find themselves in a broad dip in the land that forms something of a track to be followed, easing further exploration.

Take this path northwards, and it becomes increasingly sandy until it delivers you to the broad northern beach. Take it eastwards, and it will lead you through grass and by tree and bush, curling gently around the large plateau that forms the backbone of the land, steadily rising towards the top as it does so. A set of stone steps passing between old iron gates mark the top of the plateau, and give the impression you’re entering a wild garden. Crowned by trees, the plateau is home to an old folly where beribboned  geese and winged mannequins gather around a wooden swing, all watched over by a passing unicorn. A second set of gates and steps present a way to a track running sharply  down the slope of the plateau to meet with the beach below.

La Vie

Throughout this setting are a number of places visitors can sit and enjoy the scenery, from the gazebo mentioned above, to bench seating and parasolled tables in the village square, to places like the folly and its swing and shady spots on the beach. There’s even an off-shore vantage point offering a bird’s-eye view of the region, although whether it is supposed to be used or not is questionable; it’s positioned so close to the region edge, anyone finding it and sitting on it is in for a dunking when they stand!

With March having arrived, and the promise of spring sitting on the horizon for those of us in the northern hemisphere – or the danker days of winter for those in southern climes – La Vie’s current make-over reminds us of the promise and delight of warmer, sunnier days and the opportunities for countryside walks or lazy afternoons on the beach.

La Vie

Another beautiful setting by Krys and Arol, and a perfect destination for those seeking somewhere to go.

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  • La Vie (La Vie, rated: Moderate)