A Mediterranean Soul2Soul in Second Life

Soul2Soul Med; Inara Pey, May 2018, on FlickrSoul2Soul Med – click any image for full size

In February 2018, I wrote about a visit we made to two Homestead regions designed by Minnie Blanco (Minnie Atlass): Soul2Soul River and Soul2Soul Bay (see here for more). While I’m somewhat hesitant about blogging regions that are intended for rental purposes, but both Soul2Soul River and Soul2Soul Bay were so beautifully designed and offered sufficient public spaces, I felt comfortable in writing about them.

Since then, Minnie has added a third region to her group, Soul2Soul Med. As the name implies, this homestead region has something of a Mediterranean theme to it. Once again, the region in part offers properties for rent to those looking for a home; although at the time of our visit there were only three such properties on the region, leaving the greater part of it open to public exploration.

Soul2Soul Med; Inara Pey, May 2018, on FlickrSoul2Soul Med – click any image for full size

Visitors arrive on the southern most of the two island the regions has been split into. This points roughly south-west to north-east, a rocky shoulder of land on which is perched a little hamlet sitting above a beach and pier for boat moorings. Gaily painted houses run along the upper street, although the paint on some of them is showing signs of fading under the bright Sun. Cars are parked along the little street, flowers are in full bloom, while the café half-way down the slope to the beach presents a welcome rest-stop from explorations.

A second rocky island crosses the first to the north, forming a “t” to its base. A narrow channel separates the two islands, turning south to run between them to the east, a single bridge spanning it.

Soul2Soul Med; Inara Pey, May 2018, on FlickrSoul2Soul Med – click any image for full size

This northern island is given over to the rental properties.  All three are spread far enough apart to offer those renting them a fair amount of privacy, while roads leading from each of them come together before the bridge, offering a direct connection with the little hamlet on the southern island.

There’s a feeling of life that has been added to the region: boats are moored down on the water; bicycles and vehicles are scattered around, and a couple of maintenance chaps are performing repairs here and there. Meanwhile, and on the edge of town is the ruin of a house where a group of mannequins appear to have set-up home, complete with a bed on the upper floor and a broken-down truck parked out back. It’s a further quirky addition that gives the region additional atmosphere and depth.

Soul2Soul Med; Inara Pey, May 2018, on FlickrSoul2Soul Med – click any image for full size

With its rugged, coastal look, mixed flora, hilltop hamlet and surrounding hills, Soul2Soul Med is delightfully picturesque, and matches both Soul2Soul River and Soul2Soul Bay in the level of detail and styling put into the region. For those looking for somewhere to live, the rental parcels are well placed and offer a lot of room. For those looking for a place to explore – remembering that there are private residences on one of the islands – and take photographs, Soul2Soul Med offers an ideal destination.

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Silas Merlin at LEA 14

Silas Merlin LEA 14

“There are experiments and exhibits inside buildings,” Artist and sculptor Silas Merlin says of his installation at LEA 14. “It’s a collection of the things I happen to be building this semester, so there’s no specific theme; but I do have LEA in mind whatever I do, so I think everything is in theme in that respect.”

It’s certainly an intriguing environment, bringing together Silas’ gift for 3D sculpture and his pastel artwork in a place where exploration is encouraged – indeed required, if one is to see everything. It is also a place which includes certain nods to others here and there, be they intentional or otherwise; with the intentional ones offered a little tongue-in-cheek and without rancour.

Silas Merlin LEA 14

The landing point to the installation is located in a tall tower sitting just offshore to the rest of the build. This tower contains the first of Silas’ experiments: the use of a cubemap and a 360-degree image to create a reflective hemisphere on the stone floor (you’ll need to have you viewer’s Advanced Lighting Model (ALM) enabled via Preferences > Graphics in order to see the reflection, otherwise the hemisphere will simply appear to be a black object).

Getting to the rest of the installation is perhaps best done by flying from the landing point. A rugged landscape, with a ground pattern and plants which are in places mindful of Cica Ghost’s designs, this is a place littered with buildings and ruins, many of which look to have been extruded from living rock rther than constructed. Some rise like the towers of a castle, others seem to have echoes of Hindu or Aztec architecture, and others are far more free-form.

Silas Merlin LEA 14

Many of these structures have elements inside or on them. These range from experiments with projectors and projected lights  – so again, keep ALM enabled during your visit – to little vignettes of characters from J.M. Barrie’s Peter Pan (as seen through the 1953 lens of Walt Disney Pictures) to places to sit down and relax, and so on.

The Peter Pan elements can be found in a little scene featuring the Darling family, and  a charming little diorama featuring some of the principal characters – Pan himself, Hook, Tiger Lily, the crocodile, the alarm clock, etc. Larger versions of some of the characters can also be found dotted about the landscape, with Hook’s ship sitting in a small bay.

Silas Merlin LEA 14

Two of the larger structures within the landscape are particularly engaging, albeit for different reasons. The first takes form of a temple with a somewhat Hindu styling to it. It has been raised in recognition of a certain – controversial, shall we say – artist who has not had the best of relationships with the LEA, being s known for her … disruptive … influence.

“She seems to target LEA artists,” Silas playfully said of the artist concerned, “So I thought it would be fun to have a temple with offerings to appease the angry goddess!”

Silas Merlin LEA 14

The second building offers a selection of pastel drawings by Silas. However, these are very different to his usual studies. Predominantly black-and-white, they have something of a dark, haunting tone to them, with even the colour paintings hinting at spirits and the supernatural.

A part of the installation that may not be obvious to visitors sits at 3021 metres in the air. Here, on a platform sits a small ghost town of buildings – some of which reminded me of some of the structures in Silas’ Felsenmeer experience in Sansar.  It sits among a number of platforms containing unfinished elements, and offer another point for exploration, even if you do need to map teleport your way up to it.

Silas Merlin LEA 14

A curious but engaging mix of Silas’ work, LEA 14 will remain open to visitors through until the end of June.

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A Little Bit of Soul in Second Life

A Little Bit of Soul; Inara Pey, May 2018, on FlickrA Little Bit of Soul – click any image for full size

Update: A Little Bit of Soul is now closed, and SLurl links have been removed from this article.

Occupying one half of a Full region, A Little Bit of Soul is group design offering a huge amount to see and explore.  Running from west to east across the region, it presents what might be seen as a build in three parts, all of which flow together to offer a unifies setting.

At the western end is a built-up area which encloses the landing point. Split into two parts, it encloses the landing point within a plaza-like square surrounded by boutique-style businesses, some of which have town style houses built above them. Footpaths run around the shops on two sides, one of which forms a small road lined with more shop fronts with living spaces over them, while the other offers a way to a waterfront area.

A Little Bit of Soul; Inara Pey, May 2018, on FlickrA Little Bit of Soul

This small precinct offers a pristine setting: shop fronts are freshly painted, balconies are lined with potted plants, and trees and hedges are neatly trimmed. A small metal gazebo sits towards the middle of the square, a harpsichord, guitar and drum set forming a curious setting for a trio of musicians. All-in-all, there is a strong European cosmopolitan air within this part of the parcel.

Walk westward across the plaza from the landing point, and you’ll find a narrow set of steps lead up to the second half of this built-up area. This is altogether more run-down in tone – and becomes progressively more so as you explore. It is reached via two pairs of doors at the top of the steps leading up from plaza, which open onto another square surrounded on three sides by what might at first glance appear to be small apartments or perhaps hotel rooms, windows lit. With its hanging ivy, open verandahs in cast iron, and open courtyard, this area has something of an old New Orleans feel to it.

A Little Bit of Soul; Inara Pey, May 2018, on FlickrA Little Bit of Soul

With the exception of a first floor room sitting over an arched entrance leading out of the square, the “rooms” of this hotel / apartment setting are actually false, and demonstrate a clever use of space on the part of the designer here, Megan Prumier. Pass through the archway and take the ramp or steps on its other side, and you’ll find the “rooms” of the hotel / apartment house have become the frontage for run-down stores facing out onto little streets.

This raised area offers a collection of footpaths and open spaces set with tables and chairs, market stalls and other bric-a-brac and general detritus, all set amidst the shells of ruined buildings. The entire area exuding an aged feel, with more shells of ruined buildings sitting off-shore, rising above tall walls to give the parcel an added sense of depth.

A Little Bit of Soul; Inara Pey, May 2018, on FlickrA Little Bit of Soul

Travel east from the landing point, under an archway between two stores, and you’ll come to the second element in the parcel’s design. The first part of this area is a small chapel and churchyard, again put together by Megan, caught under a steady downfall of rain. Beyond this, under a further archway, sits a much smaller group of shops, bordered on both sides by woodlands, the southern of which has paths and trails running through it, as well as places to sit – or bathe.

Designed by Xange Madrigal, this area flows seamlessly into the surrounding woodlands and the surrounding rugged countryside. A small body of water can be found here, together with a raised terrace with seating while more paths lead the way to hidden gems of areas, simple wooden bridges crossing the water where necessary to encourage explorers onwards.

A Little Bit of Soul; Inara Pey, May 2018, on FlickrA Little Bit of Soul

And still there is more: the eastern end of the region offers more woodland, copses, trails, an outdoor space for weddings or other celebrations, a waterfront  a sauna deck and gazebo looking out over offshore islands which again add further depth to the parcel, and a cabin-style home. These have all been brought together by several more contributors to the region – although I’m not entirely sure if the cabin is intended to be open to the public at large, so please keep this in mind when visiting.

Throughout my visits, A Little Bit of Soul was caught under a twilight sky, and while this works, I would suggest it limits the appreciation of the beauty of the parcel, which far more comes to life under a daylight setting. However, I strongly recommend seeing the setting under both its intended windlight (Bryn Oh’s Mayfly) and a good daylight setting: A Little Bit of Soul is a marvellous setting, well deserving of a visit.

A Little Bit of Soul; Inara Pey, May 2018, on FlickrA Little Bit of Soul

With thanks toy Shakespeare (SkinnyNilla).

Touring the Raglan Shire Artwalk 2018

Raglan Shire Artwalk 2018

Raglan Shire, Second Life’s Tiny community once again throws open its doors to people from across the grid as participating artists and visitors to the annual Raglan Shire Artwalk.

This year marks the 13th Artwalk, which opened on Sunday, May 13th, and runs through until Sunday, June 17th. 2018. The event offers an opportunity not just to appreciate a huge range of art from both the physical and digital worlds, but to also tour the Shire regions and enjoy the hospitality of the Raglan Shire community.

Raglan Shire Artwalk: CybeleMoon (Hana Hoobinoo)

A non-juried exhibition, the Artwalk is open to any artist wishing to enter, and has minimal restrictions on the type of art displayed (one of the most important being all art is in keeping with the Shire’s maturity rating). All of this means that it offers one of the richest mixes of SL art displayed within a single location in Second Life, with 2D art is displayed along the hedgerows of the Shire’s pathways and tree platforms overhead and 3D art among the community’s parks.

Each year attracts over a hundred SL artist – and this year is not exception. The depth and range of art on display is guaranteed to keep visitors exploring the paths and walks around the through the hedgerows –  and if walking proves a little much, there are always the caterpillar rides to ease the load on the feet.

Raglan Shire Artwalk: John B (John Bleriot)

Also, teleport boards are provided to help people find their way around the exhibition spaces, while balloons which offer rides around the region and through the art displays. However, given this is an opportunity to visit and appreciate Raglan Shire, I do recommend exercising your pedal extremities and doing at least some of your exploration on foot – just keep in mind people do have their homes in the regions as well.

Given the number of artists involved, there isn’t a published list of participants, but anyone interested in the world of SL art is bound to recognise some of the names of the artists here. I personally couldn’t help but notice CybeleMoon’s (Hana Hoobinoo’s) hauntingly beautiful art along, John B’s (John Bleroit’s) marvellous macro photography, Bear Silvershade’s marvellous black and white photography and Relenne’s (Rey Vlodovic’s) nautical-themed photo-paintings.

Raglan Shire Artwalk: Bear Silvershade

This is also my second year of exhibiting at Raglan Shire, and my thanks go to the organisers of the Artwalk and the folk of the Shire community to be a part of this event.

With five weeks to enjoy the Artwalk, there’s no need to try to cram everything into a single visit, so why not plan to pay Raglan Shire a number of visits over the coming weeks and take the time to enjoy the art rather than risk being overwhelmed with the sheer volume of images on display? It’s more than worth the time to do so.

Raglan Shaire Artwalk: Yours Truly

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Kultivate Sensuality Exhibition in Second Life

Kultivate Sensuality Exhibition: Reycharles Resident

Open from Friday, May 11th through until Sunday, May 13th, 2018 is the second annual Kultivate Sensuality Art Exhibition. As the name suggests, this is very much an exhibition of adult-themed art, so may not be everyone’s cup of tea.

Located on a sky platform, the exhibition presents the artists work in a series of individual gallery spaces set around an events square. Some of the artists have opted to simply display their art unfettered (so to speak, and pardon the pun); others have opted to dress their display spaces in keeping with the themes of the exhibition.

Perhaps unsurprisingly, the female figure predominantly features in the art of display (there still seems to be something of a shying away from public exhibitions for full made nudity in the art world, even allowing for the Adult rating available in SL). There are exceptions to be found – but they are the minority here.  Many of the individual exhibits also seem entrenched in a familiar take on “sensuality”: full frontal nudity, sex, and SM / BDSM.

Kultivate Sensuality Exhibition

Don’t get me wrong, there’s nothing wrong with this per se in an adult-themed art exhibition, and I’ve nothing against what is on display within this exhibition. However, sensuality is a broad canvas on which to paint, and opting from full frontal or direct nudity or “simple” themes such as BDSM at times  miss an opportunity to engage imaginations beyond just titillation.

Let’s face it, the most erotic and sensuous organ in the body is the mind: so it would perhaps be nice to see more artists recognise this, and play or toy with our imaginations rather than perhaps opting for the easier boobs’n’bums approach. Why not, for example, opt for the soft focus and the use of suggestion through setting, pose, lighting, etc.? Give the eye and the mind enough to get the imagination to take notice, and then let it weave what it wishes into the image.

Which shouldn’t be taken as a complaint against seeing this exhibition. As noted above, it’s a personal – and subjective – point-of-view, although I hope it may challenge some artists to consider the subject more broadly next time around 🙂 .

Kultivate Sensuality Exhibition: Ashlee Acacia Gracemount (chey5620)

The exhibition will be marked by a number of supporting events across the weekend (all times SLT):

Friday, May 11, 2018

  • 08:00: Hot Kiss Hunt, Sensuality Raffle and How Sensual are You? Photo challenge all open.
  • 16:00 – 17:00: As Bare As You Dare event with live performer Jaq Luik

Saturday, May 12, 2018

  • 13:00 – 14:00 Naughty Trivia & Angels N Demons Party.

Sunday, May 13, 2018

  • 12:00 noon – 14:00 Sensuality Whips & Chains Masked Ball.
  • 20:00 – Exhibition, Sensuality Raffle, How Sensual Are You Photo Challenge & Hot Kiss Hunt End.

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Two modest exhibitions to catch your eye in Second Life

Ce Soir Arts: Xanthe Firehawk – Mystical Spring – The Awakening of Spring (centre)

Art exhibitions in Second Life come in all sizes – from those that are region-sized, through ensemble gallery complexes exhibiting work by multiple artists to small boutique-style galleries, either run by the artist or curated and offering a focused exhibition featuring the work of a single artist.  Two exhibitions falling  into this latter category are Ce Soir Arts, and VOIR Gallery. They are currently and respectively hosting modest exhibitions by Xanthe Firehawk and Storie’S Helendale (GlitterPrincess Destiny) which are both well worth taking the time to visit.

Mystical Spring at Ce Soir features nine images by Xanthe celebrating the arrival of spring. They range from pure landscape settings through to beautifully created avatar studies that richly capture the mysticism and romance we sometime embody within thoughts and images of spring.

Ce Soir Arts: Xanthe Firehawk – Mystical Spring

The landscapes – La Pastorale de Printemps (“Spring Pastoral”) and Spring Awaking offer views rendered in both the soft colours and the rich blooms of spring; the latter very much the embodiment of nature bursting into a celebrating of the season, the former a little more subdued, and perhaps reflecting some of the religious / pagan connotations of spring through its title. These are mirrored  by La Danse du Printemps (“Spring Dance”) and Mystic Downpour from across the other side of the gallery space.

However, and for me at least, the most striking part of this exhibition are the five studies facing the gallery entrance. These perfectly embody all of the mysticism and fantasy we weave into spring whilst also standing as marvellous examples of Xanthe’s art. Such is the strength (and size) of the central piece – The Awakening of Spring – in this quintet of pictures, it is easy to find the eye drawn away from the smaller pictures bordering it two to a side; but I do urge you to take the time to examine them in turn, as they are as equally rich in narrative and symbolism – the unicorn, the font, the white stag – and again stunningly rendered.

VOIR Gallery: Storie’S Helendale: Solitary Moments

Solitary Moments, on display at VOIR gallery, presents a series of self-studies by Storie’S, offered in both colour and black-and-white. The Advanced lighting Model (ALM) should be enabled within the viewer prior to viewing (Preferences > Graphics) and local Windlight set to that recommended at the gallery entrance or – if you don’t have the specific Windlight – set your time of day to Midnight.

The images themselves range in tone and approach; while nudity is limited, it is perhaps best to consider them as being close to NSFW. As the title of the exhibition suggest, the pictures reflect moments caught in the time when one might be alone with one’s own thoughts.

VOIR Gallery: Storie’S Helendale: Solitary Moments

What these thoughts might be is part of the allure of the pictures; they invite us to study them and weave a mood and vignette around them. With one or two – such as Suspect Red – there is a suggestion of being caught unawares whilst lost in thought: the hand extended toward the camera perhaps in an effort to prevent the picture being captured. Meanwhile, Not Extinguished appears to suggest a certain pensiveness on the part of the subject – the cigarette, the way one arm is crossed over / holding the other… All of the images are further nuanced by their very titles, some of which invite more than one interpretation – again, Not Extinguished being a case in point.

All told, two very different, but equally engaging, exhibitions.

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