More time within a Buddha Garden in Second Life

Buddha Garden, February 2025 – click any image for full size

I was surprised to release, on receiving a personal invitation from Gian (GiaArt Clip) to do so, that three years have passed since my last visit to his Buddha Garden (see A Return to Buddha Garden in Second Life). As such, and having logged-in as the invitation arrived, I decided to leap over to see what the new iteration of Gian’s always impressive region setting holds for visitors – and the the answer is, a heck of a lot.

Most notably, the setting has increased to a Full private region leveraging the Land Capacity bonus (whilst retaining its grid location). Presented as a large mountain island rising from coral-blue waters and caught in the arms of surrounding snow-spotted peaks, the setting expands on its East Asian heritage, adding Thai and Korean to the Sino-Japanese elements, whilst also growing its Buddhist, Taoist and Dharma influences.

Buddha Garden, February 2025

A further change with this iteration of the setting is that it includes a number of small rental homes in keeping with the theme. Most of these are located to the lowlands on the north side of the region, whilst tucked into south-west is a small headland forming a little island, thanks to a narrow channel of water cutting through it which has two further rental houses – so do keep these in mind when exploring, as they do border the public spaces as you pass through them. Those interested in renting can find information in the rental kiosk just up the hill behind the Landing Point.

The latter sits to the west side of the region, alongside the coast and the deep cut of an wide inlet served by waterfalls dropping from on high at its deepest extent. Here is where the genius of the design begins in that the routes of exploration are such that it is possible to both circumnavigate the island and climb the shoulders and slopes of the mountain largely without having to retrace your steps along the way (getting to the table top of the mountain perhaps being the exception!).

Buddha Garden, February 2025

Whilst the mouth of the inlet is narrow enough to be crossed via stepping stones, by taking the steps down from the Landing point and turning left, you can pass through an archway guarded by the stone-carved fives of two enormous Buddha figures and into a meadow where the blossom of Sakura trees falls like snow to blanket the grass, and then either continue one through a Torii gate and on to the headland noted above, or continue across a humped bridge to explore the lowlands a the base of the mountain beyond.

The latter will lead you around to the south, passing by rock pools fed by more waterfalls, steps leading to secluded meditation spots, and a further meadow where a golden Buddha sits. A bridge spans the water to a large flat island here, but please note it is a private residence, and not a place to be explored; instead the way onward lies across the meadow past the Buddha and across the hunched stone bridge just beyond him.

Buddha Garden, February 2025

Here the path branches, one arm leading to one of the hidden wonders within the the island, and the other  passing by way of a swampy wade to reach another meditative garden space at the foot of the Khin Tower Art Gallery, featuring pieces by Gian, and with places to rest top and around it. From here, the route continues across the surrounding waters by way of board walks and rocks to where one might look inland towards waters falling from the high cliffs into the artificial pool formed by the wooden walkways and rocks. Fed by a great bronze dragon coiled around  a finger of rock, the waters split part way through their fall, courtesy of an out-thrust of rock against which Confucius stands carved in stone, giving them impression the gods have diverted the waters so that he might not be caught in a deluge.

Reaching the shore again, the path once more branches again, one route continuing along the tip of an outstretched foot of rock, where seven buddha sit, to reach the rentals mentioned earlier, as they in turn point the way to a small  coastal market and thence to the mouth of the inlet and the stepping stones leading back to the Landing Point.

Buddha Garden, February 2025

The other branch of the path rises by way of steps to the top of the low plateau to where another watchtower rises and tai chi is offered on the grass. While further stone steps carved into the stone climb back down to the main path, others rise to where two temples sit on tiered gardens and  a shrine lies within another cave From here,  wooden platforms rise to the very peak of the mountain. This is home to a temple / resource centre and pagoda. The lower floor of this temple will be used for teaching, as Gian explained to me:

Seten Tomh (damian.glendullen) spiritual director of the Buddha Centre in Mieum, and his co-worker Ankh (jos.joszpe) will be presenting Fundamental View. based on Bhikkhu Bodhi’s anthology of authentic Buddhist texts, Seten Tomh discusses the teachings of the Buddha from a comprehensive, comparative, universal and non-sectarian perspective. These talks explore the underlying pattens of meaning of the Buddhist texts as a basis for the Dharma Transmission to the West, the next great epoch in Buddhist understanding.

– Gian

Buddha Garden, February 2025

The first of these sessions will take place from 11:00 SLT on Sunday, March 2nd, 2025. Upstairs, the temple takes on a surprising fusion of the techno-modern edged with the spiritual – but I’ll let you find this, together with the further opportunities for tai chi on the broad balcony.

The mountain is home to several more locations, paired on either side of the deep inlet, and reached by paths I’ll leave you to discover. In the side of the inlet with the Landing Point, the path climbs by way of the rental office and a large square pergola sheltering a meditative Buddha as he guards the path up to where an inn clinging to the side of the cliffs. Across the water a small pergola houses a similar buddha figure, this one marking the way up to an armoury house and martial arts exercise terrace.

Buddha Garden, February 2025

Throughout all of this are marvellous touches reflective of Dharma, Buddhism and Taoism in a setting that carries with it elements those familiar with past iterations of Buddha Garden will recognise – such as a high “Buddha Falls”, the great head semi-submerged, Buddha in the field, and so on – all of which imbue the expanded setting with a sense of continuity flowing into it from earlier iterations.

I’ve not covered everything the region has to offer here (including one unusual little vignette clinging to the side of the mountain!), as it deserves to be visited and carefully explored. What I will say is the Gian has again excelled with the region design, bringing together an engaging mix of themes and philosophies, with Viola Blackwood providing superb additional detail with the inn, the armoury, fashion display and more.

Buddha Garden, February 2025

A must-see destination.

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An enchanted isle in Second Life

Isla Enchanted, February 2025 – click any image for full size

Isla Enchanted is a charming Homestead region designed by Isla Nebula and currently open to exploration by visitors. It comes with a simple description:

A charming village, nestled in the mountains and beside a peaceful lake, calls for exploration. Wander the area to discover its magical, hidden gardens.

– Isla Enchanted About Land description

Isla Enchanted, February 2025

Surrounded by mountains, if separated from them by water, the region sits as two contiguous but separate parts. The larger area of the region, mostly low-lying and shouldered by walls of rocky cliffs, is home to the village mentioned in the About Land description. Encompasses the region’s Landing Point, the village comprises little cottages and cabins scattered between fields both cultivated and rich in wildflowers, the way through the landscape marked by a meandering gravel track.

These lowlands are overlooked to the west by  a large plateau topped by two rocky peaks, the larger of which is in turn capped by a large abandoned house. Reached via the track from below switch-backing its way up one side of the plateau, one of these rocky peaks is surrounded by an ouroboros-like stream which, if not exactly eating its own “tail”, is very much chasing its rushing, bubbling self around and around never losing tempo.

Isla Enchanted, February 2025

Spanned by two bridges – neither of which connect to the outer path as it skirts around the lip of the plateau – the stream’s endless circling is the first aspect of mystery to be found atop the plateau. Two more can be found in the caverns under the two peaks, both connected one to the other by the bridges.

One of the caverns offers a hint of magical goings-on, whilst the other appears to be as mysteriously deserted (outside of stone fireplace and its rising flames) as the house above, perhaps prompting questions as to what might have gone on within both , and why they now appear abandoned. A further hint of magic is to be found tucked behind the two rocky peaks, in the form of a peace meadow with a fairy garden.

Isla Enchanted, February 2025

Unlike the house up on the peek, the cottages and cabin down in the village are far from abandoned, instead offering themselves as cosily-furnished little retreats, their gardens presenting photogenic vignettes alongside of the fields, all of which – gardens, fields and footpaths are dotted with little touches of details to bring them further to life.

To the east, cliffs throw themselves across the land as a tree-flanked wall seeking to repel invaders, a single arched pathway allowing passage through their bulk. It leads to a marvellous enclosed garden quite magical in its presentation. Here, just past the arch, a rowing boat floats on a sea of flowering grass, mooring lines holding it close the a tree-shaded dock as swans stand guard around it, a shoal of fish pass overhead and taller flower throw their leaves and tendrils upwards like plumes of water frozen as time around them stands still.

Isla Enchanted, February 2025
Close by, and on the same sea of flowering grass, carved creatures, perhaps a mother and youngling, cast ripples outwards across the flowers as their moss-covered forms appear to swim past another tree. Rich in multi-hued leaves, this tree also appears to offer the perfect hide to which the floating blue jellyfish drifting through the air might retreat, should danger threaten.

Facing these vignettes is a delightful outdoor tea room offering tempting delights whilst surrounded by its own garden. Elsewhere, topiary horses guard a shaded piano and candles burn before a mirror while swings and cup-seats add their own attractiveness to the setting.

Isla Enchanted, February 2025

Designed in a way to be attractive under a range of environment settings, Isla Enchanted could perhaps benefit from a little more in the way of ambient sounds (bird song from the trees, perhaps?). But that aside, there is no mistaking its tranquil beauty and opportunities for exploration and relaxation.

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An artistic Murmuration in Second Life

SLEA 6, February 2025, Lalie Sorbet and Chrix: Murmuration – A Never-Ending Show

Currently open at SLEA 6, and created by Lalie Sorbet and Chrix (chrixbed) is MurmurationA Never-Ending Show,  an immersive, semi-interactive, engaging – almost hypnotic in the way it constantly evolves and changes – environment in which to relax and enjoy on your own or in the company of another.

Murmuration—named after the mesmerising patterns formed by flocks of birds and swarms of insects—is the latest creation by Lalie Sorbet and Chrix. This immersive and organic experience continually reinvents itself. Nothing is static: dancing particles, animated textures, and random animeshes emerge to form ever-changing compositions. Each glance is unique, and each visit reveals a new facet of this evolving display.

– The Artists’ statement on the installation

SLEA 6, February 2025, Lalie Sorbet and Chrix: Murmuration – A Never-Ending Show

Perhaps the most famous murmuration (at least in the UK and Europe) is those of the common starling. They take place from November through February, occurring about 45 minutes to an hour ahead of sunset, and when witnessed can be one of the most memorable sights nature can offer: literally hundreds of thousands of starlings coming together to fly, sometimes so close together they are like a dark cloud roiling over the land, other times spreading broadly apart before coming back together, soaring high and then diving down towards the ground, the cloud they form rippling and changing, folding and unfolding as if alive.

The murmuration of starlings are a unique form of swam-like behaviour; no-one is quite sure as to why the birds do it, and theories range from what scientists call the selfish herd theory through to some form of complex dance intended to offer an invitation for the birds to come together in groups to roost.

SLEA 6, February 2025, Lalie Sorbet and Chrix: Murmuration – A Never-Ending Show
However, as a swarm-like behaviours – and indeed, as a part of the selfish herd theory – starling murmuration is one of many such large group behaviours found within birds, insects, and fish. And it is these dance-like behaviours celebrated within MurmurationA Never-Ending Show, as noted in the installation’s introduction.

For the installation, Chrix has combined  animated elements which feature Lalie’s natural photography, scripted particles, and Animesh creatures, into which is suspended a single island with a lone tree, the surrounding water surface spreading to the limits of an enclosing sphere as it projects an ever-changing backdrop of day and night skies and more.

SLEA 6, February 2025, Lalie Sorbet and Chrix: Murmuration – A Never-Ending Show

The result is an environment where tunnels of light swirl and change, fantastical creatures  – winged whales and spiders, fae folk and giant dragonflies – appear and rise and fall, and clouds of leaves, butterflies and flower bulbs rise, rotate, and shimmering whirlpools of light tendrils descend, anemone-like trees reach high overhead, the patterns and what is seen constantly shifting and changing organically such that what is seen appears to never repeat in quite the same way.

Clinging to the island’s tree are three rightly coloured beetles, two paired and one solo. The latter beetle offers a solo poseball and the pair a set of poseballs for couples / friends. Right-clicking on these (obviously, two people required for the Duo set!) will allow you to join the ever-changing display from within, flying and floating around the sky (several poses available). It’s a further and  – using the camera control to rotate your camera around you – immersive way to appreciate the installation.

SLEA 6, February 2025, Lalie Sorbet and Chrix: Murmuration – A Never-Ending Show

In this, I would also suggest that using CTRL-ALT-SHIFT-4 (Advanced → Rendering Types → Avatar) to derender your own (and all avatars), offers a further way to immerse yourself in the environment (just don’t forget to re-enable avatar rendering the same way afterwards!).

Those who prefer can apparently take a boat out over the water to witness the displays, offering a further unique perspective on what is an engaging visual display, one which can be further enhanced by enabling the local audio stream.

SLEA 6, February 2025, Lalie Sorbet and Chrix: Murmuration – A Never-Ending Show

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The Serene Beauty of Peng Lai in Second Life

Peng Lai, February 2025 – click on any image for full size

In classical Chinese mythology it was said that immortals dwelt within the Penglai Palace, a place built of gold and silver, surrounded by trees on which jewels grew and within which lay the elixir of life – and thus the goal of explorers sent by Emperor Qin Shi Huang to “recover”. But where, exactly, was this palace?

According to the Shanhai jing (“Classic of Mountains and Seas”), the palace sat atop Mount Penglai, one of three “godly mountains” set within the gulf of the Bohai Sea. However, the Xuanhe fengshi Gaoli tujing (“Illustrated Account of the Embassy to Goryeo in the Xuanhe Era”), Mount Penglai sat on an island “across thousands of league of shallow water” within the Changguo Prefecture, and loosely thought to possibly be the location of modern-day Zhoushan City. Or perhaps Zhoushan Island might have been the point from which those seeking the palace and elixir set off across those many leagues – perhaps as far as Japan, where, according to legend, Xu Fu mistook Mount Fiji to be the fabled mountain of the immortals.

Peng Lai, February 2025

Scholars have debated the likely root of the legendary palace and mountain’s location down the ages, and it has spread its presence to Japan (where it is known as Hōrai), Korea and Vietnam. Fortunately for those of us in Second Life, we don’t have to puzzle mysteries of the Palace; instead we can visit a place that takes its name from the legend. And while it might not be intended as the home of immortals or to location of any marvellous elixir. Rather, it presents a place of tranquil retreat, Tai-Chi, contemplation, Chinese-inspired music and even mixes a little Japanese touch.

Designed by Polees, Peng Lai offers a sense of the legends of Penglai both as a mountainous location as as being on an island, presenting as it does a small complex of buildings surrounded by the peaks of distant mountains as if the rocky islands on which they sit are themselves mountainous peaks, and as if they are built upon rafts of rock floating upon a sea of white cloud. Located within a Mainland parcel of just 2048 sq m, this is an elegant setting, small in size and with a sense of detail that is enticing.

Peng Lai, February 2025
Peng Lai is a fairyland above the clouds, where you can see ancient Chinese art and Taoist culture with architecture, furniture, paintings, decorations of China. You can relax, enjoy music, meditate … and have tea here.

– from the Penglai About Land description

The Landing Point sits as a a literally gateway which, although high in the clouds, is actually the lowest level, a wooden stairway climbing from it to give the impression of ascent further into the heavens, thus presenting the sense of rising into the realm of gods.

Peng Lai, February 2025

At the top of this stairway stands a great carved wheel of stone; a crossroads, if you will on the journey through the setting. To the left as one reaches the stone, a walkway and short set of steps rises to small single-roomed building wherein sits a small curtain-draped shrine facing the door and music and seating to the left and right. Facing this across the rounded stone, and reached via an angled walkway is an open-air railed platform where communal tea might be shared and trees bloom.

The stone wheel offers Tai Chi for up to four, whilst facing the gateway, a  further stairway slopes gently upwards and outwards to where the largest island of rock floats serenely, water tumbling from one side to provide a backdrop to the tea platform. Here stands a grand building, a home to three side-by-side shrines awaiting prayers or meditation, as with the single shrine in the smaller building. Heavy drapes to either side of the shrines, together with lighter curtains help to divide the building into smaller spaces, although these are bereft of furniture, instead offering a shelter place where thoughts might be contemplated in silent pacing along the enclosed corridor.

Peng Lai, February 2025

With trees and shrubs clinging to the rocks to give them both a sense of life and the feeling they are linked – if invisibly – to the surrounding mountains of the enclosing sky sphere, presenting a sense of unity and space as well as that of location. This is further increased by the fact this is a veritable tour de force of work by Deo Rain, Polees’ SL partner.

Deo specialises in historical Chinese architecture,  furnishings décor, and more, and Peng Lai really brings them together and to the fore as to how they might be combined to create a memorable setting, complete with elements from other creators specialising in pieces from the same eras (or close to them) helping to further entice and enhance. Further, those who have Autoplay enabled will be treated to a media track of suitable music playing periodically.

Peng Lai, February 2025

Beautifully presented and with the air of a modern take on a Chinese watercolour painting, Peng Lai is a highly engaging and picturesque visit (with one or two little nods towards the influence Penglai has had on Japanese legends), offering more than the small size of the parcel over which it sits might suggest.

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The Return of Hera’s Shangdu to Second Life

Shangdu, February 2025 – click any image for full size

Please note: Hera’s setting can be transient and can vanish quickly, depending upon her mood. Therefore visits are recommended sooner rather than later.

I first visited Shangdu, a region deign by Hera (Zee9), all the way back in 2022 (see: The natural beauty of Hera’s Shangdu in Second Life), and found it to be an engaging visit, flowing into itself so many ideas, suggestions and intent. Like many of Hera’s designs it was not long available to visit  – see the note above.

Shangdu, February 2025

Since that time, I’m not aware of it having made a reappearance in Second Life (although I might easily have missed it!). So, on learning it is indeed once more back and occupying a sky platform with the region where Hera’s latest Blade Runner inspired build can be found (one more directly related to Blade Runner and Blade Runner 2049 than the Brutal City AI version I dropped into back in November 2024, and so very much worth a visit in its own right), I had to jump over to the shared Landing Point for the two settings and poke my nose in.

As I noted back in 2022, the name Shangdu might be a familiar name to some, being that of the summer capital of the Chinese Yuan dynasty (c. 1271 to 1368), and more familiarly referred to in the west as Xanadu; a place written about and romanticised by the likes of Samuel Purchas and – more particularly – one Samuel Taylor Coleridge.

However, and again as I noted in 2022, Hera’s Shangdu is not intended to reflect Coleridge’s famed poem – although with this iteration, it comes with a poem penned by Hera, and available from the Shangdu notecard giver at the region’s main Landing Point (through which visitor must pass to reach the setting).

Shangdu, February 2025

Within the card, Hera notes something she passed on to me back in 202 concerning the inspiration for the build, and I’ll again repeat here:

The difference here being the opulence is in natural beauty. I first did this about 20 years back in Unreal Tournament; I was looking for something completely different to create and I found these beautiful paintings of a Chinese water Village. [However,] this is a complete fantasy, I have not tried for any particular accuracy in the buildings, although the textures are all taken directly from photos of the village.

– Hera (Zee9)

Shangdu, February 2025

In other words, in her Shangdu, Hera presents a 3D painting of a Chinese settlement, perhaps from the Yuan period. Given it is designed to be seen as an immersive painting, it is a largely static build when compared to her more recent builds, which have often utilised AI NPCs, with the interiors of building designed to be seen rather than offering significant places in which to spend time – with one or two exceptions. 

One of these exceptions – and new (I think) to this version of Shangdu is a pagoda and garden tucked into the south-west corner of the town, and itself overlooked by one of the meditation points beyond the walls of the town.

Shangdu, February 2025

Closer to the main gates of the town- which you must pass through after walking from the set-down area you’ll be delivered to after teleporting from the region’s main Landing Point – is the temple, unchanged from the 2022 version of the build and pictured in my previous piece on Shangdu, whilst facing the gate is the furnished house I also visited during my original visit, the the artist’s little shop alongside it.

However, just across the bridge from the house and shop, is a raised terrace outside of another building where food might be enjoyed under little paper lanterns, and which forms another little location I don’t recall from walking the streets of the town three years ago.  These added attractions encourage exploration along the footpaths bordering the town’s narrow waterways and over the bridges crossing them, and well as presenting opportunities for photography.

Shangdu, February 2025

Engaging and photogenic, Shangdu makes for a worthwhile visit, either on its own or as a part of a visit to Hera’s Blade runner build.

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Simurg’s spring romance in Second Life

Simurg, February 2025 – click any image for full size

I’ve had a number of suggestions for places to visit reach me of late – and I promise I will get around to hopping over to seeing them and potentially blog about them in due course. However, over the years there have been places I’ve particularly enjoyed visiting and look forward to re-visiting, and these tend to quickly bubble to the top of my list of places to write about whenever I note they have been redressed – and such is the case here.

Simurg occupies a quarter Full region, and since its inception has never failed to impress with both the beauty of its looks and the use of elevation to present a sense of space beyond the setting’s physical size. The work of Lintu (KorppiLintu) with the support of Kwoone Oui (Kwoone), this is a place which changes with the seasons whilst retaining the touches and care of design which always make it a must-see destination.

Simurg, February 2025

For the coming of spring – and the fact that February is the month of romance – the setting offers warmth in terms of both colour and in the romantic little places it presents in which visitors can pass the time. In doing so, it retains something of the elevated element of the landscape from the winter 2024 setting, and which which again presents the Landing Point.

However, while the wooden deck and seating area continue to cling to the top of the cliff and overlook the landscape below, the rest of this open space no longer sports buildings, but instead is now an open meadow-like space with wonderfully attractive vignettes: a stage suggesting literary or poetic readings, a table for two, complete with the dessert from a romantic dinner,  whilst an old piano has be repurposed as a flower planter, although as it is accompanied by a violin sized to present a cello, it still offers a suggestion it is there to provide music to accompany the romance of the setting.

Simurg, February 2025

A path winds down to the lower elevation to one side of this high meadow, passing Lintu’s workshop (once again open to the public) escorted by a parallel parade of trees to reach the lower part of the setting.

In following the path’s gentle downward sweep past the workshop, visitors arrive at a scene which those who visited Simurg in winter 2024 might find tantalising familiar in part. There is a body of water here, fed by a stream proceeding outwards from the vertical decent of a waterfall, which carries with it something of a memory of the broader stretch of stream passing through the winter 2024’s lower half.

Simurg, February 2025

The difference is that whilst that water was frozen for winter, and the stream narrowed to pass onwards to the edge of the region, now the water flows freely from stream into what is now a broad oval pond, the one open downstream length of the pond now closed-off by land. Thus, in its presentation, the pond offers one of those hints of the previous iteration of the setting I enjoy seeing, whilst still allowing this version of Simurg to be stand in its own right and independent of past builds.

Within the lower elevation of the setting there is – as ever – much to see, indoors as well as outside. Rowing boats sit on the waters of the pond to offer places to sit, and the temptation to perhaps dangle a hand in the water as swans form love hearts with elegant curved necks as they face one another. Around the banks of the water are further places to sit in the sunlight and watch the swans on the water or the horses roaming the meadow.

Simurg, February 2025

Two buildings can be found alongside the pond; one is the ever-popular Apple Fall Old Manufactory, the other a two-storey cabin by Hisa. Both are well-furnished and over little retreats  which, even if not used as places to sit, offer a wealth of detail and touches ripe for appreciation and photography. They also stand – along with the workshop on the slopes of the hill – home to the many cats who probably sit as the actual owners of the the landscape (because cats always take charge! 🙂 ).

Across the water lay an old terrace and fountain. The terrace forms the home to an outdoor refreshments area served by both fixed and mobile drink and food stands. Close by is a wrought iron gazebo where people can sign the setting’s guestbook (another guestbook can be found at the Landing Point).

Simurg, February 2025

Upstream from the pond and curtained behind the waterfall, sits another staple of Simurg’s settings: the cave, here neatly hiding the Simurg in-world store, as well as offering places to sit and pass the time.

As noted at the start, I always enjoy visiting Simurg; so much love and creativity goes into it (much of which I’ve merely glossed over here) that it is for me one of the gems of Second Life – but don’t take my word for it; go and enjoy it for yourselves!

Simurg, February 2025

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