London Junkers’ Hero in Second Life

The Eye Arts: London Junkers – Hero

In the United States (where it also known as African-American History Month) and Canada, February marks Black History month, an annual remembrance of important people and events in the history of the African Diaspora (also observed in the UK and Ireland, but in the month of October). Given this, it is fitting that February should also see The Eye Arts host the latest 3D installation by London Junkers and which celebrates the life and work of a great American heroine – Harriet Tubman.

Entitled Hero, this is another installation by Junkers that is both marvellously understated in form but powerful in its content and depth. Rather than offering multiple scenes depicting Tubman’s life and work, London instead presents two gallery spaces that simply and directly encapsulate the major factors of her early life and work as an abolitionist, supported by the words of a poem also penned by Junkers.

Born into slavery in 1822 (as Armanda Ross) in Dorchester County, Maryland, Harriet Tubman was routed exposed to violent beatings and whippings as a child, and received traumatic head wound when a heavy metal weight thrown by an irate overseer struck her, leaving her with bouts of dizziness, pain in the form of headaches and hypersomnia throughout the rest of her life. As a result of this injury and the visions it gave her, Harriet became devoutly religious – and determined to escape her bonds.

In 1849, Tubman finally realised her goal to escape slavery, thanks to several factors combining – her belief in the Old Testament’s tales of deliverance for enslaved people; the discovery that her current owners were ignoring a stipulation the her mother would be manumitted (freed by her owners) at the age of 45; and thirdly that the widow of her owner might actually break up her family be selling them off.

The Eye Arts: London Junkers – Hero

However, a first attempt, made with her brothers Ben and Henry, ended when her siblings opted to return. A few months later Harriet tried again, this time making use of the so-called Underground Railroad – a network of former slaves, those still enslaved, abolitionists, and other activists – to reach the relative safety of Philadelphia. But she did not rest on her laurels.

I was a stranger in a strange land. My father, my mother, my brothers, and sisters, and friends were [in Maryland]. But I was free, and they should be free.

– Harriet Tubman

And so, spurred both by the Fugitive Slave Law of 1850 which imposed heavy punishment on those aiding escaped slaves, together with the news that members of her family were to be sold off, Tubman started working to bring her family and other escaping slaves out of Maryland and, thanks to the threat of the Fugitive Slave Law making it harder to find places where escapees could be kept safe, she would lead them as far north as British Ontario (Canada), the British Empire having abolished slavery altogether. Over the course of 11 years and 13 expeditions, Tubman directly guided 70 slaves to freedom, and assisted an estimated 50-60 more in their efforts to find freedom.

All of this is captured with Junker’s words and installation. In the first hall, the poem is set upon a pedestal alongside a fire roaring in a hearth – the latter suggestive of the warmth and comfort of a place to live free from the rigours and terror of slavery. Click the poem to get a HUD version for ease of reading, if required, for the words are beautifully crafted, telling Harriet’s tale in freeing herself and then seeking to free the rest of her family and others. Within in it we find not only a reflection of her life and work as a practical abolitionist, but also personal touches that bring her to life, such as the name Minty awarded her by her family or that of Moses, the name given her by those she freed because like him, she led her people from bondage.

The Eye Arts: London Junkers – Hero

Either side of this poem and its warm, safe fireplace sit railway tracks and little wagons, personifying the idea of the Underground Railroad and to the idea of slave labour (the wagons resembling those used to haul coal, rock or other fruits of manual labour). Both of these tracks angle towards a stone arch that leads visitors into woodland clearing at night.

Here a single track of rail line points to the towering figure of Tubman as show towers like an angelic protector over a pregnant woman and two young children  – one of whom carries the yoke and chains of slavery -, figures that represent all those she guided to safety from captivity. Around them, the Moonlit woods stand as a reminder of the covert nature of journeys Tubman took with her wards, travelling by night and hiding by day. Within the setting we also witness the dangers that hunted them by day and night: the baying hounds that tracked them, leading torch-bearing, angry men promising the threat of recapture or even death from a bullet or at the end of a rope for having the temerity to attempt to seek a life of freedom.

Harriet Tubman’s life and work was remarkable; not only did she do much to free those enslaved  directly by physical efforts, she also worked alongside abolitionists like Frederick Douglass and John Brown and working in support of the Union cause in the US Civil War (where she was directly involved in an action that resulted in the freeing on 750 slaves), and then in later life worked to promote the cause of women’s suffrage. Within Hero London offers a just honouring of Tubman and her endeavours and a fitting exhibit for Black History Month – do be sure to pay it a visit.

The Eye Arts: London Junkers – Hero

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Love and Friendship Italian style in Second Life

Amore Italiano, January 2022 – click any image for full size

February is almost upon us and with its arrival, many people’s thoughts will turn to love, romance – or at least to new friendships and what they might bring. And those who are seeking or have and would like to share any of the three with loved ones could do no better than to take a trip to Amore Italiano, a Full region using the Private island LI bonus, held by Mr Lukas Aduviri (Aduviri) and his partner Mrs Emma Aduviri (CheekyEmma) whose childhood memories serve to guide builder Lily Cloud.

Bringing together multiple aspects of Italy, from its long coast to its rolling green hills; with touches of famous landmarks, villas, and historical elements that speak to the country’s history, and piazzas and terraces that we often regard as “typically Italian” with their fountains and outdoor café seating, this is a place rich in life and romance.

Amore Italiano, January 2022

Now, admittedly, at the time of my visit parts of the region were still a work-in-progress, but these shouldn’t deter visitors from dropping in, as there is a lot to see and appreciate – and the fact that work is still underway mark this as a place that is growing in appeal and depth. There is no enforced landing point for the region – but visitors do best if they take the one offers in the region’s heart and the SLurls given here. Sitting within the town square, it is where visitors can learn about the region’s special events for the month of romance.

The square, surrounded by the neat façades of Italian townhouses, is dominated by a large church that looks out across it and its fountains to where broad stairways and paved, raised walkway lead the way to where a stone pavilion looks out over the open sea, a fitting venue for the weddings the region is in part intended to host. But whilst the pavilion might be the actual focal point for weddings, the walk from the church down to it makes a fine processional way.

Amore Italiano, January 2022

Beyond the town are multiple places to explore – some of which, as noted, are still in a state of flux. To the south-west a tall replica of St Mark’s Campanile rises into the sky, so high that clouds cling to its side. Located on its own island, the tower sits within the crenelated curtain walls of what might have once been a castle but which is now, thanks to the corner falls and the pool below them, forms a further romantic setting.

Those who prefer can a walk along the path that runs above the local canal to the south of the town. This canal connects a stream falling from the eastern hills the sea to the west and is spanned by the broad bridge. Along the waterside way are plenty of places to sit and enjoy another staple of Italy – an expresso or other coffee drink, to be supped under the shade of octagonal parasols – whilst across the bridge sits an upmarket restaurant sitting within the buildings and courtyard of what might have nonce been a grand country villa, but which now offers a further a further soupçon of romance and relaxation.

Amore Italiano, January 2022

Steps from one end of the canal path rise into the western hills to join a path that runs along the hilltops and around to the north. Here the hills gently descend to where a little wooden bridge spans a second stream to curl around and reach another romantic setting (still under construction at the time of my visit), a second stone bridge offering a route back to the pavilion and its promenade walk.

The landing point also offers a teleport board for those wishing to hop to the major points of interest, and this plus the information boards located with it reveal further attractions to the region, such as the Pantie Hunt. Part of a broader charity event being held on behalf of Relay for Life of Second Life, this offers clues to points of interest, each one with a further clue and a chapter of a story of romance between couples. Collect all the clues, and you gain entry into the charity prize draw.

Amore Italiano, January 2022

Several more charity activities can be found on the That’s Amore sky platform. Here, organised in association with the One More Light RFL of Second Life team (as is the Pantie Hunt), one can find a  number of auctions (and offer oneself up as a prize!) or purchase some of the items on sale. All of the proceeds from the auctions and the sales go directly to RFL of SL. Those visiting the sky platform can also visit the That’s Amore Café and the Silkywood bar with its music space.  The auctions all run through until February 11th, 2022, so there’s still plenty of time to tour and enter, should the mood take you.

Nicely detailed, with walks, cuddle spots and opportunities for photography, Amore Italiano offers much, even if you are not drawn by romance and love on their own.

Amore Italiano, January 2022

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Hermes Kondor’s homage to the the sea in Second life

Vibes Gallery: Hermes Kondor – It’s All About the Sea

I first encountered the physical world photography of Hermes Kondor back in 2020, when he presented a magnificent select of photographs centred on the Tejo Power Station, Lisbon, Portugal, one of the country’s great heritage centres and home to the Electricity Museum (see: The beauty of steam machines in Second Life).

I was, to say the least, immediately smitten by his work: his use of lighting, colour, composition, together with an avoidance of post-processing, these were images inherently and natural captivating. As such, while his focus within Second Life since that time has been establishing the Kondor Arts Centre as a multi-facet arts hub, I have always been excited when I learn that he is exhibiting his own work in-world.

And so, while I could not make the opening at Eviana Raider’s Vibes Gallery, I was keen to hop over and visit It’s All About the Sea as soon as life offered me the time to fully immerse myself in Hermes’ latest exhibition.

Vibes Gallery: Hermes Kondor – It’s All About the Sea

For almost our entire history, humankind has had a relationship with the sea. It has been a source of food, a vast spread of blue that has called us to try to reach across its far horizon to touch whatever might lay beyond; it has romanced us with its mysteries and terrified us with it power, It has challenged our urge to conquer and master – if ever we could master so powerful and capricious a force. But, we have also sailed the seas of the world, and learned to harness their power; we have received their bounty and sought to use their power and beauty as a means to partake of sport.

All of this is very much captured in this exhibition, which Hermes has cleverly split into three individual sections within the gallery’s three halls, allowing him to bring forth specific elements of our relationship with the sea.

Within hall 7, Hermes presents Sea & Waves, a magnificent series of 11 photographs focused on the rolling power of breakers and whitecaps as they hurl themselves through the coastal shallows to batter and strike the shore. These are the kind of waves that are fearsome yet fascinating; the directly represent the sheer power the sea holds – and in a way, it’s anger at land’s temerity in trying to confront it and stem its ebb and flow; an action which is at times foolhardy: as the fine grains of sand that form the beaches of our coastlines and island reminds us, the sea is both patient and relentless, and given time, she will wear land down.

Vibes Gallery: Hermes Kondor – It’s All About the Sea

In some of these images we can see beyond the curl of wave and sweep of foam to a glittering expanse of ocean stretching out to hazy horizons of the kind that have called to us throughout time to reach towards and beyond. These views are further underscored by the opening stanza of Emily Dickenson’s And if the Sea Should Part underscores the inherent challenge offered by these waves and those far horizons.

In Hall 8, reached via a connecting walkway, the study of waves and the idea of challenge continue, but are presented in an entirely different manner. Here, within a further eleven images, we are presented with Surfer, simply stunning images of surfers taking on and using the power of waves, riding them from initial roll through to where the water repeatedly kisses the shore before retreating once more to re-gather its strength. Thus, through these images, Hermes carries us to a place where our relationship with the sea is bound within the sporting challenge of trying to master its power and demonstrate skill and artistry within its rolling thunder; a love affair between Man and wave that is again carefully amplified through the words of Fernando Pessoa.

Vibes Gallery: Hermes Kondor – It’s All About the Sea

The images in Halls 7 and 8 are utterly captivating not only for their subject matter, but in the sheer skill Hermes has used in taking them. The clarity with which he has captured roiling white anger of wave crests as they curl over deep blue-green troughs; and retained the natural blue-green colour of the troughs themselves that call forth thoughts of the depths of the oceans is just stunning, as is the clarity with which Hermes has caught the faces of the surfers. Nor is that all; looking at these pictures one cannot help but hear the roaring boom of the sea’s coastal voice and feel the fine spray of salt carried from wave tops to shore on the accompanying winds.

Across the courtyard in Hall 9, is a series of 15 images that are again utterly masterful in their framing, colour and focus. Beach Workers differs somewhat from Sea & Waves and Surfers, as there is very much a narrative flow to the 15 pieces within it; a story of the sea and its place in our lives as a source of livelihood and of sustenance – and not just for humans. To the left, on entering the hall are five images depicting the life and work of coastal fishermen, taking to the sea against the rolling and split of early-morning waves to cast their nets to seek whatever bounty the waters below might yield, before returning as the Sun lowers itself towards the horizon, and the work of taking the catch and clearing / drying the nets begins.

Vibes Gallery: Hermes Kondor – It’s All About the Sea

This is a story that continues through the five images to the right of the hall’s entrance, where the work gains interlopers in the form of gulls and seabirds, perhaps alerted by the commotion on the beach and the scent of fish carried in the breeze, and who have arrived to see what they might get away with helping themselves to. Both of these arms of the gallery then give way to the final five images to the rear, where the fishermen and their wives, their work now done for the day, have mostly retreated from the sands to leave them free for the birds to claim, together with whatever thy might find forgotten or ignored by the fisher folk.

Each and every one of these images is utterly extraordinary in the depth of life it contains, be it aboard the little boats, pushed from the sands and riding their way over the incoming breakers or the swirling, fluttering masses of gulls wheeling in to seek their share of food. Within each picture again, not only is there a beauty of an individual scene, there is a rich suggestion of sound and smell that lifts each one from the level of a “mere” picture to a complete experience / story of life.

Vibes Gallery: Hermes Kondor – It’s All About the Sea

With its three interwoven but unique elements, It’s All About the Sea is not only a magnificent celebration of the sea and our relationship with it; it is a triumphal tour de force of the eye and hand of a truly gifted photographer and an exhibition not to be missed.

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An elven Perpetuity in Second Life

Perpetuity, January 2022 – click any image for full size

I’m starting this piece with an apology; back on July 2021, I visited Perpetuity, a Full region designed by Tamara Sierota and Camis Sierota (Camis Lee) – see In Perpetuity in Second Life. Following that piece, and in November 2021, Tamara e-mailed me with an invite to make a return visit to the region, which had been redressed for winter and – of particular interest to me, as she noted – carries an elven theme as well.

Unfortunately, I completely missed the e-mail and invite, only stumbling across it when catching up on some overdue filing and sorting. Ergo, I’m only now getting to writing about Perpetuity in its winter guise, and therefore offer apologies to Tamara and Camis for my tardiness in doing so.

Perpetuity, January 2022

To be honest, I do regret not having visited sooner; as someone with a deep love of Tolkien’s mythology and tales (from The Hobbit through to Unfinished Tales as well as Tree and Leaf, The Adventures of Tom Bombadil and so on), I was captivated by the setting from the moment I arrived at the landing point on the east side of the region. Not that this is a place that is “exclusively Tolkien”, so to speak – as a fantasy / elven setting, it casts its net wide; so it should appeal to those who many not be as enamoured with Tolkien’s writings but who enjoy winter and / or fantasy settings in general.

Certainly, the fact that this is a winter setting is a part of the setting’s magic. Possibly because of Tolkien (or fables in general), it’s likely that most of us associate elves with warmth, the greenery of woodlands in the spring and summer, etc. So in presenting a clear elven theme that sits within a wintery shell of ice, frost and snow-capped mountains, perpetuity carries us to another realm entirely; one that realm captures and holds the eye and the imagination.

Perpetuity, January 2022

Sitting on what at first might look to be a headland extending outwards into and semi-frozen waters of a mountainous coastline (to the west the land doesn’t quite merge with the off-region mountains, but lies close enough to give that impression), this iteration of Perpetuity sits as place that, but for the time of year, would be rich in the colours of woods and trees. Throughout the setting, can be found great twisted trunks of trees which in warmer months would hold aloft canopies of leaves to shade the broad paths that pass under them and offer places of rest away from the brightness and warmth of a summer’s Sun. Similarly, scattered across the region and along its edge stand copses and strands of birch and other trees that, when heavy with leaf, would draw curtains of greenery around the setting and between its buildings as if to drape them is a sense of privacy and natural separation of the world beyond.

Winter Magic – A place for quiet moments and photography with areas to bring your partner or to come alone and relax surrounded by nature in all it’s beauty.

– Perpetuity’s About Land description, January 2022

Perpetuity, January 2022

However, caught in the depths of winter as they are, these trees lie wrapped in coats of frost, their bare branches still raised aloft and splayed towards the sky, but only able to cast spindly shadows over path, terrace and courtyard, the stones of which all lay dusted with snow. Linked by stairs and bridge, these broad paths make circumnavigation of the island easy, naturally carrying visitors from place to place, and building to building, revealing all whilst also retaining some secrets that lie waiting to be found.

Watched over by the slender spires of a graceful castle that rise from the top of that high central mesa, the majority of the buildings lying within the setting are all of a distinctly elven look; the only potential exception being the more blocky, angular form of a more formidable castle to the north-west.

Perpetuity, January 2022

Furnished throughout, these are buildings that speak to a close-knit community, presenting living spaces, places for gathering (indoors and out) and places of ceremony and / or magic. As might be expected from an elven enclave, both art and music are represented here, and the entire design of the setting carries within it a natural sense of peace. Even the most casual glance around will reveal that considerable care has been put into ensuring this sense of harmony flows throughout, complete with touches here and there that help to both anchor it somewhat in Tolkien’s mythology whilst at the same time, naturally separating the two.

Take, for example, the presence of the Argonath. In Tolkien’s original tale, these huge statues represented Isildur and Anárion, the sons of Elendil, but within Peter’s Jackson’s 2001 The Lord of the Rings: The Fellowship of the Ring, Anárion was replaced by Elendil, who is also represented here (indicated by the fact he is holding the blade Narsil in his right hand). Thus, these statues offer a direct link with Tolkien’s tales, particularly calling reference to the Last Alliance of Elves and Men as symbolised by Elendil’s presence.

Perpetuity, January 2022

However, floating above and a short distance from them is a flying ship that removes this setting entirely from anything Tolkien presented in her core myths, allowing this iteration of Perpetuity to both acknowledge Tolkien’s influence on our thinking around elven folk and stand independently from it is a realm with its own history.

But whether you are a lover of fantasy or not, this is a setting that is beautifully considered and executed; a place that is a genuine joy to explore and photograph (join the local group for rezzing rights, if required – a help support Perpetuity in the process). For those who do wish to visit and witness this iteration of the region’s design, I understand from Tamara that it will remain available through most of February, after which the region is liable to be redressed for spring.

Perpetuity, January 2022

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Terrygold’s Rain in Second Life

Terrygold: Rain – January 2022

Rain.

I always wait for the rain, that thin, cold, bright … pleasant rain.
I remember that day on the path in the birch forest. The rain
was falling light, cold, illuminated by sunbeams, a light mist
rising from the ground. Motionless to admire, my memories 
were born then among white clouds, white cloud of sheets.

With these words, Terrygold introduces us to her January 2022 art exhibition Rain. In some respects, it is another personal exhibit that follows on from Empty Chairs (see: Terrygold’s Empty Chairs: remembrance in Second Life), offering a story that touches on both Terrygold’s art and life.

Terrygold: Rain – January 2022

From the above introduction, we are led along a passage suggestive of that path through the birch woods. It leads us past elements that add depth and presence to itself, delivering us to places where a story unfolds through images and words. As with Empty Chairs a part of the theme here circles around the fact of loss; unlike Empty Chairs, however, Rain doesn’t just encompass the impact of the permanent loss of those around us – although it certainly starts that way.

Rather, Rain provokes us into considering how a personal loss can shape us; isolating us as we respond to the loneliness it imbues by rejecting the contact and affection of others; how the pain of loss causes a retreat that  – whilst we may not be conscious of it as the time – results in an experience of further loss.

Terrygold: Rain – January 2022
At the same time, also wrapped within this is an exploration of time and how it, too, influences and changes us; the fact that of everything in life, time is our one constant companion. It marks the steps of our lives, the changes we experience. From the loss of those we love, through our other growth from childhood through to adulthood, it marks our desire to escape, whilst also offering what can be a warm / cold memory of those childhood years.

This is a poignant, personal journey, exquisitely frame in terms of setting, props and Terrygold’s images, marvellous self portraits  that express the emotions and feelings captured within the words and setting. These are pieces of extraordinary minimalism, extraordinary creativity and framing, and extraordinary depth.

Terrygold: Rain – January 2022
I love to take pictures by creating my own photographic set and using exclusively tools that Second Life provides without any kind of external editing.

– Terrygold describing her art

But to think the monochrome nature at forms the main aspect of Rain is a walk through loneliness or depression would be a mistake. There is a narrative here that brings together the ideas of loss, time and growth, that brings us towards acceptance and peace / understanding; self-recognition that – if I might barrow from T.S. Eliot –  times past and times present combine to paint our path into the future.

This latter aspect is beautifully illustrated in the final area within Rain, where the wild grass of the floor bursts forth in colours that are also reflected in the final set of Terrygold’s pictures. They bring with us the suggestion of warmth and comfort, a realisation that while we may still feel the coldness of loss and the rain of tears, there is still much in live that can bring warmth and colour.

Terrygold: Rain – January 2022

Perfectly designed and executed, Rain is another fascinating walk through the art and mind of a talented artist and photographer.

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A trip to France in Second Life

Bordeaux, France, January 2022 – click any image for full size
On this grid I actualize the worlds I imagine, conjure my wildest daydreams, and walk a path unknown. I am here to create a fantasy for others to enjoy. Landscaping is my medium, my love language, and my story.

– TONAL (Avalyn Aviator)

I recently had cause to visit two adjoining Full regions design by TONAL which offer a rich mix of environments combined by what is clearly a love of France: its architecture, its history and its sweeping countryside and landscape.

Bordeaux, France, January 2022

Within Bordeaux, France, TONAL offers visitors a cityscape worthy of historic Paris. Here stand buildings one might easily encounter in a walk down the Avenue des Champs-Élysée and the streets running back from it and to either side of its long arm. Like that broad avenue, the buildings here present shops (some spaces available for rent) and apartments above (some of which are available for rent and cleverly hidden with in the façades of the various buildings, reached via the region’s experience teleport option (if available for rent).

The streets may not be as broad as the likes of the Champs-Élysée, but they are perfectly navigable on foot and offer the opportunity to explore this city-like setting and discover its secrets and places of interest, such as the neighbourhood supermarket, the little children’s playground or the more ostentatious Jardin et Salon de Thé.

Bordeaux, France, January 2022

As with Paris, this is a cosmopolitan centre marked by open spaces and terraces looking down towards a body of water albeit is a lake rather than a river!), and fountains and statures add grace and a timeless sense of history to the setting. Unlike Paris, however, this is a cityscape market by tall medieval-like towers topped by conical roofs of a kind more commonly seen gracing many chateaux across France rather than in the heart of a metropolis. Even so, they add a sense of place here.

Placed at various points around the city are maps (some of which can be found inside public spaces and resemble oversized iPads). These provide a map of the city and the adjoining countryside (of which more below), and include click-to-teleport markers for those wishing to quickly hop around the setting’s major points of interest, such as the aforementioned Jardin et Salon de Thé or the rooftop restaurant or the grand stables, to name but three. Oddly, a map isn’t placed at, or close to, the landing point – but a wander around the streets will quickly reveal it.

Bordeaux, France, January 2022

With a westward perspective, the city looks out towards the countryside of Village des Chasseurs de la Valle de Londyn, the second Full region comprising this location.  Between countryside and city sits a large lake around which sits a part of the town far older than that around the landing point, the buildings clearly harking back to medieval times. Guarded to one side by an old (and unfurnished) fortified chateau, the majority of these aged building are façades designed to give a further sense of depth and place to the setting – which they do so admirably – although a walk around them will bring visitors to a cosy tavern.

Across the lake and reached via bridge or by following the cobbled ways either side of the water, the land opens out into hilly woodlands. Here, as the region’s name suggests, there is the opportunity for hunting, with part of the region only accessible on the purchase of the “hunting pass” (L$200 for 24 hours). I confess I didn’t give this a try, so am unsure of what to expect, but I did take the public track up and around the wooded hills, passing some of the cottages and country houses that are also available for rent here.

Village des Chasseurs de la Valle de Londyn, January 2022

At the time of my visit, it appeared some remodelling was underway – I caught sight of a couple of exposed plywood boards and at least one building within Village des Chasseurs de la Valle de Londyn was still set to track any movement of its rezzing box. However, none of this detracts from the appeal of either region or the opportunities for photography to be found throughout. That said, within Bordeaux, France, there is a lot for the viewer to rez and render, so those on more moderate system may need to adjust settings / reduce Draw Distance to a more comfortable level to assist in their explorations.

Warning aside, I enjoyed wandering through both Bordeaux, France, and Village des Chasseurs de la Valle de Londyn, so why not hop along and have a wander yourself?

Bordeaux, France, January 2022

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