The Face of Beauty in Second Life

Carmel Art Community: Hermes Kondor – The Face of Beauty

The Carmel Art Community is home to many SL artists, offering both boutique studio spaces in which they can display / sell their work, and regular art-related events through the year. It’s a community I’ve covered in terms of facilities and exhibitions in the past in these pages – and will continue to do so. However, for this piece I want to focus on just one newly-opened exhibit, as it is focused on an tool that is fast becoming very popular with artists the world over, and one I’ve mentioned rather a lot of late: Midjourney AI art generator.

The exhibition in question is The Face of Beauty, by Hermes Kondor. Comprising a total of 14 pieces, it has attracted me due to the manner in which Hermes has used Midjourney;  one that is somewhat different to the exhibitions featuring its use I’ve so far mentioned in these pages.

Carmel Art Community: Hermes Kondor – The Face of Beauty

As  I’ve mentioned previously, Midjourney utilises descriptive text and text terms to curate together / generate images. The results can be far ranging, from almost perfectly capturing the artist’s intent in the most realistic of fashion, to entirely abstract or impressionistic results, depending on what is defined. For example, “/imagine a city in Japan at night” will result in something close to the description, whereas, “/imagine a knight in battle, cinematic, epic, detailed, octane render, intricate” may result in something more abstract – or at at least, unexpected.

For the images presented in The Face of Beauty, Hermes has used his own descriptions – or as he terms it, “personal concept and prompts”, then taking the results and further processing them using PhotoShop. The result is the most remarkable collection of head-and-shoulder portraits of women from around the world, dressed in period / floral / regional dress. Such is the craft involved – and allowing from the human touch in post-processing, it is difficult to comprehend these were images defined by the use of algorithms rather than captured on film or committed to canvas in oil.

Carmel Art Community: Hermes Kondor – The Face of Beauty

To describe these pieces further is to defeat the objective of having them displayed by the artist; therefore I’ll leave you with the images here as a taste and suggest you pay a visit and witness The Face of Beauty first-hand.

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Exploring Mullein Woods in Second Life

Mullein Woods, November 2022 – click any image for full size

Emm Vintner  (Emmalee Evergarden) has opened a new parcel under her Nature Collective group. Entitled Mullein Woods, it directly adjoin her What The Buzz  setting, which I originally wrote about in Making a beeline for WTB in Second Life. Together they offer a double-header of settings.

Still located in Heterocera, both regions offer a pleasant visit. What The Buzz retains its interactive nature as a bee preserve, albeit on a smaller scale to the setting I explored in May of 2022, offering the opportunity to learn about bees and their importance to the ecosystem.  It sit directly to the west of Mullein Forest, seamlessly joining with it thanks to the shared narrow-gauge railway.

Mullein Woods, November 2022
Discover the quiet wild of Mullein Woods. Get lost among the trees and explore nature as it was meant to be – natural, alive and full of wonder and beauty. Explore by foot or by train – on the path or off the beaten path. By the Nature Collective!

Mullein Woods About Land

Mullein Woods, November 2022

Located alongside Route 3.5, Mullein Woods offers a gentle spot of some 6,600 square metres to explore, the aforementioned narrow-gauge railway circling it and running between it and What the Buzz, and serving the two stations that lie along it – the first for the woods themselves, the second for What the Buzz.

Mullein Woods, November 2022

The Mullein Wood station offers an introduction to the location and to the Great Little Railways of Second Life  -some of which I’ve also covered in these pages (see here and here).

The setting itself is easy to explore, being small enough to cover easily on foot,  with numerous opportunities for photography. However, rather than ramble on about it here – I’ll leave it to you to find out via a visit to the Woods and What the Buzz! – Just keep an eye out for the local critters and creatures! 🙂 .

Mullein Woods, November 2022

 

Mullein Woods, November 2022

SLurl Details

Mullein is rated Moderate

Melusina’s Greyscale Magic in Second Life

Artsville: Melusina Parkin – Greyscale Magic

Currently open at the relocated Artsville Galleries and Community is a new exhibition by Melusina Parkin entitled Greyscale Magic. Located in a skyborne gallery space at Artsville, this is an exhibition that makes full use of the main display/ event hall and its two side wings to present a collection of images offered – as the title implies – greyscale tones which have been captured in Melusina’s always-engaging style.

Black-and-White or greyscale? I preferred to title this exhibition using the greyscale term because b/w photographs actually aren’t black-and-white: they show a palette of endless shades of grey, from the absolute black to the absolute white. 
But why are they “magic”? It’s because they offer a conventional image of the reality they depict, forcing our brain[s] to interpret the different greys as colours of the “normal” view.

– Melusina Parkin, Greyscale Magic

Artsville: Melusina Parkin – Greyscale Magic

The three-room layout of the gallery space allows Melu to present this collect as a three-part portfolio; one in which she those familiar with her work might see as being – intentionally or otherwise – new interpretations from themes which have been the focus of some of her past exhibitions and work.

In the main hall, for example, is a total of ten images that offer us unique views of rooms and furnishings. Some present images of private living, others more public spaces – a café here, a diner there; collectively they bring to mind Melu’s work in exhibitions such as Empty Spaces and Absences (2017). Meanwhile, in the side rooms we have, respectively, fives studies focused on motor vehicles, evoking thoughts of Cars (2019) and perhaps also Roadside Images (2020); and also five images of buildings and streets that carry with them an echo of Night Walks (2019).

Greyscale photography has been, for a long while, the only one admitted and legitimated to represent “art photography”. Although colour techniques have been available for many decades, [it was] only in the late 1930s [that] colour photography started to be considered a form  of art, thanks to the surprising new technique introduced by Kodak with the famous Kodachrome film … But while the colour TV overwhelmed the b/w one and made it obsolete, greyscale photography endured as a more sophisticated for of art.

– Melusina Parkin, Greyscale Magic

Artsville: Melusina Parkin – Greyscale Magic

Which is most certainly not to say Greyscale Magic is is any way derivative of those past exhibitions, these are new pieces. However, in echoing these from her past exhibits, Melusina is both (again, quite possibly subconsciously) drawing a thread of continuance through her work, giving us further chapters in her ever-expanding and captivating artistic narrative. This is further reflected in the overall framing of these pieces, wherein the angle, subject, lighting and focus speak a single utterance of a much larger story that sits beyond their physical size, so inviting us to enter into the story and interpret it according to our own viewpoint, thoughts and imagination.

More particularly with this collection however, is the fact that these are images captured in Second Life which exude a powerful sense of depth and life entirely of their own and separate to that which otherwise might be present were they to be offered in colour. As a long-time admirer of both greyscale and monochrome images and art, I’ve always felt both have a powerful means to often better convey the vitality of Second Life as a “place” we don’t merely see – we inhabit through our avatars and the time we spend here. As, again, Melusina notes in her statement on the exhibit:

I think that this is due to the “magic” I was talking [about] before. SL photography is colourful, windlight and PhotoShop allow us to play with meaningful colours to represent more real, or more surreal, scenes. But if you select the the right images, desaturate them or turn them greyscale, the result is often closer to the “real” world that it can cheat even the most attentive observer. Isn’t that “magic”?

– Melusina Parkin, Greyscale Magic

Artsville: Melusina Parkin – Greyscale Magic

I  would wholeheartedly agree; and within Greyscale Magic, Melusina demonstrates again, that she is a master magician in the magical arts of Second Life photography.

SLurl Details

  • Artsville (Caribbean Ocean, rated Moderate)

LeLoo’s Northern Trek in Second Life

LeLoo’s World, November 2022 – click any image for full size

LeLoo (LeLooUlf) has redressed her LeLoo’s World for the northern hemisphere’s winter season with an mix of settings, one of which appears to be open to the public and the second, smaller section still under construction.

Welcome to The Northern Trek! Grab our free snowshoes for your trek across this frozen landscape. Enjoy the animal viewing spots. Have fun getting in the winter mood! This is a PG event, all are welcome.

– LeLoo’s  World, About Land description

LeLoo’s World, November 2022

The major portion of the setting is home to this opportunity for trekking a snowy landscape and seeing the mix of animals, mammals and waterfowl from both the Arctic and Antarctic it offers. The snowshoes mentioned in the About Land introduction can be found in the sack sitting a short distance from the landing point and at the top of the slopes leading down from the broad ledge on which it sits. This landing point is located mid-way half-way up the cliffs running as a curtain running half-way along the southern edge of the parcel to divide it from the rest of the region, before falling away to a  narrow finger of water.

One of these slopes, running down and westwards, leads to an ice-covered water channel spanned by a wooden bridge. Beyond this channel the cliffs rise once more to continue their westward march, the gap between them suggesting the curtains have been improperly closed.

LeLoo’s World, November 2022

These cliffs are themselves are a curious mix of peaks, tables and ledges. The most extensive of the latter has at one end two of the rocky tables, swept by wind and snow, and at its far end is overshadowed by another of these semi-round tables. Not all of these tables are easily accessible as they jut from the various cliffs, nevertheless they have become the homes for caravans and other structures, offering their own most unusual elements to the setting. Others are more easily reached via slopes and steps – although getting down from them to the southern lowlands can be a challenge as well – although the snowshoes should help get down snowy hummocks.

It is across the north-facing lowlands and the semi-ice covered bay which forms a good part of the setting in which the majority – but not all – of the wildlife are to be found. These include caribou/reindeer; elk/wapiti; polar bears from the Arctic; penguins from the Antarctic, and fur seals. They share the lowlands with huskies and the waters with orca. Caribou might also be found on the uplands, together with Arctic foxes, rabbit, owls – and a further family of polar bears.

LeLoo’s World, November 2022

The southern cliffs are not the only uplands in the parcel: the western end is dominated by a tall, snowy mesa of rock, flat-topped and with a further finger of water partially separating it from the rest of the highlands. It is at the head of this channel that explorers can find the path rising to the top of the mesa and the old, broken rotunda and snow-crowned folly occupying it as they overlook the storm-torn wooden windmill at its base.

The base of this path runs around the foot of the mesa to pass between it and the open waters beyond and under fir trees to reach the mesa’s northern side and the ruined windmill; although if explorers prefer, they can follow the rougher ground alongside the narrow finger of water between mesa and cliffs to reach the windmill and the emergency shelter close-by – one of several places in the setting where visitors can sit. The largest of these sits towards the east side of parcel and takes the form of a working bunker partially covered by snow to provide a degree of insulation. It is not the cosiest of places, but it does provide shelter.

LeLoo’s World, November 2022

The remaining portion of the parcel – its western extent – is also separated from the rest by another curtain of cliffs pointing north that were, at the time of my visit impassable. Beyond them, the setting – as noted above – appears to be under construction and offers the look of a developing winter market built around a frozen pond. As this did not appear open to the public, I did not  pry further – but I look forward to seeing what emerges when ready.

In the meantime, the setting is – as always with LeLoo’s work, highly photogenic – although dressing to suit the environment is recommended!

LeLoo’s World, November 2022

My thanks to Shawn Shakespeare for the pointer.

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9Volt’s Sphereeletrik – music to see in Second Life

Selen’s Gallery: 9Volt Borkotron – Sphereeletrik

Currently open at Selen’s Gallery operated by Selen Love (Selen Minotaur) is an immersive multimedia installation by 9Volt Borkotron (with additional lighting support by Adwehe) entitled Sphereeletrik. It is actually one of three installations within the gallery’s spaces which between them feature the work of four artists (the other artists being Moya Patrick (Moya Janus), Livio Korobase and Bohemio Love (Bohemi0) – the latter two sharing the same exhibition space), and all of which opened on November 3rd, 2022. All of these exhibitions are worth of a visit, and can be reached via the main intra-exhibit teleport at the gallery’s main landing point, but here I want to focus solely on Sphereeletrik.

However, before I get down to discussing it in detail, there are a trio of points that need to be noted by those intending to drop into it if it is to be fully experienced:

  • Advanced Lighting Model should be enabled (Preferences → Graphics → make sure Advanced lighting Model is checked).
  • You should set your local environment to Midnight (to avoid media appearing washed-out).
  • You must enable MEDIA playback in the viewer (chick the movie camera icon in the top right of your viewer (v6) or in the media settings (v1.x) and accept the media stream. Failing to do so means you will not see the greater part of the installation.
Selen’s Gallery: 9Volt Borkotron – Sphereeletrik

The short form description of this installation is that it offers an enclosed space in which a variety of objects sit, hang or float. These range of sculptures to floating cubes and spheres to seating areas to exotic-looking plants. Some of these objects are static others are animated and may, like the walls, feature animated textures (in lieu of the media playback). Ramps slope and spiral into the upper reaches where – if you do not enable media – white prim faces appear to hang.

With media enabled, however, these faces, together with the walls and several other elements within the installation are transformed, becoming media surfaces on which patterns, images and colours are displayed and flow and dance – and not just randomly, as 9Volt explained to me:

It’s music I am streaming that generates the visuals. I created a server which uses a Fourier transform and other mathematical algorithms to measure the stream at 256 frequencies. The results are then displayed in real-time with the music in various ways, with the music offset just enough so it’s displaying exactly as the visuals appear for people in world. The data rate is about 320kbps – about the same as streaming an MP3 into SL, so it shouldn’t cause delay in viewer playback.

– 9Volt Borkotron

Selen’s Gallery: 9Volt Borkotron – Sphereeletrik

In addition to the external server handling the transforms and other calculations, the installation features an in-world script utilising sine wave controllers to count the prims and change some of their traits in iterative stages. This results in media played across some elements being staggered; for example, a pattern plating on one prim reaches a certain point in media playback, so it starts on the next, and on that playback reaching the same point, so the next starts, like a singing canon-in-the-round.

When taken as a whole, the results are – as noted – entrancing, and while walking around the installation is possible, I suggest sitting in one of the cushions and trying the installation in Mouselook and simply looking around at the different elements to see the play for media and patterns, images and colour and the way they chance over time in response to the music.

It’s likely that some of the latter may not be to everyone’s liking, as varied as it is (I’m admittedly not a great fan of EDM, which showed up on a couple of the tracks while I was visiting). However, there is a purpose to the mix of music within the installation (which incorporates instrumentals, pop songs, etc., as well), as 9Volt again noted to me during my visit:

My Gran, who was a music lover her whole life, was going deaf, so I thought that using images and light would allow her to appreciate her music using tunes she knows well, and letting her “see” the notes she could not hear, playing them back through SL and onto her TV screen. My hope is that this installation will give those in SL with hearing impairments a visual expression of music when otherwise they might only hear the bass parts of the music.

– 9Volt Borkotron

Selen’s Gallery: 9Volt Borkotron – Sphereeletrik

As a part of this, 9Volt is interested in gaining feedback from SL users with hearing impairments about this aspect of the installation, and in possibly working with them to further refine the technique to help those with hearing difficulties further enjoy music in alternate ways.

Intriguing as a concept, engaging as a visually immersive installation, and richly varied as a multimedia arts piece,  Sphereeletrik makes for an engaging visit.

SLurl Details

Royale is rated Moderate

The Snowy look of Monverdun in Second Life

Monverdun, November 2022 – click any image for full size

November has rolled around once more, and in the northern hemisphere, winter is wrapping its arms slowly around us, prompting thoughts to turn towards thoughts of white Chirstmases, snowy holidays, skating, jingling bells, a chubby chappie with a bushy white beard (as he has become, courtesy of Haddon Sundblom), and more.

All of these “traditions” tend to come to the fore in Second Life as the end of the year rolls rapidly closer, with regions across the grid being re-dressed with snow and decorated trees to offer the opportunity for winter walks and /or romance, winter fun and photography. These regions take many forms, so much so that we are often spoiled for choice in terms of where to visit, what to see and do, so I’m getting this one in early, after taking the recommendation of my “sim sleuth”, Shawn Shakespeare.

Monverdun, November 2022

Monverdun is a Homestead region designed by yoyo Collas with the support of AmyDenise which offers, as the About Land description notes, a variety of winter / seasonal offerings liable to suit anyone, no matter what their wintertime preferences. And for me, that description is not wrong, as I’ll get too shortly.

Whilst describing itself as a “city”, the setting is really far more rural than that. Cut through from east to west by a broad river bordered on one side by a major road which does suggest it is a major artery leading to / from a major conurbation, and beyond which lie high snowy peaks suggesting this is a place sitting within a broad (and possibly formerly glacial) valley.

Monverdun, November 2022

Between the river and road and the mountain slopes, the landscape is largely wooded, the southern side of the setting dominated by a large country-style house. Across the frozen waters of the river are two former boathouses, now converted into riverside cabins with plenty of cosy warmth within them. Sitting between the two cabins is a large skating rink, blazing braziers and a hot chocolate kiosk offering the chance to warm both hands and insides for those who find the air and setting a little cold.

The rink – which offers the visitors the chance to skate – and cabins have attracted the attention of a string (or stud) or horses, the line of which passes behind them to stretch across the river and back through the woods near the country house. Okay, so maybe the rink and cabins aren’t the attraction for the horses; they are more likely moving to find pastures that are possibly easier to reach through the snow to be found on the north side of the region. However, their passage past the cabin and rink offers an additional sense of magic to both rink and cabins.

Monverdun, November 2022

However, these horses, making their way over the frozen water, form a rounded pointer back towards the large country house on the south side of the region suggesting they may have come from it – a suggestion possibly supported by the fact the house has stables along one wing. And it is this country house that actually attracted me to the region – although the reason for this is slightly convoluted and has little to do with Second Life.

This is because – a fair while ago now – the Christmas period for me was a time spent away from home at a country house hotel that offered a complete “non-Christmas, Christmas” – good company among friends, warm fires, wonderful meals, the opportunity to go to the local parish church services for those who wished, and most of all (as selfish as it might sound) the chance to just escape the rest of the world for a few days.

Monverdun, November 2022

Whilst that country house did not feature a Christmas market sitting before its main entrance, nor does it sit alongside a major road, there is something about the looks and styling of the house within Monverdun which carried me back to those days of Christmas getaways. For others, the region’s setting might offer different attractions and memories.

For example, with the hints of the 1940s in some of the traffic together the snow and lights, it’s not too hard to imagine Jimmy Stewart as George Bailey rushing along one side of the road, running back to town and home to face his future in It’s A Wonderful Life; while the hansom cab outside the gates leading to the country house offer a suggestion of Victorian Christmases (something not entirely unconnected to Capra’s 1946 film mentioned above).

Monverdun, November 2022

Richly photogenic and engaging Monverdun makes for a visit that will likely sit one’s imagination, offering much of the seasonal spirit without being overbearing.

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