Eclectica: A New Dawn in Second Life

[Eclectica] A New Dawn; Inara Pey, August 2018, on Flickr[Eclectica] A New Dawn – click any image for full size

Update: [Eclectica] A New Dawn has closed. SLurl details have therefore been removed from this article.

Maddy  (Nibby Riddler) has a eye for region design; she has shown this through at least two iterations of her region designs carrying the name of Eclectica (about which you can read more here and here). So it was with delight we received an invitation from her to visit the latest incarnation of her work: [Eclectica] A New Dawn – and we weren’t disappointed by all that we found.

For this iteration, Eclectica has returned to the ground, the last time we visited, it was a skyborne archipelago. It forms two large islands separated by a narrow ribbon of water splitting the land between east and west. Both islands are richly wooded, the trees giving rise to a lush landscape, within which are hidden Maddy’s trademark skills in presenting an environment that is rooted in both the natural and the fantastical, both intertwined to present a magical environment in which it is easy to relax and lose oneself.

[Eclectica] A New Dawn; Inara Pey, August 2018, on Flickr[Eclectica] A New Dawn

From the landing point on the southern tip of the eastern island, surrounded by the vibrant colours of summer, a grassy path leads forth through iron gates, then branches to the left as well as running northwards.

The former path leads to a waterside gazebo presenting a view out towards a marvellous vignette encompassing Maddy’s love of the fantastical: a giant hand reaching down from the sky, a carousel caught within long fingers, the cups of the ride falling into the waters below, surrounding the legs of a woman forced to dive from the ride as the carousel is swept upwards, as if snatched from the grassy shore. It’s a marvellous scene, unexpected, a scene capturing both fantasy and offering a nod and a wink of humour. It is also one of several vignettes scattered through the trees.

[Eclectica] A New Dawn; Inara Pey, August 2018, on Flickr[Eclectica] A New Dawn

The path north along the edge of the eastern sea is marked by pools of flowers floating mist-like above the grass. It leads the way to a gabled set of gates. Beyond these, a covered bridge reveals this eastern island is not one, but two: its northern “headland” in fact a small isle topped by an elven arched circle, a place to dance amidst the bloom of trees, flowers and vines.

Between the southern landing point and northern isle are numerous points that offer places to sit and enjoy time alone or with a friend / lover. these range from individual seats, hammocks and beds, through a fenced garden with little hints of Asia, a pool and folly, to a conservatory looking north over the waters – and more to be discovered beyond.

[Eclectica] A New Dawn; Inara Pey, August 2018, on Flickr[Eclectica] A New Dawn

The garden, surrounded by a ring of trees and shrubs, feels like it has been lifted from the comfort of a childhood story and set down within the middle of the island to offer a place of peace and sanctuary. This is a place where time can be passed in reflection. Not even the motorbike and side-car parked within it really look out-of-place, but more another echo of a memory.

The conservatory, meanwhile, looking north across the waters of a small bay, flowers clinging to rocks, has a more open, social feel to it. This is a place for sitting and chatting, relaxing and just being in the moment. Chairs and sofas can be found indoors and out, a deck extending out over the water offering a place to watch swans on the water, the little ice cream carriage adding a sense of easy relaxation to the setting.

[Eclectica] A New Dawn; Inara Pey, August 2018, on Flickr[Eclectica] A New Dawn

Beyond the conservatory familiar pools of flowers in the grass point to two paths. The more eastern runs to a little glade-like setting atop a shoulder of rock, a place with further touches of Asia mix with a little soupçon of fantasy in the glass-like flowers and gently floating spheres. The second path leads by way of trees arched as if to form a gate, to a Romany caravan hidden within its own encircling glade. With its gaily coloured tents pitched in the grassy clearing, benches and little beds of flowers, this has all the feeling of being a home, and place of warm safety, familiar in its bric-a-brac, where cares and worries can again be put aside.

To the west, the second island – reached by a single log bridge spanning the channel between them – is very much a place of two halves. More rugged in nature, it is initially a lush, temperate woodland , cut by a single path climbing west to where temperate gives way to tropical, the trunks of great palm trees rising skyward, while the grass gives way to sand, descending to the broad, shallow sweep of a beach.

[Eclectica] A New Dawn; Inara Pey, August 2018, on Flickr[Eclectica] A New Dawn

Dominating the view is a play on classical mythology: a great figure rises from the waters, supporting a great cup on his shoulders, the Moon lying within its bowl. While it may well be the Moon he holds aloft, rather than the celestial sphere, the allusion to the fate of Atlas could not be clearer – or more romantically phrased: just as Atlas was confined to the western extreme of Gaia, so to does this figure, rise from the western extremes of this world. It’s title meanwhile, I Will Bring You The Moon, offers its romantic touch.

It’s a most unusual sight to behold from the beach and yet, within this setting, does not remain in any way incongruous. Rather, it adds a sense of mystery to the beach, one perhaps coupled by the remnants of a submarine caught in the southern rocks. Facing this across the sweep of sand, a board walk points the way around the northern headland to where a beach hut guards the estuary of the region’s stream, perched on the back of a rocky islet: the perfect end-of-day location.

[Eclectica] A New Dawn; Inara Pey, August 2018, on Flickr[Eclectica] A New Dawn

With scrupulous attention to detail, rounded off with a matching sound scape and – for those who like music to accompany their explorations – a gentle audio stream, [Eclectica] A New Dawn is, simply, a delight.

SLurl Details

  • [Eclectica] A New Dawn (Kymor, rated: Moderate)

A quirky Peace of Mind in Second Life

Peace of Mind; Inara Pey, August 2018, on FlickrPeace of Mind – click any image for full size

Peace of Mind is a Mainland parcel a little over a quarter region in size, held and landscaped by Talacious (Talacious Tigerpaw).  It’s a quirky design that offers as much vertically as it does horizontally for the willing explorer, so a stout pair of walking boots might be recommended!

The About Land description offers a warm invitation to arrival to explore, relax and have a little fun, with Talacious noting she has a passion for landscaping, design and art, and hopes that people find a little peace and tranquillity when visiting.

Peace of Mind; Inara Pey, August 2018, on FlickrPeace of Mind

Visitors arrive on the beach, a narrow sliver of sand sitting between high craggy shoulders of rock that reach back inland. Water tumbles – a little erratically in places – from one of these high mesas, eventually finding its way down to the beach where it rolls over the sand and into the sea.

Three opportunities for initial exploration are offered from the beach: a short climb up stone steps to a caravan, oddly perched on a shelf of rock and now so much a part of the landscape, nature is taking up residence on the outside as much as someone ins living on the inside. More stone steps run up alongside the caravan and to the conservatory sitting above and behind it, while a wooden bridge spans the water in its rush to the sea, offering the way to one of several routes up into the high cliffs and rocks surrounding the setting.

Peace of Mind; Inara Pey, August 2018, on FlickrPeace of Mind

Those climbing to the conservatory will find it is home to a warm-looking bathing pool, while the path branches left and right – offering a further choice in routes of exploration. While you take is entirely up to you; suffice it to say both – and the path winding upwards from the log bridge down by the beach – offer routes of discovery.

Trails wind between the trunks of tall pines and other trees and slide between tall cliffs and hunched rocky outcrops, leading the traveller past local wildlife, over pond and root and through the occasional shower of rain, before inevitably winding upwards. As they do so, the paths climbing the cliffs may change from bare rock to tiled step (or back again) or from grassy trails to dirt tracks, all of which twist and climb – sometimes very steeply – up to the high plateaus above.

Peace of Mind; Inara Pey, August 2018, on FlickrPeace of Mind

These high tables are home to more curios awaiting discovery – a pair of trees houses here, with the remains of an old van that must have had a bugger of a time climbing up the steep trail; a house cut into a hill there, surrounded by sunflowers that reach down into a little box canyon where yet another cottages sits, roof covered in grass and more sunflowers growing above it bay windows. Just below the house-in-a-hill sits a Tuscan villa, a paved set of steps reaching up from it to a narrow promontory on which sits a further tree house, even as hollow logs offer a bridge to a large house standing on the headland, and the destination of the rocky path winding upwards from the beach. This last appears to be the house of Talacious; however, like the other buildings sitting both high and low, it appears to be open to the public.

With the many different paths and bridges connecting them, finding one’s way around and between the houses is something of an adventure, and reveals some of the more quirky elements of the parcel – such a  set of stone steps supported on nothing more than a wish, leading the way to vine-arched bridge spanning the gap between one plateau and another. Meanwhile, the path winding down from from the garden of the twinned tree housesoffers a way past a cavern, also awaiting exploration.

Peace of Mind; Inara Pey, August 2018, on FlickrPeace of Mind

However, said cavern is not the “secret caves” referred to in the About Land description. This requires a little discovery. Clues are provided, and I don’t want to spoil the fun. Suffice it to say: look for the “arrowed” paths  in the grounds of one of the houses, or the sign board watched over by rabbits (then touch the rock behind it). And when you do find your way into the caves, be sure to follow the paths all the way down and to give the wall below a certain sign concerning life a tap …

Peace of Mind is, as I’ve mentioned, a quirky place. It is rich in detail, albeit with a few rough edges that could do with a little attention (waters falling into grass and vanishing, or floating above the beach as it flows to the sea, for example, while the odd tree floats rootless above the ground). But these are not sufficiently problematic as to spoil the overall effect, and it’s clear that Talacious has poured a lot of her own personality into the parcel’s look and feel, together with her sense of fun.

Peace of Mind; Inara Pey, August 2018, on FlickrPeace of Mind

So if you are looking for something just that little bit different to explore, Peace of Mind might be for you.

SLurl Details

Discovering a Missing Melody in Second Life

Missing Melody; Inara Pey, August 2018, on FlickrMissing Melody – click any image for full size

The heat of summer has left the grass long and golden, roots reaching deep into the soil to gain moisture. Closer to the local stream and river, the grass and moss are still green, benefiting from both the plentiful water seeping into the land on either side of the waterways and from the shade offered by tall trees of a rich woodland. But the seasons are turning; the sky offers a paler Sun than might have been blazing down in the midst of summer and the trees are slowly losing their canopies of leaves, scattering them across the ground below, where their gold and reds form a slowly decaying carpet and litter the calm surfaces of the river’s arms.

Such is the tranquil scene awaiting visitors to Missing Melody, a Homestead region designed by Bambi (NorahBrent). Still under construction, it is nevertheless open to those wishing to explore it, offering a beautiful autumnal look and feel with – at the time of our visit at least –  a delightfully minimalist approach to a setting Bambi describes as a “shabby rustic theme”; an approach I hope continues through to the region’s completion in this form, and things don’t become too crowded.

Missing Melody; Inara Pey, August 2018, on FlickrMissing Melody

The yellowing grass sits at the northern end of the island, lapping around the broken tower of an old windmill and appearing to leave a tractor stranded within the waves of seeded grass heads as sheep graze fitfully. From a distance, it might be easy to mistake the grass for a field of corn and the lodge sitting close by for a farmhouse. Closer examination, however, reveals the truth of the grass, while the lodge appears to be more of an artistic retreat than part of a working farm.

An unsurfaced road, rutted and marked by rocks on either side runs past the lodge and points the way south to where a bridge reaches over a branch of the river (almost the landing point) to arrive at a little café. Such little places are very much a staple of many regions designs, offering places to sit and perhaps cam around the setting.

Missing Melody; Inara Pey, August 2018, on FlickrMissing Melody

Between lodge and café, the road runs through the region’s woodland and past an old shack that fits the region’s shabby theme perfectly while also offering a cosy interior with a rich homeliness about it. Behind the shack, a path directs feet towards a deck reaching out over the coastal water. This almost – but not quite – reaches an off-shore fishing shack converted for use as a little snug for couples.

Eastwards from the road, the land gets a little more rugged in nature. Bridges and steps offer a way up among the rocky humps, passing a wrought iron gazebo and passing over tumbling falls to reach a shabby platform of a tree house before the land tails off into a small headland dominated by a great water tower.

Missing Melody; Inara Pey, August 2018, on FlickrMissing Melody

The theme of music is presented here not only in the region’s name, but also in the way the wrought iron gazebo offers a home for a musical trio of guitar, piano and drums, with pillows, logs and benches set out under strings of lights bulbs to offer space for an audience should musicians arrive.

Meanwhile, the idea of a missing melody is perfectly framed by the weathered form of an old grand piano sitting behind the hunter’s lodge. Apparently being slowly claimed by nature, the piano would appear to be more of an artistic statement, carefully placed with sheet music anchored by vines, while an old curtain or blanket hangs from the ppiano’s closed lid. The placement of these, and the little models of two little robins, perhaps giving the lie to the piano simply having been abandoned and add to the idea that the nearby  lodge is the residence of someone with an artistic bent.

Missing Melody; Inara Pey, August 2018, on FlickrMissing Melody

There are a lot of little touches through Missing Melody – picnic benches along the roadside, little snuggle points scattered around the landscape; deer to be found within the woodlands with their misted ground, and plenty of opportunities for photography (rezzing is permitted with auto return set to 60 minutes – but do remember to clear up props ahead of that limit).

Yes, there are a couple of rough edges – trees floating over water, for example; but again, this is a region still under construction, an matters like that will be addressed. In the meantime, Missing Melody is already a photogenic destination – and our thanks again to Shakespeare and Max for the nudge in suggesting we visit.

Missing Melody; Inara Pey, August 2018, on FlickrMissing Melody

SLurl Details

Athenaeum: scenic beauty with an adult twist in Second Life

Athenaeum; Inara Pey, August 2018, on FlickrAthenaeum – click any image for full size

Athenaeum is an Adult-rated region we were pointed toward (once again!) by Shakespeare and Max. The name piqued my curiosity for two reasons: the school for promoting literary and scientific studies founded by the Roman Emperor Hadrian, and the Athenaeum Club in London; founded in the 1820s for those of both sexes with intellectual interests encompassing the likes of science, engineering, literature and the arts – although it is not necessarily exclusive to these disciplines.

A full region designed by Dema (Dema Fairport), Athenaeum also caters for those with a specific grouping of interests, albeit those of a distinctly adult nature, and offers a welcome to all visitors, no matter what their gender preference or sexual orientation.  It is also, and more particularly, a quite breathtaking region in its design and execution.

Athenaeum; Inara Pey, August 2018, on FlickrAthenaeum

Within her Profile, Dema offers a description that builds on the limited space within the About Land Floater to perfectly encapsulate the aim of  region, making it clear that while adult in nature and leaning towards more Adult-oriented interactions, Athenaeum is not in any way a “sex sim”; far from it. The emphasis is on a refined, cultivated approach to adult activities within Second Life.

Artistic, adult environment focusing on the kink friendly community. Come with an open mind and relax with your special someone by the pool, the veranda, library or the many relaxing areas along the beach or in the woods. Meet others of like minds. who enjoy the kinkier aspects of SL in a safe loving environment free of judgements.

Athenaeum; Inara Pey, August 2018, on FlickrAthenaeum

The landing point sits towards the centre of the region, and is located on a stone bridge reaching over one of two river gorges that slice through the land, splitting it into three major parts. To the southern end of this bridge steps rise to a shelf of rock on which sits an ageing hunting lodge, now converted into a place with an ambience – on the ground floor at least – of a private club. Within its rooms are leather arm chairs, great bookcases filled with tomes awaiting reading, fires in the hearths, bottles of port and cigar humidors on some tables, coffee and After Eight mints on others, and just the most subtle of hints as to some of the activities that might follow conversations in these rooms; activities which themselves might be enjoined in the rooms above, going by their décor.

The swimming pool mentioned in Dema’s description is to the found to one side of the flagstone terrace sitting behind the lodge,  which also offers a place for dancing under open skies and further hints of the more adult pursuits visitors might engage in. The house and terrace overlook a small finger of an island just sitting off the coast to the west, with a ribbon of beach awaiting explorers, somewhat curtained from prying eyes above by tall fir trees. Reaching this is a matter of backtracking to the bridge and then finding your way by steps and cinder track down to the foot of the plateau, and then around it to where a little wooden bridge connects the island to a second sliver of sand in the lee of the cliffs.

Athenaeum; Inara Pey, August 2018, on FlickrAthenaeum

Travel north along the stone bridge of the landing point, and the way is open to reach a broad, shallow cove on the north side of the land. Here time can be spent on the beach or in the water or resting in the tree houses sitting to one side of the cove, overlooking another DJ spots and ground-level seating areas.

Between the steps from the bridge and the rocky arch leading to the cove, the way is cut by a cinder track. Follow this downhill to a surfaced road, and you’ll find yourself passing buildings offering some unique perspectives on fetishism. There’s a celebration of the physical world photography of New York’s Darque, sitting alongside the Kink History Museum that traces the history of kink from ancient through to modern times, before the road ends at a cosy waterfront café.

Athenaeum; Inara Pey, August 2018, on FlickrAthenaeum

And all of this barely scratches the surface of the region. The landscaping is rich and natural, with cinder tracks and trails winding inland and to various points on the coast or overlooking it, with numerous secluded spots and settings with an edge of romance to them for couples and groups to enjoy. To the south-east, reached via paths leading under trees and across meadows can be found more contemplative spots, complete with Buddha awaiting those who will visit; further west, horses graze alongside their barn, while vine-draped trellises offer arched invitations to perhaps step off of  the tracks and paths and just wander, and a small headland offers a camp site overlooking the cove and its beach.

Gloriously photogenic (visitors are invited to share their images on the Athenaeum Flickr group), with its adult twists tastefully presented, Athenaeum makes of an interesting and potentially engaging visit.

Athenaeum; Inara Pey, August 2018, on FlickrAthenaeum

SLurl Details

Bellefleurs and the House Sakura in Second Life

Bellefleurs; Inara Pey, August 2018, on FlickrBellefleurs – click any image for full size

Bellefleurs is an Elizabethan-styled grand manor house, the grounds of which occupy an entire homestead region. It is a location I’ve visited on several occasions in the past, but it was its recent re-appearance in the Editors Picks section of the Destination Guide that prompted me to suggest to Caitlyn we pay it a further visit.

The house is the design of Indy (India Canning); it is both the seat of the Canning family and home to the Duchess(es) of Ominum. There is an architectural beauty to the house that puts me in mind of Montacute House, the fabulous Elizabethan Renaissance house in Somerset, England, now operated by the National Trust. I gather from speaking to Indy and Lynn Mimistrobell – who is also involved in the region’s operation – this is intentional; Montacute having been one of several places Indy drew on for inspiration.

Bellefleurs; Inara Pey, August 2018, on FlickrBellefleurs

The house – and the Canning family – is the subject of a richly detailed backstory which is a simply marvellous read, and speaks to deeper elements associated with the region I shan’t go into here. Suffice it to say, never have I come across such a piece for a Second Life location that is so richly interwoven with real events from England’s history. So much so that the text reads not merely as a scene-setting piece of information, but a scholarly review of the genuine history of a noble family, one  – as so often was the way at the time – in which intrigue, politics and religion are deeply interwoven. Such the the quality of the writing, I’ll go so far as to say that a visit to Bellefleurs is incomplete without the time taken to read it either via the website or via the book presented in the entrance hall of the house – particularly if you have a knowledge / fondness / love of Elizabethan history.

Whilst Elizabethan in origin, Bellefleurs incorporates elements from other periods – notably the Victorian. This reflects the natural means by which family seats acquire elements and furnishings through the ages, and the Victorian influences mix easily with Elizabethan. There are also more modern influences to be found in both the house and the grounds, none of which are in any way out-of-place.

Within the grounds of the house are formal gardens to the north and south, with a grand water feature pointing to the west from the rear of the house. Broad paths guide visitors through the grounds to places such as the En Garde fencing area, an outdoor dance area and a walk overlooking the western coastline of the region.

Bellefleurs; Inara Pey, August 2018, on FlickrBellefleurs

To the south of the house, beyond the gardens, sits a mausoleum containing the “tomb” of India Canning. Not that she has passed or anything; it was originally a piece for a Halloween party. But in remaining in place, it offers a hint to some of the deeper aspects of the region and its backstory. However, what these may be is perhaps down to your imagination, how you look upon the portraits of Duchesses (are their likenesses purely down to familial resemblance?) or how you look upon classical / romantic themes around love, loss, life and death. I’ll say no more here, but leave you to your own ruminations;  if only for the fact one of the quotes on the capstone of the tomb had me barking completely up the wrong tree, although Lynn and Indy quickly corrected me on that score! 🙂 .

Sharing the region with Bellefleurs is the House Sakura Companion Guild, which also has its own backstory.  Located in the sky over the house, it encompasses the more adult aspects of the region – with an emphasis on refined elegance.

It is based upon an amalgamation of the Firefly Companion Guild concept, the Venetian cortigiani oneste and the Parisian demi-monde, House of Sakura is located in the sky over Bellefleurs, where more adult encounters might be had – at the discretion of the Companions of the House (who refer to themselves as Blossoms).

House of Sakura; Inara Pey, August 2018, on FlickrHouse of Sakura

Both Bellefleurs and House Sakura host a number of open social events people are welcome to attend:

  • Sunday –  19:30 SLT: Classical Music Salon at Bellefleurs, followed at approximately 20:30 by the After Salon Party at House of Sakura – cocktail attire requested for this event.
  • Alternate Tuesdays 19:00 SLT: Toxie Darkmatter sings live at the House of Sakura – cocktail attire requested for this event.
  • Thursday 19:00 or 20:00 SLT:  the Thursday Dance at Bellefleurs –  alternating weeks DJ Dee (19:00) or DJ Maddie (20:00); semi-formal attire requested.
  • Friday 13::00 SLT: the Friday dance with DJ Ellie  at House of Sakura – casual attire.
  • Saturday 14:00-16:00 SLT: DJ Dee’s time hopping weekly party – details via the in-world group; parties are come dressed for the period / theme or as you are.

Bellefleurs house makes for an intriguing visit, and offers a lot of scope for photography and for contemplation. For those with a sophisticated approach and outlook, House Sakura offers a unique environment for more Adult related activities, although as noted, it and Bellefleurs are also both settings for relaxed social events. For those who enjoy a place that give pause for thought and which offers its own story to tell, Bellefleurs can also be just the ticket.

Bellefleurs; Inara Pey, August 2018, on FlickrBellefleurs

SLurl Details

Twist of Fate is rated Adult.

A return to Kekeland – Bardeco in Second Life

Kekeland - Bardeco; Inara Pey, August 2018, on FlickrKekeland – Bardeco – click any image for full size

Update: Kekeland – Bardeco has closed. SLurls have therefore been removed from this article.

It’s been nigh-on a year since our first visit to Kekeland – Bardeco, and while the titular bar served as an inspiration of me to remodel Caitinara Bar, after we visited the in the latter half of 2017,  we hadn’t been aware of any move or make-over in the design – until, that is, Shakespeare dropped a new LM on me. Intrigued, we hopped over to have a look, to discover Kekeland – Bardeco has moved from a Homestead to Full region, and undergone a make-over in the process.

We tried to recreate a quiet, sunny and peaceful fishermen place, inspired by an Italian village. You will find a little harbour and a coloured village, and hillsides of vines, with camping and mountains.

– Dandy Warhlol (terry Fotherington) and Belle des Champs (Bridget Genna)

Kekeland - Bardeco; Inara Pey, August 2018, on FlickrKekeland – Bardeco

As recreations go, the “new” design for Kekeland is impressive, and succeeds in imparting the feeling of being within the kind of setting that inspired it; but the success might come at s slight cost to some visitors: this is a place where there is a lot going on, particularly with textures, so some adjustment to viewer settings might be required to compensate.But this should put you off visiting; after all, that’s what graphic presets are for!

The harbour described in the land description sits on the south side of the region, a walk down through the streets of the town surrounding it on two sides. Protected from the sea by a breakwater and watched over by a lighthouse, it is fairly bustling with boats: sailing boats, yachts, motorboats, RHIBs – so much so that the fishing boats tied-up at the wharves must have to fight their way out to the freedom of the sea in order to ply their trade each morning!

Kekeland - Bardeco; Inara Pey, August 2018, on FlickrKekeland – Bardeco

These fishing boats are tied-up on the east side of the harbour, which is clearly the “working” side: a busy waterfront road where a lot is going on. Behind it, and climbing the stepped cliffs, tall, modern-looking apartment blocks vie with  an ancient fort that once commanded a strategic view over the bay, to claim the skyline as theirs.

The town continues round to the north where, set back from the harbour is a plaza – surprisingly overgrown and with more tower blocks and houses climbing up the inland slope behind it. Along the plaza the predominant business appears to be entertainment and refreshment. The coffee houses, bars, boutiques and open-air music area, together with the more modern apartment houses up on the cliff-top, suggest why the harbour is so chock-full of boats: once a working coastal village, this place has now become a holiday destination.

Kekeland - Bardeco; Inara Pey, August 2018, on FlickrKekeland – Bardeco

A further attraction lies on the west of the harbour. Here, sitting atop a rough table of rock, sits Bardeco. The last time we saw this (also the occasion of our first visit to a region design by Belle and Dandy), it was imaginatively placed at the foot of of the region’s cliffs and built back into them, offering an entirely “covert”, so to speak, setting that was both part of yet separate from the rural setting above. Seeing it out in the open in this “new” location did take a little getting used to, I admit, but it has not lost any of its shabby-chic appeal.

North of Bardeco, beyond the slip of water and beach dividing it from the town, the buildings quickly give way to open, rugged land. Here can be found trails, old ruins and signs that not all the locals have been driven away by the maddening crowd on the waterfront. Goats are being reared and grape vines cultivated on some of the lower northern steps of the island, while old farmhouses hide among the trees or sit aloof from the trails on their own shoulders of rock. There’s also the ruins of a much grander property sitting forlorn and alone, whatever story of times past lying within its broken walls fading slowly as nature takes up a greater and greater residence.

Kekeland - Bardeco; Inara Pey, August 2018, on FlickrKekeland – Bardeco

In its Homestead iteration, Kekeland – Bardeco offered a wonderful sense of rural living, complete with its discrete and neatly tucked away bar. With its move to a Full region simulator, it presents a more urban setting, and marries these with some of the feeling on open spaces that made the “original” so appealing. It is very different to the “old” design, but sports a unique look and charm nevertheless.