Nara’s Forgotten Ghost in Second Life

Art Korner: Nara Ghost – Forgotten Ghosts

Update, June 27th, 2022: Art Korner has Closed.

Currently open within Frank Atisso’s Art Korner hub is Forgotten Ghosts by Nara Marcus (Nara Ghost), a quite captivating series of black and white studies that are wrapped within a personal theme whilst each piece carries its own narrative mood – although I very much doubt what is offered in terms of theme and narratives will be lost on any of us, as Forgotten Ghosts very much holds up a mirror into which we can all gaze.

Life can be a complicated thing. We can have periods when everything seems to be ganging up on us: tasks take longer to complete than expected, or become overly onerous; moods plummet; people around us all appear to be operating in their own gloom; worries about just about everything – life, work, health, kinds, parents, finance, etc., – seem to build themselves into insurmountable peaks all around us, and so on. But then circumstances change, and we find ourselves bursting through them, with life becoming brighter, lighter and something to be enjoyed – yet even when this happens, those darker times haunting us and perhaps informing us.

Art Korner: Nara Ghost – Forgotten Ghosts

These latter times – when feeling good, but the shadows are lurking – are the moments Nara explores within Forgotten Ghosts, part of the exhibition title reflects her avatar’s name, thus emphasising the personal perspective contained within the 16 images on display, something further emphasised in her use of urban environments for the images in reflection of the fact she is from a city background.

These are all images that have been carefully posed and constructed – and quite beautifully so – to capture the personal moods Nara wishes to convey. However, their brilliance lies in the fact that while personal to her, they each carry a richness of mood, emotion and / or narrative with which anyone viewing these pieces can identify. This is likely because, as Nara notes herself when introducing the exhibition, we tend to be more driven by the things that haunt us than those that don’t.

Every day, I try to live a healthy and happy SL, but the darker and moody vibes seem to be easier to connect with and drive me to create. I hope you appreciate it as much as I did, like the entire process and the end outcome.

– Nara Marcus (Nara Ghost)

Art Korner: Nara Ghost – Forgotten Ghosts

All of which make for an evocative and engaging display of art.

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2022 Raglan Shire Artwalk in Second Life

Raglan Shire Artwalk 2022

Raglan Shire, Second Life’s Tiny community, has once again opened its doors to people from across the grid as participating artists and visitors are invited to the Raglan Shire Artwalk 2022.

This year, the the event runs from Sunday, May 15th, through until Sunday, June 19th, 2022. It  offers an opportunity not just to appreciate a huge range of art from both the physical and digital worlds, but to also tour the Shire regions and enjoy the hospitality of the Raglan Shire community.

A non-juried exhibition, the Artwalk is open to any artist wishing to enter, and has minimal restrictions on the type of art displayed (one of the most important being all art is in keeping with the Shire’s maturity rating). All of this means that it offers one of the richest mixes of SL art displayed within a single location in Second Life, with 2D art is displayed along the hedgerows of the Shire’s pathways and tree platforms overhead and 3D art among the community’s parks.

Raglan Shire Artwalk 2022: Marcel Mosswood and Barry Richez

Each year attracts well over a hundred SL artist – and this year is no exception. The depth and range of art on display is guaranteed to keep visitors exploring the paths and walks around the through the hedgerows – and if walking proves a little much, there are always the Shire’s tours to ease the load on the feet.

Also, teleport boards are provided to help people find their way around the exhibition spaces. However, given this is an opportunity to visit and appreciate Raglan Shire, I do recommend exercising your pedal extremities and doing at least some of your exploration on foot – just keep in mind people do have their homes in the regions as well.

Given the number of artists involved, there isn’t a published list of participants, but anyone interested in the world of SL art is bound to recognise many of the names of the artists here. The Artwalk is also a marvellous way to see art from both our physical and digital worlds and for catch artists both familiar and new to your eye. Just don’t try to see it all at once; the Artwalk is open for a month, which gives plenty of time for browsing and appreciating the art without feeling overloaded.

Raglan Shire Artwalk: someone called “Pey” … 🙂

SLurl Details

All of the Raglan Shire Artwalk regions are rated General)

Art and a rock in Second Life

Onceagain Art Gallery: Penis Rock, May 2022

It might have a title that hints at something sexual / upsetting but Penis Rock, an ensemble exhibition that opened on May 7th, 2022 at the Onceagain Art Gallery curated by Onceagain (Manoji Yachvili), really isn’t – although it does have an “Adult” section and a slightly lewd rock formation outside of the exhibition space.

The exhibition has been inspired by a mesh rock formation that has a certain resemblance to a certain male appendage – and which, like said male appendage, can also change in size depending on how it is stretched. However, rather than being intentionally lewd or sexual, the images presented are, for the most part intended to be fun and raise a smile.

Onceagain Art Gallery: Penis Rock, May 2022

Growing out of an in-world rock climbing expedition to a location where the rock had been included, the exhibition presents images by Alex Amore,  Alsatian Kidd, Ambre Singh, Crash Landers, Eupalinos Ugajin, Loony Perl, Jack in the box, Kika Yongho, Madoka Kawabata, Manoji Yachvili, Mara Telling, Zakk Bifrandt and Zedillo. All feature said phallic rock in one way or another, and may either present the likes of a simple landscape in which a finger-like rock stands, or as trios of images intended to be considered side-by-side or as pieces intended to offer a story – or even present a degree of social commentary – such as Ambre Singh’s Schism of Faith.

Reading the titles of some of the images may be required in order to appreciate them fully; others might be appreciated simply because of their artistic presentation – such as with Manoji Yachvili’s Grauland trio (the rock in question recently appeared in one of the Grauland region designs and helped to formulate the idea for the exhibition).

Onceagain Art Gallery: Penis Rock, May 2022

In terms of “Adult” content, these images have been placed in a room of their own, clearly indicated by a neon sign as Adult Only. These are not overly sexual in nature – although there are some obviously suggestive pieces and also some avatar nudity. When it comes to humour, I confess to finding two more pieces by Ambre giving rise to smiles. These are, Overprotective, which speaks for itself, and her proboscis monkey-filled Houston We Have a Problem, which is offers a richness of humour from the monkey schnozzes and somewhat bewildered expressions of the simians that seem to ask, “Oi, why are you sniggering?” and they look out of the frame at us, to an entire 2001: A Space Odyssey vibe that seems to be going on thanks again to said noses and the rock rising in the background.

All told, a fun exhibition that should not be taken overly seriously, but within which the art is rich in content.

Onceagain Art Gallery: Penis Rock, May 2022

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Under the Same Sky in Second Life

Artful Expressions Gallery, May 2022

Sorcha Goldshark (Sorcha Tyles) has re-opened her Artful Expressions Gallery once more, after almost a two-year break.

Since its inception in 2016, Artful Expressions has always been a mix of gallery space and hang-out; the kind of place you can go to specifically to set art, or use as a meeting place in which to spend time and take in the art that happens to be on display. With this latest iteration of the gallery, I’m pleased to say that this remains the case; as does Sorcha’s eye for photography – both her own and that of other SL photographer-artists.

Artful Expressions Gallery: Geoff Quinnell – Under the Same Sky

The re-opening of the gallery brings with it an exhibition of images by my fellow “Brit”, Geoff Quinnell. A big band leader, designers and SL landscape photographer, Geoff here presents nine images captured from around Second Life and which he has brought together under the title Under the Same Sky.

Taken at popular destinations around Second Life – doubtless seasoned SL travellers will recognise many of the locations presented – these are images that carry a bright and rich with a sense of summer, with bright skies and a natural sense of summertime vibrancy to the colours. All have been post-processed such that they have the look and feel of a painting or pen-and-ink art.

Artful Expressions Gallery: Geoff Quinnell – Under the Same Sky

All are richly evocative images, perfectly encapsulating their subject locations so as to entice people to pay them a visit. For those who perhaps haven’t witnessed these destinations first-hand, Geoff provides a list of SLurls in a note card that can be obtained from the advertising / info board just inside the gallery. However, do remember that places come and go / get remade in Second Life, so there is no guarantee the listed places will remain available indefinitely.

Expressive and offered within a welcoming waterfront environment, Under the Same Sky – a title that reflects the fact these are all images that have been captured within the same digital realm, rather that being imaged under the same lighting / environment – is a near-perfect exhibition of Geoff’s work and an excellent re-introduction to Artful Expressions.

Artful Expressions Gallery, May 2022

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Dido’s Fade to Grey in Second Life

Nitroglobus Roof Gallery: Dido Haas – Fade to Grey

It was back to Dido Haas’s Nitroglobus Roof Gallery for me for the second of the May / June exhibitions on offer there. Fade to Grey, offered within Dido’s space at the gallery is an exhibition of Dido’s own images, all of which have been rendered as monochrome pieces, with some additionally post-processed to give the impression of drawings.

Dido is perhaps best known for her curation of Nitroglobus Roof gallery where – as I’ve oft stated in these pages – she is able to encourage artists from across Second Life to present exceptional exhibitions of their art. She is also, again as I’ve noted, a gifted photographer-artist herself. What may be less well known is that she is a blogger and Second Life traveller.

Since July 2009 I put a lot of my SL time in writing for my blog ‘Exploring SL with Dido‘, however the emphasize shifted more and more from text to images. In line with this I started to place my best blog images and more private photos in my Flickr account … Being so busy with curating the gallery, I have little time left to make images myself … But sometimes when I am in the right mood I do make images, most of them black/white. 

– Dido Haas

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The eight images reflect Dido’s talent for black-and-white images and her love of exploration. They have been captured in various regions around Second Life, including Furillen, Quoted Memories and AEAEA islands. However, seven of the images are all very much studies in narrative, the focus being both Dido herself, and the embodiment of mood and emotion, while the eighth is presented as a self-portrait, finished as a drawing, an arm stretched forward as if in greeting / encouragement. All of them together offer an invitation for us to step into Dido’s Second Life and share in both her artistic view of our digital world and in her personal time in-world.

Small in size, intimate in content, Fade to Grey is a warm exhibition that can be enjoyed for itself – and for those who might like to, Dido suggests viewing the exhibition whilst listening to the most successful single released by British synth-pop group Visage, and which has the same name as the exhibition (and, as it was originally written as an instrumental piece, there’s also this version, if you prefer).

Nitroglobus Roof Gallery: Dido Haas – Fade to Grey

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The return of Bryn Oh’s Lobby Cam to Second Life

Bryn Oh: Lobby Cam, May 2022

Sunday, May 1st, 2022 saw the opening of a new iteration of Bryn Oh’s Lobby Cam, a brand new iteration of an installation first unveiled in 2015 (see: Bryn Oh’s Lobby Cam).

As with the majority of Bryn’s work, Lobby Cam is set within a narrative universe she has created, and so sits with her two other installation currently available for public viewing: an updated version of Hand (which I reviewed in 2020), and the more recent The Brittle Epoch (reviewed here). Made possible by a grant from the Canada Council for the Arts, Lobby Cam is an entirely new build – new mesh models, soundscape, scripting  – and a new narrative for visitors to follow.

My artwork in Second Life is one long narrative which began in 2009. Each new work I create is a chapter in this story, and in the case of Lobby Cam it is 110 years before the events of the Brittle Epoch and Hand which are being exhibited within the Immersiva and Bryn Oh regions.

– Bryn Oh

Bryn Oh: Lobby Cam, May 2022

As is common with Bryn’s work in Second Life, a visit to the installation commences at a set landing point. Here, for those who have visited Bryn’s work previously, a HUD can be obtained with a simple click, and will attach towards the top right of the viewer window. Those new to Bryn’s work or who have opted to previously tell the viewer to “Forget” they are a part of it, will need to join Bryn’s local Experience in order to access and use the HUD as intended.

Click the top right icon when the HUD – which is a diary – is “open” and it will minimise to free up screen space. Click the icon to expand it again.

An eccentric man discovers an impossible channel on his TV. This begins a story where you determine the ending.

– Bryn Oh on Lobby Cam

Bryn Oh: Lobby Cam, May 2022

Pass beyond the walls of the landing point, and those who remember the original Lobby Cam will doubtless recognise the sea of wheat within its fenced fields and the distant, hulking form of grain elevator 888. Originally built in Keatley, Saskatchewan in the late 1920s, the elevator formed  a part of the Saskatchewan Wheat Pool, although it has since been relocated and serves now as a museum. However, just as the real elevator served as a local focal point in its day, so too does Bryn’s version of it in Second Life, beckoning people to hurry towards it.

However, giving it to such a temptation will result in visitors missing some key elements in Lobby Cam. As Bryn notes, this is an unfolding story, key elements of which are formed by missing pages from the diary HUD. These are scattered on the ground in various places (such as the path leading away from the landing point and the road pointing towards the grain elevator. Clicking on one when found will “add” it to the diary (the HUD icon will turn to colour). Opening the diary (if closed) and paging through the pages by clicking on them will reveal the entries as they are “added”.

Bryn Oh: Lobby Cam, May 2022

As well as the grain elevator, there are other new elements within the installation – such as the low barn sitting in the middle of one of the wheat fields. These should all be visited, wherever they lay (so sit well out in the landscape) and touched – as Bryn notes, people should pretty much click on everything, inside the grain elevator and outside of it – as some will be interactive and offer up secrets (such as links to Bryn’s videos) or objects.

Key among the latter are an envelope, pen, ink, and paper. Collect them alongside the pages of the diary, and you can further involve yourself in Bryn’s universe by interacting with another of her characters, Fern, as she explains:

[With them you can] write a letter from the main character [of Lobby Cam] to Fern. If you click the red mailbox on the train platform you can send this message to me directly by e-mail. I will respond to all letters sent and this will end the story. Depending on what you write. I will write as Fern would reply to your message.

– Bryn Oh on Lobby Cam

Note that Bryn’s replies really are individually written in response to your own words, not pre-prepared responses. Also, please keep in mind the last time she did this, she received several hundred e-mails, so it understandably took her a little time to respond to all of them!

Finished to resemble a painting – the use of the elevator, if I recall correctly from 2015, having been inspired by a painting Bryn either saw or created (my apologies to her for forgetting which, or possibly mis-remembering), Lobby Cam is deceptive in all it has to offer, and as such, is definitely more than work seeing. For those who need additional context, both Hand and The Brittle Epoch are also open to viewing, SLurls below.

With thanks to the Canada Council for the Arts for their continued support of Bryn’s work.

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