I Am A Woman: a photographic essay in Second Life

Gallery Bjork, July 2024: Angelika Corrall – I Am A Woman

I recently returned to Venus by the Water, the Homestead region created by Elizabeth (ElizabethNantes) and Cecilia Nansen, a place I first visited in April (see: A Venus by the Water in Second Life). My reason for this visit was to see the latest exhibition at Gallery Bjork, featuring the work of Angelika Corral.

Angelika is for some perhaps best known for her time operating the DaphneArts centre alongside of Sheldon Bergman (SheldonBR). For the length of its run in Second Life,  DaphneArts was one of the foremost galleries in presenting persistently engaging exhibitions and installations, a gallery I always enjoyed visiting. However, Angelika is a photographer-artist with a gifted eyed and the ability to tell a story – even a life – of emotion and spirit within the single frame of an image.

Within I Am A Woman, she presents a dozen images (I’ll come to the final two in the collection further into this article) focused on the female form. Presented in black and white – the medium Angelika prefers to utilise for her photography, these are images intend to speak to the beauty of the female form, yes; but not necessarily the beauty that is seen from without – although that is very evident through all of the pieces through look, pose, poise, framing, focus, etc. Rather, the beauty being celebrated here is that with lays within: the beauty of strength and grace women demonstrate in a world which has too long been biased more towards the male gender.

Gallery Bjork, July 2024: Angelika Corrall – I Am A Woman
Across the globe many women and girls still face discrimination on the basis of sex and gender. Gender inequality underpins many problems which affect women and girls, such as lower pay at work, lack of access to education, domestic and sexual violence. Women are roughly four times as likely as men to say they have been treated as if they were not competent because of their gender.

– Angelika Corral, I Am A Woman

However, to assume from the above that this is some form of “political” treatise on the “unfairness” of life when it comes to gender – it is not (although were it to be so would not lessen its message in any way given what is going on right now in many parts of the world – including the the United States, albeit not solely aimed at those of us of the female gender). Instead, within I am Woman Angelika offers up reminders of who we area as women; creates really not that different to the male of the species: creates of love, hope, strength, vulnerability; people who can love, thinking, create, manage, and excel.

Women artists have used photography as a tool of resistance. Self-portraiture has always been a tool of empowerment for women. The exhibition is dedicated to the “divine feminine” and intends to celebrate women’s power and grace.

– Angelika Corral, I Am A Woman

Each of the twelve primary images carries with it a reminder of the beauty, grace and strength to be found in a woman. Sometimes identifying all three is easy, in others, it is more nuanced. In this latter regard, I found The Flower particularly powerful, with its subtle references to natural beauty (the flower held in one hand, the naked back), and the clear references to fertility, and the core role of women as the mothers of all humankind and the truth that, without us, there would be no humankind.

Gallery Bjork, July 2024: Angelika Corrall – I Am A Woman
Which brings me to the final two images within this collection, which sit within the gallery’s smallest room. Presented as a pair one male (the only such male image within the collection) and one female. They are entitled Gemini Male and Gemini Female, and serve to underscore the the fact that, when all is said and done, not only are men and women really not that dissimilar, the vast majority of the so-called differences we encounter in life: inequality, discrimination, perceptions of value / worth / competency, are as much artificial constructs as the garments in which we clothe ourselves. In this these final two images also underscore the question Angelika poses throughout this exhibition, once again asking visitors (of any gender) to contemplate it further:

Don’t we all want to find new ways to live in a fair and just society, in a world of equity and equality?

– Angelika Corral, I Am A Woman

Powerful and evocative, an exhibition of beautiful artistry and powerful reflections. When visiting, do be sure, as well, to read Angelika’s dedication to her daughter – ad the all daughters of the world.

SLurl Details

Ai-Mura – a Love Project in Second Life

Ai-mura, July 2024 – click any image for full size

My most recent travels to me to the setting of Ai-mura, largely created by ラパ (Rapa Tone) and Indra Herouin. Occupying a sky platform covering a little under a quarter of a Full private region which offers the private island Land Capacity bonus, Ai-Mura is held under Rapa’s melodic.one Group and is described as being a part of the Love Project, in reference to the region as a whole and the multiple settings available within it – some of which I’ll be covering in these pages in due course.

Ai-mura is an engaging Japanese themed setting, with very good use made of the available space, which has been split into roughly three primary areas.

As you step off the train at Ai-mura station, you sense there is something magical about this small village by the sea. Refresh your body and mind at the local onsen, explore the bustling neko village, wander the paths to find your perfect picture spot, and come listen to amazing DJs while dancing your cares away in a beautiful, open-air venue.

– Ai-Mura Destination Guide entry

Ai-mura, July 2024

The train – more a tram, really – referenced in the setting’s Destination Guide entry sits in the south-east corner of the setting, stopped at the terminus of whatever line it has followed to reach this point, having to to it via passage through a nearby tunnel. The station located just below the elevated tracks has something of an industrial feel about its insides, resembling more of a pumping station than a ticket office or anything. Alongside of it is the entrance / exit to a subway system, suggesting another means of reaching the setting.

A bamboo path offers two routes down from the station, it and the tram track being the highest accessible points in the setting. The first is to the north, where a gatehouse and stone steps allow visitors to descend from the station’s rocky table-top and reach the neko village also referenced in the Destination Guide entry.

Ai-mura, July 2024

The second arm of the path turns west to pass under a Torii gate and again descend via stone steps to provide access to the west side of the setting. In offering the way to their respective destinations, both arms of the path pass over a fast-flowing stream that tumbles from above vias falls and then further falls and rapids before eventually passing into a tunnel of its own, effectively isolating the station’s rocky highland from the rest of the landscape.

The neko village is, as the name suggests, a village of kitties – u10 nitta’s (shiro0822) ever-engaging {-Maru Kado-} kitties to be precise. Unsurprisingly, given the local inhabitants 🙂 the majority of the businesses in the village square are given over to eateries with all sorts of foods on offer – including fish. The latter are being offered via a warehouse linking the village with a fishing wharf where a couple of boats are tied-up, most likely having recently delivered their catches.

Ai-mura, July 2024

Packed with little details waiting to be found, the village is a simply charming setting ripe with photo opportunities. One of my favourite elements – aside from the kitties – is a sign board sitting above the the village providing information on where Rapa –  an SL DJ – might be, giving both her DJ appearances and the times she’s asleep  with “zzzz”.

Steps on the west side of the village provides access to an open meadow which in turn connects to the west side of the region, the majority of which is given over to a field for music events, with the field set to host a Progressive Music event on Tuesday, July 30th from 16;00-22:00 SLT, hosted by Coley Magic, who will join Rapa and five other DJs presenting sets during the event.

Ai-mura, July 2024

South of the music venue is a raised courtyard which connects to the second part of the path running down from the tram station. The courtyard seems to function as both an overspill area for the music events field and as an open space before the setting’s osen.

The latter is entirely open-air and without either accompanying bath house or changing area. Instead, the main pool sits within a oval of large stones and appears to be heated from a natural source below, the water’s surface misted with steam. Whatever the source of the heat, it must be powerful: the pool appears to be fed by cold fresh water tumbling from more of the falls at the setting’s southern highlands; water which drops over stepped falls and then rushes through more little rapids to flow into the larger body of which the onsen pool is part.

Ai-mura, July 2024

For those who would like a more private spa, a second hot spring and pool can be found on a shoulder of rock overlooking the main falls and stream. It is reached by turning off the path down to the onsen from the tram station before it crosses the stream via a red bridge.

There are one or two roughly little elements where the landscaping could perhaps be tidied in little more, but these don’t really intrude into the setting to the extent them we show up in photos. The sound scape – birdsong and trickling water – could perhaps do with a little more, but again, its entirely possible most visitors will be dropping in for the music, and so won’t notice. Certainly, the overall photogenic nature of the setting cannot be denied, and the look and appeal of Ai-Mura does much to commend the rest of the public spaces within the region as being destinations to add to an itinerary.

Ai-mura, July 2024

SLurl Details

  • Ai-Mura (a love Project, rated Moderate)

2024 SL SUG meetings week #30 summary

A Place Between the Rocks, June 2024 – blog post

The following notes were taken from the Tuesday,  July 23rd, 2024 Simulator User Group (SUG) meeting. They form a summary of the items discussed, and are not intended to be a full transcript, and were taken from my chat log. Pantera videoed the meeting, and the recording is embedded at the end of this piece – my thanks, as always, for her work.

Meeting Overview

  • The Simulator User Group (also referred to by its older name of Server User Group) exists to provide an opportunity for discussion about simulator technology, bugs, and feature ideas.
  • These meetings are conducted (as a rule):
  • Meetings are open to anyone with a concern / interest in the above topics, and form one of a series of regular / semi-regular User Group meetings conducted by Linden Lab.
  • Dates and times of all current meetings can be found on the Second Life Public Calendar, and descriptions of meetings are defined on the SL wiki.

Simulator Deployments

  • The SLS Main channel was restarted on Tuesday, July 23rd, 2024.
  • On Wednesday, July 24th:
    • The BlueSteel RC is due to (again) receive Summer Fun simulator update, which includes the initial Combat 2 updates from Rider Linden.
    • The remaining RC channels will be restarted.

SL Viewer Updates

  • Release viewer: version 7.1.8.9375512768, formerly the Graphics Featurettes RC viewer dated June 5 and promoted June 10th.
  • Release channel cohorts:
    • Atlasaurus RC (object take options; improved MOAP URL handling), version 7.1.9.9981869229, July 22.
    • WebRTC Voice RC, version 7.1.9.9688089989, July 1.
    • Maintenance B RC (usability updates / imposter changes) 7.1.9.9555137545, June 21.
    • Maintenance C RC (reset skeleton in all viewers), version 7.1.9.9469671545, June 14.
  • Project viewers:
    • None.

In Brief

  • Combat:
    • Rider Linden reminded people that Thursday, July 25th will be the final meeting of the Combat User Group, and will take the form of a combat session to take place on the Concord combat region (not Lexington, as previously indicated). Those wishing to participate and who have suitable Combat 2 weapons they are willing to share are asked to bring them to the meet-up.
    • Change defaults for health_regen_rate and damage_throttle has been implemented:
      • The damage throttle is now off by default, the the default for the throttle is 1 point/6 seconds.
    • In addition: post death invulnerable agents should no longer be able to inflict damage directly. However sitting will remove that invulnerability.
  • The discussion on possible issues with llGetMass(), wherein a objects mass will not remain constant if it is resized and its density changed (via llSetPhysicsMaterial) to compensate has resulted in a new feature request  – llOverrideMass(float new_mass) – being raised. This triggered a further discussion on mass / density calculations, specifically in reference to vehicles and passengers.
  • A general discussion on scripting, rezzing, updating object (/rezzer) contents.

 

† The header images included in these summaries are not intended to represent anything discussed at the meetings; they are simply here to avoid a repeated image of a rooftop of people every week. They are taken from my list of region visits, with a link to the post for those interested.

2024 SL viewer release summaries week #29

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates from the week through to Sunday, July 21st, 2024

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.

Official LL Viewers

  • Release viewer: version 7.1.8.9375512768, formerly the Graphics Featurettes RC viewer dated June 5 and promoted June 10th.
  • Release channel cohorts:
    • Atlasaurus RC (object take options; improved MOAP URL handling), version 7.1.9.9981869229, July 22.
  • Project viewers:
    • No updates.

LL Viewer Resources

Third-party Viewers

V6-style

  • No Updates.

V1-style

  • Cool VL Viewer Stable branch updated to version: 1.32.2.6 (PBR) on July 20 – release notes.

Mobile / Other Clients

  • No updates.

Additional TPV Resources

Related Links

Summer 2024 at BOSL in Second Life

BOSL Waterfront Gallery, July / August 2024: Harlo Jamison

My summer 2024 to the Best of Second Life (BOSL) galleries, operated by Regin Congrejo and Jamee Sandalwood allowed me to take in two exhibitions of late – one of which will be closing in mid-August, and the other will run through until the end of August.

The first is another ensemble exhibition held within BOSL’s main gallery and entitled Hello Summer! It features pieces on the theme of summer from Dante Helios (Dantelios), Sheba Blitz, Sabie Mortenwold (Sabine Mortenwold), Evie Ravens (Evelyn Irelund) Broin Ravens (Brian Ravenhurst), and co-host / curator Jamee Sandalwood. With the exception of Sabie Mortenwold, all of the artists present images captured from within Second Life celebrating the passage of the summer months, the majority featuring landscapes, beach scenes, flowers and wildlife.

BOSL Main Gallery, July 2024: Hello Summer! – Dante Helios

In addition, all of the artists excepting Sabie, also participated in the Hello Winter! at the gallery, which I covered in December 2023. For her part, Sabi offers a selection of her mixed-media collages uploaded to SL, all of them very much focused on the blossoming flowers of summertime and offering a nice set of contrast to the in-world images from the other artists.

Together, all of the pieces presented by the artists offer a very easy-going exhibition, the décor within the gallery adding to the summer time feel of the pictures, all of which offer a unique appeal and sense of the season.

BOSL Main Gallery, July 2024: Hello Summer! – Sabie Mortenwold

Down at the Waterfront Café, reached via a walk through the gardens in which the galleries are set, is a small exhibition of work by the ever-excellent Harlo Jamison. Running through until the end of August, this is a collection of just seven images which might also be side to be gathered under the title of “summer”.

Harlo is a multi-faceted; when last I covered her work it was in regards to an avatar-centric, adult-themed exhibition she had put together jointly with Alex Riverstone (see: A Sugarfish Gallery in Second Life). Here she presents what might be consider two sets of landscape pieces which combine as a masterclass of Second Life photography and artistic imagery.

BOSL Waterfront Gallery, July / August 2024: Harlo Jamison

To the left of the gallery space as you enter it, lay four colour pieces, beautifully cropped, framed and present, offering views of Second Life redolent in the colours of summer. From a beautiful shot across an entire region to the single figure of a windmill standing tall before the admiring gaze of visitors, these four pieces are a lesson in the skilled use of the viewer’s camera and of the gentle use of post-processing techniques.

To the right are three pieces sharing the title A Golden Summer. (a forth frame is provided, but at the time of my visit, did not display an image). Once again, they capture scenes richly and evocatively, but the use of post-processing to lend them a sepia tint and sense of deliberate over-exposure results in a trio of pieces that is simply breath-taking.

BOSL Waterfront Gallery, July / August 2024: Harlo Jamison

In all, a thoroughly engaging collection of pieces, and one which nicely balances the ensemble exhibition in the main gallery.

SLurl Details

BOSL Innovation Pavilion is rated Moderate

Summer at Luane’s World in Second Life

Luane’s World, July 2024 – click any image for full size

Summer has brought with it time for me to make a visit to Luane’s World, the estate held and operated by LuaneMeo and her publicly-accessible Full region – Le Monde Perdu (The Lost World). It’s been a while since my last visit, and the region has been beautifully redressed for the summer, offering a mix of a beachy cove, woodlands, a lake, and open lands cut through by a mix of streams and footpaths.

The landing point sits on a ridge which runs from east to west across the landscape, rising from each coast to form high cliffs overlooking the beach with is deep-cut cove to the south, whilst falling more gently away to the north west to meet the lowlands. The upper reach of this ridge is home to the region’s landing point. This provides information on the estate’s rentals, a teleport board (including the the sky region destination and the store space Luane shares with Méli-Mélo). A further board provides information on the region’s photo contest running through to August 12th, 2024, of which more below.

Luane’s World, July 2024

There are two main ways down from the ridge, again to the east and west. The former descends via a trail and steps cut into the hill slopes before crossing one of the region’s streams to provide access to the east side of the cove and the beach. Along the way it is possible to turn north and access the lowlands, where multiple places to sit and pass the time might be found along the hill slopes.

To the west, the slope proceeds gently down in a gentle curve to the south, eventually meeting with the beach, the foot of the sandy hill sculpted by successive tides. Again there are multiple places to sit along the way – including a cosy summer house – whilst steps cut into the north slope again provide access to the northern lowlands.

Luane’s World, July 2024

Facing off-region islands, the beach and cove are naturally formed, the beach offering a gentle sandy walk under the lee of the cliffs before shelving away sharply under the surf to form a deep water bay that’s home to orca, fish, an ancient wreck and a great white minding its own business. The fact that it is seemingly content to keep to itself will likely be good news to those who wish to take a dip or make use of the lidos, floating seats and rings in the water. For those of a less daring disposition, a RHIB sits in the bay, one of several boats around the region, and offering a place from where the local rays can be watched.

With all these sights and locations the beach and cove are attractive and photogenic and certainly not not be missed. However, given I’m personally not a great beach person, the north side of the region with its lush grassland, trees and flower, is the real attraction. The lake takes up a good portion of the north-west side of the setting, and while it may not have the richness of undersea life within it, it is still the home for swans, geese and turtles, as well as offering the opportunity to take a swan boat out on the water from the dock alongside of the lakeside cottage.

Luane’s World, July 2024

The latter is a cosily-furnished mix of home and studio, a wooden boardwalk winding from its and front door to pass around the edge of the lake, paths here and there offering ways up the slopes behind. Making its way past another deck, the boardwalk eventually climbs steps up to another platform at the eastern extent of the lake, where gates set into a high, ivy-draped wall close by provide access to the lands beyond the lake. Although before passing through them, there is also the opportunity to take a walk around the north shore of the lake, which is again photogenic and relaxing.

For those who don’t fancy walking all around the region, horse rezzers available, although walking perhaps offers the best opportunity to catch sight of all the animals and birds also occupying the setting. for those would would like to the the region as a bird might, then the hot air balloon floating to the north-east might be attractive. As already noted, the region is rich in places to sit throughout, on the beach, around the lake, on the hill slopes, and so on, although I particularly enjoyed the Café de Paris, tucked into a corner of the region and guarding the path leading to / from the familiar bridge connecting le Monde Perdu with the rest of the region.

Luane’s World, July 2024

Photo Contest

Running through until Monday, August 12th, 2024, the Luane’s World / Le Monde Perdu photo contest offers a prize pool of L$ 8,000 plus a  choice of pose packs from Méli-Mélo and Luanes Poses. Full details and rules can be obtained from the contest board at the region’s landing point, but in short:

  • Up to three entries per person may be submitted.
  • Entered photographs must:
    • Be taken within Luane’s World ground-level setting (not Luane’s Magical World, the sky-bound setting) and be clearly recognisable as having been taken within the region.
    • Have a primary focus on the landscape (although avatars can be show in images, they should not be the focus).
    • Not include porn, obscenity, racism, child play, or violence. doing so will result in automatic disqualification.
Luane’s World, July 2024
  • Entries:
    • Are made via the Luanes World – Le Monde Perdu Flickr group.
    • Mist be set to Public viewing.
    • Must be labelled LUANES WORLD – LE MONDE PERDU PHOTO CONTEST Summer 2024, followed by any title you wish to give the image and then 1, 2 or 3 if you submit multiple entries. the SLurl to the region must also be given within the image description.

Good luck to all who enter.

Luane’s World, July 2024

All of Luane’s designs, developed with Gorba McMahon, are eye-catching, highly photogenic and created with keen eyes for detail. Summer 2024 is no exception to this, and I highly recommend a visit.

SLurl Details