Logos representative only and should not be seen as an endorsement / preference / recommendation
Updates from the week through to Sunday, January 15th, 2023
This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:
It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.
Official LL Viewers
Release viewer: Maintenance P (Preferences, Position and Paste) RC viewer version 6.6.8.576863 Monday, December 12.
Release channel cohorts:
No updates.
Project viewers:
glTF / PBR Materials project viewer updated to version 7.0.0.577486 on January 11, 2023.
Akiniwa: Haiku Quan – Just who do you think you are?
Now open at Akiniwa, a region within the Akipelago estate of arts regions founded and operated by Akiko Kinoshi (A Kiko), is an engaging exhibition of art by Haiku (Haiku Quan), one of Aki’s partners in organising and hosting art and music events within Akipelago, and who is herself both a photographer-artist and patron of the arts in Second Life.
In this latter regard, and as well as the work she carries out with Aki and Violet Boa at Akipelago, Haiku founded the Free Museum on 2021, giving away copies of works by some of SL’s most gifted artists (with their approval). In 2022 she sponsored the first annual Lyrics Prize and awarded over L$100,000 in prizes to the residents who wrote the best original lyrics to a dozen popular songs.
Akiniwa: Haiku Quan – Just who do you think you are?
Now at Akipelago, Haiku launches a new phase of her work in supports art in Second Life, a new complex of three gallery buildings of a unique neo-industrial design by Blue Tsuki, all of which are to be curated by Haiku and are ranged on three sides of an open air events area. One of these units will eventually be home to additional works from the Free Museum, and the other will host rotating exhibitions by other Second Life artists. The fourth side of the venue is occupied by Nessuno Myoo’s As Mammoths In the Middle Of Butterflies, an installation I reviewed in April 2022.
As for the first unit, this is home to Haiku’s exhibition With Just who do you think you are? This is a collection of no fewer than 300 avatar portraits captured by Haiku. Many of the subjects are themselves artists and musicians using Second Life as their medium of expression, with one or two SLebrities mixes among them (see if you can spot Simon Linden for one…).
Akiniwa: Haiku Quan – Just who do you think you are?
However, rather than being offered as individual pieces, Haiku has opted to place up to 16 portraits in a single frame and then use a scripted timer to rotate through them, showing etc i turn for a period long enough for us to appreciate each one. This results in an exhibit in which the pieces are almost constantly in a state of flux (or change), presenting visitors with the choice of observing the changes a picture frame at a time until all the portraits it contains, or to wander around the gallery floor, each circuit revealing different portraits, giving the sense of walking through a space much larger than the hall.
In terms of the portraits themselves, they are almost all head-and-shoulder shots, the subject looking directly at the camera and with a minimum of post-processing. Thus they present an honest view of each avatar, unburdened by the play of digital tools – and in doing so, perhaps allow us a glimpse one their eyes to the person who lies, so to speak, within them.
Akiniwa: Haiku Quan – Just who do you think you are?
Engaging and rich in content, Just who do you think you are? offers a noel manner in which to present avatar portraits – and I look forward to returning to Akiniwa and witnessing the development of Haiku’s new endeavour as the galleries all become occupied.
Sunday, January 15th will see the 2023 edition of Hippiestock take place in Second Life. A day-long music event, Hippiestock was established in 2011 by Hippie Bowman as a way to for him connect directly with friends he’d made through the Second Life forums. and this year it is sponsored by sponsored by Corsica South Coasters and Commune Utopia.
Whilst intended as a “one-off”, such was the response to that first event in 2011, the Hippie agreed to consider making it an annual event -and 12 years later Hippie and his friends once again present an opportunity to come together with fun and music and to embrace the “hippie philosophy”, once described by Hippie himself as:
[A belief] in peace as the way to resolve differences among peoples, ideologies and religions. The way to peace is through love and tolerance. Loving means accepting others as they are, giving them freedom to express themselves and not judging them based on appearances. This is the core of the hippie philosophy.
– Hippie Bowman, January 2011
Hippestock, January 2023
The event kicks-off at 09:00 SLT on Sunday January 15th, with the music line-up as follows:
09:00 SLT – Hippie Bowman
10:00 SLT – Dimvan Ludwig
11:00 SLT – Alsund
12:00 noon – Cranston Yordstorm
13:00 SLT – The Vinnie Show
14:00 SLT – Joe Paravane
15:00 SLT – Lluis Indigo
16:00 SLT- Jed Luckless (2-hour set with particle show by Moondance Parx)
As well as enjoying the music in an outdoor setting designed to recapture the sense of Woodstock, attendees also have the opportunity to explore the Hippiestock region, there the beach, a camp site between it and the region’s river, a barn recalling Woodstock, a rendition of England’s Stonehenge and multiple places to sit and relax might be found and enjoyed. This setting will remain open to the public to enjoy through until the end of Wednesday, January 18th, 2023 – so even if you don’t make the event on the 15th, there will still be time afterwards to drop in and explore.
Lyric, January 2023 – click any image for the full size
An entry in the Editor’s Picks section of the Destination Guide for Lyric recently piqued my curiosity, although I found it a struggle when it came to blogging about – not because there is anything wrong with the setting; it is simply that I’m cautious about writing-up locations that might public spaces and rentals, as is the case here. However, the setting is photogenic, so I decided to take some photos and offer a brief write-up.
Lyric is inspired by the Caribbean Islands of St Vincent and the Grenadines, where the architecture of different eras meet the uniqueness of the Island’s natural landscape. It is composed of three regions streamed together to offer its residents and visitors an opportunity to sail between them. Come live, love, and play!
Lyric estate About Land
Lyric, January 2023 – click any image for the full size
This is in fact a couple of regions within a small estate. The first is a Full region utilising the land capacity bonus. Split between public spaces and rentals; it is joined on its eastern side by a Homestead region, both of which have been designed by Algernon (Algernon Bamaisin). A further point to note – as indicated at the landing point via local chat – is that Group membership (free to join) is required to use some of the sit points, etc., found throughout the public spaces.
Speaking of the landing point, it sits on the main road circumnavigating the region. Sitting on the west side of the setting, it lies between an advertising board that repeats the greeting found in the About Land description and the local harbour, with the latter offering the the colourful mix of architecture referenced in that description can be found in the form of shops to rent. Above and behind these sits a small town square dominated by a church and, to one side by a nightclub space offering open-air dancing.
Lyric, January 2023
It is here where private and public spaces overlap: the loungers and seating at the club space are restricted to group access, whilst the east side of the square is dominated by two rental homes, the path between them leading to more rentals – these in the form of beach cabins – below, while steps climb the southern highlands to the region, where more rentals are located, public paths winding through them.
Between the raised town square and the waterfront shops sits a narrow alley with a north-south orientation. Accessed where the road runs along the region’s west side, the alley is called, appropriately enough, Gloomy Alley, it is home to some of the seedier aspects which might be found in holiday / vacation spots.
Lyric, January 2023
To the east, a terrace with a large pool offers a view over the water to the Homestead region, on which more beach huts are arranged – although at the time of our visit, they did not appear to be for rent. Two smaller island lie off shore, again with seating set to Group. A rezzer down on the beach can provide boats to group members so that they can reach the eastern islands and land mass.
The latter forms long finger of land with the cabins to the south and a ribbon of sand to the north, home to a large pier. Beyond this lies a further full region which appeared to offer a mix of rental and private homes; however, whilst designed by Algernon, it appeared to be under a separate group ownership, so our explorations didn’t extend into it.
Lyric, January 2023
Open to a range of EEP settings which lend it to photography, Lyric presents an opportunity for gentle exploration and, perhaps for those looking for it, a home with a Caribbean vibe to it.
Puppetry demonstration via Linden Lab – see below. Demos video with the LL comment “We have some basic things working with a webcam and Second Life but there’s more to do before it’s as animated as we want.”
The following notes have been taken from chat logs and audio recording of the Thursday, January 12th, 2023 Puppetry Project meetings held at the Castelet Puppetry Theatre on Aditi. These meetings are generally held on alternate weeks to the Content Creation User Group (CCUG), on same day / time (Thursdays at 13:00 SLT).
Notes in these summaries are not intended to be a full transcript of every meeting, but to highlight project progress / major topics of discussion.
Project Summary
General description of the project and its inception:
LL’s renewed interest in puppetry was primarily instigated by Philip joining LL as official advisor, and so it really was about streaming mocap. That is what Philip was interested in and why we started looking at it again. However since Puppetry’s announcement what I’ve been hearing from many SL Residents is: what they really want from “puppetry” is more physicality of the avatar in-world: picking up objects, holding hands, higher fidelity collisions.
As a result, that is what I’ve been contemplating: how to improve the control and physicality of the the avatar. Can that be the new improved direction of the Puppetry project? How to do it?
Leviathan Linden
Previously referred to as “avatar expressiveness”, Puppetry is intended to provide a means by which avatars can mimic physical world actions by their owners (e.g. head, hand, arm movements) through tools such as a webcam and using technologies like inverse kinematics (IK) and the LLSD Event API Plug-in (LEAP) system.
Note that facial expressions and finger movements are not currently enabled.
Most movement is in the 2D plain (e.g., hand movements from side-to-side but not forward / back), due to limitations with things like depth of field tracking through a webcam, which has yet to be addressed.
The back-end support for the capability is only available on Aditi (the Beta grid) and within the following regions: Bunraku, Marionette, and Castelet.
Puppetry requires the use of a dedicated viewer, the Project Puppetry viewer, available through the official Second Life Alternate Viewers page.
No other special needs beyond the project viewer are required to “see” Puppetry animations. However, to use the capability to animate your own avatar and broadcast the results, requires additional work – refer to the links below.
This project is taking in a lot of additional ideas – animation standards, improving the current animation system, enabling truer avatar / avatar and avatar object interactions such that it is likely to evolve into a rolling development, with immediate targets for development / implementation as they are agreed upon, to be followed by future enhancements.
As such, much of what goes into the meetings at present is general discussion and recommendations for consideration, rather than confirmed lines o development.
There is a Puppetry Discord channel – those wishing to join it should contact members of LL’s puppetry team, e.g. Aura Linden, Simon Linden, Rider Linden, Leviathan Linden (not a full list of names at this time – my apologies to those involved whom I have missed).
Bugs, Feature Requests and Code Submissions
For those experimenting with Puppetry, Jiras (bug reports / fixes or feature requests) should be filed with “[Puppetry]” at the start of the Jira title.
See: OPEN-375: “LSL Functions for reading avatar animation positions”.
Rider Linden is starting to look at LSL integration – the first step being to make the simulator aware of what is actually animating.
Currently, the code he has developed lets the server know the position of an avatars attachment points; this sends details of 55 points (HUD points excepted). Attachment points have been selected over bones, as the simulator already has a solid concept of attachment points, and it avoids complications with rigged meshes “doing their own thing” with bone positions.
A concern with this is the number of updates being sent to the server for processing.
One idea is to refine the the code so that only the attachment points which change relative to the avatar centre (avatar frame/Local Position relative to the avatar) actually send information to the server, in order to reduce the number of updates being generated.
Another idea might be to only send updates every n frames, rather than every frame. This would reduce the fidelity of movement, but could still provide sufficient data while reducing the load on the simulator, particularly where multiple avatars in a region are using puppetry.
This issue is related to synchronising puppetry actions across multiple viewers as well; a long-standing issues, given that animation playback of animations is viewer-side, and not genuinely across viewers (the resync function found in some TPVs only does so locally).
All of the above lead to a discussions of ways and means to best allow LSL integration with animations and ensure a reasonable transmission of results together with decent synchronisation between the viewer and the simulator, whether by frame count or time stamp, in order to ensure predictability of results across multiple viewers. .
In addition, the discussion included the advantage in enhancing Second Life to support procedural animations as well as the current canned animations.
Rider is also looking into a script enhancement to register collisions.
There was some conflating of ideas during the discussion – immediate first steps in opening Puppetry to LSL, and more far reaching goals – setting position, registering collisions (per the above), defining better interpolation for positioning (e.g. as defined in the Khronos glTF specification), etc., which caused a degree of confusion.
However, the openness towards making Puppetry a good foundation for future enhancement (such as moving more to procedural-based animations, enabling SL to support “industry standard” animation workflows to encourage animators into the platform, etc., remains, together with (hopefully) enabling more realistic avatar / avatar and avatar / object interactions.
That said, Simon Linden did offer a not of caution to all discussing the work:
Not to pop the bubble, but every one please keep in mind all the stuff we’re talked about is experimental and really interesting. I have no idea what we can make into real features and what can work with crowds and all the other interesting problems to make it happen well – we’ll see what we all can do this year 🙂
My first memory of Cica Ghost’s art in Second Life came over a decade ago, when she secured a region grant from the former Linden Endowments for the Arts (LEA), and hosted Cica. It caught the eye and imagination of many, featuring two-dimensional stick figures, many of them animated, going about their lives within a 3D setting, with the little chap riding his bicycle in the face of a strong wind that becoming something of a motif for the build within blog posts about it.
Follow-up installations like Ghostville allowed various 2D characters draw by Cica to continue to appear in her 3D installations – and they still pop-up from time to time either directly (plants and flowers forming a part of an landscape) or indirectly (as drawing on walls) within Cica’s installations.
Cica Ghost: Scribbled, January 2023
Now, with her latest installation, Scribbled, which opened to the public on Thursday, January 12th, 2023, Cica again brings us a 2D world within a 3D space. Offered under the description Every day is a new day, this is an installation sitting on the 3D equivalent of a sheet of paper – and just as every day is a new day, so is every blank piece of paper an opportunity for the imagination to take flight, be it through drawings or through words.
Here, we are invited into the former (be sure to Use Shared Environment in your viewer (World → Environment), a crisp white setting suggestive of that sheet of paper on which Cica has “drawn” for us a series of vignettes. From 2D trees through aliens standing before their flying saucer to cows, elephants, cats and deer to monsters whose smiles reveal they are not intent on harm, this is a place where even the hills are given a deceptive two-dimensional edge.
Cica Ghost: Scribbled, January 2023
The order in which you encounter these little vignettes matters not – suffice it to say each has its own charm and some, due to the layout of the scene, may need a little additional exploration to be seen at their best. Also scattered among them are some 3D elements – houses and such – which, as the camera is moved, perform the illusion of appearing to morph into flat drawings before revealing their real depth once more – indeed, the overall positioning of all the elements in the setting present an immersive depth that reaches beyond the 2D form of the majority of the pieces.
This is also a setting with a little secret. Just as every day is a new day, is followed by a night, and should you find your way to it, Scribbled reminds visitors of this by transporting them from “day” to “night”. This is a place where the sky and ground are black, and the trees, animals and objects become white, giving visitors a sense of stepping into a photographic negative of the “outer” drawing. Cleverly, as well, the return trip from “night” to “day” delivers visitors to a different locale from that used to enter “night”, thus ensuring that a part of the setting that might have otherwise been easily missed or taken for granted, might be enjoyed.
Cica Ghost: Scribbled, January 2023
Of course, as with all of Cica’s installations there are opportunities for interaction awaiting discovery, from dances to sit spots to the chance to frame yourself in a “2D” picture frame located to one side of the setting, all of which further adds to the fun. And when wandering be sure to say hello to Cica; whilst she may not always be in Scribbled in person, she is always present in (2D) spirit!
As always, Scribbled is an engaging trip into the imagination with Cica, whose work never fails to raise a smile and the spirit, so when visiting do please consider also supporting her work through a purchase or a donation.
SLurl Details
Scribbled by Cica Ghost (Mysterious, rated Moderate)
Inara Pey: Living in a Modemworld