Logos representative only and should not be seen as an endorsement / preference / recommendation
Updates from the week through to Sunday, June 2nd, 2024
This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:
It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.
Official LL Viewers
Release viewer: 7.1.6.8745209917, formerly the Maintenance Y/Z RC ( My Outfits folder improvements; ability to remove entries from landmark history), dated April 19 and promoted April 23 – No Change
Cayla (YumiYukimura): Monochrome Memories, June 2024
Cayla (YumiYukimura) invited me to visit her latest exhibition at Saint Elizabeth’s Studio and Gallery in Second Life, which opened on Monday, June 3rd, 2024. Entitled Monochrome Memories, and with the sub-title of Shades of Adolescence, its an exhibition that is somewhat personal for Cayla and which has – being frank – drawn mixed feelings from me on viewing it.
The personal aspect of the exhibition comes from the fact it is rooted in a physical work project Cayla undertook, as noted in the her introduction to the exhibition:
When I was a young teacher and photographer, I was invited to participate in a group exhibition at a prestigious local art gallery. I had to develop, process, mat, and frame the photographs in my own, one person, professional darkroom. During my free prep periods, at school, I would select a student, take them outside, and have them self pose against a wall of the school building dressed in their everyday attire. This was during the 1970s and 1980s.
Unfortunately, all of my original photographs were destroyed in a flood, including the negatives. The AI-generated pictures presented here evoke memories of those I captured during that time. Just like the originals, these AI pictures are in black-and-white.
Cayla (YumiYukimura) on Monochrome Memories
Cayla (YumiYukimura): Monochrome Memories, June 2024
Cayla also note that during that original exhibition, several of the artists commented on how her images reminded them of the black-and-white photography of Indiana-born and Arkansas-based photographer Mike Disfarmer (1884-1959). He spent a good portion of his adult life living and working in a small photography studio where he would create and sell images of the local townsfolk and those from the surrounding area. As a working photographer, selling set of three photographs at 50 cents, Disfarmer never really garnered much attention during his life – and this might have remained true following his death, but for the 1970 discovery of a cache of his original glass negatives still located with the premises of his former studio.
Carefully catalogued, restored and preserved, these negatives formed the basis for two exhibitions of Disfarmer’s photography – and catapulted him into the realm of well-regarded and celebrated Outsider Artists, his ability to portray the lives of everyday folk in a starkly realistic manner which has come to symbolise life in the mid-west of the United States in the middle of the 20th century.
Cayla (YumiYukimura): Monochrome Memories, June 2024
Within Monochrome Memories, Cayla presents a collection of AI generated pieces which seek to both re-capture the core theme of her original physical world exhibition in that the subjects are (as per the exhibition’s sub-title) predominantly young / adolescent subjects pictured against a wall, whilst mixing-in a touch of Disfarmer in that that all carry either a neutral or (in some cases) slightly dour expression. In this way – and again like Disfarmer – they might be said to offer a stark, unblemished view of people joined not by art, but by the environment in which they live; thus offering a collective snapshot in time.
There is much that is attractive about this collection in its own right, as well as in the manner in which it seeks to offer an echo of a former display and present a reinterpretation of Disfarmer’s approach to photography. For example, I particularly liked the subtle use of self-portraiture (in terms of Cayla’s Profile image avatar) within the collection, and the little touches of humour (the bearded “JC” standing against a wall and reading a Bible-like tome and with a church steeple visible behind him, for example).
Cayla (YumiYukimura): Monochrome Memories, June 2024
That said, I will admit that the very fact these are AI images at their heart gave me issues; I have an admitted ambivalence towards such art for many reasons – including the way in which I feel it can all too easily detract from an artist’s intent more than add to it. Here, for example, it was just a handful of images that kept demanding my attention; not because of the artistry or narrative evident in them, but because they looked to me as if the AI tool had simply lifted from photographs of Tilda Swinton, Bob Dylan and James Dean, Phil Lynott and others. Whilst not Cayla’s fault, this reaction lifted me away from an appreciation of her work and into the realm of pondering the merits of AI tools – and for that, I apologise to her.
Nevertheless, I do see this as an exhibition worthy of viewing, and thus commend it to you.
The 2024 Second Life Hair Fair is opens on Saturday, June 1st and runs through until Sunday, June 16th, 2024. As with previous years, is being run to raise money for Wigs for Kids, with every purchase seeing a percentage donated to the cause, with the Bandana booths and Donation kiosks donating 100% of all proceeds received.
As with recent years, the event takes place across six regions, appropriately called Foils, Brunette, Streaks, Noirette, Redhead and Blonde, laid out in a block of six, with Foils, Brunette and Streaks to the north and Noirette, Redhead and Blonde to the south, separated by an intervening stream. The landing zones for the regions form decks spaced along both banks of the stream, both helping to lighten the load of arriving avatars and providing vantage points from which those (such as myself) who prefer to do so, can cam-shop without necessarily having to wander the stores.
Hair Fair 2024
As is usual for Hair Fair, the shopping regions are wisely lightly decorated in order to minimise viewer-side lag that might otherwise be created by having a significant amount of extra object and texture rendering. For those who enjoy perusing stores directly, the broad boardwalks ensure there is little chance of bumping into others, whilst those who might tire of walking can use one of the rezzers located along both boardwalks to rez a sittable “bus” and ride the length of the walkways.
The list of participating merchants can be found on the Hair Fair website, while for those who may not find something they wish to purchase, donation kiosks are available to help support Wigs for Kids, or there are the Bandana Booths, one located in Foils and the other in Blonde. within them, visitors can purchase a bandana or a Hair Fair Hare companion (all proceeds on both to Hair Fair), and learn about the history of the Hair Fair Bandana Day & booths.
Fair Fair 2024
About Wigs for Kids
For more than forty years Wigs for Kids has been providing hair replacement systems and support for children who have lost their hair due to chemotherapy, radiation therapy, Alopecia, Trichotillomania, burns and other medical issues at no cost to children or their families. The effects of hair loss go deeper than just a change in a child’s outward appearance. Hair loss can erode a child’s self-confidence and limit them from experiencing life the way children should. With an injured self-image, a child’s attitude toward treatment and their physical response to it can be negatively affected also.
Wigs for Kids helps children suffering with hair loss look themselves and live their lives. Families are never charged for the hair replacements provided for their children; Wigs for Kids rely completely on both the donation of hair and / or money to help meet their goals.
ONCEAGAIN Gallery and region, May 2024 – click any image for full size
While writing about Splash the Gouache, the May / June 2024 exhibition by Onceagain (Manoji Yachvili) at Nitroglobus Roof Gallery (see: Splash the Gouache at Nitroglobus in Second Life), I realised it had been a while since I last visited Onceagain’s gallery. At the same time I learned that she holds her region open to public visits, and so I made a mental note to hop over and pay another visit as soon as time allowed.
That time turned out to be sooner rather than later after Onceagain contacted me to act if I would pop over and photograph the region in its current form, ahead of her closing the region for a summer make-over.
ONCEAGAIN Gallery and region, May 2024The invite was offered without any request for me to blog the region- Onceagain was extremely generous in her comments about my efforts in photographing Second Life regions – but having spent time wandering through the landscape, I felt it more than worth the time to write about, and I believe that Onceagain is going to hold-off closing the region for its makeover for a few more days so that people can see it as I’ve written about it here.
The first thing to note about the setting is that it is a place that freely mixes art – Onceagain’s work as well as pieces by other artists and photographers active in Second Life – with landscaping; as such those familiar with exploring countryside and similar settings in-world should not expect the region of have a central theme or styling; rather, it should be enjoyed for its own innate beauty and for the art within it.
ONCEAGAIN Gallery and region, May 2024
The landing point is located on the south side of the region, within a warehouse-like building which presents the first confirmations of the artistic lean, within images and pieces by a number of SL artists. Also to be found here is the teleport up to the main gallery space. The latter is going through a state of flux at the moment as Onceagain makes changes; nevertheless the range of art on display is more than worth the time taken to visit.
Outside of the landing point the landscape sits under the custom EPP setting, which I would suggest is the best way to view everything (World → Environment → Use Shared Environment), although admittedly, I’ve blended skies in the images used here.
ONCEAGAIN Gallery and region, May 2024
Where you wander once you do set out is simply a matter of letting your feet take you towards whatever catches your eye; scattered across the landscape are several more buildings which are home to displays of art, whilst 3D pieces can be found outdoors as well as indoors.
The art offered throughout is captivatingly broad, but I will confess to being particularly drawn to a collection of Onceagain’s own work located within a raised building on the east side of the region. Here she has used her art to illustrate a series of poems (touch each picture for a copy of the poem it represents). Alongside of this (figuratively speaking, as the two are in different buildings) is another selection of pieces by Onceagain which frame quotes on art by artists.
ONCEAGAIN Gallery and region, May 2024
All of the buildings across the region are open to the public, with the possible exception of the house located in the north-west corner. Whilst not formally marked as private, it is a visual ode to the kind of home Onceagain would love to have in the physical world; a place set behind hedgerows and at the end of a well-set Zen garden.
Sitting within its own parcel, the house combines a place to live with a home studio any artist would probably love to call home. As it is separated from the rest of the setting by hedgerows and gates, I would advise staying outside and gently camming around if you want to take a peep, rather than potentially intruding. That said, the Zen garden is available to spend time in, and makes for a restful space in which to spend some time.
ONCEAGAIN Gallery and region, May 2024
One of the reasons I found the region so inviting on a personal level lay not only in the flow of the landscape and the blending of nature and art, but also in the fact that Onceagain and I share a similar taste in design aesthetics and Second Life creators. We both have a fondness for the work of Alex Bader, Sasaya Kayo, Kriss Lehmann and Krystali Rabini and for the architecture of Marcthur Goosson – all of whom are represented within my main island home. Thus, in walking through the setting, I felt a certain kinship, although her region and my island are vastly different in terms of look and feel.
Calm, inviting and with a superb selection of art, Onceagain’s gallery and region is well worth a visit by anyone appreciative of art, photography or simply visiting a creative, well-designed region in Second Life.
Currently open within the Nitroglobus Roof Gallery Annex, operated and curated by Dido Haas, is a fascinating mixed-media exhibition of art by Onceagain (Manoji Yachvili). It brings together gouache painting, Second Life avatar photography and software post-processing to produce a series (or should that be part of a series, given this is apparently not the full collection?) of 16 utterly engaging pieces of the artist calls Splash the Gauche.
As a self-taught artist, Onceagain has a creative range to her work that is as impressive as it is visually engaging. She notes in her own introduction to A Splash of Gouache, that part of the inspiration for the pieces contained in this exhibition came by way of having recently completely a course in tempera painting whilst also experimenting software tools focused on painting and drawing, before going on to state:
So I took some photos of my avi on SL and then post-produced them with this software and printed them on watercolour paper, giving them some real touches. I’m old school, I need to experiment first hand by touching and not just looking at what I’ve produced on a monitor and I often hang what I like on the walls of my home … The mix between three media: SL, SW and RL seemed like an interesting path to experiment and I simply enjoyed working on this.
For those not familiar with them, tempera and gouache are somewhat similar techniques, each with a very long history. They consist of combining pigments with a water-soluble binding agent (often egg yolk in the case of tempera, or gum arabic in the case of gouache). Both are long-lasting, and can infuse the paper on which they are painted whilst being very opaque when dry. Tempera is perhaps the faster drying of the two, with gouache capable of being moistened again to dry in a matte finish.
Within Splash the Gouache – the title presumably referring to the overall finish to the pieces in the collection – Onceagain presents a series of avatar studies, some of which feature sufficient nudity to potentially be considered NSFW. All of them have a feeling watercolour lightness combined with the gouache aspect of lighter tones appearing to have perhaps dried darker than than they had originally been, and the darker tones similarly lighter. This gives all of the pieces a blending of colour and tone that – even in those leaning towards darker tones and shades – have a certain lightness of being about them; a sense of life and vitality as the eyes are inevitably drawn to the figure within each piece.
Also present within each picture – again in part thanks to the combining of technique and the use of colour as much as the subject’s pose – is a sense of emotion and / or reflection of mood which more traditional means of imaging and portrayal might not so easily convey. There is narrative within each piece, although what that narrative might be is likely to vary according to the eyes viewing the pieces. In all they are tactile in the manner in which they hold the eye and mind – which is not unfitting, given Onceagain’s own preference for making physical contact with her art, rather than just rendering on a monitor screen.
Running through to the latter part of June 2024, Splash the Gouache is well suited to the large image format utilised at Nitroglobus, allowing us to fully appreciate the beauty of the pieces and Onceagain’s mastery of both her art and her use of technology. Thoroughly recommended.
Hylia’s Lake, May 2024 – click any image for full size
Occupying a Full private region leveraging the 30K Land Capacity bonus, Hylia’s Lake is a charming public / residential location which mixes North American and northern European influences to offer an engaging and photogenic visit and, for those seeking it, a place to call home.
Operated by Anastasia Juriya and Gianella Melodious, the region is laid out around the central lake of its name, which forms a significant body of water without the rest of the region feeling in any way cramped. In this, the region is assisted through the use of off-region surrounds which have been blended into the region’s edges as much as possible to give the setting the sense of being within a verdant landscape of rolling hills, with some of the gaps between the landscape surrounds serving to look like further bodies of water sitting within the distant folds of land.
Hylia’s Lake, May 2024
The landing point sits on the south side of the region and within a small lakeside hamlet which combines several influences and which has at least on rather surprising (actual) place of business (the region is rated Adult). However, like its real-world counterparts, outside of the neon signage, the place is discreet in terms of no windows displays! It sits at one end of a row of virtual business and alongside the local chapel, patrons of which might well disapprove of being sandwiched between the shop and the local night spot – but c’est la vie. Book-ending the row at its other end is the local pub, which as well as offering a pint and a game of pool also has a bike rezzing rack outside for those wishing to good for a ride.
Across the road is a car park / paved square which forms the actual landing point for the region. Here visitors can enjoy an outdoor drink, a meal at the marina restaurant or pick up the region’s rules and learn about the available rentals. The rules are worth reading – not because of any significant “do’s or “don’ts”, but because they provide information on available activities within the region which may or may not be available; during the winter, for example the ski lift appears to be operational, as is the slope alongside it, although for summer it is shut down (for obvious reasons!).
Hylia’s Lake, May 2024
Hylia’s Lake is a place to walk, take photos, or live with the seasons. Cottage rentals, chalets, or trailers are available for rent. The destination lives with the seasons and changes its appearance, winter invites itself with snow and at first the flowers spring forth. A small ski resort comes to life in winter with its chairlift and ski slope. There is a place to dock your boat and sail the lake.
– From the Destination Guide Entry
The rules also highlight the slipway rez zone, where boats and water vehicles of up to 100 LI might be rezzed to take out on the water (please mind the waterfowl also making use of the lake and avoid cross the marker line into the waters reserved of swimmers at the beach.
Hylia’s Lake, May 2024
For those who don’t have a boat, the slipway includes a jet ski rezzer – just sit on the one on the trailer and let it slip down onto the water, whilst to the side of the slipway there is a a Snipe 2.2 rezzer for those who might like sailing around the lake as well.Jet skis, sail boats and bikes are not all that is available to rez and use. A horse rezzer might be found on one side of the square for those who wish to ride around the region (and you can always slip on a wearable horse for riding around the region), with a quad bike rezzer in the parking area. The quad bike is a good choice, as the paved road running through the hamlet quickly gives way to a rutted track that circumnavigates the lake. Whilst cars could well likely make it around the track, the quad bike is more fun.
Hylia’s Lake, May 2024
The rentals within the region are all located around the shoreline of the lake and take a variety of styles well suited to the landscape. They all offer boat moorings and sit within their own parcels between the water and the track as it winds its way around the setting. In terms of public spaces, as well as the hamlet and the lake, there’s the aforementioned beach at the south- eastern extent of the lake (complete with a convenient horse rezzer if you have been riding and decided to dismount for time at the beach). The ruins of an old castle sit behind and above the beach (and are cut through by the meandering track), whilst elsewhere visitors might fight paths and trails meandering through the woodlands.
Swimming in the lake appears to be permitted, and the beach offers windsurfing – but this is an activity for which local Group membership is required (fee: L$150, although the rules sate L$400). I’m not sure if other activities are Group limited, but joining appears to include rezzing rights for those wishing to place out props for photography – but as always, please clean up behind you!
Hylia’s Lake, May 2024
Considerable care has been taken with the landscaping and region design, making Hylia’s Lake exceptionally pleasing to the eye and camera, with the setting well suited to a range of EEP settings as well as the local default (I’ve used one on my own day settings for the images here). The accompanying soundscape rounds-off the region perfectly, with the entire atmosphere one of relaxed charm and gentle sophistication. As the rules note, and I mentioned above, this is an Adult region, so sexual activity is permitted, although I suspect the tenants and region holders might prefer this to be kept to with the rentals (all of which are fairly reasonably priced), and nudity is public spaces is discouraged.
A genuinely pleasing to the eye setting, well laid-out and with a sense of space and natural beauty that reaches well beyond the region’s physical boundaries, Hylia’s Lake is an engaging visit.