Day: July 29, 2025

Designed by Miri (SilentChloe), Lost Place of Norbu is located within a Homestead region and offers  a sub-tropical setting which fully lives up to the Tibetan meaning of its name – “jewel”.

The setting is presented as two islands set within an azure sea and sitting just off what appears to be a rugged and wooded coastal headland. The larger of the two islands is partially surrounded by a sandy beach, the sands of which also reach across the intervening shallows to brush against the smaller island.

Defined within its About Land description as a lost place near Taiwan, this adult-rated setting offers a lot to appreciate in a relatively small area (a good portion of the region being given over to sandy shallows); including places to sit and pass the time, assorted wildlife, and a partially hidden location that might easily be missed in a rushed visit.

The Landing Point sits on the north side of the region within the aforementioned shallows and facing the larger of the two islands. In appearance, this island almost has the look of a volcanic uprising about it; a tall peak rising from the sands to sit as a high plateau dominated by a huge headless, one-armed statue which may have once represented Buddha.

Densely canopied with the kind of foliage one might reasonably expect to see somewhere close to Taiwan (itself noted for its sub-topical evergreen forest), the bulk of the this peak – which put me in mind of the sold basalt core of a long-dead volcano – is hidden from the Landing Point by this green canopy, causing the eyes to be drawn to the shoulder of rock extending into the sea on the island’s on its north side and the single-storey wooden building standing upon it.

Reached via a set of stone steps rising from the beach between two lines of bamboo trees, the build mixes places to sit, enjoy Japanese tea or engage in Adult activities, its cool interior.

Behind it, meanwhile, a path arcs around the eastern side of the main peak, travelling through a small Zen garden and under a Torii gate to reach a southern shelf of rock extending out over the southern waters. Another, stone Buddha, small than the one on the island’s peak and semi-clothed in moss, sits within a stream of water running outward across this rock shelf and fed by a waterfall at its inland end, and which drops into the waters below at its outer end. A simple wooden boardwalk crosses this stream, allowing visitors to follow the path onwards, and so circumnavigate the island’s peak and return down the stone steps back to the beach.

As the sands of the beach do not fully encircle the island, it is impossible to use them as a similar means of circumnavigation, but follow them west and then around to the south from the landing point, and you’ll find yourself passing under the shelf of rock where “little Buddha” sits, then onwards to the island’s hidden gem.

Guarded by a mix of tall pagoda-like lamps and a Torii gate, all of which stand ankle-deep in lilies and other greenery happy to grow in the shallows, together with hovering water lily lanterns, sits the Shibari House.

Almost entirely hidden from view from above thanks to the rain forest canopy, the name of this place might sound like it is a centre for Adult activities. However, whilst such activities are possible, unless in actual use during a visit, they and cleverly hidden away, allowing the place to apparently take its name from the artwork mounted on the walls of the open-air rotunda.

Across the sandy shallows and tucked into the south-west corner of the region, the smaller of the two islands is equally as rugged as the larger and well canopied by sub-tropical foliage. A little harder to get around, it offers numerous places both beach-side and up among the rocks of s backbone to sit and pass the time, including an onsen watched over by egrets and with its outer ring of water patrolled by large koi carp.

If the onsen is not to your liking, then there is a waterside gazebo where it is possible to keep an eye on the location’s three elephants. I’m not sure how they found their way here, but they appear to be enjoying wading around in the warm waters, whilst colourful birds circle overhead. Some of the latter appear to appreciate the presence of a Japanese dragon fountain as it dribbles water from a rocky outcrop part-way up the side of the island. It sits close to another little retreat overlooking the Onsen, but I confess I had to resort sitting on the couch within it in order to reach , as I couldn’t find a path up to it.

It is in several of the couches, chairs and sit points in general that the setting’s more adult nature can be found, rather than in anything overtly displayed; thus, there is nothing within Norbu that might offend the sensitive when visiting. Rather, this is a peaceful setting which genuinely offers a lot to see, appreciate and to photograph.

Finished with a (perhaps too) subtle soundscape and presented within an appropriate EEP setting, Norbu offers an engaging fusion of ideas: a sub-tropical island off the coast of Taiwan but with a strong Japanese influence, wandering elephants, and even a little puffin enjoying a little bit of a tropical vacation. As such, it is well-worth the time taken to visit it.

SLurl Details

• Lost Place of Norbu (Ruby Rigid, rated Adult)