On a Luna Sea in Second Life

Luna Sea, May 2025 – click any image for full size

Yoyo Collas – he of Borkum fame (which I last covered at the start of the year) – is now back with a new Homestead region design in the form of the rugged, mysterious islands of Luna Sea, assisted in his work this time by AmyDenise.

These low-lying islands, sitting under a misted sky marked by a recently-risen Sun, are home to a plethora of wildlife, and form an interesting and interconnected trio. Between them they are rich in detail, colour and opportunities for exploration, relaxation and photography.

Luna Sea, May 2025

The Landing Point sits on the largest of the three islands, a long finger of west-pointing rock where hardy grass, shrubs and a few headstrong trees with their back bent as if twisted by ocean winds over the years, have gained a toe-hold.

The ground gives the suggestion of a possible volcanic origin, which together with some of the mammals present – notably the walrus and grey seals – suggesting the islands could be a remote part of the High Arctic Large Igneous Province; not that anywhere in SL has to be based or inspired on any actual physical world location, this is just a game I like to play in the hope of additional sparking imaginations. A colony of eared seals has also come ashore close by the Landing Point, further suggesting a north Atlantic vibe to the islands (although eared seals can in fairness be found the world over).

Luna Sea, May 2025

This island is dominated by three structures. Two are built out over the waters between it and the southern island, and the third –and largest – raises itself over the island’s high point on study legs – although “high point” is here a relative term, it being little more that a hump of rock at towards the island’s eastern end and sitting just a little above the island’s general elevation.

Reached via stairs leading up to a central covered deck, this large unit forms a comfortable home sturdily built in steel and wood, the decks available on three sides offering commanding views to the west, north and east. It does not appear to be a private residence, but open for visitors to enjoy, the décor perfectly put together by AmyDenise.

Luna Sea, May 2025

The two buildings built out over the water share a common deck. They stand as a pair of artist’s studios and the local café offering refreshments on the seaward part of their shared deck; just be prepared to share your nibbles with the local kitties! This deck also offers sheltered moorings for boats visiting the island. In addition, a large fishing trawler sits alongside, whilst pedal boats are tied-up below one of the studio units. Access to the majority of these moorings from the eastern ends of the island is prevented courtesy of the pier bridge connecting to the second largest island – although this pier can (and does) also offer places where boats can be brought alongside and moored.

Roughly half the size of the main island, the second isle is more of a bump of granite shingle rising from the surrounding waters. Again, shrubs and grass cling to it, together with a single tree. However, its most striking feature takes the form of two large huts.

Luna Sea, May 2025

These look as if some giant hand has taken the hull of a wooden ship and planted it keel-side up on the island, before using a cleaver to slice it neatly into two halves, then moving them apart. They are set as a surfer’s retreat and workshop, and thus suggest a further geographical influence for (and mystery to) these islands. A further geographical mix is added by the presence of several giant turtles, monitor lizards and red-crowned crane (whose height strongly suggests they will brook no argument from mere humans!).

The third island lies to the north side of the region, barely off the coast of the main island. So close, in fact, it is connected by a short, low wooden bridge passing over a narrow neck of shallow wetland, suggesting that it one time the two were once a singular landmass. Further shallows lie to the west, extending both to the main island and out to where a trio of massive wind turbines stand as sentinels watching over the setting. With nets staked out across their length and breadth ready to herd fish into their various traps, the nets have become a feeding ground for egrets, seagulls and heron.

Luna Sea, May 2025

Largely comprising igneous shingle, this smallest of the three islands has a single blunt thumb of a thumb-tip of rock poking upwards, capped by the most extraordinary structure. Resembling a recently-landed space vehicle, it is reached via step hammered into the rock on which it stands, its upper level marked by four large, leaf-like hatchways folded back to reveal its interior. Here can be found a celebration of the island’s most mysterious inhabitant, and the one which perhaps brings visitors to the islands’ shores: actias luna, the luna moth (aka the American moon moth).

A mysterious silence reigns on a remote, mist-shrouded island of black sand and jagged rocks. Sharp cliffs rise from the sea like ancient sentinels, and strange, silvery plants grow among glittering lava rocks. This is where the Luna Moth lives—a rare, luminous creature with moon-coloured wings that only appears at night. Its silent flight seems to pierce time and space, as if guarding the dreams of the island itself.     

– Yoyo Collas’ description of Luna Sea

Luna Sea, May 2025

This is not the only place these North American moths might be found; at least one pair are hiding in plain sight on one of the islands. However, I’ll leave it to you to find them and the little family of meerkats which has also made the islands its home 🙂 .

Beautifully conceived and executed, Luna Sea is a highly rewarding visit – so do be sure to hop over and explore!

SLurl Details

Love is a Stranger in Second Life

The Annex, Nitroglobus Roof Gallery, May 2025: YO – Love is a Stranger

Having opened on May 12th, 2025 for a (roughly) two-month run, Love is a Stranger is an evocative exhibition of black and white photography by – YO – (yoasa) being hosted by Dido Haas within the Annex of Nitroglobus Roof Gallery. Dido notes that the first time she came across YO’s work, she was immediately drawn to it, such was the emotive – almost physical  – strength with the images. Given this is also my first exposure to YO’s work, I can understand why she felt so drawn; working in monochrome brings a depth of raw humanity to their work, carrying within it a persistence of passion that is enthralling.

Colour brings joy to the eyes – but black & white reaches the heart.

Yo(asa)

The title of the the exhibition – which features eighteen marvellously composed and processed pieces – is taken from the song of the same name by Annie Lennox and Dave Stewart, aka Eurythmics, and which formed the opening track of their second album Sweet Dreams (Are Made of This). 

The Annex, Nitroglobus Roof Gallery, May 2025: YO – Love is a Stranger

The lyrics, penned by Lennox, sought encapsulate the dichotomic relationship of love and hatred – so often two sides of the same coin – by putting opposites together, expressing how one can lift you up, lead you forward, whilst the other is just awaiting the opportunity to cut you down through doubt, confusion, and more; and where one can be so glamourous and appealing, with the other lurking just beneath with cruelty and unkindness; the promise of both, when taken together, equally rich and false.

To be honest, with one or two exceptions, I did not see many parallels between Lennox’s intent and the images YO presents – and if they are present, the failure to see them is purely mine, and not that of the artist. What I did find, however, are images that are simply breath-taking in their emotive depth and resonance; pieces beautifully focused and framed as an ode to the fickleness of love itself.

The Annex, Nitroglobus Roof Gallery, May 2025: YO – Love is a Stranger

Each picture is a masterpiece of visual storytelling, conveying a richness of desire, loneliness, loss, need, innocence, uncertainty. These are all emotions common to love. We all want to be loved, to be in love, and feel the same in return: to feel wanted cherished, desired. Yet love itself is mercurial; even in the midst of all the the sense of fulfilment, of finding that desire and cherishment in the eyes and arms of another, so too can it all too easily give forth doubts, take away the comfort as easily as it provides. It can turn thoughts of certainty and contentment into those of incertitude, and feelings of warmth to those of uncertainty.

Thus, we become alone in thought and trapped contradictions, literally and figuratively wandering; driven, perhaps to feel the very world around us is alien or as if the feelings that at first lifted us, made us feel a part of something so easily turn to feel apart from everything; standing outside and looking in. We have discovered that love itself has turned from welcoming friend to a complete stranger.

The Annex, Nitroglobus Roof Gallery, May 2025: YO – Love is a Stranger

All of this is conveyed within YO’s images, and quite powerfully and evocatively so. It is, in short: an absolutely exquisite collection.

SLurl Details