2025 SL viewer release summaries week #19

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates from the week through to Sunday, May 11th, 2025

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy.
  • This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Outside of the Official viewer, and as a rule, alpha / beta / nightly or release candidate viewer builds are not included; although on occasions, exceptions might be made.

Official LL Viewers

  •  Default viewer: 2025.03 7.1.13.14343205944, issued April 9th and promoted April 15th.
    • New UI element for water exclusion surfaces: Build / Edit floater → Texture Tab → Hide Water checkbox.
    • The maximum amount of Reflection Probes can now be adjusted to better accommodate low VRAM scenarios.
      • Values will be set automatically depending on your chosen graphics quality. OR
      • Use Preferences → Graphics →  Advanced Settings →  Max. Reflection Probes to manually set.
    • An issue with being unable to see Sky Altitude values in the Region/Estate window has now been resolved.
    • Preferences → Graphics → Max. # of Non-Imposters has been renamed Max. # of Animated Avatars for clarity.
    • Bug and performance fixes and memory optimisations.
  • Release Candidate: 2025.04 – 7.1.14.14742193597, May 2nd 2025 – NEW.
    • Includes the following new features:
      • Chat Mentions (Early Support): Type @ then pick a name. To follow: audible alerts and highlight colour pickers.
      • My Outfits subfolders: now supports the use of subfolders.
    • Key updates:
      • Build Floater improvements: increase to scale boundaries; Physics Material Type now updates when selecting linked objects; Repeats per Meter value no longer incorrect for non-uniform sized objects
      • Hover height: the minimum/maximum is now +/- 3 meters.
      • Snapshot floater: L$ balances can be hidden independently of the rest of the UI.
      • Preference Search bar: general usability and readability improvements.
    • Refer to the release notes for full updates and fixes.
  • Second Life Project Lua Editor Alpha, version 7.1.12.14175675593, April 2nd.

LL Viewer Resources

Third-party Viewers

V7-style

  • Kirstens Viewer S24(2) – Drif (Build 2382), May 12, 2025 – release notes.

V1-style

  • Cool VL Viewer Stable: 1.32.2.47, May 10, 2025 – release notes.

Mobile / Other Clients

  • Radegast client version 2.46, May 11 – release notes.
  • SL Mobile (Beta) version 2025.5.550 / 0.1.541 – May 12  2025 (Avatar rendering improvements; select which Group notifications you wish to receive; Return to Lobby; Log-out option now Menu > [your name] > drop down arrow).

Additional TPV Resources

Related Links

Landscapes and a warning in Second Life

Kondor Art Square, May 2025: Mareea Farrasco – Landscapes

Landscape photography is an art I greatly admire. Within Second Life it offers a means to capture settings and places which – the nature of the platform being what it is – might otherwise prove transient for a wide variety of reasons. Through the images taken of them, we might revisit places which might otherwise have vanished forever, rather than aging and changing with time and allow us multiple opportunities to revisit and appreciate.

As a demonstration of this, the Kondor Art Square, part of Hermes Kondor’s art hub, is hosting an exhibition of exceptional Second Life landscape art captured by Mareea Farrasco. Comprising 20 images gathered from across Second Life, the collection is called simply Landscapes, with each piece capturing its subject uniquely and beautifully. Each has been carefully and perfectly post-processed to give the impression of having been painted, adding a further sense of depth to their presentation, as well as demonstrating the validly of such editing when performed by an artist who understands the proper use of the tools at her disposal.

Kondor Art Square, May 2025: Mareea Farrasco – Landscapes

These are places which may be recognised by seasoned SL explorers – or, equally, they may not. However, whether or not you happen to recognise any given place is the collection doesn’t actually matter. What is of import is the beauty within each piece.

In this, Mareea’s eye, framing and editing combine to produce pieces which are immediately and richly engaging, drawing one into each of them in turn, offering hints of narrative and suggestions of memory. They speak to the purity of art in its ability to portray and present beauty for its own sake, without necessarily carrying a deeper meaning.

Kondor Art Square, May 2025: Mareea Farrasco – Landscapes

“Landscapes with a message” is very much the theme of the second exhibition I’m covering here: that of Blip Mumfuzz’s Landscapes from a Lost World, currently open at Serena Art Centre.

Blip is another artist whose work I admire immensely, hence why I cover so many of her exhibitions. Like Mareea, she has an innate ability to draw us into the heart of her images, together with an ability to direct our focus and weave stories. Her use of colour, angle and editing is such that her images can have both clarity and at times border on the abstract.

Serena Art Centre, May 2025: Blip Mumfuzz – Landscapes from a Lost World

Blip’s art is often capable of speaking to a wider theme; and such is this case with Landscapes from a Lost World. Set within an environment – the abandoned, fading structures of an old farm – specifically created by Blip in which to display them, and which is thus as much a part of the exhibition as the images, the exhibition actually presents a mix of landscape images and life studies, all focused on a message highly relevant to the physical world in which we currently live.

However, rather than offer my own interpretation of the setting and images, I’ll instead offer Blip’s own description and, like her, leave you to follow the advice on viewer settings and explore the exhibition so that the images, indoors and out, to speak to you within the framing of Blip’s words.

Serena Art Centre, May 2025: Blip Mumfuzz – Landscapes from a Lost World
In the face of the imminent climate-induced collapse of our modern technological civilization, the decrepit farm carries a multiplicity of meanings: societal decay, ways of life forever lost, economic and social collapse, and stands as an indictment of the sociopathic billionaires who are abandoning the rest of humanity and all its magnificent achievements in order to save themselves and to hold onto their power as long as possible.
Looking back from a time 25 years in the future, the images, which are scattered around the “farm”, should be seen as nostalgic dream images of our lost world.  A world that was once, within living memory, alive and vibrant; full of life, culture, love, hopes, and dreams, now being destroyed by the greedy and powerful.

– Blip Mumfuzz

Serena Art Centre, May 2025: Blip Mumfuzz – Landscapes from a Lost World

Two very different, be equally engaging exhibitions open through May 2025, and I recommend both to your eyes and thoughts.

SLurl Details

Space Sunday: Venera and a return 53 years in the waiting

A model of a Soviet-era 3MV (3rd generation Mar-Venus vehicle with a 1-metre diameter Venera lander attached (the spherical object, foreground), flanked by the vehicle’s solar arrays. The far end of the vehicle (to the left) is the propulsion module, the umbrella-like object is the high-gain communications antenna and the hemispherical object flanking the solar array mounts are the thermal radiators. Credit: Anatoly Zak, RussianSpaceWeb.

A Soviet-era space mission finally drew to a close on Saturday, May 10th, 2025 (UTC) after 53 years in space – although admittedly, that wasn’t really the plan when it was launched. Also, it’s fair to say that for the vast majority of that time, it has been little more than a hefty lump of space junk looping repeatedly around the Earth rather than doing anything useful.

However, its return marks an opportunity to recall an interesting period of the early era of the space age. A time when both the US and the Soviet Union were just starting to get to grips with lobbing humans into orbit, but when the latter already had grander designs in mind – starting with an aggressive programme to study Venus.

Initiated in 1961 – the same year as a human first flew into space – the Soviet Venus, or Venera, programme was a daring and high-stakes programme given the overall reliability and sophistication of rocket vehicles and space probes at the time. Thus, over a period of 23 years and 29 missions, it had a fair few highs and lows.

Massing 1.5 tonnes and standing some 2 metres tall, Venera 9 and its sister, Venera 10, were the first to Venus landers to return images of the surface of the planet to Earth. They are also, to date, the heaviest vehicles to land on Venus. Credit: K. E. Tsiolkovsky Museum of the History of Cosmonautics

For example, of those 29 missions, 12 never even made it Venus, while several others didn’t go fully to plan. However, of those that did get to Venus, their successes were remarkable, whether or not all mission objectives were achieved:

  • The first fly-by of another planet (Venera 2, 1965/66- although contact was lost prior to any data being returned).
  • The first vehicle to impact the surface of Venus (Venera 3, 1965/66 and twin to Venera 2, although a failure with the carrier vehicle meant that again, no data was returned).
  • The first vehicle to reach the atmosphere of another planet and return data to Earth (Venera 4, 1967).
  • The first vehicles to perform a deep analysis of the atmosphere of Venus, down to an altitude of around 20 km (Venera 5 and Venera 6, 1969).
  • The first vehicle to successfully land on another planet and return data from it (Venera 7, 1970).
  • The first vehicles to successfully return images from the surface of Venus (Venera 9 and Venera 10, 1975).
  • The first vehicles to return colour images from the surface of Venus and the first to record sounds from Venus -the wind the mechanical operations associated with the landers. (Venera 13 and Venera 14, 1982).
  • The first vehicles to deploy balloons on Venus (Vega 1 and Vega 2, 1985).

Among these missions, some are worth a little further highlighting. For example, because it was still considered that the surface of Venus could have liquid water present, Venera 4 was designed to float in event of a splashdown, despite massing 383 kg. It was also fitted with antenna deployment locks made of sugar.

The idea behind this latter point was that if Venera 4 landed on water, the impact force might not be sufficient to trigger the release of the locking mechanism and allow the main communications antenna deploy. However, the impact on water would result in the locking mechanism being splashed with water – which would (in theory) dissolve the mechanism, allowing the antenna to be deployed!

First view and clear image of the surface of Venus, taken by the Venera 9 lander on October 22nd, 1975. Credit: Soviet Academy of Sciences

It was initially thought that Venera 4 was the first vehicle to actually reach the surface of Venus. However, due to a combination of error margins built into some of the instruments coupled with inconsistencies between data obtained by Venera 4 and later probes, it is now believed that Venera 4 only reached somewhere between 55 and 26 km above the planet’s surface before succumbing to the harsh conditions.

Whilst Venera 5 and Venera 6 also failed to reach the surface of Venus in an operational capacity, they are remarkable as they were able to remain aloft for more than 50 minutes each, drifting under their parachutes and gathering data on the nature and composition of the planet’s atmosphere, gently descending to with 20 km of the surface before finally being overwhelmed.

The story of Venera 7 is in part one of diligence over dismissal. Immediately after receiving confirmation the vehicle was on the surface of Venus, mission controller seemed to lose all contact with the lander. Attempts were made to re-establish contact, with the recording tapes on the communications link still recording. Eventually, unable to diagnose the issue, the mission was dismissed as lost without data.

However, several weeks later, radio astronomer Oleg Rzhiga decided to review the recordings of the landing and subsequent events. In doing so, he found 23 minutes of faint, data-carrying signal had in fact received from the lander. Venera 7 hadn’t failed, it had simply been knocked off-axis on landing, resulting in its radio signal only being faintly received but passed unnoticed by mission controllers at the time.

A model of Venera 7, the first human-made craft to land on another planet, as displayed at the at the Sergei Pavlovich Korolyov Museum of Cosmonautics. Credit: Emerezhko via Wikipedia

Finally, there are the two Vega missions, remarkable for a number of reasons. “VeGa” is actually a westernisation of ВеГа, itself taken from the first two letters of the Russian for “Venus” (Венера) and Галлея (“Halley”  – or “Galleya”). This latter part of the name indicated their primary mission focus – rendezvousing with Comet Halley, which was making one of its (on average) 76-year revisits to the inner solar system.

However, in order to reach the comet, the probes would need a gravity assist from Venus. This meant that they could also piggyback Venus-centric missions, releasing them as they approached Venus for their fly-by. The Venus element comprised two landers of a similar design to earlier Venera craft, and intended to study both the atmosphere and surface of the planet. Unfortunately, turbulence encountered during descent caused the surface instruments on the Vega 1 lander to activate before touch-down, so that only the mass spectrometer returned data once on the surface. The Vega 2 lander was more successful, returning data for a period of 56 minutes, post-landing.

Vega balloon probe model on display at the Udvar-Hazy Centre of the Smithsonian Institution. Credit: Geoffrey A. Landis

The more fascinating part of these missions was the use of balloons. These were released as a package by the landers at some 60 km above the surface of Venus. Parachutes initially slowed their descent to a point where, at an altitude of around 50 km, a mechanism attached to the parachute systems inflated each balloon with helium, the parachute and inflation system then being jettisoned. This allowed both balloons, each dangling a 7 kg gondola of instruments, to climb back to an altitude of some 53 km, which they drifted 11,000 km around Venus – 30%of its circumference – transmitting data to their respective Vega craft for relay to Earth. Both balloons were still actively transmitting when the Vega craft passed out of communications range, 45 minutes after the balloons started sending data.

Of the failures, the majority came, not unreasonably, in the early days of the programme. Of the first eight attempts to reach Venus between February 1961 and April 1964 (launch dates), all failed. As a result, six were never officially designated – as was the Soviet approach in the first years of their space programme (i.e. if it doesn’t have an official designation, it didn’t happen and so couldn’t have failed). Of the remaining two, one gained the Venera 1 designation, as it made it out of Earth orbit (but failed while en route to Venus) and the other being designated a “Kosmos” mission.

Originally, “Kosmos” was a catch-all designation for Soviet Earth-orbiting uncrewed missions. It was intended to obfuscate and confuse western agencies, in that it didn’t matter the object in question was a piece of test hardware or a surveillance satellite or a communications relay, or a navigation beacon, or a weather satellite or whatever. If it was orbiting the Earth, it was called “Kosmos” and given a number. In 1962, the designation was extended to include any Soviet interplanetary probe that failed to leave Earth orbit, allowing failure to be hidden in plain sight. Only after a mission was on its way to its intended destination would it be given an actual mission designation (e.g. Venera 1, etc.).

Within the Soviet-era Venera programme, five vehicles gained the Kosmos designation:

  • Kosmos 27 (one of two Zond missions for Venus launched on March 27th, 1964, and breaking-up in the upper atmosphere 24 hours later after failing to achieve a stable orbit).
  • Kosmos 96 (launched on 23rd November 1965, failed to depart Earth orbit, burned-up in the upper atmosphere on December 9th, 1965, possibly resulting in the  Kecksburg UFO incident).
  • Kosmos 359 (launched on 22nd August, 1970, suffered an upper stage motor failure and re-entered the atmosphere on November 6th, 1970)
  • Kosmos 482 – the cause of this article, and of which more below.

Intended to be the partner probe to Venera 8 (keeping to the naming convention to the actual run of successes), what was to become Kosmos 482 was launched on March 31st, 1972. However, a malfunction occurred as the upper stage booster motor was re-lit to transfer the probe onto its trajectory to rendezvous with Venus, and the vehicle broke up.

Some of the debris from the break-up fell to Earth in the form of 38-cm diameter, 13.6 kg titanium pressure spheres, most likely from the booster stage. These struck crop fields just outside of Ashburton, New Zealand, 48 hours after launch. However, the two larger elements of the break-up were pushed into 210 km x 9,800 km elliptical orbit around Earth, initially travelling close together, gaining the Kosmos 482 designation.

In the west, there larger of these two elements was identified as the remnants of the booster rocket and the Venus Bus, intended to provide power to the 495 kg lander. They were given the Designation 1972-023A. The smaller of the two was identified as most likely being the lander itself, clearly separated from its bus and booster, and so designated 1972-023E.

Over the next nine years, the two travelled in partnership, looping around the Earth, each pass having an increasing effect of 1972-023A, which gradually started breaking up, depositing pieces of itself to burn-up in the atmosphere (some surviving to fall on poor New Zealand again!) until it succumbed to atmosphere friction and burned-up on re-entry in mid-1981.

A Venera V-72 Venus lander, the same type of lander launched in 1972 as a part of the mission later designated Kosmos 482. Credit: Anatoly Zak, RussianSpaceWeb.

The lander – or 1972-023E – was made of sterner stuff, and continued to loop around Earth largely unfazed and forgotten. But each time it did make a close flyby there was exchange: a little velocity here, a little change in trajectory there. Over the decades, these little changes served to pull the craft closer and closer to Earth, such that by this year, it was looping around us once every 80-90 minutes, with its apogee and perigee both slipping into sub-200 km altitude figures. All of which meant that atmospheric entry was all but certain; the question was when? By the start of May 2025, NASA and ESA were looking to a re-entry window extending from May 9th through May 13th,which was then quickly narrowed down to the early hours of May 10th (UTC) – albeit with an initially wide margin of error (+/- 3.3 hours).

Given the orbital track of the debris, and the fact it was designed to survive the much tougher entry into the atmosphere of Venus, there were fears it could come down intact on a populated area. However, this was always unlikely, given that while it did pass over population centres each and every orbit, it also passed over large tracts of largely empty land (in human habitation terms), and even greater amounts of open ocean. Further, even if it did survive re-entry (not an absolute certainty given that both its age and the fact it would likely start tumbling during an uncontrolled atmospheric and most likely break-up / burn-up), it would not come crashing through the atmosphere at a huge velocity and explode in a massive air-burs. Rather, it would fall with a maximum velocity of around 250 km/h – enough to be decidedly upsetting if it hit a building or similar, but not enough to result in something like a city-wide disaster.

As it is, and at the time of writing, Roscosmos have stated that the vehicle re-entered the atmosphere at 06:24 UTC on May 10th over the Bay of Bengal, 560 km west of the Andaman Islands and prior to impacting the Indian Ocean somewhere west of Jakarta, Indonesia. However, this had yet to be confirmed by other agencies, although ESA indicated the vehicle potentially re-entered the atmosphere between 06:04 and 07:32 UTC, which would place its impact point most likely somewhere in the Indian or Pacific Oceans.

Kosmos 482 marked the last failure within the Soviet-era Venera programme, and its return to Earth acts as a very physical closure to that era of space history. However, it does not close the book on Russia’s ambitions where Venus is concerned. Currently, Russia is planning a return to Venus as it resumes its Venera programme with Venera D.

This mission – which is subject to a lot of ifs and maybes, already having been delayed on multiple occasions. When first conceived in 2003, it was targeting a 2013 lunch date; currently, the mission is slated for a launch no earlier than 2031, although it has yet to have its science packages finalised and developed. Comprising an orbiter and lander, if it does go ahead, Venera D (also sometimes called Venera 17) will deliver heavyweight (1.6 tonne) lander to the surface of Venus with the intentions of it being able to survive and carry out science studies for up to 3 hours after landing.