Month: April 2024

It was off back to the Full private region held by Dianna Fluffington for me recently, and a visit to her creation of Blue Finch Blossoms Hollow.

This actually marked my third time at the region in the past 12 months, having previously visited in April 2023 and again in November of that year (see: A Blue Finch Spring in Second Life and A Blue Finch Frosty Hollow in Second Life). However, both of those iterations of the region design were collaborative works between Dianna and her former partner Grant Wade (GMi7); so the occasion of this visit marked my first time to an iteration of the region that is solely Dianna’s design – and it remains as eye-catching and photogenic as ever.

As with the two past iterations of the region, this version for Spring 2024 offers a pleasing mix of themes and influences. The subtle touches of fantasy (such as via the elven-like lanterns lighting the many paths through the setting) are present, there is much to appreciate in terms of natural flora and fauna, superb use is made of landscaping elements to give the setting a unique, rugged look and beauty which is softened through the use of grasses, trees, water, shrubs and paths.

Whilst not strictly enforced, the landing point sits to the east of the region, tucked quietly between the north-east and south-east quadrants and within the single paved street of a small gathering of places of businesses, all neatly framed by a mix of walls and water channels, flowerbeds and trees. Within the area, the little shops are open to visitors, whilst outdoor spaces offer plenty of space for sitting down and passing the time.

It is here as well, towards the southern end of the street, that visitors can find information on the region and its in-world Group, an invitation to hop up to a sky platform to visit an art exhibition by Cammie Carver and hosted by The Wanderers Relay for Life team (all donations, etc., to RFL of SL via the team), and directions to a horse rezzer where visitors can take a tour of the region on horseback. Unfortunately, the rezzer refused to work for me, so I’m unable to mention the nature or extent of the tour.

For those opting to explore on foot, there are a variety of paths leading away from the landing point and the little hamlet of shops and on through the region. So many in fact, that I’m not going to even attempt to chart a route for you to follow from here; the best thing to do is just step through the gates or over the little bridges from the town space and start wandering – whichever way you go, you will be richly rewarded with things to see and do.

In terms of the latter, as well as the horse ride, the immediate surrounding to the town offer mini golf to one side and on the other, on the shores of the central lake, the opportunity to rez one or more (if you are in a group) inflatable tubes. These will whisk you around the waterways (at a pretty brisk pace!), complete with your personal supply of beer / drinks. There are also zip lines awaiting discovery and use by the adventurous.

One of the latter sits between a elevated events area tucked into the north-west corner of the setting, on a terrace covering a table hill. Given the other path up to this region is long and winding (but well worth the effort of finding and following given it does take one on a tour of a good part of the region and offers so excellent views from some of the higher aspects of the landscape), this zip line offers a quick and easy ride back down to the lower-lying elements of the setting for those who do not wish to retrace steps.

But to return to the tube ride: this deposits riders in the shallows of a cove directly below the events terrace noted above, which is home to one of two stretches of beach making up the setting. A rocky arch from here provides the means to return of the region’s grasslands and gardens. Once through the arch, it is possible to spot another of the region’s zip lines and also appreciate another touch of the fantasy elements found throughout, this one in the form of ruins and a quiet swing waiting for romantics.

Places to sit can also be found through the region – from converted rowing boats through decks built out over the waters, parasoled tables on terraces and squares or rafts on the water, through to the region’s little cafés and bars or the open-air cinema (complete with offerings of pizza and buckets of nibbles.

Blue Finch Blossoms Hollow is one of those places where just as you convince yourself you’ve seen everything there is, something else pops up in the form of an unexpected turn of a path or a hither-to unseen passage between trees or under rocky heights, and so brings you to something else to enjoy.

Such a discovery might be a little vignette of animals or a place to sit, a romantic corner, the unexpected sight of water flowing upslope (such is the magic of the region!) or another such unexpected view. As such, it is genuinely a place where the more time taken in exploring, the greater the rewards to be reaped.

Those seeking an immersive location bringing together assorted themes and ideas and which offer huge scope for photography, relaxing, having a little fun or romantic interlude – or indeed, a combination of all of these  –  will undoubtedly find Blue Finch Blossoms Hollow an ideal destination in their Second Life travels.

SLurl Details

• Blue Finch Blossoms Hollow (Pottery Hollow, rated Moderate)

Update, July 2025: Venus by the Water has closed.

Elizabeth (ElizabethNantes) and Cecilia Nansen are two women in Second Life noted for their creativity. Elizabeth is a creator who has produced multiple popular region designs over the years, several of which I’ve previously featured in these pages since around 2016 – the last time being her excellent Hear How Your Landscape Should Sound, produced in collaboration with Electric Monday (see here for more).

Celia Nansen is one of Second Life’s premier photographers noted for producing evocative and narratively rich avatar studies, someone whom I’ve again often featured in these pages since the unveiling of her very first exhibition in-world back in 2017 (see here for more).

In March, Elizabeth and Cecilia opened a collaboration of their own to Second Life users, one that brings together region design, art and music in a beautifully considered and executed Homestead region they have called Venus by the Water. Fittingly, given the region is the product of two in-world creative talents, Venus by the Water is also offered as a tribute to two exceptional talents from the physical world: Bjork and Polly Jean Harvey (more professionally known as PJ Harvey).

This is an idyllic setting, presented as a low, temperate island which the surrounding waters are in the process of breaking up. Already they have eroded the narrow neck of sand that once linked the two halves into a whole so that a broad wooden deck is now required to maintain the connection between the two segments of land. This deck is set as the region’s landing point, and is home to a tip jar and local Group joiner. From it, visitors can take their pick as to which half of the setting they choose to explore first.

The larger area of land, forming a W-shape which extends from a narrow tail pointing eastwards along the southern side of the region, through to a rocky headland lying to the north-west, is largely sandy in nature, although the west side is home to lush grass and a small woodland area where horses might be found grazing. A stream cuts right through this land, separating the north-eastern most part of it off from the rest, shingle beaches to the north and west bracketing its grassland, the stream doing the same to the south and east.

Tucked into the south-western corner of this landscape, between the woodlands to the north and the sands to the east, sits the Gallery Bjork. At the time of my visit, the 2D work on display came from artists responding to a call from Cecelia and Elizabeth for submission of art on the theme of Venus on the Water (hence the décor within the Gallery space with a tide gently lapping over coastal reeds and grass).

Outside, on the rear terrace might be found a sculpture by Mistero Hifeng keeps a quiet eye on things, whilst the front room of the gallery presents an image of PJ Harvey and Bjork from an interview published in (I think) 1993 or 1994, and which also featured American artist Tori Amos. Rendered in monochrome, the photo faces two reflections of its form, each featuring Elizabeth and Cecilia.

The smaller land mass for the setting sits to the north-east, cupped between the arms of the W. It presents a rugged by lushly flowered grassland bordered by trees, an earthen path cutting through it from the landing point to where the Café Polly sits atop an extensive deck reaching out over the waters. Broadly split into two indoor seating areas bracing the central service area, the café additionally offers outdoor seating under parasols for those who prefer, either on the deck itself, or on a smaller deck a very short walk from the café’s door, overlooking the bay that cuts deeply into the land.

This is a peaceful location, although the aged and bent tree that seems to be trying to stretch its branches toward the café and touch it, together with the corpse of another tree angling itself sharply over the path leading to (or from, depending on your point of view) the café, suggests the island has seen its share of strong winds and harsh weather. Even so, there is nothing now to interrupt the gentle rocking on the rowing boats tied-up at the pier just below the café’s deck.

These rowing boats, rocking gently in the swell as it approaches the shore, are just one of the details that further bring this setting to life. There are many more to be found throughout which both give depth to the region and often offer encouragement for people to stay and enjoy their time here.

For example, There’s a little camp site out on the sand of the south-east headland and watched over (in a manner of speaking) by the sheep grazing on the stunted grass close by. Then, almost mid-way between the landing point and the Café Polly, the path offers a short branch leading to a raised deck. This is home to a pair of loungers looking out over this bay cutting so deeply into the land. In doing so, they draw attention to another rowing boat, this one anchored out in the sheltered waters to offer another place to sit and past the time, either alone or with someone close to you. Still more such tranquil places await discovery – but I’ll let you find them on your visit 🙂 .

Venus by the Water is finished in an EEP setting which compliments it perfectly, and thus really is best seen under it. The region also fears a very subtle and fitting sound scape, so I recommend having local sounds active when visiting as well. The audio stream for the region has also been carefully curated, and features at times an interesting mash-up or two between Bjork and PJ Harvey, and well as some of their own recordings.

All told, a perfectly presented and relaxing setting – as one would expect from two creative talents like Cecilia and Elizabeth.

SLurl Details

• Venus by the Water (Golden Island, rated Adult)