Bamboo’s meditations on time in Second Life

Midway through its run at Selen’s Gallery, operated and curated by Selen Minotaur, is Far From by Bamboo Barnes, featuring previously unseen works by the arts drawn together in a theme I always find fascinating: the nature of time and its relationship with personal experiences and the formation of self.

It’s a subject I’ve been fascinated by since first reading Burnt Norton, the first poem in what would become T.S. Eliot’s Four Quartets, a discussion on the nature of time, the relationship between past and future and both of them with the current moment in time, alternate realities, the contrast between the experience of the modern man and spirituality, mixed with ideas of unity with the cosmos, and more. Whilst The more spiritual reflections of time and human nature are not necessarily a part of Bamboo’s Far From, the central theme of Burnt Norton’s opening (perhaps the most famous lines of the poem / The Four Quartets as a whole) was immediately brought to mind for me when reading Bamboo’s introduction to Far From.

What do you feel now if you close your eyes? Do you see the faint flicker of light that your memory gives you as you reach out in total darkness? Or is it something you wish you could have forgotten? A past that has become distant yet drawing you in heavily. The now that seems so far from it, but it is a part of you. A part of you that can never be denied.  

– Bamboo Barnes, Far From

In other words, what we has gone before, given if not fully remembered – even if we no longer wish to recall it – is as much a part of us today, just as what we now do will become a part of our tomorrow; that while we might live in the “now”, we also live with the shadows and light of the past, factors which perhaps distort, or at least consciously or not, direct our way towards the future, subliminally or directly influencing as they do the decisions we make in the now.

Compare this with Eliot’s opening reflection from Burnt Norton:

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.

– T.S. Eliot, Burnt Norton

Again, which is not to say the Bamboo’s art is intended to be any kind of visual essay on Eliot’s works; far from it – this is a subjective parallel I saw, and which other may not see or agree to. However, it is these kinds of parallels I so often find in Bamboo’s work and which – for me – further elevate her art.

That is, within Far From she offers a unique and highly visual meditation on then theme of the interconnectedness of time, just as Eliot does through the ideas he offers within the five parts of Burn Norton. Bamboo does this not only through her introduction to this exhibition, but in the manner of the images themselves. Each is distorted, some somewhat fragmented, all utilise colour in a striking manner.

These approaches are all elements which set Bamboo’s work apart from that of others, and can be found in many of her pieces. Here they combine to visually represent those memories and events which have shaped who are are now, and how we came to be who / where we are within our life (and, particularly, in our understanding of our own self). At the same time, elements of the images, combined with the 3D elements Bamboo has included in the exhibition space engage in themes of the past and present combing to shape our personal future – and that, but for decisions of the past, the idea that our life’s path might have taken a different course; the the flow of decision as much as the fluidity direct our lives.

This latter point might must clearly be suggested by the animated mosaic Bamboo presents as the landing point for the exhibition. The interconnectedness of past, present and future might also be see within those images which use repetition of images, the different colours within them underpinning the influence of past on present, and present on future (and, if we opt to extend – the manner in which the future itself informed those past actions which have brought us to where we are today.

A further beauty of Bamboo’s art is that her images can be enjoyed in their own right, as essays in style, colour, light, shade, subject and composition, each one standing entirely independently to the others around it. Thus, whether or not – like me – you opt to see an elegant artistic treatise within Far From, it offers a collection of richly engaging pieces which can each be appreciated on its own merits, making it a very worthwhile visit, and it will remain open to view through into August 2023.

SLurl Details

• Bamboo Barnes’ Far From, Selen’s Gallery (Royale, rated Moderate)