Space Sunday: China’s plans, Hubble and Soyuz

An artist’s rendering of the Tiangong space station is it is at present. but showing a Shenzhou crew vehicle attached to the nadir port of the main docking hub. Any additional core module will be attached to the axial port of the hub (and so would extend to the left of this image). Credit: CCTV

China continues to grow and expand its astronomy and space aspirations. In a series of announcements, the country has indicated its aims for Earth-based astronomy, the expansion of its space station, international co-operation and more on it plans for a presence on the Moon.

With the Tiangong station only having recently been “completed” in terms of its pressurised modules with the arrival of the Mengtian science module in October, China had originally indicated that the only remaining module awaiting delivery to the station was the Xuntian space telescope, capable of docking with the station for maintenance, but designed to operate as a free-flying automated platform to be launched in 2023.

However, Wang Xiang, director of space station systems at the China Academy of Space Technology (CAST), has indicated China is considering adding a second “core” module to Tiangong. If this goes ahead, it will be mated to the axial port of the current docking hub at the forward end of the Tinahe-1 module.

According to Wang, the new module will provide a larger and more comfortable living environment for crews, and would include its own docking hub capable of supporting two further modules as well as accepting vehicles docking at its the axial port. This would allow the station to double in size and support larger crew numbers, as well as allowing it to operate for considerably longer than the planned 10-year time frame.

A breakdown of the current Tiangong space station modules and supporting vehicles. Credit: Shujianyang (via Wikipedia)

In addition, CAST has announced China is working with Saudi Arabia, the United Arab Emirates and other Gulf states to reach partnership agreements which could see these states working alongside China aboard Tiangong, developing a human presence on the Moon and in deep-space astronomy and robotic exploration.

Among other aspects of the agreement is the potential to establish a China-GCC (Gulf Cooperating Council – comprising Saudi Arabia, Qatar, UAE, Bahrain, Oman, and Kuwait) joint centre for lunar exploration, which would also oversee the selection and training of tiakonauts from GCC member states.

In terms of the latter, China is keen to gain international partners in its vision for lunar exploration in order to match the Artemis Accords. The latter is a set of a non-binding agreements that (to date) has seen 23 nations agree to support the US-led return to the Moon with personnel, materiel and scientific endeavours.

China’s lunar aspirations are seen by some as potentially kicking-off a new “space race”, given both it and the United States have identified the Moon’s south polar regions as the most likely location for establishing bases, given the relative accessibility of water ice within craters there. Whether this proves to be the case remains to be seen; certainly, there is a degree of chaffing within China at being excluded from all international space efforts involving the United States; however, the country has been developing its own approach to space exploration for decades without feeling the need to be seen as directly competing with the US in a manner akin to the US / Soviet space race.

A computer generated model of the interior of the EAST observatory showing the competed 8-metre primary mirror on its focusing support mechanism (in deep blue) and the secondary mirror supports (red) complete with the secondary mirror housing at the top (brown). Credit: Peking University

With regards to astronomy, China is also looking to build its own version of the James Webb Space Telescope (JWST), with the first phase of the observatory being operational by 2024, and the completed facility operational by around 2030.

The project is to be led by the Peking University, but rather than being launched into space, this observatory will be Earth-based. Referred to as the  Expanding Aperture Segmented Telescope (EAST), the observatory will have a primary mirror similar to that of JWST, a 6-metre diameter made up of 18 individual hexagonal mirrors which work both individually and collectively to focus the light they gather into the secondary mirror for transfer back into the telescope and its instruments.

The site for the observatory is Saishiteng Mountain within the Qinghai Province on the Tibetan plateau, 4.2 kilometres above sea-level, well above the majority of the denser atmosphere, making it much easier for the telescope to also compensate for the distorting influence of that atmosphere.

But that’s not all; as an Earth-based telescope, EAST will be constructed in two phases. Once the 6-metre primary mirror system has been completed, and as funding allows, the addition of a further 18 mirror segments, increasing the mirror’s diameter to almost 8 metres; 1/3 as big again as JWST.

A drawing showing the initial 6, primary mirror design (to be completed by the end of 2024) and the planned expansion to an 8-metre mirror (r). Note the black hexagon marks the focusing port / tertiary mirror which carries light gather by the primary and scondary mirrors down to the instruments. Credit: Peking University

The cost estimate for the first phase of the observatory’s construction has been put at a mere US $69 million, with the expansion work – to be completed by 2030, as noted, to cost around a further US $20 million, compared to JWST’s estimated US $9 billion construction cost – although in fairness, EAST is an optical, rather than infra-red telescope, and so doesn’t require the need to operate at extremely lower temperatures, making it a lot less complex. When completed, EAST will be the largest optical telescope in the eastern hemisphere.

NASA Issues RFI Regarding Hubble Reboost

Since its launch in to a 540 km orbit above Earth in 1990, the Hubble Space Telescope (HST) has required regular “reboosting” as drag caused by friction contact with the tenuous upper atmosphere caused its orbit to decay. Up until 2009, these operations were completed by the US space shuttle as a part of scheduled HST servicing missions, with the very last mission serving to push HST to its highest orbit in anticipation of the shuttle being retired from active duty in 2011.

However, since then, atmospheric drag has reduced its orbit by some 60 km, and unless countered, it will force NASA to de-orbit HST in 2029/30 to ensure it burns-up safely and any surviving debris falls into the Pacific Ocean. By contrast, a re-boost mission could extend Hubble’s operational life by another 20 years.

In September 2022, NASA joined a study involving SpaceX and the Polaris group examining the feasibility of using a Crew Dragon vehicle in a servicing / reboost mission to the Hubble Space Telescope (HST). This work has now been expanded into a request for information on possible reboost mission options. Credit: NASA

To this end, in September 2022, SpaceX and billionaire Jared Isaacman – who has already funded one private mission to space using a Crew Dragon vehicle (Inspiration4) and is currently planning a further series of flights under the Polaris mission banner – started work on an unofficial mission outline to  rendezvous with HST and then boost its orbit. NASA then joined in these discussions on a non-exclusive basis or commitment to manage any reboost mission.

On December 22nd,  NASA issued a formal request for information (RFI) based on those discussions and exercising their non-exclusive nature to invite any interested parties to propose how a reboost mission might be completed, whether or not it expressly uses SpaceX hardware or some other, likely automated, booster vehicle. The RFI period is short, closing on January 24th, 2023, and the information gathered from respondents will be assessed over a further 6-month period and alongside the SpaceX / Polaris study to determine the best means of carrying out such a mission.

In this, there are both challenges and opportunities: HST is primarily designed to be serviced by shuttle, so by default it does have the capability to dock with the likes of SpaceX Dragon or other craft without the risk of damage. However, during the 2009 servicing mission, it was equipped with a Soft Capture Mechanism (SCM), a device primarily designed to allow a small automated vehicle attach itself to Hubble as part of a de-orbit mission. But with a suitable adapter, it might be used by a vehicle the size of Dragon to safely mate with HST and then ease it to a higher orbit.

Soyuz MS-22 Leak Update

The Russian space agency, Roscosmos, has stated it will conclude its investigation in to the status of Soyuz MS-22 towards the end of January 2023.

As I’ve reported in recent Space Sunday updates, the vehicle was used to carry cosmonauts Sergey Prokopyev and Dmitry Petelin and NASA astronaut Francisco Rubio up to the ISS in September 2022, where it has been docked ever since. However, on December 14th, 2022, the vehicle suffered an extensive ammonia coolant leak, potentially crippling it.

The exact cause of the leak has yet to be determined, although Roscosmos remains convinced it was the result of either meteor dust or a tiny piece of space debris impacting the Soyuz coolant radiator, puncturing it. However, their focus has not been on determining the cause of the leak, but in trying to determine whether or not the vehicle is capable of returning the three crew to Earth safely, or if a replacement vehicle will be required.

Video of the Soyuz MS-22 coolant leak, December 14th 2022. Credit: NASA

As I noted in my previous Space Sunday update, should Roscosmos decide a replacement vehicle is required to return Prokopyev, Petelin  and Rubio to Earth, it will likely be Soyuz MS-23, which would be launched in February 2023 to make an automated rendezvous with the space station. However, it is now being reported that NASA has also contacted SpaceX to assess the feasibility of using Crew Dragon to return some or all of the MS-22 crew to Earth.

In this, it is unclear as to precisely what NASA has requested of SpaceX, and neither party is commenting. One theory is that the request is to determine whether the current Crew Dragon vehicle currently docked at ISS could carry additional personnel to Earth, if required. Another is NASA wishes to access the potential of launching an uncrewed Dragon to the station as a means to act as an emergency back-up for evacuation of the station – should it be required – prior to MS-23 being available to launch.

Both options are long-shots; getting Crew Dragon vehicle and its Falcon 9 rocket ready for launch in advance of MS-23 – a mission already in preparation, regardless of whether it flies with its planned crewed or uncrewed – is not an easy task. Further Dragon isn’t equipped to handle Russian space suits, the kind used by Prokopyev, Petelin  and Rubio. As such, to even consider Crew Dragon as temporary lifeboat  – much less a replacement for MS-23 to bring the three crew back to Earth – would require not small modification to its support systems. Similarly, while the Crew 5 vehicle might be able to return one or two of the MS-22 crew to Earth should it be necessary to do so, there is also the no insignificant matter of getting its life support systems to work with the Russian space suits.

One particular area of concern is that a number of experts outside of NASA / Roscosmos have opined that whatever Roscosmos may announce at the end of January, MS-22 is unlikely to be safe to bring its crew home. Therefore, should Roscosmos opt to do so, NASA might opt to look to other means to return astronaut Rubio to Earth as a matter of safety.

 

Slink et al: Siddean shutters her brands in Second Life

Siddean Munro has been a long-term content creator in Second Life, having joined in 2007 (and as a point of trivia, is one of the few Second Life residents to have to also have an entry in IMDb!). She has perhaps been best known for the Slink mesh bodies, which have been popular among many Second Life users, myself included for that least few years.

As a brand, Slink has always been at the forefront of innovation in Second Life – notably with regards to mesh: in 2011/2 she released her mesh hands and feet – the latter of which, replacing the system feet, did much to ignite the mesh shoe market in Second Life – and the release of the first of her mesh body types, Physique Original, in 2014.

As such, the sudden announcement made on January 1st, 2023 that, with immediate effect, her Slink brand, together with her more recent Cinnamon & Chai body and her One Bad Pixel brand, have been shuttered, and Siddean herself has withdrawn from Second Life.

As a Slink Hourglass user myself – I moved to Slink from Maitreya on account of Slink being somewhat kinder on the viewer when it comes to rendering the body (and allowing for the complexities and quality of attachments and rigged meshes also worn, of course) – I admit to being shaken by the announcement. For those who made the move to Cinnamon and Chai, launched just 12 months ago, the news is likely to be even more of a gut-wrenching lurch.

However, before, anyone starts stamping feet or getting upset at the apparent forewarning (although I could be wrong about the latter), as Siddean offers good reason for why she has made her choice, and there are also a couple of points to bear in mind.

Following two stressful years of pandemic which I am sure we have all been affected by in one way or the other, I suddenly lost my mother in September of 2021, my grandmother in January of 2022 and my cat Cleo in June. I have been unwell and enduring a lot of chronic pain. I have to be very honest, my spark has dimmed a little and I no longer have the energy to pour into this business like I once did.
I’ve done a lot of soul searching over the last 18 months and have come to the very difficult decision that for my own physical and mental wellbeing, I need to move on from Second Life.

– Siddean Monro

In coming to this decision, Siddean also notes that the break is needed as she wants to focus on a new endeavour – as is her right, and we shouldn’t begrudge her this change in direction.

This latter point is doubly true in that while her decision is somewhat sudden in its implementation, it does not mean that it is the end of the road for the Slink ecosystem as a whole; the bodies still work, and there is a wealth of mesh and applier-based clothing still available on the Marketplace and in-world, the bodies still work with Bakes On Mesh, and so on. This isn’t all just going to vanish – so there’s no need for panic.

Of course, there is a risk that a major change with the avatar skeleton will “break” Slink avatars somewhere down the road on the basis that the avatars are no longer maintained – but there is as yet nothing on the horizon that threatens to do this – and it may never happen; as such, things are not going to vanish overnight. There is also a risk that creators entering the mesh clothing arena may opt not to support the brand and focus on Maitreya and Kupra, etc. However, the entire mesh clothing ecosystem has been skewed towards Maitreya, so this will unlikely make things any worse for Slink users. That said, things may be somewhat different for Cinnamon and Chai users, simply because of the newness of that brand; however, I’m simply not familiar enough with that body to know the potential repercussions, so will not speculate here.

As it stands, I don’t plan to move away from my Slink Hourglass any time soon – although I’m fortunate in that I have a Maitreya body “in reserve”, so to speak, so swapping away from Slink isn’t hard for me were I to decide to do so.

But what I will do here is pass on my thanks Siddean for all her work over some fifteen years in supporting Second Life users. I hope her new endeavour brings her as much success and – despite the rigours of the last 2+ years – all the enjoyment most of her Second Life has brought her.

With thanks to Soft Linden for the pointer. 

Hannah’s Dream Again in Second Life

Monocle Man Gallery: Hannah Starlight

Kicking off 2023 at Monocle Man Galleries, curated by Lynx Luga and Kit Boyd is an exhibition of art by Hannah Starlight entitled Dream Again – a fitting title to go with the start of a new year. It is an exhibition taking place in one of the newer galleries spaces Kit and Lynx are providing for artists within the Monocle Man facilities, being hosted within the Cabaret sky gallery.

This is an interesting gallery space, offered as something of a speakeasy-like cabaret club, tucked away out-of-sight of any passing authorities, reached by walking down a back alley and then climbing down into what appears to be a storm drain, but which is in fact the entrance to a “basement” club with wood panelled walls and deco-like electric lights.

Monocle Man Gallery: Hannah Starlight

Dream Again is a collection of 28 images, either mounted on the walls of the club or on easels located around the the columns and edges of the dance floor. Predominantly avatar-centric these are images rich in content and message – commentaries, if you will on life, love and expressing oneself, at least one of which I seem to recall from a prior exhibition (His Song), which does not in any way detract from the overall thrust of this exhibition.

Offered in a variety of formats, small and large, 4:3 through to fully panoramic, these are pieces which are all richly expressive and predominantly celebratory in nature. Given the time of year, some of the pieces might be seen as holding to the Christmas theme and ideals of faith: Here’s My Heart, Lord, The PrayerHe Carries Me, and  – perhaps most notably – A Baby Changes Everything. However, even while they may do so, they also speak to more secular interpretations; take A Baby Changes Everything: is it not true that a baby, whether of natural or divine conception, a miracle that truly changes everything for its parents?

Monocle Man Gallery: Hannah Starlight

Meanwhile, Beautiful Warrior speaks to the physical beauty of the subject, as we are drawn to look at her face. However, her pose, the placement of her arms in particular, speaks powerfully and eloquently to her inner strength in the face of what can be a terrifying and seemingly implacable foe – check the description of the piece for more on this.

Elsewhere within the collection, Hannah offers more direct celebrations on love, marriage and the joy of being able to freely express oneself and enjoy life. All are worthy of appreciation, although I confess that Light for Your Path drew me to it, not only because of its panoramic nature; whilst New Light, tucked away behind one of the columns, carries with it a simple, direct message of the power of new life, layered with the taboo nature of pregnancy as an expression of beauty (one might even say it offers a link to the other pieces with a divine lean to them: might the light of the Sun breaking through the clouds be taken as a spiritual reference to the light of God?

Monocle Man Gallery: Hannah Starlight

I’ll leave that for you to decide if this might be the case. In the meantime, I will say that Dream Again is a richly engaging exhibition, and it officially opens at 12:00 noon SLT on Sunday, January 1st, 2023 with a performance by Rogue.

SLurl Details

Monocle Man Caberet Gallery (Flying Fortress, rated Adult)