Tag: Exploring Second Life 2025

There seems to be something of an unintentional French theme  within my more recent region visits, what with my reports on Les Secrets d’Albane, Sous les Oliviers and Jardin des Lys. It’s not that I’m actively seeking locations with French-inspired names and / or themes; it just seems to be the way that serendipity is pointing me.

Well, to a degree. Because while I’m here again I’m covering a location with a decidedly French name – La Vie en Rose (“life in pink”) and itself a most famous name, being the title of the signature song Édith Piaf (who wrote the lyrics) – it’s not entirely a matter of happenstance. It is the fact is it designed by Beautiful Requiem (BeautifulDisaster Requiem) on behalf (and with the assistance) of Rose Ulrik (Rose Siabonne), the names behind the beautiful (if now closed) Clef des Champs, which I’ve covered on numerous occasions in this blog.

Covering slightly less that a quarter of the area of the Full region upon (and over) which it sits, La Vie en Rose offers a choice of environments to visit – with some caution required in part.

The main Landing Point is within a sky platform. Open-sided to the sky, this carries with it memories of the pastoral, countryside feel of Chef des Champs whilst painting a picture all its own. It’s a place filled with details and little points of interest – some of which might be easily missed if one is not careful. It is located to the west of the setting and alongside a natural arch passing through a curtain wall of rock. Within this arch is a teleport disc providing access to the ground-level part of the setting with three destinations – Beach, Location 1 and Location 3.

The latter takes the form of a tropical setting with view out over open waters to the south and east.  Four rental properties line the eastern beach (Location 3 on the teleport disc’s menu) – hence the note of caution when exploring. However, the southern sands appear open to the public (Location 1 on the teleport disc’s menu), as does the inland lagoon, served by falls dropped from the parcel-edge cliffs and complete with its own beach. It’s an attractive setting, lending itself to a range of EEP settings, but I’m going to be focused on the sky platform in this article.

To the west of the latter, and under the rocky arch mentioned above, the path passes by way of a pool of water fed by waterfalls to run alongside a stream bubbling and splashing its way southwards, in a hurry to join with a larger body of water watched over by cypress trees and carpeted in lilies. The woods along this path offer various places to sit – with some reached via a log bridge slung across the stream. Wooden boards have been laid over rocks placed in the water of the pool so that it doesn’t end explorations, allowing people to reach the grasslands beyond, where the trail resumes.

However, before being too quick to follow the path past and over the water, when stepping under the rock arch from the Landing Point, take the time to look to your right. You’ll notice another archway, this one in carved stone hung with vines a short distance away. A Buddha sits in its shadows here, waiting to greet travellers and offer them the chance to discover the cavern lying within the arch and the secrets it holds.

For those who prefer the open grasslands in front of the Landing Point, these are also cut through with a track that loops around a rocky uprising to become one with the path leading outward from the large pool and its cypresses as it passes by a greenhouse like pavilion on its left, and a Tuscan-style pavilion to its right.

When travelling outward from the path from the Landing Point, it is possible to take a shortcut to the greenhouse pavilion by means of stone steps and passing through a broken gateway guarded by a wisteria tree. This leads to a path skirting another little body of water tucked neatly behind the greenhouse. Shaded by blossoming Sakura and fed by a waterfall of its own, this pool has an otherworldly feel to it, thanks to the carved stone of the broken gateway and the elven statue at the water’s edge.

Most of the westward end of the setting forms an open meadow bordered to one end by shallow waters. Here horses graze, birds fly and sing, and the grass and wild flowers grow pleasingly tall. The waters can be reached via a grassy path, or those who prefer can wander through the long grass, imagining their hands playing over the tops of the grass and flowers, perhaps pretending they are a field of wheat as Hans Zimmer’s Progeny from Gladiator plays through their head (at least it did with me!).

Part of the land here rising to form the hump of a little hill. Straddling it is a cosy little cottage open to the public. It is one of two houses in the setting, the second (also open to the public) sitting atop a plateau of rock. Neatly screened by trees, it is reached via a climbing up the side of the plateau, the path upwards commencing at the point of anther entrance into / out of the cavern I referenced earlier might be found. This second house sits within an extensive gardens also packed with detail.

Throughout all of the entire setting is a wealth of detail – can you spot the poker-play frogs, the houseboat riding the waters of a pond or the osprey with its latest meal? Outside of the little hilltop house, a loose deck offers comfortable armchairs, one of which has a book placed down beside it as if temporarily deserted while the reader pops inside the house – only for the breeze to come along and riffle through the book’s pages, flicking them with its invisible touch. Multiple places to sit and pass the time are waiting to be found, and wildlife large and small awaits snapshots from those so inclined.

Smaller than Clef des Champs, La Vie en Rose is no less as visually impressive, photogenic, and relaxing within its sky platform setting. It is more than worth a visit – and should you do so, don’t forget the ground-level beaches!

SLurl Details

• La Vie en Rose (Pine Woods, rated Adult)

I received an invitation from Frank Atisso to visit the second of his public regions designs, which opened at the end of Easter 2025, following on the heels of Tide Haven, of which I wrote back in February 2025. The April 2025 design offers a similarly highly photogenic setting, but of a very different nature to Tide Haven.

Carrying the name Jardin des Lys – Lily Garden – the new setting is just that: a garden setting mixing formal and informal spaces built around a large main body of water festooned with blooming lilies lying serenely on its surface. Tall willow trees stand with heads bowed over the lake, boughs almost dipping leaves into the water as ducks swim by and an egret watches for careless fish.

The lake is supplied with water by falls on its northern side. It allows them to drift along its length, passing sweeping bays, a pavilion-topped headland and a lone flat rock of an island, before they finally exit the setting to the west.

Embrace the quiet elegance of Jardin des Lys — a lush, romantic escape where nature blooms in a harmonious melody of soft colours. 

– Jardin des Lys description

The Landing Point for the setting sits close to where the waters of the lake exit the region. It sits at the crossroads of paths visitors might use to explore the gardens. Immediately west of the Landing Point, a path leads to a tidy orchard, loosely-laid flagstones sitting between the trees. It appears some of the apples grown here are destined to be pressed and pulped for their juice – be it on its own for for cider: close to where the path strikes out towards the orchard is a table and cask where either juice or cider might be enjoyed.

A second short path leads south and through a picket fence surrounding a greenhouse and cloches. The former is now a cosy working space and the latter forcing tulips into growth and flower. A boat is tied-up at a little dock to one side of the greenhouse. Alas, it is not available for rowing out around the orchard headland and into the lake, bit does provide a place to sit and pass the time.

To the north, the path climbs a small plateau overlooking the lake. After meandering over the plateau and past the gazebo built there, it climbs back down via a stone stairway to head east and then turn north, offering a route to explore all the wildling garden the setting offers. This route includes passage to the the pavilion mentioned earlier, before passing over a little bridge alongside the northern waterfalls to reach the setting’ more formal gardens.

The latter – proudly displaying the date of their founding, 1873, in wrought iron over their main entrance, can be most quickly reach by heading due north along the final arm of the path at the Landing Point. The French theme of the region is continued here courtesy of  central statue of Napoleon I in horseback, possibly following his return to France following his first exile.

Around the central terrace on which Napoleon stands, the gardens are formally laid out into a series of spaces divided by a grid of paved paths. Reproductions of famous statues border the gardens, including Canova’s Venus Italica, commissioned by Napoleon, and version of the Borghese Gladiator and The Antinous Farnese, all of what present a mix of Greco-Roman inspiration. These gardens offer more places to sit – there are number of such spots spread across the region as a whole – , and provide access to two further buildings.

On the north side of the gardens, on the far side of the gateway leading into from the Landing Point, sits a conservatory which might have been built in Napoleon’s time, and is now the home of a tea house.

On the east side of the gardens, meanwhile, a narrow causeway rich in blooming roses and along which parallel lines of old power poles march, reaches out over the water to touch the octagon of large pavilion with glazed windows. It is of a style in which one could easily imagine a young Napoleon having an assignation with his mistress (later wife), Marie-Rose de Beauharnais (aka his beloved Joséphine) – the telephone and powerlines notwithstanding!

Throughout all of this Frank has, with the assistance of Vitoria Galli, filled the region with captivating detail, all the time taking care to ensure everything comes together in a perfect union. Nothing looks out of place here, and the various parts of the setting flow one to the next in an eye-pleasing and heart-warming grace and naturalness; Jardin des Lys is a place in which one can instantly feel at peace.

When visiting, I would strongly recommend using the Shared Environment, as this casts  the setting in the pink promise of a new day dawning, a hazy mist floating across the gardens and waters adding a glazing of mystery to the setting. Enjoy!

SLurl Details

• Jardin des Lys (Sweet Parfait, rated Moderate)

I’ve often said that to create a special place in Second Life other people might enjoy doesn’t actually require holding an entire region – Full or Homestead. It’s not even necessary to have a half or even a quarter of a region; beautiful little spaces can be created almost anywhere.

Not only have I said this but over the years I’ve delighted in visiting such corners, whether as a result of discovering them through the Destination Guide or by referral or simple serendipity or personal invitation.

My latest discovery came via the Destination Guide in the form of Les Secrets d’Albane (“Albane’s Secrets”), a beautiful little garden tucked among the lakes of the Moon region of Sanara.

It’s a place created by Albane Claray, a landscape artist and the vision behind the of Village de Roqueblanche, and which I visited and wrote about in 2022. As a public space, Les Secrets d’Albane is truly tiny – just 3280 sq metres of land caught in the arms of two of Sansara’s roadways. But as the saying goes, small it may be, but it is perfectly formed.

[The] Whisper of the wind in the trees, the scent of flowers. The friends corner, gossip with no tomorrow. At the crossroads of our lives.

Les Secrets d’Albane About Land description

Visits commence at the entrance to the garden, and a detailed description really is not required; the setting clearly speaks for itself; simply follow the path through the garden to the caravan and decide where you want to go from there.

You might, for example, opt to sit outside the caravan and enjoy tea and cake, or slip inside and enjoy a game of chess from the sofa or sit at the windows and look out over the gardens. Or there’s the board game set-up outside and the reading nook and fountain further along the path.

For those who prefer, there’s a waterside area and also a boat on the water where time might be spent. My one minor niggle here is that, with a little linking to help free-up some LI, a hedge or ivy-covered wall could be placed between the road it it sits alongside the road, might help increase the sense of peace and beauty within the garden.

However, such a niggle shouldn’t be taken to mean the garden is in any way spoiled. With its richness of colour, blossoms, flowers and attention to little details, Les Secrets d’Albane is entirely pleasing. Despite its small size, the places to sit and pass the time are spread far enough apart to give a sense of privacy when more than one couple (or individual) is visiting the garden and wish for a little peace and quiet.

An altogether delightful visit, and ideal for those seeking relaxation and  / or the opportunity for personal photography. Don’t forget that should you also fancy a visit to Village de Roqueblanche, you can do so via the teleport board outside the caravan trailer.

SLurl Details

• Les Secrets d’Albane (Yamato, rated Moderate)

Recently added to the Second Life Destination Guide is a Homestead region setting by SL couple Lu and Leelou Von Perkle (Lu Carrillo and LeeLou Graves respectively). Called simply Pususaari, its engaging description was enough to have me hopping over to take a look:

Pususaari is a little island made for kisses and quiet smiles. Wander through meadows, chase the sunset, whisper secrets by the sea, get lost in a moment, discover, cuddle, or dance under open skies. For lovers, dreamers, and quiet explorers.

– Pususaari Destination Guide entry.

I have no idea as to the inspiration behind the setting – whether it simply draws its name from Pususaari (roughly “Pusus island”) on lake Puruvesi, Findland, or has been so-named in memory of a visit to that tiny island, or the similarities in the naming of both islands is just coincidental.

On the one hand, Lu’s physical-world time zone suggests he might hail from Finland and thus aware of the physical world location, and there is something of a similarly between the two islands in as much as they both have their greatest length running along a south-east / north-west line. However, whether there is any strand of a link between the two is rendered largely immaterial by the rugged beauty and sense of peace to be found within Pususaari in Second Life.

It is towards the south-eastern end of the island that the Landing Point is to be found. It sits on a deck built out over the coastal waters and alongside the island’s southern headland. The latter rises behind the café occupying a good portion of the deck, perhaps offering it shelter from any harsher weather that may pass over the island. A broad arc of beach stretches north and west, its southern extent not quite reaching out to the deck and the café,  so a wander along a raised boardwalk is required to reach the sands with dry feet.

From this beach, the island might be split into six distinct area suitable for exploration. Directly east of the boardwalk steps, the sands lap at the foot of a grassy slope deeply scored by water run-off channels rises to the top of the southern headland’s large plateau. It thus offers a way up over the plateau to the eastern shoreline or, for those fancying a further climb, up the summit-topping lighthouse sitting at the tallest part of the island.

Separated from this plateau by a deep cut of an inlet lies another east coat highland area. Rivalling the lighthouse summit in terms of its highest point, it is reached by leaving the beach and striking out across the meadow that forms the central lowlands of the island.

The path upwards here is via another grassy slope with signs of heavy rain water run-off over the years, and which reaches up between two bony shoulders of rock to reach a rough path. This winds through a wooded area atop the hills before it splits, one arm dropping down to the north-east coast occupied by a cosy little holiday shack, the other pointing to a further grassy climb running up to the spine of these uplands, forming the route up to the high tree.

Across the meadow to the west, the land is equally divided, stony, rocky lowlands to the south sitting under two further shoulders of rock. Water drops from one of these shoulders to a pool of water below, while atop the other, and reached via a further sleep slope between them, sits a large windmill. Finally, to the north across the meadow to the north is a further ribbon of beach running from the north-eastern highlands to the lee of those to the west, where a Tuscan-style villa sitting within their lee.

Throughout all of these areas are places to sit an spend time, be it within little shacks hugging the east coast, wooden chairs sitting on the rough-and-tumble lowlands beneath the waterfalls, little spots on the beaches or up up among the hills or in and around the villa and / or the café. All of them present a variety of views and encourage visitors to stay and let the time pass without worry, with some requiring a bit of a climb – as with the bench under the gnarled tree mentioned above, or the ruined clock tower sitting high above the villa; all of them offer their own destination within the various parts of the landscape.

Rich in detail large and small, indoors and out – including local animal life (wild and domesticated), Pususaari  lives up to its description fully: a place caught under an ideal shared environment, offering plenty of opportunities for photography, romance and simply wandering pleasure; even the default region name – Bisous – is perfect.

SLurl Details

• Pususaari (Bisous, rated Moderate)

I’ve written about Silent Melody and Silent Melody 2, the richly picturesque and engaging region designs by the SL partnership of Celtic McDaniels (Celtic3147) and Semina (Semiiina) a couple of times in these pages (see: Attuned to a Silent Melody in Second Life from 2020, and more recently Return to a Silent Melody in Second Life). As such, a return visit was more than expected at some point. However, my recent return in April 2025 was not prompted by any new iteration of the region’s ground level setting, but to immerse myself in a new interactive experience in the skies over it.

Semina: The Interactive EP Experience is a celebration and exploration of Semina’s music and song writing – specifically her new EP To the Moon and Back (which can be enjoyed in full via Spotify) presented as an immersive environment taking you on a journey through a series of interlinked rooms, each one offering a track from the EP in a setting reflective of its mood and meaning.

The Landing Point for the experience provides the core information on how to proceed and appreciate the rooms and the songs they contain. They are self-explanatory, and all I’ll say here is please note that each room may contain clickable items that provide information in local chat, the rooms as a whole have be carefully crafted to reflect their songs, so do take time in each looking around at all the details, and do make sure you are using the local Shared Environment.

The first room represents the album’s current single, La Belle Époque, the beautiful era, which in this case is used to reference what tends to become – as we grow older, at least – the most beautiful collective time of our lives: childhood, and the importance of holding on to the wonderful delight and playfulness it gives to us in the form of our inner child and the sense of forward looking adventure we should try to keep with us through life.

La Belle Époque is reached via a short hallway from the Landing Point. With ivy hanging from walls, chandeliers from high ceilings and glazed archways to either side as one walks along it, it is the first of several such ambient hallways, but is is perhaps what is on the other side of the glazed arches that is worth noting, as each contains a scene and / or item perhaps pertaining to the upcoming song. With La Belle Époque, for example, we see a fairy tale castle perhaps from a children’s story book, signs mindful of that child-like sense of adventure (Follow that Dream; You are not lost – You are here), etc.

All of the remaining rooms are accessed in this manner, the halls leading to them branching to the left and right of a single main corridor which appears to end in a blank wall. This main hall features the Moon along its length, reflective of the EP’s title, with the hallways branching from it bearing the tiles of the remaining songs on the EP. The songs themselves have a focus on love and relationships from the simple human need and desire (Dirty Minds), through the swirling, uncertain, obsessive nature of infatuation and its kinship to addiction (Limerence); to the deeper melancholia, regret, loneliness and loss that comes with the ending of a relationship once so deep (To the Moon and Back).

The imagery presented within each room perfectly underlines the theme and lyrics of the song offered by the room, sometimes very clearly – the storm-tossed sea of To the Moon and Back, with its flashes of lightning, sense of drowning / loss of all that was once held dear, for example; whilst elsewhere it is more subtle – as with Limerence, where the bedside table perfectly portrays the kinship between infatuation and addiction in the form of love letter, a bottle of whiskey and two little labelled containers.

It is in regards to these smaller details that time should be taken in each room looking around and mousing over items. As noted, some items might be clickable and interactive (although some can be difficult to actually touch due to intervening ambient effects), but even those that aren’t have something to add to the story being told in support of the song being listened to. How personal these items are to Semina herself is, for the most part, yours to decide; they might well be born of direct personal experience – but like a storyteller, a song-writer can weave tales which do not necessarily have their roots some firmly bedded in such experience, but from the richness of imagination.

That said, there is one song within the collection that is deeply personal to Semina – Golden. It comes with a well-written and caring warning ahead of accessing the room, and includes a story written by Semina, The Morning After I Killed Myself. The subject here is removed in theme and tone from the other songs in the EP (although it could perhaps have sinews connecting it to deeper, darker moments of loss as expressed in To the Moon and Back and / or the more harmful outcomes of infatuation and unrequited love / need as might be experienced beyond Limerence): that of self harm.

Golden  – both song and setting – is immensely powerful and honest. It is offered as a means of holding out a hand to those who have experienced cruelty (intentional or otherwise) from friends / family during a time of deep stress and saying softly, you are not alone.

And that blank wall at the end of the corridor offering four of the five songs on the EP? It’s not a dead end – when approached it will reveal an atmospheric setting for live performances by Semina, with the promise that To the Moon and Back – The Live Show is coming soon.

With the opportunity to participate in photo competition focused on itself, Semina: The Interactive Experience is a genuinely marvellous way to immerse oneself in the music, lyrics, voice, and physical creativity of one of Second Life’s most diverse and engaging creator-artists.

SLurl Details

• Semina: The Interactive Experience (Silent Melody 2, rated Moderate)