Tag: Exploring Second Life 2025

In my previous Exploring Second Life piece, I visited Lavender Springs, a location tucked away on Heterocera, and designed by some of the talents behind Cerulean Sea (see: Relaxing in Lavender Springs in Second Life). At the time I noted that a return visit to the Cerulean regions on my part would be forthcoming. However – and for reasons I’ve yet to determine – my system / viewer decided to be very unhappy when I did earlier in the week, performance-wise, so I’m shelving that for another visit at a later date.

Instead, and to make up for this, I decided to drop back to Lavender Springs and head west along Atoll Road to visit the TNC Commons, a further part of The Nature Collective no too far away. The work of Teagan Cerulean, Emmerson Skye Cerulean (Emm Evergarden), TNC Commons covers just 8048 sq metres, forming a charming and picturesque corner of Second Life, literally packed with information and places to visit.

The Nature Collective welcomes you to TNC Commons, a blend of urban charm, green space, and forest trails. With exhibits, gardens, and open spaces to gather or reflect, TNC Commons invites you to connect with nature and community.

– TNC Commons description

Again sitting just off the Atoll Road (and thus passed by the local tour pods), the Landing Point for the setting sits back from said road, and alongside the TNC Info centre, where you can – if not already familiar with The Nature Collective and the work of Emm and her friends – discover the secrets of the the Nature Collective and its network of locations and associated locations around the grid.

The Info Centre sits to one side of a cobbled street lined on the other side by little rental apartments. This street is cut through along part of its length by tram tracks – and be careful where you stand on arrival, as the tram is indeed running, and can sneak up behind the unwary as it comes to a halt at the Info Centre!

Jumping onto the tram will take you on a trip around the Commons – which includes a rather novel hop by the tram over the footpath running along the front of the apartment houses 🙂 . This journey offers a pleasant loop around the landscape, and is certainly worth the ride – particularly as it does have a number of station stops at points of interest along the way, allowing you to hop off and explore (you can also explore on foot, obviously).

The far end of the street is home to The Dancing Rabbit Café – a special place for many, and if you know why, you know; if you don’t – please take the information pack from the stone rabbit to the right of the steps leading up to the Café. It is a thoroughly charming corner and, due to its meaning, also has its own Landing Point. Passing around the Café via the little canal to one side or the path between the Café and the neighbouring apartment house on the other will bring visitors to the garden spaces to the rear which includes more outdoor seating for the Café and an event space.

One of the local tram stations is just to the other side of the latter, but for those on foot, steps can be found to the upper parts of the setting – charmingly called The Canopy, due to it being shaded by tall oaks, fir trees and one special tree in particular. Spread throughout this area are places to sit and relax, places to meditate, water features offering space for local wildfowl and critters.

Also to be found throughout is – as noted a wealth of information (including some on the aforementioned particular tree). These information boards allow you to obtain the TNC Connect HUD, offering more on The Nature Collective; information on the secret language of trees (the Wood Wide web); links to external nature-related websites and more; together with opportunities for mindfulness.

A further HUD, the TNC Travelogue, can be obtained at the entrance to the setting from the Atoll Road. It provides SLurls to other locations around the grid associated with The Nature Collective. A sign board alongside the HUD giver also provides direct TP links to those locations.

There are some little quirks to the setting which  – to me – add charm. The warning signs for the tram track are placed such that the provide warnings to approaching trams rather than pedestrians, and the track does change gauge to cross a bridge. This is genuinely not to pick holes; in the case of the gauge change, it’s a classic example of making used of different creations to produce a means to add further visual interest to a setting.

In all, a richly engaging visit – as one would expect when it comes to The Nature Collective.

SLurl Details

• TNC Commons (Itame, rated Moderate)

Back in September 2024 I dropped into Les Bean at the Salty C, a coffee house within the Cerulean regions (see Coffee and a Salty C in Second Life).

Designed by members of the extended Cerulean family, notably (at the time of my visit) Emmerson Skye Cerulean (Emm Evergarden) of The Nature Collective fame and Teagan Cerulean, it is one of a number of places held across Second Life by members of the family – and somewhere to which I’ve received an invitation to make a further visit, and plan to do so in the near future.

Another location designed by members of the Cerulean family – V Cerulean Rhys (Veronika Nightfire)and Dani Cerulean (Dani Varela) joining Emm and Teagan – is that of Lavender Springs, a charming retreat offering hot springs, relaxation and opportunities for photography, sitting on the south side of Heterocera.

Located at the end of a short dirt track connecting it with the cobbles of the Atoll Road, Lavender Springs sits and an open-air retreat, a large sign encouraging people to explore, and a notice board offering information on the Cerulean Sea, the Nature Collective and the Greenwich Café – a coffeehouse apparently inspired by England’s Lake District, and so may well end up on my list of places written about.

Small it might be, by Lavender Springs is perfectly formed and richly engaging. Three hot springs are available for bathing – two on one side of the stream flowing through the setting. The third is reached via a fallen tree trunk now doubling as a bridge across the colder waters of the swiftly-flowing waters of the stream as they tumble away from the local falls.

The first two springs are reached by crossing two wide stepped decks. One is the home of a massage therapy area, the other offers relaxation in the Sun. They are partnered by a stack of Zen rocks forming a tall pedestal for yoga and meditation.

Oak, Jacaranda, Wildberry form a screen of mature trees to provide shade and some degree of privacy, while the large pool into which the stream flows perhaps offers the opportunity for cold plunges after time in the hot springs. For those seeking a quieter means of relaxation, a swing might also be found.

Watched over by egrets, completed by a gentle soundscape and offer a lot of detail in so small an area, Lavender Springs is another space adding considerably beauty to the Mainland.

SLurl Details

• Lavender Springs (Notata, rated Moderate)

As is probably apparent from past articles in this blog, I enjoy science fiction in most of its various forms, be it literary, television, film or radio; and whether it takes the form of epic space opera or near / far-future explorations or action / adventure or comedic in nature. However, whilst I’ve read everyone from Adams to Zelazny, I have, in all honesty, never been overly enamoured with Frank Herbert’s Dune (neither the original novel nor the franchise as a whole).

I say this because Dune – in the form of Arrakis and its hardy inhabitants, the Fremen – forms the inspiration of JimGarand’s latest build (as of May 2025): Grauland – Arrakis / Fremen Home. Fortunately for those who, like myself, are not soaked in the lore of Dune as it might be found on paper or on film, one does not have to have an in-depth knowledge of either the planet or the the tale in order to appreciate the setting.

Rather, all that is required is the knowledge that the Fremen arrived on Arrakis as a religious sect, thousands of years prior to the events within the franchise, becoming a numerous and hardy race, fully adapted to life on the desert world, living as tribal communities within cave warrens they call “sietch”, meaning “place of assembly in time of danger” (and borrowed from sich – a term meaning military / administrative centre – of the  Zaporozhian Cossacks, not that this is of any relevance at all in the scheme of things 😀 ).

The sietch of Arrakis, I believe, come in a range of sizes. Within Grauland, Jim and his partner, PaleLily, offer a fairly modest vision of such a centre of Fremen life, located somewhere within the greater desert of Arrakis. And while I cannot offer insight into the sietch found within the novels or associated films, etc., I can say that whilst minimal, Grauland: Arrakis / Fremen Home offers an interesting setting ripe for those seeking something a little different in which to take photographs.

Surrounded by a desert expanse, this rocky sietch has been hewn within a low mesa, the entrance to which can be found a short walk from the Landing Point. Within it, as one might expect given the general description of such places, is a warren of tunnels, halls and rooms hewn from the living rock.

Some of the tunnels within this warren are roughly cut, walls and floors unfinished; others have squared-off walls, paved floored and properly supported doorways. Similarly, the rooms come in various forms, from simple cubes of space through to a grand pillared hall suggestive of a council chamber of or meeting place – or place of worship. Lights sit above doors, in ceilings and along walls provide pools of illumination which are particularly effective when running with shadows enabled.

Perhaps the greatest delight within the sietch is its massive pool of water. When discovered, it can be the most unexpected find; it is also the one location within the sietch utilising a reflection probe, potentially as a result of it using a section of Alex Bader’s excellent PBR mesh water. Taken as a whole, it forms a relaxing focal point, with places to sit and meditate to one side.

As noted, this is something of a minimalist build, although I believe it might be one that evolves; whilst there are rooms either empty or only partially furnished, I’ve been given to understand Jim and Poly are interested in being pointed towards items that might sit within the overall setting without looking out-of-place.

Those who find their way through the tunnels, halls and circular doors might find their way to a landing bay complete with a shuttle vehicle parked within it. Whilst the latter isn’t an Ornithopter, it also does not look out-of-place here as a piece of technology that might exist on Arrakis. The same might be said of the ship passing overhead.

Simple but attractive and well-suited to avatar photography – particularly for Dune fans – Arrakis / Fremen Home makes for an interesting visit.

SLurl Details

• Grauland – Arrakis / Fremen Home (Grauland, rated Adult)

Saturday, April 26th saw the opening of the latest addition to Tolla Crisp’s Frogmore / Witherwood Thicket estate (Tolia also holds Goblin’s Knob under the Frogmore banner, but that sits apart from Frogmore / Witherwood Thicket on the grid).  All three locations tend to be collaborative works by Tolla and landscaper Dandy Warhlol (terry Fotherington), and I’ve covered them on numerous occasions in this blog.

However, the new area is entirely Tolla’s own work, and has been causing no small amount of excitement in the Frogmore group in the run-up to it opening.

It is called simply Nemo, and it’s name should give away the fact that it is an underwater environment. In this it both stands apart from the Gothic mystery of Witherwood Thicket itself whilst perhaps also adding another chapter to that location’s enigmatic presence.

Whilst comparatively small in size when compared to the above water element of the region in which it sits, Nemo is by no means a quick, easy visit. There is rather more to be discovered than might at first be apparent from an initial cam-around on arrival (part of the setting are nigh-on a half-region walk from the Landing Point. It is also a setting rich in detail – and I really do mean rich; a casual hop-in / hop-out a waste of time – Nemo is a place to be experienced.

That said, it is also a place leaning heavily into the use of PBR materials. I’m not sure of Blinn-Phong fallbacks are provided (I no longer run any non-PBR viewers), so if you’re not running a PBR-capable viewer, consider this a warning that Nemo might not appear at its best for you.

In terms of design, the setting really does bring together a lot. Tolla has made superb and considered use of lighting, colour density, reflection probe ambience and animated mesh elements to give a real sense of being undersea. The sea floor is beautifully carpeted in a mix of swamp grasses and ferns, corals, seaweeds, sea anemone, trees and vines as to create the sense of a living, breathing ecosystem warmed by groups of fumaroles.

Within this environment, all manner of (largely tropical) fish swim, including clown fish. Turtles might also be found together with the odd shark – although his grin suggests he’s not into causing mischief – while jellyfish rise and fall. The Landing Point sit within a ruined structure, its arches suggesting it might have once been a place of worship – although given the Witch King styled statue standing to one side, one has to ask who or what might have once been worshipped…

It is actually one of several submerged structures to be found within the setting. some of these appear to be as equally old; others perhaps more recent, their wooden forms having yet to give in to the predations of water and salt. There is an intriguing mix of detritus and jetsam to be found. An old canon which might be indicative of a ship having come to grief here (and indeed, there is a partial wreck a short distance away) vies with the car from a Ferris wheel for the attention of local growths, the car also sitting close to part of a carousel, suggesting both might have been tossed into the sea intentionally.

Paths wind through all of this, leading to ruins and structures, caverns and corners as if in a natural maze. Paths are lit  by sunlight filtering through from above, the glow of phosphoresce from plants and from what might have once been aboveground lamps which sometimes share space with marble and stone statues. Rock walls also mark routs and divide these underwater gardens into more discrete settings.

With a name like Nemo, the “Finding” part (as I’ve used here) easily comes to mind – but is the setting really about fishy adventures? Sure, there are clown fish – there’s even one on his own waiting to be found. However, to consider the name a direct reference to the Disney / Pixar film (and its sequel) might be a mistake. There is another Nemo worthy of consideration here; one again the subject of the Disney treatment – albeit in live action format in his case, as embodied by James Mason (although he is far from the only actor to have taken on the role in question).

I’m of course referring to Jules Verne’s anti-hero, Captain Nemo, commander and designer of the marvellous Nautilus. The reason I feel the “Nemo” reference is more to him than a clown fish is simple: within the set it is possible to find Nemo’s Study, a very human retreat, albeit it now flooded. There is also a submerged library – and Captain Nemo was most certainly a learned man; while clown fish may have many gifts, I’m not convinced reading is one of them!

Of course, we’re all free to let our imaginations construct theories and stories to go with the setting – and leave us not forget, it does lie under waves that wash against Witherwood Thicket, as if the setting might once have been a part of that landscape. So perhaps there is a story there as well. But whatever paths our imaginations take, one thing is abundantly clear, Nemo offers a richly engaging visit.

SLurl Details

• Nemo (Witherwood Thicket, rated General)

There seems to be something of an unintentional French theme  within my more recent region visits, what with my reports on Les Secrets d’Albane, Sous les Oliviers and Jardin des Lys. It’s not that I’m actively seeking locations with French-inspired names and / or themes; it just seems to be the way that serendipity is pointing me.

Well, to a degree. Because while I’m here again I’m covering a location with a decidedly French name – La Vie en Rose (“life in pink”) and itself a most famous name, being the title of the signature song Édith Piaf (who wrote the lyrics) – it’s not entirely a matter of happenstance. It is the fact is it designed by Beautiful Requiem (BeautifulDisaster Requiem) on behalf (and with the assistance) of Rose Ulrik (Rose Siabonne), the names behind the beautiful (if now closed) Clef des Champs, which I’ve covered on numerous occasions in this blog.

The main Landing Point is within a sky platform. Open-sided to the sky, this carries with it memories of the pastoral, countryside feel of Chef des Champs whilst painting a picture all its own. It’s a place filled with details and little points of interest – some of which might be easily missed if one is not careful. It is located to the west of the setting and alongside a natural arch passing through a curtain wall of rock. Within this arch is a teleport disc providing access to the ground-level part of the setting with three destinations – Beach, Location 1 and Location 3.

The latter takes the form of a tropical setting with view out over open waters to the south and east.  Four rental properties line the eastern beach (Location 3 on the teleport disc’s menu) – hence the note of caution when exploring. However, the southern sands appear open to the public (Location 1 on the teleport disc’s menu), as does the inland lagoon, served by falls dropped from the parcel-edge cliffs and complete with its own beach. It’s an attractive setting, lending itself to a range of EEP settings, but I’m going to be focused on the sky platform in this article.

To the west of the latter, and under the rocky arch mentioned above, the path passes by way of a pool of water fed by waterfalls to run alongside a stream bubbling and splashing its way southwards, in a hurry to join with a larger body of water watched over by cypress trees and carpeted in lilies. The woods along this path offer various places to sit – with some reached via a log bridge slung across the stream. Wooden boards have been laid over rocks placed in the water of the pool so that it doesn’t end explorations, allowing people to reach the grasslands beyond, where the trail resumes.

However, before being too quick to follow the path past and over the water, when stepping under the rock arch from the Landing Point, take the time to look to your right. You’ll notice another archway, this one in carved stone hung with vines a short distance away. A Buddha sits in its shadows here, waiting to greet travellers and offer them the chance to discover the cavern lying within the arch and the secrets it holds.

For those who prefer the open grasslands in front of the Landing Point, these are also cut through with a track that loops around a rocky uprising to become one with the path leading outward from the large pool and its cypresses as it passes by a greenhouse like pavilion on its left, and a Tuscan-style pavilion to its right.

When travelling outward from the path from the Landing Point, it is possible to take a shortcut to the greenhouse pavilion by means of stone steps and passing through a broken gateway guarded by a wisteria tree. This leads to a path skirting another little body of water tucked neatly behind the greenhouse. Shaded by blossoming Sakura and fed by a waterfall of its own, this pool has an otherworldly feel to it, thanks to the carved stone of the broken gateway and the elven statue at the water’s edge.

Most of the westward end of the setting forms an open meadow bordered to one end by shallow waters. Here horses graze, birds fly and sing, and the grass and wild flowers grow pleasingly tall. The waters can be reached via a grassy path, or those who prefer can wander through the long grass, imagining their hands playing over the tops of the grass and flowers, perhaps pretending they are a field of wheat as Hans Zimmer’s Progeny from Gladiator plays through their head (at least it did with me!).

Part of the land here rising to form the hump of a little hill. Straddling it is a cosy little cottage open to the public. It is one of two houses in the setting, the second (also open to the public) sitting atop a plateau of rock. Neatly screened by trees, it is reached via a climbing up the side of the plateau, the path upwards commencing at the point of anther entrance into / out of the cavern I referenced earlier might be found. This second house sits within an extensive gardens also packed with detail.

Throughout all of the entire setting is a wealth of detail – can you spot the poker-play frogs, the houseboat riding the waters of a pond or the osprey with its latest meal? Outside of the little hilltop house, a loose deck offers comfortable armchairs, one of which has a book placed down beside it as if temporarily deserted while the reader pops inside the house – only for the breeze to come along and riffle through the book’s pages, flicking them with its invisible touch. Multiple places to sit and pass the time are waiting to be found, and wildlife large and small awaits snapshots from those so inclined.

Smaller than Clef des Champs, La Vie en Rose is no less as visually impressive, photogenic, and relaxing within its sky platform setting. It is more than worth a visit – and should you do so, don’t forget the ground-level beaches!

SLurl Details

• La Vie en Rose (Pine Woods, rated Adult)