A Sunbird’s Featherwish in Second Life

TheNest: Sunbird Featherwish, April 2025 – click any image for full size

In May 2024, I visited  TheNest: Sunbird, a Full region design leveraging the available Land Capacity bonus, brought together by Second Life partners Adam Cayden and Lya Seerose with the assistance of Tessa (Tessalie). Offering a mix of public spaces and private rental properties, I found the setting photogenic and engaging (see: A Sunbird’s Nest in Second Life).

Since then, a year has come and gone, and Lya and Adam have most recently been engaged in re-working the public spaces within the setting, and they extended an invitation to me to hop back to the region  – now called TheNest: Sunbird Featherwish – and have a wander.

TheNest: Sunbird Featherwish, April 2025
Visit our serene town nestled in the mountains. Enjoy the peaceful streets and their enchanting views, explore our cosy rentals, and marvel at the natural beauty surrounding you, from the smallest blossom to the tallest tree. Come immerse yourself to the tranquillity of a rural paradise, where every corner is alive with the vibrant colours and scents of spring.

– Adam Cayden writing about TheNest : Sunbird Featherwish About Land

The broad design of the region remains as it was during my May 204 visit: the lowland areas open to the public, gradually climbing back to the highlands where the private rentals sit, all nice and clearly separated from the public areas to help avoid accidental trespass.

TheNest: Sunbird Featherwish, April 2025

Within this design, the township presented at the time of my previous visit has been beautifully supplanted by a location rolling multiple ideas and themes together to present a genuinely delightful sense of small village /town intimacy which could so easily be found almost anywhere in Europe.

As with the previous iteration of the setting, the village / town is pedestrianised – but that’s as far as the similarities go. Now split between elevations linked by broad cobbled footpaths and sweeping steps and stairways, the town presents at its lower extremities access to a cosy beach with the local tram station sitting alongside it. From here, the steps rise under the arches of a high bridge buttressed at either end by hexagonal towers topped by small formal garden / sitting spaces.

TheNest: Sunbird Featherwish, April 2025

Continuing up the steps and under the bridge brings visitors to a local ice cream parlour and its outdoor seating overlooking the tramway below, as the tracks departs the station to pass overland along the edge of of the region before vanishing into a tunnel. Also across from the ice cream parlour sits a little bakery offering treats and its own outdoor seating area, this overlooking small gorge fed by tumbling falls with open meadowlands beyond.

Between ice cream parlour and bakery, the path rises and sweeps past the local tea house, then rises again to arrive at the village / town square – or rather, circle! Here there is so much to see – as there is on the way up (including the local feline welcome committee tucked away and keeping an eye on things), so time dallying and exploring is recommended.

TheNest: Sunbird Featherwish, April 2025

From the town it is possible to join the country walk as it arcs around the woodlands directly below the private rentals sitting up on their clifftop perches offering grand views of all that les below. This path eventually descends down to the meadowlands mentioned above, and which themselves can be reached from one end of the bridge also previously mentioned.

However, my descriptions of the setting are beside the point: such is the love and care that has been poured into the region, a visit is mandatory by anyone appreciating SL region designs. The detail is simply exquisite throughout  – from the cats watching over things and all the easily-missed details tucked into some of the public buildings and in the little alleys and gaps between some of them, to the details scatter along the countryside pathways and trails parks and walks. Throughout everything, there are multiple paces to sit and pass the time and several romantic little points for people to enjoy.

TheNest: Sunbird Featherwish, April 2025

Perhaps the best way to appreciate the setting is to click the Scenic Route sign at the Landing Point and take the teleport down to the tram station. From here, you can work your way up through the town much as I have described – but with the option of turning left on climbing the steps up from the ice cream parlour, then following the signed path around to one of the hexagonal towers and then over the bridge. Just be sure that, whichever route you choose – up through the town or over the bridge to the meadowlands, take your time and keep your eyes open lest you miss something along the way!

A genuine delight to visit – and if you’re looking for a home it SL, it might just be the place to tickle your fancy. either way, why not take a look for yourself?

TheNest: Sunbird Featherwish, April 2025

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Simurg’s spring romance in Second Life

Simurg, February 2025 – click any image for full size

I’ve had a number of suggestions for places to visit reach me of late – and I promise I will get around to hopping over to seeing them and potentially blog about them in due course. However, over the years there have been places I’ve particularly enjoyed visiting and look forward to re-visiting, and these tend to quickly bubble to the top of my list of places to write about whenever I note they have been redressed – and such is the case here.

Simurg occupies a quarter Full region, and since its inception has never failed to impress with both the beauty of its looks and the use of elevation to present a sense of space beyond the setting’s physical size. The work of Lintu (KorppiLintu) with the support of Kwoone Oui (Kwoone), this is a place which changes with the seasons whilst retaining the touches and care of design which always make it a must-see destination.

Simurg, February 2025

For the coming of spring – and the fact that February is the month of romance – the setting offers warmth in terms of both colour and in the romantic little places it presents in which visitors can pass the time. In doing so, it retains something of the elevated element of the landscape from the winter 2024 setting, and which which again presents the Landing Point.

However, while the wooden deck and seating area continue to cling to the top of the cliff and overlook the landscape below, the rest of this open space no longer sports buildings, but instead is now an open meadow-like space with wonderfully attractive vignettes: a stage suggesting literary or poetic readings, a table for two, complete with the dessert from a romantic dinner,  whilst an old piano has be repurposed as a flower planter, although as it is accompanied by a violin sized to present a cello, it still offers a suggestion it is there to provide music to accompany the romance of the setting.

Simurg, February 2025

A path winds down to the lower elevation to one side of this high meadow, passing Lintu’s workshop (once again open to the public) escorted by a parallel parade of trees to reach the lower part of the setting.

In following the path’s gentle downward sweep past the workshop, visitors arrive at a scene which those who visited Simurg in winter 2024 might find tantalising familiar in part. There is a body of water here, fed by a stream proceeding outwards from the vertical decent of a waterfall, which carries with it something of a memory of the broader stretch of stream passing through the winter 2024’s lower half.

Simurg, February 2025

The difference is that whilst that water was frozen for winter, and the stream narrowed to pass onwards to the edge of the region, now the water flows freely from stream into what is now a broad oval pond, the one open downstream length of the pond now closed-off by land. Thus, in its presentation, the pond offers one of those hints of the previous iteration of the setting I enjoy seeing, whilst still allowing this version of Simurg to be stand in its own right and independent of past builds.

Within the lower elevation of the setting there is – as ever – much to see, indoors as well as outside. Rowing boats sit on the waters of the pond to offer places to sit, and the temptation to perhaps dangle a hand in the water as swans form love hearts with elegant curved necks as they face one another. Around the banks of the water are further places to sit in the sunlight and watch the swans on the water or the horses roaming the meadow.

Simurg, February 2025

Two buildings can be found alongside the pond; one is the ever-popular Apple Fall Old Manufactory, the other a two-storey cabin by Hisa. Both are well-furnished and over little retreats  which, even if not used as places to sit, offer a wealth of detail and touches ripe for appreciation and photography. They also stand – along with the workshop on the slopes of the hill – home to the many cats who probably sit as the actual owners of the the landscape (because cats always take charge! 🙂 ).

Across the water lay an old terrace and fountain. The terrace forms the home to an outdoor refreshments area served by both fixed and mobile drink and food stands. Close by is a wrought iron gazebo where people can sign the setting’s guestbook (another guestbook can be found at the Landing Point).

Simurg, February 2025

Upstream from the pond and curtained behind the waterfall, sits another staple of Simurg’s settings: the cave, here neatly hiding the Simurg in-world store, as well as offering places to sit and pass the time.

As noted at the start, I always enjoy visiting Simurg; so much love and creativity goes into it (much of which I’ve merely glossed over here) that it is for me one of the gems of Second Life – but don’t take my word for it; go and enjoy it for yourselves!

Simurg, February 2025

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Loch Tredach Inn and Retreat in Second Life

Loch Tredach Inn & Retreat, December 2024 – click any image for full size

Loch Tredach Inn & Retreat is a Full region leveraging the Land Capacity bonus offered by Linden Lab. It is held by Isabelle Larkspur, who is largely responsible for the region’s design and for most of it being available as a public venue. I caveat things here because most of the north-eastern quarter of the region is given over to a private home and extensive grounds, which means it is both private and the landscape is their own.

Given that this part of the region is a private residence, it will play no further role in this article, other than to note it is possible to accidently wander into the property from the north side of the rest of the region – which is open to the public throughout – without spotting the signs warning of the private property. Should you witness a change in the local environment as you explore the ruins beyond the Aviary, you will know you have crossed the property boundary and at risk of trespass.

Loch Tredach Inn & Retreat, December 2024

But that said, even in respecting the privacy of those living in the region, the rest of the setting offers a lot to see and appreciate, bringing together as it does a mix of wild countryside, mystical locations, romance and opportunities for skating, dancing and simply relaxing. At the time of my visit, the region was dressed for winter, and as it was my first visit, I have no idea if only the seasons change here through the year, or if the majority of the region goes through periodic re-dressing; that’s something I’ll have to find out in the future!

Welcome to the enchanting Loch Tredach Inn and Retreat – a place where romance, vibrancy, and magic come together to create unforgettable memories. Step into a realm where every corner is a canvas waiting to be painted with the hues of love and joy. Capture the essence of the season. Every nook and cranny offers a picturesque backdrop for your lens to capture candid moments, from secluded gardens to the mystical ruins.

– from the Loch Tredach Inn & Retreat Destination Guide entry

Loch Tredach Inn & Retreat, December 2024

The Landing Point sits towards the centre of the region, on the west bank of a frozen lake where snow falls in mist-like sheets, and a pavilion sits out over the frozen water, held up by stout wooden legs oblivious to the cold, and a fire in the hearth awaits the opportunity to warm cold fingers as it provides  further cosiness to the pavilion’s genteel comfort. A somewhat Dwarven-looking Santa stand stands at the pavilion’s  boardwalk, ready to offer skates to those wising to take to the ice.

From here, it is a short walk south and over a bridge spanning the bubbling stream that feed the lake to reach the inn of the setting’s title, its red timbers announcing the promise of warmth and comfort inside. Nestled between the inn and a shoulder of the curtain walls of rock that run from here to the west and then northward along the coast sits another pavilion, this one fully enclosed by tall glass windows and doors, the home of a hot tub ready for use by guests at the inn.

Loch Tredach Inn & Retreat, December 2024

A path from here runs towards the western rocks, and following it gives explorers the choice of crossing another bridge and heading north, or turning south over the snow and into the arms of the cliffs, where a romantic little hideaway overlooks the stream’s high falls, the tumbling waters offering a rainbow to visitors.

Meanwhile, the route north passes steps leading down to snowy shelf of rock with chairs drawn close against a blazing brazier, and onwards to where a folly presents a bookworm’s retreat – although the weather might be a tad cold for wintertime use; just as well, then, that another pavilion stands close by with a fire of its own, and comfortable seating where books might be reasonably carried and read.

Loch Tredach Inn & Retreat, December 2024

Beyond this, the path passes through a rocky hallway to arrive back close to the Landing Point. A round folly stands close by, looking down on the lake as it guards the entrance to the setting’s more mystical elements. Here, trees bend their backs to present an aisled walkway passing between rock wall and gentle slope to arrive at a beautiful venue suitable for a range of events – and which I believe I’m correct in saying is available for hire by those seeking somewhere special for a party or wedding or similar.  Stone steps climb from the terrace overlooking this space to reach a mirror pond surrounded by crystal walls, within which more steps rise upwards through the clouds, presenting if not a stairway to heaven, then certainly one to a floating garden.

Overlooking the main venue with its flagstones serenely floating on the waters beneath and its beckoning ruins, sits the Aviary. Reached either by climbing another stairway rising up to it from the venue space or by climbing the slopes of the hill on which it sits from the Landing Point, the Aviary offers an indoor space suitable for a special events such as a wedding reception or more formal / romantic dance, and includes a terraced space outdoors with seating.

Loch Tredach Inn & Retreat, December 2024

As noted above, it is beyond the Aviary that the land belonging to the private residence commences, so explorers should proceed from it with caution.  This residence can also be reached via the trails on the south side of the island as they cross a high bridge to the east of the in.

Here the boundary between public spaces is more obvious, a pond and fast-flowing stream (which also tumbles its way down to the lake below) marking it for all eyes to see. Prior to reaching the stream, however, the path offers a chance to visit the local café and lighthouse.

LLoch Tredach Inn & Retreat, December 2024

With Itan dancing columns throughout, multiple places to sit  – not all of which are mentioned here – plus the general beauty of the setting, Loch Tredach Inn & Retreat makes for an ideal visit.

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A Calas Christmas 2024 in Second Life

Calas Galadhon Christmas 2024 – click any image for full size

So, Santa has (hopefully) made all his visits for 2024, and the year is marching to to close. However, for those seeking to retain the joy and excitement of Christmas can do little better than take a trip to the Calas Galadhon Christmas regions and embrace the warmth and fun offered by the three Calas Midwinter regions.

Following the general design seen in 2023, Tymus Tenk and Truck Meredith, together with the rest of the Calas Galadhon estate team, have once again bring forth a setting that offers opportunities for entertainment, ice skating, sleigh rides, balloon tours, horse riding and plenty of opportunities for photography.

Calas Galadhon Christmas 2024

As is common for the Calas seasonal regions, a visit commences high in the air at a crowd-clearing landing point, complete with a walk across an (Ant)Arctic setting to the teleport portal. However, in difference to previous years, rather then carrying you down to the regions proper, this will first deliver you to Santa’s workshop (follow the arrows!). Teleporting will require acceptance of the local Experience, but this only needs to be done once (and then only if you’ve not previously accepted it).

The workshop allows you to see Santa’s pixies and fairies and elves all hard at work (presumably getting up a good stock of toys, gifts and stocking fillers for Xmas 2025 now!). Santa himself is present, and will let you take a photo with him if you’re nice.

Calas Galadhon Christmas 2024

Beyond the workshop is the loading area, where presents and toys are stack ready for transfer to the outdoor loading bay for Santa’s sleigh – and it is out beyond the sleigh loading area is the second teleport portal that will transfer visitors down to the ground level.

To the south, the expanse of Midwinter 3 forms open countryside, here and there broken by woodlands, hills and water, ripe for exploration on foot or horseback (there is a horse rezzer for the latter just down the slope from the sleigh ride tours or you can add your own, if you have one). Also to be found within this region is a local Christmas Market, once again given a sense of life by static NPCs,  while the land and woods have a mix of wildlife. Tucked away within the hills and gorges of the southern extent of this region sits a teleport back up to Santa’s workshop.

Calas Galadhon Christmas 2024

The ground-level arrival point overlooks all three regions, being located up the uplands of MidWinter 2. As is usual with the Calas Christmas settings, this includes the traditional sleigh rides through all of the regions. Alongside of these is a landmark giver, which will present visitors with a notecard containing landmarks to the major locations within the regions, helpful for those who want to get somewhere quickly.

On the other side of the hill from the sleighs sit a couple of rezzers for skis and sleds, allowing visitor to scoot down the slope towards the southernmost region, thus giving a quick means to go exploring. Another new (I believe, as I don’t remember it from 2023 but could easily be wrong) is the cross-country ski tour. This requires membership of the Calas Group to obtain the skis alongside it (or you could try the skis from the rezzer close to the ground-level arrival point). Just sit on one of the two skiing pose balls and select the tour.

Calas Galadhon Christmas 2024

Of course, in the run-up to Christmas the Pavilion was the focal point for events, with the lake below it available for ice skating. The latter remains popular whilst the former now makes for a quiet visit with the Christmas events drawn to a close – and the portals remain for quick TP flips to various locations. There is once again seating all around the lakeside, and a nice little touch for this year is the Disney Island sitting out on the ice. Other attractions here include the balloon ride, the Calas Polar Express train, couples photo points, and indoor cuddles / conversations before the great fires in the Pavilion’s lounges.

As always, the Calas Galadhon Christmas regions offer a lot to see and enjoy – so make the most of them now to both continue your Christmas and holiday celebrations and before they once again vanish into the night for another year!

Calas Galadhon Christmas 2024

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Note that the Midwinter estate is rated Moderate.

A Feather Mantle in The Outer Garden, Second Life

The Outer Garden, December 2024 – click any image for full size

It has been just over two years since my last visit to Bisou Dexler’s The Outer Garden, a place of beauty and enigma, art and creative spark, and peace and contemplation. It’s a location which generally combines two settings, once which may change on a very subtle level from time to time / with the seasons, and the other often presenting something completely new.

The first of these settings is home to the main Landing Point. It is a sky platform occupied by the decaying hulk of a once grand manor house; one now with roofing gone and walls broken and cracked, and signs in places of attempts to rebuild. A long hallway stretches before arrivals, pointing the way to a distant stair climbing to a round window.

The Outer Garden, December 2024

Rooms sit to either side of this hallway, one to the right  two on the left. The first, and closest to the landing point, appears to have one been a grand chamber. Now flooded by the waters pouring in from the walls, it is a beautiful garden space, with a snowy floor (as with much of the rest of the building) and pools through which the water tumbles and poppies, lobster claw, cattails and herbs grow, and over which gnarled trees hang their boughs.

A hole in the wall here offers access to the remnants of another grand room, of which little is now left but for columned wall sections and a tumbled tower, its sides open to the snow-covered gardens wherein multiple attractions might be reached and numerous more opportunities for photography found. Or’ if preferred, tea might be taken within might have once been a further hall linking two wings of the now broken and tumbling house.

The Outer Garden, December 2024

Of the other rooms, one offers itself as a living space come boudoir; a place of music, art, and retreat, the jumbled furniture, floating balloons, musty books on their shelves and the detritus of a fallen ceiling and roof  giving it a sense of romantic charm. Beyond it sits what appears to have once been a private garden space or courtyard, separating the lounge / boudoir from the empty shell of the second room which can only be accessed from the grounds outside.

The long hall itself is (as ever) beautifully dressed and well frosted with winter, again offering multiple opportunities for photography. However, closest to the landing point is an introduction to the second setting within The Outer Garden, together with the first of two teleports leading to it. Simply sit at the mirror and select the option To Find Solace. On arrival, walk through the tunnel with its 3D representation of a garden from a Ukiyoe painting to where a trapeze artist’s ring hangs and you can teleport on to the main art installation (it doesn’t matter which of the listing destination options you choose.

The Outer Garden, December 2024

Your destination will be a gorgeous 3D representation of a traditional Japanese painting, one which draws on Hagoromo, one of the most-performed Japanese Noh (dramatic dance) plays. Subject to multiple adaptations over the centuries (including W.B. Yeats, who drew upon its story for his one act play, At the Hawk’s Well), it tells of s fisherman who, whilst out walking on a springtime night, happens upon the feather cloak of a tennin (an aerial spirit or celestial dancer) hanging on a tree bough.

Taking the hagoromo, the fisherman plans on keeping it as an heirloom; however, the tennin sees him with it and begs for him to return it to her, for without it she cannot return to the heavenly realms. taking it, and demands its return – for she cannot return to Heaven without it. At first, the fisherman refuses, but touched by the tennin’s sorrow, he relents: he will return the hagoromo to her – if she will show him her celestial dance.

The Outer Garden, December 2024

After hesitating in turn, the tennin agrees to his terms and she performs a symbolic dance honouring the Moon and its phases (represented by the number three, five and fifteen), before the fisherman returns her cloak to her, and she vanishes, “like a mountain slowly hidden in the mist”.

Within Bijou’s Hagoromo, elements of this story are present; there are fish to represent the fisherman, there’s the shoreline where he walked with his friends; little island sit on the water whilst the Moon can be seen in a number of symbolic forms. However, what is offered should not be taken as any literal interpretation of the play; rather, it is, as noted a 3D celebration of traditional Japanese art into which we can step and experience from within.

The Outer Garden, December 2024

Multiple places to sit are available for this, including what I’m going to calla “celestial cart” which can carry visitors around and through the painting.  To explore on foot, simply pass under the line of Torii gates and drop down to the level below, and then from there make your way around (and down) to where another mirror teleport will return you either to the Torri gates or back to the intermediary teleport point, with the mirror there taking you back to the main landing point.

Throughout all of this there is a sense of serenity to be found; wandering the halls of the house or along the covered walkways of the painting, there are no distractions of unnecessary sounds or music (which is not to say The Outer Garden is entirely without sound; rather sounds are restricted to where they need to be), allowing the mind to settle and appreciate without undue agitation.

The Outer Garden, December 2024

Magical.

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A touch of Decopunk and a Neverever Land in Second Life

Decopunk Metropolis, December 2024 – click any image for full size

Hera (zee9) opened a couple of new settings for people to enjoy in the run-up (and hopefully over) the holiday break (Hera’s builds do tend to vanish rapidly, so an early visit is always recommended!). Entitled respectively Decopunk Metropolis  and Neverever Land, they offer very different settings one to the other, with a hint of each of their natures given in their names. Both can be reached from the primary Landing Point, and given the introductory notecard to Decopunk Metropolis is offered at the Landing Point, I’m going to start with that setting.

Decopunk is one of the many offshoots of the original cyberpunk genre which have sprouted down the years. As the name might suggest it is centred around the art deco and Streamline Moderne art styles, folding into itself the likes of Fritz Lang’s Metropolis (1927) and 1991’s The Rocketeer. Technically a subset of dieselpunk (interwar period through to the 1950s), Decopunk remains firmly anchored in the period running through the 1920 to early 1930s.

Decopunk Metropolis, December 2024

All of this is presented in Decopunk Metropolis, which neatly echoes Hera’s Blade Runner / Drune style of design, in that we are placed within a city-style environment. However, it is one very different in styling and presentation; not Blade runner hints here; instead the references touch on Lang’s film whilst folding into itself physical-world Deco touches (perhaps most obviously New York City’s Chrysler Building).

Within it, and in difference to builds like Brutal City (which I wrote about here), there is no clearly defined “ground level”; the buildings rise from the mist, lit windows staring out like so many eyes, their upper reaches pillared and ornate, lit by streams of yellow falling along their flanks and spotlights thrown bright pools of light into the heavens, all watched over  by giant rooftop statues staring into the night.

Decopunk Metropolis, December 2024

Which is not to say the setting is without roads; they are most definitely present – they’re just as suspended as the buildings, ornate arches rising over them as if holding them aloft as they wind between (and through) the towers. Occupying two levels, they are linked via great vehicular elevators, with the lower level of roads offering three routes of exploration from the setting’s airport, the arrival zone for those coming from the main Landing Point.

Two of these roadway routes form a loop of which almost reaches completely around the setting. It is just cut short from doing so on the south-east corner of the city, where the road ends at one of the vehicular elevators mentioned above. The western around of the road, however, makes its way all the way around the city to a point directly opposite the airport. This is home to the Cortez Hotel, a place crowned by an ornate tower and also to be reached by taking the arrow-straight road also departing the airport to cut across the setting, north-to-south.

Decopunk Metropolis, December 2024

In making the crossing, the road bridge passes through the tallest building in the setting, which has a spire rising from it that looks almost as if it is expecting an airship to nuzzle up against it. This tower is also home to the Moka Efti lounge, with its very Chicago meets Cabaret vibe, and the local casino. These offer their own attractions and  – should you find them (it’s not hard) each offers a light-draped footbridge spanning the gulf between it and the east and west towers. Paralleling the road bridges, these each have a elevator station at their far ends waiting to take you to their particular points of interest, be it the apartment house high up on the eastern tower (and reach by way of taking the elevator up from the walkway to the road bridge, and then again up from their to the apartment), or to either / both of the Starlight Jazz Club and the Shanghai Dragon (again passing by way of the elevated road level).

Another way of getting around is via the local The Fifth Element style taxis; only rather than flying your from point-to-point a-la Corbin Dallas, these will whisk you around via teleporting. Just touch the taxi sign on a waiting cab and then pick a destination from the list. Those finding their way to the garage at the airport might also avail themselves of the motorbike that can be rezzed there, whilst also, and for the keen-eyed, there are various metal catwalks and stairways which may additionally lead to little places of interest, if followed and climbed.

Decopunk Metropolis, December 2024

Neverever Land, by contrast, offers a somewhat tropical setting, located at the region’s ground level. It is reached by way of the main landing point, and then an intermediary point, where more about the setting can be learned.

As might be guessed from the name, Neverever Land draws inspiration from Peter Pan – more J.M. Barrie than Disney – and the various additional works to which it has given rise. Comprising a series of interlinked islands set against a tropical back-drop, each of which contains setting based on both J.M. Barrie’s work whilst perhaps casting a wider net, the easiest way to describe this setting is that of a Neverland where the inhabitants are grown-up, but who have never quite lost touch with their spark of childhood sense of adventure and imagination.

Neverever Land, December 2024

This is actually setting which Hera last revealed in 2021, and which I wrote about in Hera’s Neverever Land in Second Life. however, as with all of Hera’s builds this in not just a rolling-out of something she’s had in-world before; there are differences. Perhaps the most noticeable of these – and one which extends to Decopunk Metropolis, is the use of AI NPCs.

These come in multiple forms throughout both settings – human, automaton, animal, bird – even, should you find it, a sandwich which has having an existential crisis concerning its purpose (being eaten) and its desire to continue (clue: look towards the left-hand end of the bar in Moka Efti). Hera started experimenting with AI scripted agents with the help and support of Kacey Stratton (in fact, one of the scripted agents from Brutal City pops-up in Decopunk Metropolis, but with a different persona.

Decopunk Metropolis, December 2024 – yours truly with one of the setting’s non-AI NPCs, the dancer Elly

I enjoyed my interactions with several of the character in the Brutal City build, but confess I didn’t gain the same level of enjoyment with the majority of the characters here; whereas the AIs at Brutal City were largely conversational in nature, I found the AIs at both Decopunk and Neverever Land too expositional in their multi-paragraph replies. In mentioning this to Hera, she indicated there had been an oversight in keeping the AI responses more constrained. Whilst unfortunate in the way it – for me – killed interaction, it most certainly does not spoil a visit.

Rounded out with a nicely curated audio mix on the audio stream that fits the Decopunk Metropolis setting perfectly, I thoroughly recommend the city as a place to visit, and Neverever Land as a nice addition.

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