Tag: Art 2022

Alsatian Kidd is perhaps best known as a region landscaper; his Green Acres Homestead region has been a regular destination for me for several years, as reported in these pages, and he also provides services to those who would like their regions and parcels landscaped. But in addition to this, he is also an accomplished photographer, as indicated by his Flickr stream and  – for the next couple of weeks – through an exhibition within the Sky Gallery at Monocle Man Galleries, the arts centre operated by Lynx Luga and Kit Boyd.

I often talk about art in terms of the narrative and the story it contains; be it within an individual image and / or through the the overall theme for an exhibition. Sometimes the narrative is offered through the image itself, sometimes through the title it has been given, and sometimes the mix of title and subject. With Nihongo-Ka – which translates best as “turning Japanese” – Alsatian offer a 4-chapter series of images which – thanks to the accompanying word panels – offer a story of one man’s travels through feudal Japan and the adventures / trials he faces.

Starting on the ground floor hall immediately on the right of the entry hall, the story unfolds in a clockwise direction through all four halls of the gallery space. In the first hall, we are introduced to the protagonist – Rokudenashi – and his white wolf, whilst setting the scene for his travels. From here, each chapter takes us, hall by hall, through the pair’s journey, at times introducing us to companions who might aid them, or those who might try to thwart them in achieving their goal.

Within each hall, the chapters (presented as scrolls with illustrations from both classical Japanese art and also captured from within Second Life) are mounted with images created by Alsatian that more fully illustrate the unfolding tale. Taken at Japanese-themed locations in Second Life, the images present elements of each chapter in a clear-cut manner with a light touch of post-processing that gives each image as sense of being illustrative to the story without dropping them into the realm of comic / graphic novel, instead leaving each as a piece that can be appreciated in its own right as well as in being part o the unfolding story.

As well as offering the final chapter of the story, the fourth hall of the exhibition space also presents what might have initially served as the inspiration for this artistic tale – the lyrics from Turning Japanese, the  single by British New Wave band The Vapors. Released on the group’s first album, New Clear Days, the song reached number 3 in the UK singles chart in 1980 and remains popular with fans since the band re-formed in 2016.

A simple but engaging artistic tale, Nihongo-Ka will remain open to the public through until the end of October 30th, 2022. And Star Trek fans might what to keep an eye open for the subtle reference to the original series tucked away within one of the panels!

SLurl Details

• Monocle Man Sky Gallery (Flying Fortress, rated Adult)

 

It’s been barely a Kwarting¹ since I was last at Onceagain Art Gallery curated by Onceagain (Manoji Yachvili), with my last visit being to witness the B&W Group Exhibit (see: Onceagain with black and white in Second Life); and while a month is traditionally said to be a long time in politics, the same is very much true in Second Life. This is because in the time since my last visit the gallery has been relocated from the sky to the ground, and Manoji, and has expanded, its facilities.

Now located on the ground level of its home parcel within the Peaceful Mountains region, the Gallery comprises a number of halls and buildings separated by landscaped gardens. At the time of my visit, parts of the the gallery were still in development. However, this is to be expected because, as Manoji notes herself, she is always tweaking things and making adjustments (and in fact note that the Gallery might be closed on Mondays so that she can do so in peace) – but there is more than enough to occupy the eye even should some elements of the gallery’s lands be under development.

This being the case, the new facilities,  which opened on October 16th, 2022, comprise:

• The Main Gallery, alongside of which is the primary landing point for the Gallery spaces as whole (although the landing point is not enforced so that all remaining gallery spaces can have their own LP). The Main Gallery provides an ensemble exhibition of art.
• The Private Collection, which as the name suggests, features art from Manoji’s personal collection.
• The Personal Exhibition Gallery, featuring Manoji’s own work, which appeared to be under construction at the time of my visit.
• A “Free to Rent” gallery, which was again under construction at the time of my visit, but once available, will be available subject to guidelines offered through a dedicated note card.
• The Artist of the Month gallery, presenting the featured artist invited to display within the Gallery’s spaces – if I am understanding Manoji’s notes correctly, may be presented in one of a number of gallery space designs, as selected by Manoji after viewing the artist’s work.

In addition to the above, at the time of my visit, the north side of the parcel was marked as Under Construction both for what I took to the Personal Exhibition gallery noted above, and to what appear to be three further boutique style gallery spaces and a little caravan park.

Between and around the buildings, the setting has been landscaped as a garden space, high granite cliffs forming privacy walls along two sides, and from which water falls, some of it to feed a stream burbling and bubbling its way through the land. A good portion of the garden has been constructed using Alex Bader’s always popular Zen Garden Building Kit, with the more open lawns being home to 3D art elements again from Manoji’s own collection, whilst towards the centre of the gardens sits what appears to be an office-come-bookshop / quiet spot.

For October, the guest artist is Kika Yongho who, along with Manoji, presents a light-hearted selection of images entitled I only have eyes for the Flamingo. Kika’s images are located on the upper level of the gallery (alongside the landing point), and clicking each piece will supply a note card offering something of a story to go with the image. Four further flamingo-centric images by Manoji can be found on the lower floor of the gallery.

Those wishing to have their art displayed at Onceagain as a featured artist should contact Manoji directly for information on how to do so – with information also being supplied via note card to those using the main landing point.

SLurl Details

• Onceagain Art Gallery (Peaceful Mountains, rated Adult)

1. Kwartang (n.). A unit of measure for time in British politics named for Kwasi Kwartang, the former Chancellor of the Exchequer. It is roughly equivalent to three times the American political unit of measure, the Scaramucci – itself some 11 days in length. (Yes, folks, a touch of political humour to go with the time, if utterly divorced from the focus of this article.)

Currently open at The Glinka Gallery, operated and curated by Wolfgang Glinka, is an exhibition of original paintings by Serbian painter and digital artist, Lash VV. Entitled Animal Instinct, it marks his fourth show at the gallery, and focuses on one of his core interests as an artist: the natural world.

Located within one of the gallery’s halls, Animal Instinct is a collection of some 25 paintings of animals in the wild. It’s a selection that offers insight into Lash’s range as an artist, the pieces representing original works produced in oil, acrylics, watercolours, charcoal and ink drawings, drypoint, his skills with digital post-processing techniques and more.

These are pieces also representing their subjects in a similarly broad range of genres – still-life, impressionist, minimalist, abstracted – with each approach clearly balanced to best reflect the motion of its subject or captures the manner in which we tend to picture them in the mind’s eye.  This gives each picture a depth and sense of life that can so easily capture the eyes – and also offer a hint of a story.

Take Dance of Love, for example. It captures two Japanese cranes in courtship, but more than this, though the the style, the minimalist use of colour, the piece offers a broader suggestion of the country itself.  close by, Antelopes similarly captures the alertness of their subject while the light hatching of lines beyond them as all we need to see in order to be transported to the Serengeti.

Standing just inside the hall on the right is Fight, a beautifully raw piece, accompanied by a poem by Wolfgang entitled Rutting that equally captures the rawness of animal life in the wild.

Watched over by a 3D salamander also created by Lash, this is a wonderfully evocative selection of art guaranteed to capture the hearts of wildlife lowers.

SLurl Details

• The Glinka Gallery (Seaforth, rated Adult)

Now open at the Kondor Art Centre is the most engaging and fascinating series of digital art, presented by the Centre’s owner / curator (and exceptionally talented photographer artist in his own right), Hermes Kondor.

Located within the Centre’s Art Square, In The Edge Of The Dream is a collection of 20 images that combine themes of fantasy, flights of the imagination, the free thinking of childhood, and the freedom all of them can give us. Each and every one of these pieces carries an artistic and narrative richness that is completely stunning and captivating. More than paintings, these 16 works are portals to worlds of wonder, places of mystery and magic, halls of wonder and the marvels of the imagination unlocked when the mind – both in childhood and adulthood – is given the fullest freedom of thought and expression.

The introduction to the exhibition can be found within a 17th image in the square in words from Hermes himself which are perfectly written and frame the exhibition beautifully. As such, rather than ramble on myself, I’m simply going to quote them here in the hope that in doing so, I can also help visitors frame their mindset in readiness for a visit.

Live the dream, transform yourself into it and discover the Reality of Fantasy.

The Magic is right there, living by your side and inside you. Let yourself be carried away by the Dream of Existing. Be enchanted, play with what you think is real and try to transform Life into Magic. 

– Hermes Kondor

Delight yourself with the Fantasy that dwells inside the Dream. Discover yourself, finding the other side of the Real. Complete yourself with your inner side and find the supreme Happiness that is right there with you, in the deepest dimension of Life. 

Transform the Dream into Art and join me in the search for who we deeply are.

– Hermes Kondor

In addition to being presented in large format images, the painting in this collection are also available gathered into an in-world coffee table book – perfect for keeping the entire collection at home and being able to enjoy it even if you don’t have sufficient wall space for copies of the individual paintings. The book can be obtained from a table just a short walk from the exhibition’s introduction board – which I’m also using the landing point SLurl for the exhibition in this piece.

A beautiful exhibition of digital art that really should not be missed.

SLurl Detail

• Kondor Art Square, Kondor Art Centre (Waka, rated Moderate)

Currently open at The 22 ArtSpace, the boutique gallery operated by Ricco Saenz and Randy Firebrand in Bellisseria, and running through until January 20th, 2022, is a fascinating selection of 14 photographs by DeCarlo Maxim (ReDDeE Hian), someone whose work I don’t think I’ve previously encountered.

Known in the physical world as DeCarlo Hoyte, and hailing from Montreal, Quebec, DeCarlo offers the fourteen pieces within the exhibition – entitled The Art of Living in.adHD – as a photo-essay in living with Attention-Deficit Hyperactivity Disorder (ADHD). As such, this is a very personal series – but one which is also very approachable –  in which he takes a unique and engaging approach to his subject.

ADHD is a condition affecting behaviour;  those suffering from it exhibit restlessness and difficulties in controlling behaviour, trouble concentrating or in staying focused, and may act on impulse. The disorder tends to be noticed at an early age, with diagnosis generally occurring when children are between 3 and 7 years of age (although it can be diagnosed much later); it tends to be triggered as a result of a significant change in circumstance – such as moving to a new house / neighbourhood or when starting school. For many, the symptoms tend to improve with age, but for around one-third of those afflicted, symptoms can continue through adolescence and adulthood.

As there is no single cause, ADHD is considered to be a result of an interplay between genetic (70%-80% according to the Journal of Learning Disabilities) and environmental factors, treatment tends to be highly individual and focuses on a range of potential one-to-one and / or group therapies and the possible use of medication.

Within The Art of Living in.adHD, DeCarlo offers a form of self-therapy whilst also offering us insight into his interactions with ADHD. However, he does so in a special way: rather than using his avatar, he offers photos taken in the physical world which utilise toy characters as their focus. In doing so, he achieves a  number of things that really help draw the visitor into these pieces.

Firstly, by using little characters rather than his (or other) avatar(s), he avoid these pieces being taken as simple avatar studies in which looks, fashion and setting are the focus. The use of these little characters also subconsciously reminds us that ADHD does emerge as a childhood disorder, and can radically and lastingly impact the child’s trajectory through their young life. Finally, he can, as an adult, offer thoughts and insights into living with ADHD in the most subtle but direct means, sans the risk of character expression misleading the eye and mind.

Each piece carries with it an emotional content that in some is immediately and heart-rendingly apparent (e.g Always There, Lefted Out), and in others offers a sense of amusement and fun whilst still containing a deeper message (e.g. the I Am Grooot images, young Groot being a personification of ADHD behaviours, whilst always being repressively positive in his outlook on life).

When viewing this exhibition, I do recommend you start on the ground-floor rooms, and after seeing Groot on the upstairs landing, go to the room immediately to the left of the top of the stairs (between Summer Dip and Self Reflecting), before moving to the room behind the stairs-top, which to me presents the two images that crown this exhibition in terms of their visual and emotive content.

SLurl Detail

• The 22 ArtSpace (Grenouille, rated Moderate)