En vacances à la Petite Provence d’Annisss in Second Life

Petite Provence d’Annisss, July 2024 – click any image for full size

In leafing through the Destination Guide recently, I happened across an entry for Petite Provence d’Annisss, a full private region setting leveraging the Land Capacity bonus, designed by Annisss Mathịṣ (annisss). Offering a mix of public spaces and rental properties (so some caution might be in order during wanderings to avoid invading someone’s privacy), it offers a good deal to see and appreciate and some pleasing opportunities for photography.

Visit a village in the south-east of France, have lunch at a restaurant with a sea view or enjoy its beaches and small isolated coves, visit its superb caves or come and enjoy the evenings at the Club.

– Petite Provence d’Annisss About Land description

Petite Provence d’Annisss, July 2024

A visit commences towards the west side of the region where a tall clock tower keeps watch over a channel cutting its way into the landscape. Perhaps this watery cutting and the bay at its eastern end may once have been a natural inlet, but where the banks may have once stood has been built up with walls and topped out with paving to provide space for local businesses, the town church, with the inlet becoming something of a small harbour, offering a safe haven to various craft which appear to enter via a separate channel.

Gathered behind the clock tower, the part of the town adjacent to the landing point carries hints of multiple locations – some of the buildings having a lean towards Tuscany; others seemingly plucked from rural France. It’s a mix that is pleasing to the eyes with cobblestones an paving run around and between the buildings, inviting feet to follow, while to the south a road sweeps down from the heights before performing a u-turn and ending as abruptly as it started have served its intent and brought visitors down to the golden sands of a beach whilst cupping one of the region’s restaurants in its arms as it does so.

Petite Provence d’Annisss, July 2024

The beach offers plenty of places and space to catch the sun, whilst a makeshift bar might allow sunbathers to quench their thirst when it is stocked and operating. For those who prefer, steps to one side of the clock tower offer a quicker way down from the landing point to the beach, and both the the steps and the road will direct wanderers to where a horse rezzer is also available should clip-clopping around the town appeal.

Across the channel, and linked to the clock tower by way of a bridge, the north side of town has fairly packed itself into a small island, the buildings shuffling together shoulder-to-shoulder is if in mutual protection. Between them might be found narrow streets and alleys that – as is so often the way with old towns – suddenly burst forth into a square or walk raised above a beach, offering places to sit and pace the time and / or steps down to the sands.

Petite Provence d’Annisss, July 2024

Follow the raised water front here down to where it overlooks the moorings for boats, and you cannot fail to find The Blue Note, the club mentioned in the About Land description. Sitting within the remnants and façades of a number of buildings and with its very roof the sky above, this a a place ready to host both DJs and live musicians alike, its dancefloor sitting above a tropical isle in miniature.

Reached by walking through the town and passing by the church and another restaurant, visitors can make their way to the region’s art gallery. Sitting with cliffs on three of its four sides, the gallery was hosting a exhibition of photography by Ludi Tarus at the time of my visit, with its courtyard area sporting various 3D pieces. Just to the south of the gallery are two blocky promontories, a narrow cove cutting between them. One of these promontories is home to a public baths, and those seeking it out might also notice there’s a path edging its way around the cliffs below it, offering access to the cove.

Petite Provence d’Annisss, July 2024

The second promontory is the location to one of the setting’s rental homes. Overlooking another cove-like beach sheltering between the rocky bluffs, this house looks across the sands to another headland marked by more rentals, and with another path running through it connecting the two baches along its shoreline. To be honest, I’ve not sure if this aspect of the island is intended to be open to the public; while it links directly to the the gallery and its courtyard, the only means to reach the footpath and the beached appears to be by taking a walk through the gardens of the rental houses. I wasn’t keen on doing this in case I was trapsing across private property, so I simply cammed  over and looked around.

Some of the cliffs dropping away to the harbour from the rentals and the gallery have waterfalls bursting out of them, suggesting the presence of a rocky aquifer. More to the point, for those who find it, there’s a stairway leading down to the base of some of these falls, where a bag of gifts awaits, together with the entrance to the cave mentioned in the About Land description.

Petite Provence d’Annisss, July 2024

Charming, quiet and with plenty of opportunities for photography, Petite Provence d’Annisss makes from a pleasing visit with plenty to seen and photograph.

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More from A Love Project in Second Life

Ākādo, A Love Project, July 2024 – click any image for full size

In my previous Exploring Second Life piece, I wrote about Ai-mura, a part of a region called A Love Project (see: Ai-mura: A Love Project in Second Life). Primarily created by ラパ (Rapa Tone) and Indra Herouin, Ai-mura, as I noted in that article, sits on a sky platform as one of a number of public spaces within the region, and I said I’d cover the rest in a future piece. So, here we are.

Occupying an area approaching a quarter of the region’s area in size, Ai-mura is, I believe, the largest single public space open to visitors within this Full region. By contrast Ākādo, also sitting on a sky platform and continuing the Japanese theme, covers an area a little over 5,000 square metres in size – which doesn’t make it any less curious and interesting to explore.

Ākādo, A Love Project, July 2024
Every now and then, Ākādo experiences a peculiar transformation, beckoning the townspeople to an otherworldly celebration. The narrow streets become alive with masked figures in ornate kimonos moving to the rhythmic beat.

– Ākādo About Land description

The landing point sits as an open-sided path running alongside of a water channel. The façades of little shops line the other side of the cobbles, whilst the landing area itself offers a note-card giver providing more information on the minds behind A Love Project as well as offering a teleport HUD giver. Experience-driven, this provides access to other public spaces within the region (including Ai-mura) and also to other related regions.

Ākādo, A Love Project, July 2024

At the far end of the footpath is a small precinct of businesses selling variety of wares, and a large boat with sitting with it bow abutting the local jetty. Unfortunately, the boat appears to sit within a boundary prim for the settings, and so sitting on board doesn’t appear to be possible (I got bounced up onto the awning). One of the eateries making up one of the little businesses does offer seating, however, whilst the other sits alongside the path leading up to a large, open-air paved space that’s given over the music.

This may well be the place of the celebrations  mentioned in the parcel’s About Land description; it is certainly curious in tone. At first seeming innocent in looks, one only has to look at the waters over which the DJ booth sits to realise it has its own mystery. For there, rising from the depths, are a series of demon-like creatures. They are in fact oni statues, although they appear to have been called forth by the music – or perhaps they are seeking the  Cthulhu-like creature on in the open waters…

Ākādo, A Love Project, July 2024

Steps rise from a corner of this square to pass by way of a shrine and then climb on upwards to where a temple sits at the top of the hill overlooking the events area. Here, prayers might be offered to Ōkuninushi – perhaps to keep the demons below at bay!

Using the teleporter HUD can carry one to a further sky platform, and a very different environment. Taking the name Saudade – the Portuguese term referencing the profoundly nostalgic longing for a beloved yet absent something or someone, this is a small space given over to remembering those whom have been lost.

Saudade, July 2024

It’s a beautiful setting designed by RavenStarr Fairelander in which visitors can literally walk among the clouds and commemorate someone dear to them whom they miss deeply through the release of a prayer balloon, or by sending a full permissions image (and presumably a short IM / note) to RavenStarr, who will add it to the picture board within the space.

Two further public spaces can be reached via the teleporter HUD. Both reside on the ground level of the region, which is also the location of a number of private residences, so please do keep to just the two public areas when visiting. The first I’ll mention is Bachata Magica, a waterfront destination mindful of the Caribbean or Latin America, and where – as the name suggests, Latin American music (and, presumably other forms of music) can be enjoyed whilst dancing on the sands between the gaily-painted houses and bars. The remaining space is a small gallery called Piece of Work, and is home to Indra’s avatar-centric and attention-holding photography.

Piece of Work, July 2024

Love Project offers may to see and appreciate, as I hope this and my previous article show – so enjoy.

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A Love Project is rated Moderate.

I Am A Woman: a photographic essay in Second Life

Gallery Bjork, July 2024: Angelika Corrall – I Am A Woman

I recently returned to Venus by the Water, the Homestead region created by Elizabeth (ElizabethNantes) and Cecilia Nansen, a place I first visited in April (see: A Venus by the Water in Second Life). My reason for this visit was to see the latest exhibition at Gallery Bjork, featuring the work of Angelika Corral.

Angelika is for some perhaps best known for her time operating the DaphneArts centre alongside of Sheldon Bergman (SheldonBR). For the length of its run in Second Life,  DaphneArts was one of the foremost galleries in presenting persistently engaging exhibitions and installations, a gallery I always enjoyed visiting. However, Angelika is a photographer-artist with a gifted eyed and the ability to tell a story – even a life – of emotion and spirit within the single frame of an image.

Within I Am A Woman, she presents a dozen images (I’ll come to the final two in the collection further into this article) focused on the female form. Presented in black and white – the medium Angelika prefers to utilise for her photography, these are images intend to speak to the beauty of the female form, yes; but not necessarily the beauty that is seen from without – although that is very evident through all of the pieces through look, pose, poise, framing, focus, etc. Rather, the beauty being celebrated here is that with lays within: the beauty of strength and grace women demonstrate in a world which has too long been biased more towards the male gender.

Gallery Bjork, July 2024: Angelika Corrall – I Am A Woman
Across the globe many women and girls still face discrimination on the basis of sex and gender. Gender inequality underpins many problems which affect women and girls, such as lower pay at work, lack of access to education, domestic and sexual violence. Women are roughly four times as likely as men to say they have been treated as if they were not competent because of their gender.

– Angelika Corral, I Am A Woman

However, to assume from the above that this is some form of “political” treatise on the “unfairness” of life when it comes to gender – it is not (although were it to be so would not lessen its message in any way given what is going on right now in many parts of the world – including the the United States, albeit not solely aimed at those of us of the female gender). Instead, within I am Woman Angelika offers up reminders of who we area as women; creates really not that different to the male of the species: creates of love, hope, strength, vulnerability; people who can love, thinking, create, manage, and excel.

Women artists have used photography as a tool of resistance. Self-portraiture has always been a tool of empowerment for women. The exhibition is dedicated to the “divine feminine” and intends to celebrate women’s power and grace.

– Angelika Corral, I Am A Woman

Each of the twelve primary images carries with it a reminder of the beauty, grace and strength to be found in a woman. Sometimes identifying all three is easy, in others, it is more nuanced. In this latter regard, I found The Flower particularly powerful, with its subtle references to natural beauty (the flower held in one hand, the naked back), and the clear references to fertility, and the core role of women as the mothers of all humankind and the truth that, without us, there would be no humankind.

Gallery Bjork, July 2024: Angelika Corrall – I Am A Woman
Which brings me to the final two images within this collection, which sit within the gallery’s smallest room. Presented as a pair one male (the only such male image within the collection) and one female. They are entitled Gemini Male and Gemini Female, and serve to underscore the the fact that, when all is said and done, not only are men and women really not that dissimilar, the vast majority of the so-called differences we encounter in life: inequality, discrimination, perceptions of value / worth / competency, are as much artificial constructs as the garments in which we clothe ourselves. In this these final two images also underscore the question Angelika poses throughout this exhibition, once again asking visitors (of any gender) to contemplate it further:

Don’t we all want to find new ways to live in a fair and just society, in a world of equity and equality?

– Angelika Corral, I Am A Woman

Powerful and evocative, an exhibition of beautiful artistry and powerful reflections. When visiting, do be sure, as well, to read Angelika’s dedication to her daughter – ad the all daughters of the world.

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Ai-Mura – a Love Project in Second Life

Ai-mura, July 2024 – click any image for full size

My most recent travels to me to the setting of Ai-mura, largely created by ラパ (Rapa Tone) and Indra Herouin. Occupying a sky platform covering a little under a quarter of a Full private region which offers the private island Land Capacity bonus, Ai-Mura is held under Rapa’s melodic.one Group and is described as being a part of the Love Project, in reference to the region as a whole and the multiple settings available within it – some of which I’ll be covering in these pages in due course.

Ai-mura is an engaging Japanese themed setting, with very good use made of the available space, which has been split into roughly three primary areas.

As you step off the train at Ai-mura station, you sense there is something magical about this small village by the sea. Refresh your body and mind at the local onsen, explore the bustling neko village, wander the paths to find your perfect picture spot, and come listen to amazing DJs while dancing your cares away in a beautiful, open-air venue.

– Ai-Mura Destination Guide entry

Ai-mura, July 2024

The train – more a tram, really – referenced in the setting’s Destination Guide entry sits in the south-east corner of the setting, stopped at the terminus of whatever line it has followed to reach this point, having to to it via passage through a nearby tunnel. The station located just below the elevated tracks has something of an industrial feel about its insides, resembling more of a pumping station than a ticket office or anything. Alongside of it is the entrance / exit to a subway system, suggesting another means of reaching the setting.

A bamboo path offers two routes down from the station, it and the tram track being the highest accessible points in the setting. The first is to the north, where a gatehouse and stone steps allow visitors to descend from the station’s rocky table-top and reach the neko village also referenced in the Destination Guide entry.

Ai-mura, July 2024

The second arm of the path turns west to pass under a Torii gate and again descend via stone steps to provide access to the west side of the setting. In offering the way to their respective destinations, both arms of the path pass over a fast-flowing stream that tumbles from above vias falls and then further falls and rapids before eventually passing into a tunnel of its own, effectively isolating the station’s rocky highland from the rest of the landscape.

The neko village is, as the name suggests, a village of kitties – u10 nitta’s (shiro0822) ever-engaging {-Maru Kado-} kitties to be precise. Unsurprisingly, given the local inhabitants 🙂 the majority of the businesses in the village square are given over to eateries with all sorts of foods on offer – including fish. The latter are being offered via a warehouse linking the village with a fishing wharf where a couple of boats are tied-up, most likely having recently delivered their catches.

Ai-mura, July 2024

Packed with little details waiting to be found, the village is a simply charming setting ripe with photo opportunities. One of my favourite elements – aside from the kitties – is a sign board sitting above the the village providing information on where Rapa –  an SL DJ – might be, giving both her DJ appearances and the times she’s asleep  with “zzzz”.

Steps on the west side of the village provides access to an open meadow which in turn connects to the west side of the region, the majority of which is given over to a field for music events, with the field set to host a Progressive Music event on Tuesday, July 30th from 16;00-22:00 SLT, hosted by Coley Magic, who will join Rapa and five other DJs presenting sets during the event.

Ai-mura, July 2024

South of the music venue is a raised courtyard which connects to the second part of the path running down from the tram station. The courtyard seems to function as both an overspill area for the music events field and as an open space before the setting’s osen.

The latter is entirely open-air and without either accompanying bath house or changing area. Instead, the main pool sits within a oval of large stones and appears to be heated from a natural source below, the water’s surface misted with steam. Whatever the source of the heat, it must be powerful: the pool appears to be fed by cold fresh water tumbling from more of the falls at the setting’s southern highlands; water which drops over stepped falls and then rushes through more little rapids to flow into the larger body of which the onsen pool is part.

Ai-mura, July 2024

For those who would like a more private spa, a second hot spring and pool can be found on a shoulder of rock overlooking the main falls and stream. It is reached by turning off the path down to the onsen from the tram station before it crosses the stream via a red bridge.

There are one or two roughly little elements where the landscaping could perhaps be tidied in little more, but these don’t really intrude into the setting to the extent them we show up in photos. The sound scape – birdsong and trickling water – could perhaps do with a little more, but again, its entirely possible most visitors will be dropping in for the music, and so won’t notice. Certainly, the overall photogenic nature of the setting cannot be denied, and the look and appeal of Ai-Mura does much to commend the rest of the public spaces within the region as being destinations to add to an itinerary.

Ai-mura, July 2024

SLurl Details

  • Ai-Mura (a love Project, rated Moderate)

Summer 2024 at BOSL in Second Life

BOSL Waterfront Gallery, July / August 2024: Harlo Jamison

My summer 2024 to the Best of Second Life (BOSL) galleries, operated by Regin Congrejo and Jamee Sandalwood allowed me to take in two exhibitions of late – one of which will be closing in mid-August, and the other will run through until the end of August.

The first is another ensemble exhibition held within BOSL’s main gallery and entitled Hello Summer! It features pieces on the theme of summer from Dante Helios (Dantelios), Sheba Blitz, Sabie Mortenwold (Sabine Mortenwold), Evie Ravens (Evelyn Irelund) Broin Ravens (Brian Ravenhurst), and co-host / curator Jamee Sandalwood. With the exception of Sabie Mortenwold, all of the artists present images captured from within Second Life celebrating the passage of the summer months, the majority featuring landscapes, beach scenes, flowers and wildlife.

BOSL Main Gallery, July 2024: Hello Summer! – Dante Helios

In addition, all of the artists excepting Sabie, also participated in the Hello Winter! at the gallery, which I covered in December 2023. For her part, Sabi offers a selection of her mixed-media collages uploaded to SL, all of them very much focused on the blossoming flowers of summertime and offering a nice set of contrast to the in-world images from the other artists.

Together, all of the pieces presented by the artists offer a very easy-going exhibition, the décor within the gallery adding to the summer time feel of the pictures, all of which offer a unique appeal and sense of the season.

BOSL Main Gallery, July 2024: Hello Summer! – Sabie Mortenwold

Down at the Waterfront Café, reached via a walk through the gardens in which the galleries are set, is a small exhibition of work by the ever-excellent Harlo Jamison. Running through until the end of August, this is a collection of just seven images which might also be side to be gathered under the title of “summer”.

Harlo is a multi-faceted; when last I covered her work it was in regards to an avatar-centric, adult-themed exhibition she had put together jointly with Alex Riverstone (see: A Sugarfish Gallery in Second Life). Here she presents what might be consider two sets of landscape pieces which combine as a masterclass of Second Life photography and artistic imagery.

BOSL Waterfront Gallery, July / August 2024: Harlo Jamison

To the left of the gallery space as you enter it, lay four colour pieces, beautifully cropped, framed and present, offering views of Second Life redolent in the colours of summer. From a beautiful shot across an entire region to the single figure of a windmill standing tall before the admiring gaze of visitors, these four pieces are a lesson in the skilled use of the viewer’s camera and of the gentle use of post-processing techniques.

To the right are three pieces sharing the title A Golden Summer. (a forth frame is provided, but at the time of my visit, did not display an image). Once again, they capture scenes richly and evocatively, but the use of post-processing to lend them a sepia tint and sense of deliberate over-exposure results in a trio of pieces that is simply breath-taking.

BOSL Waterfront Gallery, July / August 2024: Harlo Jamison

In all, a thoroughly engaging collection of pieces, and one which nicely balances the ensemble exhibition in the main gallery.

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BOSL Innovation Pavilion is rated Moderate

Summer at Luane’s World in Second Life

Luane’s World, July 2024 – click any image for full size

Summer has brought with it time for me to make a visit to Luane’s World, the estate held and operated by LuaneMeo and her publicly-accessible Full region – Le Monde Perdu (The Lost World). It’s been a while since my last visit, and the region has been beautifully redressed for the summer, offering a mix of a beachy cove, woodlands, a lake, and open lands cut through by a mix of streams and footpaths.

The landing point sits on a ridge which runs from east to west across the landscape, rising from each coast to form high cliffs overlooking the beach with is deep-cut cove to the south, whilst falling more gently away to the north west to meet the lowlands. The upper reach of this ridge is home to the region’s landing point. This provides information on the estate’s rentals, a teleport board (including the the sky region destination and the store space Luane shares with Méli-Mélo). A further board provides information on the region’s photo contest running through to August 12th, 2024, of which more below.

Luane’s World, July 2024

There are two main ways down from the ridge, again to the east and west. The former descends via a trail and steps cut into the hill slopes before crossing one of the region’s streams to provide access to the east side of the cove and the beach. Along the way it is possible to turn north and access the lowlands, where multiple places to sit and pass the time might be found along the hill slopes.

To the west, the slope proceeds gently down in a gentle curve to the south, eventually meeting with the beach, the foot of the sandy hill sculpted by successive tides. Again there are multiple places to sit along the way – including a cosy summer house – whilst steps cut into the north slope again provide access to the northern lowlands.

Luane’s World, July 2024

Facing off-region islands, the beach and cove are naturally formed, the beach offering a gentle sandy walk under the lee of the cliffs before shelving away sharply under the surf to form a deep water bay that’s home to orca, fish, an ancient wreck and a great white minding its own business. The fact that it is seemingly content to keep to itself will likely be good news to those who wish to take a dip or make use of the lidos, floating seats and rings in the water. For those of a less daring disposition, a RHIB sits in the bay, one of several boats around the region, and offering a place from where the local rays can be watched.

With all these sights and locations the beach and cove are attractive and photogenic and certainly not not be missed. However, given I’m personally not a great beach person, the north side of the region with its lush grassland, trees and flower, is the real attraction. The lake takes up a good portion of the north-west side of the setting, and while it may not have the richness of undersea life within it, it is still the home for swans, geese and turtles, as well as offering the opportunity to take a swan boat out on the water from the dock alongside of the lakeside cottage.

Luane’s World, July 2024

The latter is a cosily-furnished mix of home and studio, a wooden boardwalk winding from its and front door to pass around the edge of the lake, paths here and there offering ways up the slopes behind. Making its way past another deck, the boardwalk eventually climbs steps up to another platform at the eastern extent of the lake, where gates set into a high, ivy-draped wall close by provide access to the lands beyond the lake. Although before passing through them, there is also the opportunity to take a walk around the north shore of the lake, which is again photogenic and relaxing.

For those who don’t fancy walking all around the region, horse rezzers available, although walking perhaps offers the best opportunity to catch sight of all the animals and birds also occupying the setting. for those would would like to the the region as a bird might, then the hot air balloon floating to the north-east might be attractive. As already noted, the region is rich in places to sit throughout, on the beach, around the lake, on the hill slopes, and so on, although I particularly enjoyed the Café de Paris, tucked into a corner of the region and guarding the path leading to / from the familiar bridge connecting le Monde Perdu with the rest of the region.

Luane’s World, July 2024

Photo Contest

Running through until Monday, August 12th, 2024, the Luane’s World / Le Monde Perdu photo contest offers a prize pool of L$ 8,000 plus a  choice of pose packs from Méli-Mélo and Luanes Poses. Full details and rules can be obtained from the contest board at the region’s landing point, but in short:

  • Up to three entries per person may be submitted.
  • Entered photographs must:
    • Be taken within Luane’s World ground-level setting (not Luane’s Magical World, the sky-bound setting) and be clearly recognisable as having been taken within the region.
    • Have a primary focus on the landscape (although avatars can be show in images, they should not be the focus).
    • Not include porn, obscenity, racism, child play, or violence. doing so will result in automatic disqualification.
Luane’s World, July 2024
  • Entries:
    • Are made via the Luanes World – Le Monde Perdu Flickr group.
    • Mist be set to Public viewing.
    • Must be labelled LUANES WORLD – LE MONDE PERDU PHOTO CONTEST Summer 2024, followed by any title you wish to give the image and then 1, 2 or 3 if you submit multiple entries. the SLurl to the region must also be given within the image description.

Good luck to all who enter.

Luane’s World, July 2024

All of Luane’s designs, developed with Gorba McMahon, are eye-catching, highly photogenic and created with keen eyes for detail. Summer 2024 is no exception to this, and I highly recommend a visit.

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