The lyrical enchantment of Poesy Wildes in Second Life

Poesy Wildes, August 2024 – click any image for full size

Poesy – the art of poetic composition – is a well-chosen for the name of the Full region of Poesy Wildes on two counts: it both reflects the core theme of the region, which is a celebration of poems (and literature) and because it is a accurate reflection of the compositional skill of region holder Raven Fairelander (RavenStarr Fairelander). To call this region “enchanting” is really an understatement; it is a marvellous journey through the worlds through both its subject matter and Raven’s creativity.

Poesy Wildes is an enchanting retreat which offers visitors a unique opportunity to immerse themselves in the world of literature, prose, and poetry. The air is filled with the whispers of verses, and every corner invites contemplation and inspiration.

From the region’s About Land description

Poesy Wildes, August 2024

Watched over by Edgar Allan Poe – who requests visitors forgive him his silence as he is deeply engrossed in writing Lenore (originally A Pæan), so I’ll leave you to discover him – the region is wreathed in twilight, the Sun apparently just having set. However, such is the beauty of Poesy Wildes that it naturally lends itself to a range of EEP settings.

The landing point sits to the north-east of the setting, within an orangery. It’s worth spending a little time here, as there is an Experience to accept and HUD to collect. Obtaining the latter both triggers a request to join the former and provides ready access to the 20 poems any literary excerpts that have been the August focus of the region. Also available at the landing point is a Love Project Teleport HUD, providing access to locations such as The Magic Hour and Ai-Mura, both of which I visited in July 2024 (see Wandering in The Magic Hour in Second Life and Ai-Mura – a Love Project in Second Life), as well as other locations linked to the project – again, acceptance of an Experience will be required for this HUD as well.

Poesy Wildes, August 2024

Just outside of the landing point is a further teleporter to key points within Poesy Wildes and – until the end of August, at least, details on the location’s photo contest. Finally, the ground just outside the landing point carries the first of several quotations awaiting discovery within the region.

The easiest way to explore the region is to simply follow the path – and your nose, should the path peter out – and see where it leads. Poems and excepts are clearly mounted on boards throughout the landscape, and the HUD allows you to access them on-screen for easier reading. In addition, selecting a piece on the HUD allows you to both use the Visit button to hop to it directly, and / or listen to an audio recital of the poem or text. I admit that some of the prose is a little difficult to read on the HUD (and understandably so, given its length), but to be able to hear the stories and poems whilst wandering their locations is additionally immersive.

Poesy Wildes, August 2024

At the time of my visit, the setting featured the following writers and their works: Emily Dickenson: Because I could not stop for Death (1890), This is my letter to the World (1890), “Hope” is the Thing with Feathers (1891) and I stepped from Plank to Plank (1896); Edgar Allan Poe: The Tell-Tale Heart (1843) and The Raven (1845);  Lewis Carroll: an expert from Chapter 7 of Alice’s Adventures in Wonderland (1865) and Jabberwocky from Through the Looking Glass (1871) and Rudyard Kipling: The Way Through the Woods; and If- (c. 1895).

Then there are individual poems and excerpts from T.S. Eliot – The Naming of Cats from  Old Possum’s Book of Practical Cats (1939);  William Wordsworth: I Wandered Lonely as a Cloud (1804/1806); Alfred, Lord Tennyson: The Eagle (1851); W.B. Yeats Aedh Wishes for the Cloths of Heaven (1899); Oscar Wilde: In The Forest from Uncollected Poems (1876-1893); Amy Lowell: The Garden by Moonlight from Pictures of the Floating World (1919); Judith Wright: Egrets from Birds: Poems (1949/1962); Christina Rossetti; except from The Goblin Market (1859/1862) and Virginia Woolf, taken from a 1937 BBC Radio broadcast in the series words Fail Me

Poesy Wildes, August 2024

Each of the poems is set in an environment well suited to it. for example: In the Forest can be found along the woodland path leading away from the landing point (and where the goblins have set-up there market stall) whilst Jabberwocky will bring you face-to-face with said beast, and Poe’s stories are to be found residing with him up on the hill and indoors. Of them all, however, I think my favourite in terms of setting is Egrets, although admittedly, I did use a daytime EEP with which to try to capture it, as the setting is so picturesque.

Also to be found within the region is the Moonlight Garden, one of two main areas offering the opportunity for romantic dancing, whilst the Poesy stage offers periodic readings and recitals together with Sunday writing workshops (07:00 SLT every…Sunday). There are also multiple places to sit and relax and simply enjoy the setting whilst the sheer beauty of the setting makes it a joy to walk through. And do keep an eye out for the eagle – not only can you read the poem, you can make like a hobbit (or dwarf or wizard) and take to the air on it!

Poesy Wildes, August 2024

One thing that I strongly recommend when visiting is to have local sounds enabled; not only does the soundscape add to the general ambience of the region, in places it also includes elements that match the nature of the poems. The local audio stream also offers music well in keeping with the theme and look of the setting, and so is also worth considering whilst exploring the region or resting within it.

From landing point to shingle beach through to the hilltop Poe residence, Poesy Wildes is a genuine place of beauty. The poems are particularly well-matched to the landscape whilst the short stories from Poe are ideal for the coming season. I’ve not attended any of the recitals or the writing classes, but I would imagine that the schedule – which are currently scheduled until the end of August – will be updated for September in due course. It is is, I’ll certainly endeavour to hop along to and event. If you fancy joining in with events as a writer, poet or musician – or because you’ll like to help out with tours of the region, please contact Raven.

Poesy Wildes, August 2024

And all that said, I’ll leave you to drop in to Poesy Wildes  and appreciate it for yourselves. Enjoy!

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Max’s Border Archetypes in Second Life

ArtCare Gallery, August 2024: Max Northern – Border Archetypes

One of the common weapon in the extremist political / religious toolbox is that of demonising others. It’s a tool which has been used for both political and religious gain pretty much throughout history: making the “others” appear dangerous, alien and a source of fear. or something to be removed or eradicated.

Currently in the United States and Western Europe, the weapon of demonisation is very much one of the tools of choice of the Right, wielded in an attempt to instil fear and worry among citizens and leverage that fear into power. Invented and manipulated crises are created, falsehood levelled, and more. Currently in the US, much is being made of a so-called “crisis” at the southern border, which not only over-dramatizes and  misleads on the influx of illegals and drugs, it also paints Mexico, as America’s southern neighbour, as a country entirely given over to the shovelling of said illegals and drugs across the border as fast as possible.

ArtCare Gallery, August 2024: Max Northern – Border Archetypes

It is a depiction that is greatly divorced from reality, and it does a huge disservice to a country as rich in heritage, culture, music, architecture and so on as might be found anywhere in the United States. And to remind us all of this, Maximus W North (MaxNorthern) presents Border Archetypes, a small, engaging and richly furnished selection of photographs intended to reveal something of the realities of the people south of “the border” and directly contrast these realities with the hate-led rhetoric from the American political Right when it comes to the people of Mexico.

In this, and in introducing the collection, Max is (correctly) unapologetic in pointing the finger and making facts plain:

Hey, vatos locos (crazy dudes), think you’ve got the border all figured out just ’cause you caught some headlines on Fox News or CNN? You really believe we’re just peeking out the window, making bets on what migrant can dodge “la migra” (Border Patrol) the fastest? Or that we’re all out here hustling shady deals… (quickly hides his car trunk from view)?
Drugs and migrants don’t define us. What crosses the border isn’t what the border is all about. Sure, they bring heavy law enforcement, check the border wall. Full of agents. What passes through here brings a rough rep, thanks to the channels you watch. But they also leave behind beautiful, strange, exotic bits of culture that shape our identity on both sides. This exhibit showcases images from Tijuana-San Diego, Juarez-El Paso, and Laredo-Nuevo Laredo—sister cities separated by either the desert or the tiny Rio Grande, which isn’t so grand, by the way.

– From the introduction to Border Archetypes

ArtCare Gallery, August 2024: Max Northern – Border Archetypes

Within this exhibition, hosted by Carelyna at her excellent ArtCare Gallery, Max presents us with photos of actual people living along the border – some of them people he knows personally – offering us a glimpse into their lives both visually and through supplied notecards (click the small triangles on the floor in front of each image to receive a card).

These are raw photographs in that they are offered as taken and without and post-processing or other digital play (although they might be possibly cropped a little) – and Max admits to taken at least one whilst somewhat the worse for having enjoy a certain amount of wine along the way! As such, they are rich a a natural flow of life and mood; the people in them are real, not because they have been captured on film or digitally, but because there has been no attempt to professional frame or pose; we seen them as they are – relatable human beings, driven by the same creativity, the same brightness of mood or pensiveness of thought as marks each of us.

Or to be more succinct (and following Walt Kelly in playing on the words of Oliver Hazard Perry): we are shown the lives of “others” – and they are ours.

ArtCare Gallery, August 2024: Max Northern – Border Archetypes

As a debut exhibition from a long-time patron of the arts in Second Life, Border Archetypes is small, but speaks with a clear voice. Do take the opportunity to see it and read Max’s words in hi introductory note card (which includes a lot of worthwhile links) and those accompanying the pictures.

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80 More Days in the Old West in Second Life

*80 Days*: Copper Canyon, August 2024

Back in May 2023, I moseyed on over to the *80 Days* region, operated by Camila Runo and Jocelyn (ZamiTio), which at the time was presenting an opportunity to visit a small corner of America’s Old West in the form of Wind River, a small frontier settlement from (most likely, given some of the visual cues), the mid-1880s (see: 80 Days in the Old West in Second Life).

Located on a sky platform, the precise location of the setting wasn’t given at that time, although Wild River appeared to be far enough from any railhead to warrant stockades for cattle, either as a staging point or starting point from seasonal cattle drives to the nears railroad junction for shipping off to either coast.

*80 Days*: Copper Canyon, August 2024

To be honest, and reasons being what they were, May 2023 was the time of my last visit to *80 Days*, so I have no idea what happened between times and whether or not Wind River survived throughout the intervening period – my apologies to Camila and ZamiTio for my lack of visits – however, it is now part of an expanded setting within *80 Days*, entitled Copper Canyon and Wind River, of which the  About Land description states:

Copper Canyon is a barren frontier area in the Old West. Under the burning sun lies an arid landscape of red rocks, forming the canyon after which the area was named. Wind River, in contrast, is a busy Wild West town amid high green hills.

– Copper Canyon and Wind River About Land description

As Copper Creek is at the ground level and the newer of the two locations, I’ll start there, and just as the description suggests, this is a desert location, suggestive of either the New Mexico Territory or Arizona Territory, but the exactly decade is unlear. The landing point sits on the north side of the region, tucked within a barn just within the boundaries of Copperburg, a windswept at dusty place in which Yul Brinner and his crew of unlikely heroes might well recognise as much as “Big John” Cannon.

*80 Days*: Copper Canyon, August 2024

Given the setting is intended for role-play, there are some rules to follow, (posted on the wall of the barn), and visitors are asked to consider changing into the period costumes offered via two packing cases. The female costumes fit a variety of bodies, and so should work in most cases – although I was a little disappointed to see they didn’t include the option for use to inhabit a more gun-savvy look in the manner of a Martha Jane Canary or a Myra “Belle” Starr or a Pearl Hart (to name but third women of the period adept with handguns and / or rifles, even if none of these particular individuals as far west as Arizona or New Mexico!).

The town has all the expected amenities – town hall, saloon, bank, sheriff’s office, and a well-stock general store – but it is perhaps a little past its prime; the wind and dust have weathered shingles and hoardings, a couple of business appear to be no longer in operation and the local shoe shop is doing its business no favours, given its shoddy state. Dominating the main (as in only) street is a gallows, suggesting that violence and frontier justice tend to go hand-in-hand here.

*80 Days*: Copper Canyon, August 2024

At the southern end of the town sits a pleasant little adobe-style home, where both chickens and bees are being reared to provide fresh eggs, poultry and honey. It offers a comparatively pleasant oasis of live and home tucked out of the reach of the wind, being largely sheltered from the latter as it sits in the lee of the slope rising up to the local church and neighbouring graveyard – a literal boot hill, if you will.

The church overlooks one end of the canyon from with the setting likely takes its name, one side of which is home to Pueblo-style structures sitting up on rocky shelves and reached by a steep slope. As with the little casa with its honey bees and chickens, these stacked “apartments” seem to exude more welcome and homeliness than the nearby town.

*80 Days*: Copper Canyon, August 2024

The canyon runs east and then north from the mouth facing the church, the red sandstone of its vertical, narrow walls doubtless giving it its name. It’s not hard to picture a posse blazing down the gorge, the should of gunshots echoing loudly as they give chase to bank robbers or other miscreants of a violent nature (or maybe just because they didn’t particularly like them!).

At its far end, relative to the church, the canyon opens out onto flatlands, the trail sweeping past the Wells Fargo station and back up into Copperburg.

Wind River is reached directly from the landing point for Copper Canyon; just click the large sign inside the barn to be transported upwards via the local experience (which you should accept if you’ve not previously done so).  When I first arrived – again, within the town’s barn – I mistakenly thought this was more-or-less the same setting as I’d visited back in May 2023; but while there are a lot of commonalities, so to are there subtle differences, enough to make a renewed exploration worthwhile, even if you’ve been to Wind River in is past iteration.

*80 Days*: Wind River, August 2024

The town itself remains much the same, although static NPCs have been added. The main street carries familiar clues as to the likely period; Grover Cleveland’s portrait remains pride-of-place in the town hall, suggesting he’s the sitting President, and the Sheriff’s office bears a Wanted poster for Dave Allen “Mysterious Dave” Mather (although this appears to have been joined by one for Jefferson Randolph “Soapy” Smith II I don’t recalled seeing from my previous visit, but I could be mistaken). However, things have also changed within the town; the combines roles of MD, dentist and vet once held by A.J. Simmons are now under the purview of one Sam Vimes M.D.

Further out of town to the west can still be found the Native American encampment which forms an informal museum on Native American life – one of the teepees contains hanging dreamcatchers with portraits of Native Americans. When touched, these will provide a notecard providing brief notes on the People and their history (and please note, this setting is not intended to be historically accurate in overall style, containing as it does artifacts from different tribes, its function is as a generic setting representing in general terms (and as a museum) of Native American life, rather than being the focus on a specific tribe or group.

*80 Days*: Wind River, August 2024

It is off to the north where there are perhaps more obvious changes to the setting – horseshoe ranch appears slightly different in layout to my pictures from May 2023, while some of the buildings around the cattle pens on the north side of town appear to have been shuffled around – which gives the feeling that as with real life, nothing is ever static, building can be knocked down and replaced – or extended, at least, which could be the case with the ranch house.

As with Copper Canyon, Wind River has a Wells Fargo station a short distance from town. Also offering a small general store, the station offers a map of the Territories and their surround from 1867, and if you sit in the stagecoach waiting outside, you’ll be teleported to Lost Mesa within the Western Territories role-play estate (and the stage coach there will return you to Wind River). similarly, sitting in the wagon just across the trail from the Wells Fargo office (and conveniently placed next to a road sign pointing to its destination) will carry you to Blind Horse Creek, another Western RP region.

*80 Days*: Wind River, August 2024

Photogenic and rounded-out by a very nicely-done sound scape, containing some nicely subtle historical touches and with opportunities for horse riding (or wear your own!) the combined *80 days* Old West settings make for an engaging visit.

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Raven and Sisi at Serena Arts in Second Life

Serena Arts Centre, August 2024: Raven Arcana – From Coast to Coast

‘Twas back to Serena Arts Centre for me of late to view two exhibitions of art, one of which opened mid-August 2024, and the other a little later in the month, both by artists whose work I always enjoy seeing.

Having opened on August 16th, From Coast to Coast by Raven Arcana is the older of the two exhibitions, and thus the one I’ll cover first. Located in one of the two geodesic domes within the Arts Hub, this is a collection of Second Life images depicting – as one might expect from the exhibition title – coastal scenes; and the do so quite beautifully.

As I noted a year ago 2023, Raven is a gifted landscape photographer who captures the beauty to be found in settings right across Second Life, using both the viewer’s camera and a diplomatic application of post-processing. In this she uses an eye for subject and presentation to great effect, match the degree and style of her post processing very closely to the subject matter of the image in question.

Serena Arts Centre, August 2024: Raven Arcana – From Coast to Coast

Thus, when viewing her work, one can quickly and seamless drift from views with sharply-defined foreground elements as if captured on a photographic roll or a digital medium to present a faithful and crisp reproduction of all the camera saw, and then on to an image suggestive of soft-focus and perhaps the use of a filter to present and dream-like quality; thence forward to a picture evoking the sense that that artist abandoned her camera in favour of an easel and paints. All of which is more than evident within From Coast to Coast.

These are pieces with a tremendous sense of mood and emotion awaiting discovery, together with pointers to the wildness of nature. There is the suggestion of an idyllic morning in which the Sun is burning off dawn’s mist and promising a fine day’s fishing; then there are the memories seemingly captured on canvas of a trip of a remote coastal setting; or the subtle reminder of the power of nature’s breath through the bent form of a tree, the tug of kites against the tethers holding them to the land, or the passage of boats under the power of even the gentleness of breezes.

Serena Arts Centre, August 2024: Raven Arcana – From Coast to Coast

Then there is the evocation of emotions within us, something perhaps best seen within Across the Pond. To me a powerful story of contrasts and emotion; the figure silhouetted against the lowering Sun at first offering a sense of piece and calm; but then the presence of the lowering, darkening clouds, the hint of turbulence within their visible parts and the distant foaming of a wave breaking over rocks, a combination perhaps indicative of the silhouetted figure’s state of mind mind be more tumultuous than their observation of the setting Sun might suggest. But I’ll leave it to you to discover what stories From Coast to Coast might whisper to you.

Located in the Centre’s other geodesic dome is Sisi Biedermann’s Magic Art.

Serena Arts Centre, August 2024:  Sisi Biedermann – Magic Art

I’ve made no secret of my appreciation for Sisi’s digital artistry, and I regard her as one of the most engaging digital mixed-media artists in Second Life. Her work is both utterly unique and without bounds, covering everything from the natural world through in-world settings to the fantastical and even touching on the abstract and the near-surreal. As such, I’ve never failed to find it completely captivating in its richness of imagination, style and colour.

With Magic Art, Sisi presents a collection primarily – but not exclusively – on gardens and plants / flowers. I’ve no idea if the pieces are the result of places Sisi has visited within the physical world (as can be with other elements of her work in past exhibitions), or the result of Second Life explorations (elements within some seem to suggest they might have hailed from in-world – although they could just as easily come from the physical realm), or are purely the result of Sisi’s vivid imagination and her skill in the use of multi-media and digital tools.

Serena Arts Centre, August 2024:  Sisi Biedermann – Magic Art

Not that knowing the origins on the pieces particularly matters; as noted, Sisi’s art is visually captivating and rich in the suggestions of life as well as with colour, whatever the source material. As such, this is another display of her work I have no hesitation in recommending.

With both exhibitions within easy walking distance from one another across the centre’s main plaza, making for a very easy visit to both. And while there, why not take time to visit Elvira Mistwood’s exhibition of enchanting digital pieces, located in the Centre’s north-east corner gallery building.

Serena Arts Centre, August 2024: Elvira Mistwood

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Second Norway’s touch of New England in Second Life

New Deer Isle, August 2024 – click any image for full size

Second Norway is a excellent place in which to have a home in Second Life, particularly if you like driving, sailing, and / or flying. It’s a place I’ve written about a few times in these pages, particularly during the period of the estate’s uncertain future back in 2020, and its rescue by Vanity Bonito and following it into her network of estates where it remains to this day, managed by one of her highly-capable teams (see: Second Norway: the future is bright).

It was also in 2020 that I made the decision to move to Second Norway myself, and it has been my primary home in SL ever since; it’s an exceptionally comfortable estate in which to live and has a great mix of public and residential places for those looking for somewhere to visit or somewhere to live. One of the locations offering a mix of both is New Deer Isle, a Full private region leveraging the available Land Capacity bonus and offered to people to visit by designer and holder, Kaiden Glocke Tray (KaidenTray). Within the region, he has brought a touch of New England’s charm to Second Norway, as the About Land description notes:

Welcome to the New Deer Isle, inspired by the state of Maine in the United States. There are limited rentals here, fishing, sailable waters and it is near a drivable road that leads to Mainland adventures! Explore, enjoy our events have a wonderful time!

– New Deer Isle About Land description

New Deer Isle, August 2024

As with myself, Kaiden has been featured in Linden Lab’s Spotlight series, where is work as one of the foremost (and award-winning) Second Life landscapers is justifiably highlighted. His attention to detail within his designs – something very much evident within New Deer Isle – makes his work a must-see, and this particular region is an absolute delight to visit, whether you teleport in  directly, or opt to visit via ‘plane or boat.

Those coming by air can avail themselves of Toka airfield (which has gained a surfaced runway since my last flight in, when it was still grass, but is still better suited to smaller, lighter aircraft than airliners or the like). Those flying-in to Toka will have the opportunity to see some interesting warbirds dispersed among the stands and hangers, and will find  New Deer Isle just a short walk across the bridge at the airfield’s southern tip

New Deer Isle, August 2024

If coming by boat, a trio of short piers are available on the west side of the setting. These appear to have rezzing open should your boat get returned. There are also some moorings across the water on the east side of  New Deer Isle, located at the Crowded Retreat yacht club – but at the time of my visit to New Deer Isle, Crowded Retreat (also designed by Kaiden on behalf of region holder Cr0wd), was listed as Closed – Under Construction, so I did not venture into it and thus cannot say what mooring, if any, is currently permitted there; however, it might become the subject of a return visit in due course!

It’s at the moorings on the eastern side of New Deer Isle that I’m going to start with my meandering description, as this is home to the XX Motorcycle Club, an open-to-all hangout and (I assume) the space for the events mentioned in the description. It is here that some of Kaiden’s little touches can be appreciated – the club’s bar contains all the typical detailing one might expect: pool, beer, darts, places to sit (table and booths).

New Deer Isle, August 2024

However, a wander upstairs will reveal something perhaps a little more nefarious. Dominated by a pair of tables set out as if for a board meeting (except for the hand guns, baseball bat and knuckle dusters in evidence, together with a rack of semi-automatic rifles behind the chair at the head of the tables!), are racks containing a sizeable about of bundled paper money and bullion. Also to be found is a board indicating the crew is either planning a raid on “Lind’n Bank”, which appears to be in Moscow(!), or about to make a trip to Mordor and Mt. Doom(!!) . quite which it might be I’ll leave you to decide; I just love the humour evident here 😀 .

From the entrance to the motorcycle club’s hang-out it is possible to make your way eastwards to the local town (which is also home to the land landing point for those teleporting in). This offers a wealth of detail along its various roads and along its waterfront. It is here that the local Rental Office can be found by those interested in making one of the available houses in the region their home. The rental office opens out onto a marvellously detailed waterfront market which, in a mirroring of so many such markets in the physical world, also runs down one of the town’s little streets.

New Deer Isle, August 2024

The market has a real sense of life about it – aided by the presence of the static NPCs found in and around it, some shopping, others sitting and watching, some taking photos and some serving the shoppers. More NPC figures are scattered around the town to add a sense of life to it, whilst down along the side street occupied in part by the produce market, can be found the Vintage Market, a place of little boutique shops (and a little gallery) very much of the kind one might find tucked away within a little town like this.

The road continues beyond the vintage market, becoming more a footpath as it accesses the more rural centre of the region, a place where horse graze in a field and one tethered to a hitching rail ready to offer those who wish a ride around the setting’s paths and roads – oh, and if horseback riding is not your thing, then there is also a bicycle rezzer back at the town, if you prefer. This area acts a buffer between the public areas of the region and the more private rentals.

New Deer Isle, August 2024

The latter take the form of three large houses, each with a stretch of private beach and private moorings for boats. The road leading to them also provides access to the local farm – but please also note that while the farm’s outbuildings are mostly on public land, the farmhouse itself and the outhouses closest to are form a private residence. For those seeking a place to live closer to the town, at least one little place is available on the town’s north side, close to where a footpath swing around the coast to reach the local shop and boat yard, a little picnic spot also close to hand.

Also reached via the road leading to these houses is the local farm, the fields and barn of which appear open to the public. However, the farmhouse itself is a private residence. There’s another townhouse just downslope from it, but I’ve no idea if that is intended for rent or not. This part of the region also has a little coastal part leading around to the local bait

New Deer Isle, August 2024

I admit I did have some choppiness with FPS rates while wandering, possibly because of the amount of work my viewer was trying to do while loading everything, but a quick adjustment to draw distance largely corrected this, and it certainly didn’t stop me from exploring and enjoying my time wandering. I think next time, tho, I might just try boating over form my home island!

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Lalie’s Breaths in Second Life

Artsville, August 2024: Lalie Sorbet – Breaths

Update, January 15th, 2025: Artsville has relocated.

Having opened on August 21st, 2024 at Frank Atisso’s Artsville Galleries and Community, Lalie Sorbet’s Breaths is a visually engaging installation of animated 3D art and 2D elements accompanied by a subtle sound scape.

Lalie has a talent for producing art and installations that stand as moments in time, encouraging us to set aside the rush and hubbub of life and simply relax and be immersed in the beauty of what we are seeing. As I noted with Carousels, her work is gentle to the point of being hypnotic, wrapped in a natural, organic beauty.

Artsville, August 2024: Lalie Sorbet – Breaths

With Breaths, Lalie further embraces all of the above in a most marvellous installation that is not there simply to be assessed or viewed, but to be experienced inwardly by encouraging us to see the animated elements as visual representations of one of our most fundamental autonomous acts: that of breathing.

Of all our autonomous acts, governed by several homeostatic mechanisms, breathing is the one of which we are perhaps most often consciously aware, and the one we might most readily consciously influence: we intentionally breath deeply to offset panic / fear  (and the primal  flight or fight reaction) and restore equanimity, or to help lower heart rate and bodily functions after excessive physical exertion, etc. During certain types of therapy, it is the mechanism we are often asked to focus upon to induce a state of relaxation, and so on. And the fact is, that the simple act of breathing is both naturally calming; an invisible force with a reach across every aspect of our lives; a natural cycle of inhalation and exhalation marked – when the rhythm is unforced – by natural pauses that can so induce a restful, composed state.

Artsville, August 2024: Lalie Sorbet – Breaths

Breaths beautifully capture all of this through the gentle motion and pauses evident in the 3D elements and the 2D elements beneath them, coupled with their attendant sound scape (do have local sounds enabled). They encourage calmness, their motion gently hypnotic, working with the breath-like susurrations encouraging us to turn inwards and be aware of our own breathing, of our simple state of living within this very moment.

How one might interpret this installation is highly personal – leaving aside the risk of over-analysing. Hanging over the centre of the installation, for example is an element perhaps most clearly suggestive of breathing: a central spherical element offering, perhaps a suggestion of the fine networking of the lungs with the motion of air in and out of them on a that cyclic basis of inhalation and exhalation.

Artsville, August 2024: Lalie Sorbet – Breaths
There is also the sheer organic look and feel to the individual spherical pieces and their 2D companions that encourages broader thinking. Within the animated spheres exotic shapes move; objects seem to divide and reform, or offer visions of what might be strange creatures suspended before us. Observing them individually in motion is like peering into the eyepiece of a powerful microscope and seeing the physical essence of life: cells dividing and joining, repairing damage, providing renewal and growth, or witness the motion of the microbes and antibodies that also play such a vital role in maintaining us as living, breathing organisms.

Breaths is a further rewarding and elegant installation by an artist with a gift of presenting us with images and reflections on the organic beauty of Nature and life. Richly layered yet utterly approachable, it is an exhibition that speaks for itself, whether seen purely as art-in-motion or as the metaphor it has been designed to be. When visiting, do be sure to have your viewer set to Use Shared Environment (World → Environment), and if you are using a non-PBR viewer, make sure you have Advanced Lighting Model (ALM) enabled via Preferences → Graphics.

Artsville, August 2024: Lalie Sorbet – Breaths