A Sunbird’s Featherwish in Second Life

TheNest: Sunbird Featherwish, April 2025 – click any image for full size

In May 2024, I visited  TheNest: Sunbird, a Full region design leveraging the available Land Capacity bonus, brought together by Second Life partners Adam Cayden and Lya Seerose with the assistance of Tessa (Tessalie). Offering a mix of public spaces and private rental properties, I found the setting photogenic and engaging (see: A Sunbird’s Nest in Second Life).

Since then, a year has come and gone, and Lya and Adam have most recently been engaged in re-working the public spaces within the setting, and they extended an invitation to me to hop back to the region  – now called TheNest: Sunbird Featherwish – and have a wander.

TheNest: Sunbird Featherwish, April 2025
Visit our serene town nestled in the mountains. Enjoy the peaceful streets and their enchanting views, explore our cosy rentals, and marvel at the natural beauty surrounding you, from the smallest blossom to the tallest tree. Come immerse yourself to the tranquillity of a rural paradise, where every corner is alive with the vibrant colours and scents of spring.

– Adam Cayden writing about TheNest : Sunbird Featherwish About Land

The broad design of the region remains as it was during my May 204 visit: the lowland areas open to the public, gradually climbing back to the highlands where the private rentals sit, all nice and clearly separated from the public areas to help avoid accidental trespass.

TheNest: Sunbird Featherwish, April 2025

Within this design, the township presented at the time of my previous visit has been beautifully supplanted by a location rolling multiple ideas and themes together to present a genuinely delightful sense of small village /town intimacy which could so easily be found almost anywhere in Europe.

As with the previous iteration of the setting, the village / town is pedestrianised – but that’s as far as the similarities go. Now split between elevations linked by broad cobbled footpaths and sweeping steps and stairways, the town presents at its lower extremities access to a cosy beach with the local tram station sitting alongside it. From here, the steps rise under the arches of a high bridge buttressed at either end by hexagonal towers topped by small formal garden / sitting spaces.

TheNest: Sunbird Featherwish, April 2025

Continuing up the steps and under the bridge brings visitors to a local ice cream parlour and its outdoor seating overlooking the tramway below, as the tracks departs the station to pass overland along the edge of of the region before vanishing into a tunnel. Also across from the ice cream parlour sits a little bakery offering treats and its own outdoor seating area, this overlooking small gorge fed by tumbling falls with open meadowlands beyond.

Between ice cream parlour and bakery, the path rises and sweeps past the local tea house, then rises again to arrive at the village / town square – or rather, circle! Here there is so much to see – as there is on the way up (including the local feline welcome committee tucked away and keeping an eye on things), so time dallying and exploring is recommended.

TheNest: Sunbird Featherwish, April 2025

From the town it is possible to join the country walk as it arcs around the woodlands directly below the private rentals sitting up on their clifftop perches offering grand views of all that les below. This path eventually descends down to the meadowlands mentioned above, and which themselves can be reached from one end of the bridge also previously mentioned.

However, my descriptions of the setting are beside the point: such is the love and care that has been poured into the region, a visit is mandatory by anyone appreciating SL region designs. The detail is simply exquisite throughout  – from the cats watching over things and all the easily-missed details tucked into some of the public buildings and in the little alleys and gaps between some of them, to the details scatter along the countryside pathways and trails parks and walks. Throughout everything, there are multiple paces to sit and pass the time and several romantic little points for people to enjoy.

TheNest: Sunbird Featherwish, April 2025

Perhaps the best way to appreciate the setting is to click the Scenic Route sign at the Landing Point and take the teleport down to the tram station. From here, you can work your way up through the town much as I have described – but with the option of turning left on climbing the steps up from the ice cream parlour, then following the signed path around to one of the hexagonal towers and then over the bridge. Just be sure that, whichever route you choose – up through the town or over the bridge to the meadowlands, take your time and keep your eyes open lest you miss something along the way!

A genuine delight to visit – and if you’re looking for a home it SL, it might just be the place to tickle your fancy. either way, why not take a look for yourself?

TheNest: Sunbird Featherwish, April 2025

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The Quieting in Second Life

The Quieting, April 2025 – click any image for full size

I’ve covered the region design work of Elo (WeeWangle Wumpkins) a number of times in these pages, both in terms of regions she has landscaped on behalf of others (such as Persephone Smythe (LeriaDraven) – see here) and in her own right, perhaps most notably – but by no means exclusively – with The Forgotten, which I originally blogged in April 2022 and again in January 2024.

While The Forgotten has since closed, its memory, in some ways at least, is carried on within The Quieting, a homestead region design by Elo which opened in March 2025. It abuts the home of Aardvark Animesh Pets & Animals, the store operated by Elo’s SL partner, Dash Phantom, with whom she landscaped that region.

The Quieting, April 2025

Although I’ve not met Elo, we appear to have a lot in common: a slightly whimsical / crooked sense of humour, an love of cats, books and fantasy, and an adoration of nature and natural settings. In fact, such is the beauty, whimsy and humour of The Quieting, that a simple description of the region just is not enough; it is a place deserving of careful exploration and observation, because it folds so much into itself. In this, it carries on the spirit of The Forgotten, and the words I used to describe that setting hold true here as well:

This is a place that offers itself as a book; the landscape seamlessly flowing from shore to shore … leading the visitor through vignettes and elements which stand as chapters to a story, each one unique unto itself but also joined to those which came before and which follow after, their tales combining to draw the explorer onwards as the words flowing across written pages draw the reader deeper into their narrative. 
The Quieting, April 2025

In fact, it is not unfair to say that whilst having its own unique personality, The Quieting has enough about it – the over-large full Moon that seems to reflect the light and colours of the clouds passing below it, the ritual stone circle with its central glowing crystal, the use of ruins – that those who recall The Forgotten will immediately sense the flow of unity between the two settings, even as The Quieting unfolds its own delights and stories.

From the Landing Point, located alongside a body of water that cuts deeply into the east side of the region, it is possible to strike out in several directions. Eastward, across a log bridge, offers a path through cavern rich in crystals and a tunnel to the beach, or if you prefer – a path up to the headland above said cavern and southward to where a little bookstore / reading corner sits within its own terrace. From there it is possible to pass through an avenue of trees and reach aged ruins enclosing a garden – a place also to be reached by stepping westward from the Landing Point and then heading south across the grass.

The Quieting, April 2025

Further to the west, beyond the greenhouse kitchen (where there appears to have something of a mishap!), it is possible to reach a pair of little cottages and, close by, the remnants of anther ancient structure huddled in a bowl of land alongside the walled and flower-carpeted walk to the local chapel standing within a darkly humorous (Here Lies Lester Moore, Four slugs from a .44 – No Less, No More) as well as quite touching. Above both chapel and ruins, sitting on the crown of a hill might be found a large greenhouse and yet more ruins which sit well-like in the hill, thick mist filing its deep.

Meanwhile, south of the cottages, the land rises to woodlands in which the noted ritual ring resides, surrounded by an almost mystical fog, reached via paths from both the grasslands and the high walls and walkway connecting the setting with Aardvark.

The Quieting, April 2025

Each of these locations – and the all points between offer their own stories, touches and humour. Some of these – the mentioned greenhouse kitchen, the mandrakes of folklore finding themselves the subject of unwanted attention from an Eagle, the goofy / homely charm of the bookshop / reading corner (keep an eye out for the chicken having a frank exchange with a bespectacled mouse).

Others might be more easily missed (whilst you may spot the piglet taking to the air in a makeshift balloon basket – will you spot the red-coated (and red faced!) individual about to bring piglet back to Earth with – if not a bang, then certainly a rata-tat-tat?!). Or how about the hang-gliding mouse, or the snide-looking llama almost daring you to blame it for the broken state of the chair next to it; or how about the little beagle behaving like a virtual interpretation of Greyfriars Bobby? And that’s barely scratching the surface of all that is waiting to be seen here.

The Quieting, April 2025

The fact is, The Quieting offers multiple vignettes, large (such as the ruins and their garden, the chapel and its graveyard) to the very small which sit both within the larger settings and entirely on their own (again, keep your eyes open as you follow the path around the base of the hill covering the cavern and tunnel, for example, or the opportunity to take to the air by a whimsical means).

Marvellously brought together, rich in details (and I haven’t really mentioned much of the wildlife scattered around, The Quieting is a richly engaging visit.

The Quieting, April 2025

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Sheldon’s The Tyger in Second Life

The Tyger poster

I have a genuine love of poetry; be it Wordsworth, Shakespeare’s sonnets, Poe’s laments, T.S. Eliot’s journeys in verse, or evocative pieces from the likes of Masefield (Sea Fever) or  William Blake’s The Tyger.

Both of the latter are perhaps populist pieces; there are few, if any, lovers of poetry who cannot quote at least their opening lines. However, both contain a wealth of imagery and a depth of reflection on life – something often missed when reading either, such is the strength of the overlying imagery within them.

Of the two, Blake’s the Tyger is perhaps the more structurally and visually impressive, mixing as it does  trochaic tetrameter and  iambic tetrameter, alliteration and focused imagery, whilst also containing a deeper questioning which reaches beyond its own form, notably in reference to its “sister” (and potentially less well-known) piece The Lamb.

The Tyger is also the subject of a new poetic experience by the master of visual poetry in Second Life, Sheldon Bergman (SheldonBR).

I’ve covered Sheldon’s work in this pages, both in its own right, and with regards to his collaborations with Angelika Corrall, both as artists at and curators of, the former DaphneArts Gallery in Second Life. As such, I was delighted to receive a personal invitation from Sheldon to visit The Tyger, and took the first opportunity I could to immerse myself within it.

Now, when I say poetic experience with regards to Sheldon’s work, I mean just that; The Tyger is powered by a Second Life Experience, and it is essential you accept it on arrival at the installation if you are to proceed further, and then ensure your viewer is set as instructed in the pop-up (with the caveat that you only perhaps need to set Advanced Light Model (Preferences → Graphics) if you are running a non-PBR capable viewer and don’t run ALM as standard). Once you are set, click the Continue option on the HUD pop-up to deliver you to the installation proper.

The Tyger, Sheldon Bergman, April 2025

A quick point of none here is that your screen will go into a “letterbox” display format, courtesy of the HUD – and it is essential you should leave it in place. A second note here is that I’m not going to go into a deeply analytical piece on Blake’s works, by they The TygerThe Lamb, or the volumes from which they are drawn (Songs of Innocence and Songs of Experience), nor am I going to dwell overlong on Blake’s use of The Tyger as an exploration and questioning of 18th/19th century Christian religious paradigms. While these all fold into Sheldon’s The Tyger, they have all been written about extensively elsewhere.

Rather, what I will do here is offer thoughts on what appears to be a much broader canvas on which Sheldon paints, using The Tyger and its religious reflections as his foundation; a canvas which – to me at least – appears to offer thoughts not so much on our relationship with God, but our place within, and relationship as a whole with, the cosmos around us.

The installation initially begins within a twilight setting, at one end of a path formed by the waters of a stream rushing outwards from high waterfalls. The watery path is lit at intervals by pairs of candles, one to each bank. As well as lighting the way, they perhaps suggest the opening line of the poem and the flashes of colour one might see of a tiger passing through the shadows of the jungle. However, of more practical tone-setting (to my way of thinking, at least), is the initial quote offered by the HUD on arrival:

The clearest way into the Universe is through a forest wilderness.

– John Muir, environmentalist and philosopher

The Tyger, Sheldon Bergman, April 2025

This offers an intrinsic link between Sheldon’s use of the poem and its ability to question Christian tenets and paradigms with his broader theme as intuited above. One which grows as we follow the watery path as it travels through the gorge its has cut (symbolic, perhaps of the path we cut through life?) before the water turns to the left and enters a broad pool, and the visitor is left facing the open maw of a tunnel.

This opening, into which the flicking eyes of the candles lead us, is prefaced with a quote oft attributed to  Joseph Campbell (although so far as I’m aware is not something he wrote):

The cave you fear to enter holds the treasure you seek

It’s a statement that potentially takes us in several directions: caves can be thought of of dangerous and the home of predators; thus we remain rooted somewhat in the poem: whilst not a cave dweller itself, the tiger is perhaps the apex predator among land animals today. Further, caves can represent a journey into darkness and the unknown – just as life itself is a daily journey into the unknown; just as we have no idea what awaits at the end of our walk through the tunnel, we cannot comprehend what awaits at the end of our journey through life. Might it be the “treasure” of the kingdom of heaven as Christianity and its ilk would have us believe? Or might it be a quiet return to the nothingness of the Cosmos which, ultimately, birthed us?

Within Sheldon’s tunnel we have the opportunity to reflect both on Christian thinking – and the joining of Blake’s The Tyger with The Lamb  – complete with the opening lines of the latter (look for the side tunnel after passing the seaward opening in the tunnel walls). This is itself a layers element within the installation, encouraging us to consider Christian tenets (the Lamb of God, the Christian flock, etc.), whilst also underscoring Blake’s reflections on God’s apparently capricious nature as the creator of both the defenceless lamb and the deadly tiger:

When the stars threw down their spears,
And water’d heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?
The Tyger, Sheldon Bergman, April 2025

It is also here – or at least, a little further down the tunnel – that the installation opens more fully onto questions of our place in the universe, starting with a further quote. This one from one of the great thinkers of the 20th century (and one of my heroes), Carl Sagan. It is a image he used a number of times in his writings, but it appears here in what is perhaps its most widely-quoted form:

The cosmos is within us. We are made of star-stuff. We are a way for the universe to know itself.

Carl Sagan, Cosmos: A Personal Voyage: The Shores of the Cosmic Ocean (1980)

It is a quote that leads us, figuratively and literally, to a god’s-eye view of a spinning galaxy, a further marvellous metaphor and visual prompt for all that we might ascribe to Sheldon’s installation. It is also the perfect means to embody our unity with the universe, because to proceed, we must step through it.

The Tyger, Sheldon Bergman, April 2025

To do so is to enter the core of The Tyger, a space filled with the most incredible symbolism, questioning and statements for those willing to listen. From a vocal rendition of Blake’s poem, through the use of the Lacrimosa from Zbignew Preisner’s Requiem for My Friend (1998) to the lifting of the veil of blackness and revelation of Sheldon’s floating Tyger and its potential for layered interpretation, it is utterly breath-taking.

To itemise in words the richness and depth of all that’s offered here – from the poem, through the particular selection of Preisner’s Lacrimosa (hint: the piece has perhaps most memorably used to overlay the birth of the universe at the start if The Tree of Life, and we are perhaps particularly focused on the cosmos within this space) as well as its role within Zbignew’s Requiem (and indeed, the Catholic Requiem mass as a whole) to the presence of the floating Tyger and all that surrounds it – would be to defeat the purpose of the installation’s purpose.

Instead, I urge you to go and witness it; immerse yourself in The Tyger, its imagery, the richness of the poem itself and of Sheldon’s installation, and allow it to speak to you directly. It is magnificent.

The Tyger, Sheldon Bergman, April 2025

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A Reality Escape in Second Life

Reality Escape, March 2025 – click any image for full size

In June 2023 I dropped in to Tripty’s (triptychlysl’s) Reality Escape. At the time, it celebrated some of my favourite things: coffee, a good book, somewhere to curl up and appreciate both, and a pleasant setting in which to enjoy all three (see: Books, Coffee and Chairs in Second Life, oh my!). Chance recently caused me to make a return to see what might have changed – and it made for an enjoyable visit.

Remaining as a full region a Full region, Reality Escape still offers those three comforts – coffee, chairs and books – all wrapped within a photogenic environments caught under a custom EEP sky (although I’ve opted to use one of my own in the images herein so that you might enjoy Tripty’s).

Reality Escape, March 2025

Comprising four islands (with a couple of little outcrop islets), with two clearly separated one from the other and the remaining two hugging the coast of the largest, it is a serene place where gulls circle lazily and, if you use the Shared Environment, contrail-like ribbons divide the sky, seemingly left by airliners passing high overhead in silence and with little interest in the haven below.

The largest of the islands is home to the setting’s Landing Point, located on a deck raised over the land and bordered on three sides by wooden buildings. One of these forms a coffee house and another a reading room-come-music lounge, and the third a greenhouse. Part of this deck extends over the water to form a landing stage for a ferry – suggesting more land might not be too far away.

Reality Escape, March 2025

A narrow brook runs under the main deck, north-to-sea, technically making the island not one but two. As it passes under the deck, so it feeds a vibrant little garden visible from the tables set out on the deck, whilst steps lead down to the boulder-and-shingle shoreline.

A second deck extends to the south, in turn providing access to the rest of the island as it offers a series of walks and trails across itself.

Reality Escape, March 2025

Which of these paths you follow is up to you – but make your way far enough eastwards, and you’ll find further decks providing seating and access to the two small littoral islands, themselves connected by both decking and two imaginative little bridges.

Another bridge spans the water north to the second of the large islands.

Reality Escape, March 2025

Long and low, this island is largely given over to grassland and shrubs – and a few trees.  It is here, among the supports holding up the region’s name, that a memory of Books, Coffee and Chairs can be found in the form of artistically arranged and suspended chairs. The view back towards the main island, when seen under the Shared Environment is almost dream-like, and can be appreciated from some of the chairs.

The beauty of this setting is in the serenity I mentioned earlier; wherever you wander, there is a sense of peace and natural beauty. From little camp sites to bubbling brook and flashes of flower blooms among the grass and rock, to the pools of bright wildflowers and Sakura in bloom, everything just feels right.  And throughout it all lay a plethora of detail which further brings the setting to life.

Reality Escape, March 2025

With multiple places to sit, indoors and out, its multiple trails to follow and little touches to be discover – even the the donation taker in the greenhouse is likely to bring a smile to the faces of visitors, this is a setting to be savoured. A perfect escape from the realities of life.

But don’t just take my word for it – go and see for yourself.

Reality Escape, March 2025

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Alpha’s Quirklewick Hollow in Second Life

Quirklewick Hollow, March 2025 – click any image for full size

In December 2024, I visited Alpha Auer’s marvellous Gingerbread and the Woodies (see here for more), which Alpha described as a “sort of” continuation of her Ragville. At the time I noted that even without knowledge of Ragville, Gingerbread and the Woodies stood on its own two feet as a delightful place to visit.

Well, for spring 2025, Alpha has kind-of offered us a sort-of reimagining of the Gingerbread and the Woodies setting to present us with another whimsical and engaging setting of villages, boats and local inhabitants, in the form of Quirklewick Hollow. However, this is not merely a re-vamp of Gingerbread, it is an entirely new – and interactive – environment located somewhere in the imagination.

Quirklewick Hollow, March 2025

But before getting too deeply into things, be sure that on arrival you have a word with the notecard giving tree for a lot of worthwhile background information on the setting, and also make sure you are using the region’s Shared Environment.

The interactive element of the setting starts close to the Landing Point in the form of a pushy trampoline(!) – other aspects are more subtle (hint: read one of the notecards offered by the tree mentioned above!). However, it is the local inhabitants and their homes within the setting that draw attention.

Quirklewick Hollow, March 2025

The former are the most remarkable group of individuals … critters … creatures … aliens … take your pick of descriptions. Running from insectoid-like characters through somewhat anthropomorphic dog-like individuals and what might be animal-bird cross-overs to a multi-limbed alienesque fellow (and all points in between!), they all have one thing in common: they are a happy-go-lucky bunch enjoying all that life has to offer as they get together for a little shindig or sit down for afternoon tea on the grass or wander the local park in happy conversation and / or with (what I assume to be) their pets.

As to the homes, these are all as equally as varied and colourful. If you’ve ever encountered the expression walls have ears, then you might be semi-prepared for these houses, in as much as their walls (and roofs and eaves and windows) have eyes – quite literally. Some even have the suggestion of having feet they might waddle around on when you’re not looking! In addition, some appear to be melting and others seem to have giant faucets extending out of them (although one could quite easily be an elephant’s trunk given the partial face protruding from the same window!).

Quirklewick Hollow, March 2025

Are they alive?  That’s up for your imagination to decide; some certainly look to be animated / agitated about something, at least in the larger of the villages, which I gather is called Upper Quirklewick. This is where the locals are all out and having a bit of a dance party (perhaps that’s the reason for some of the grumbly expressions on the houses – they don’t appreciate all the music and fun?).

Along the coast it is possible to find a little fishing village somewhat reminiscent of the one within Gingerbread and the Woodies, whilst it also has a character all its own. Here, too, the houses keep an eye on things whilst some of the little boats in the two harbour coves might additionally be noted for their eyes – and teeth!

Quirklewick Hollow, March 2025

The park mentioned above lies closer to the Landing Point, occupying a little flat island of its own. Reached via stepping stones cross the water, it makes for a pleasant little walk. The trees and grass here (and in many places across the setting) are unusual, in that they are not all by Alpha, but are items she has purchased for landscaping Quicklewick Hollow. This does in any way lessen the setting – Alpha using does everything herself – but rather gives the location more a sense that it straddles the line between reality and imagination; the kind of place one might pop into when drifting into dreamland.

This sense of being on the edge of reality is further increased by the presence of very Earthly cats, both on a couch alongside one of Quirklewick’s meandering footpaths and keeping watch from one of the houses in Upper Quirklewick – perhaps a reminder that no matter where we go, our Feline Overlords will always be ready to keep an eye on things!

Quirklewick Hollow, March 2025

As noted above, do obtain the introductory folder from the Landing Point – there are multiple places to set awaiting discovery, and the information in the pack will advise you on how to make use of them using the poseball included in the pack. But above all – do visit Quirklewick Hollow, and be sure to visit Alpha’s store there as well.

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Back to Soul Deep in Second Life

Soul Deep, March 2025 – click any image for full size

It’s been a while since I’ve visited Kaelyn Elara’s Soul Deep. and by “a while”, I mean nigh-on four years, my first (and thus far only) visit being back in May 2021!

I’m not sure if the setting has been around in Second Life for the entire intervening period – back then it bore the same name as the region, where as now it appears to have relocated. However, given it popped out at me from the Destination Guide whilst browsing recently, I decided to hop over and take a look once more.

Soul Deep, March 2025
A peaceful spring landscape designed for relaxation and connection. Explore cosy little islands, stroll along flower-lined paths, and unwind by the shimmering lake … Whether you’re looking for a quiet escape or the perfect photo backdrop, Soul Deep invites you to breathe deep and stay awhile.

– Kaelyn Elara on Soul Deep

For this iteration of the setting, Kaelyn has joined forces with region designer Jacky Macpherson, and together they present a gorgeous, easy to appreciate and enjoy location entirely rural in nature.  In this, roughly half the region is used, the rest – particularly to the south and around the the west – being given over to open water.

Soul Deep, March 2025

The Landing Point sits close to the northern coastline of the main island, alongside to a large barn now converted to a café space – although its ranch / farm heritage is memorialised by a bucking bull for those wishing to try a ride. For the less adventurous there are a couple of calmer table-top games inside as well. Outside, at the hitching rail is a horse rezzer so visitors fancy touring on horseback can do so (and, obviously, if you have a wearable horse, you can wear and ride your own).

The trail alongside the hitching rail points the way to a bridge providing access to one of the smaller islands, which is in turn connected to a slightly larger island with a bridge back to the main land. Both of these islands are unencumbered by permanent structures, although the smaller one is home to a camper trailer and little campsite.

Soul Deep, March 2025

Finding your way around the setting is simply a matter of following the main trail circling the central lake. While this does split just to the east of the barn to encircle a copse of fir trees,  it does provide a complete route for exploration, starting with the ruins in the copse and the campsite tucked into the corner close to where the two arms of the trail reunite.

Following the trail south and away from the campsite just mentioned and taking the bridge over the neck of water linking lake to open water, will bring you to the setting’s one real hill. This hides an easy-to-find secret “under” it (do be sure to click on the arrow!) while hiding another of the setting’s three permanent structures in the form of another design by Cory Edo behind its bulk.

Soul Deep, March 2025

The third structure is located on the remain small island off to the south-east of the region, and takes the form of a cosy cabin watched over by a pair of elk. The latter are joined by red deer, reindeer, rabbits and birds scattered across the setting to give it further depth and life, with some of the latter imaginatively and naturally set – so its worth paying attention when exploring as you might easily miss them!

All of the buildings are open to public use and offer places to sit and converse and / or cuddle together with the camp sites scattered around. In addition there are trailside benches, blankets and a couple of romantic spots in which to pass the time (as well as the hidden one!). It’s even possible to enjoy an outdoor candlelit meal with friends if you’re so minded! Swan boats offer places to sit on the lake, while rowing boats out on the open waters do the same there as well.

Soul Deep, March 2025

Rich in detail, highly photogenic and a delight to visit, Soul Deep offers the perfect spring setting.

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