MarDayLine Pylons, July 2022 – click any image for full size
Back in June time, Shawn Shakespeare passed me a landmark for a curious and engaging parcel called MarDayLine Pylons, home to a design by a group of individuals out of Japan led by 奈芙缇丝 (Subsequnce). Despite its small size – less than an eighth of a Full region (one with the private region LI bonus) – this is both a public / private environment, with the introductory notes (available on a sign board at the landing point) stating:
Welcome to Mardayline Pylons. We wish yo a pleasant stay here. The café, sofa fountain bar and onsen are at your convenience. Mardayline Pylons is a private community that is casual and friendly … Part of this area is residential for rent. Please do not enter or leave other people’s houses without permission.
MarDayLine Pylons, July 2022
With a north-south orientation, with cloud-faced cliffs forming an eastern curtain and uplands bordering the southern end of the parcel, this is a place very much defined by water. It tumbles from the highlands in sheer or stepped falls, one of which has its waterflow directed down a covered nullah, to where a flooded street sits.
Quite what has happened – natural disaster or the result of global warming – is up to visitors to decide; however, the tumbledown state of the southern end of the parcel beneath the waterfalls suggests a sudden catastrophe having befallen a part of the town-like setting.
MarDayLine Pylons, July 2022
It is along the flooded street, and sitting between it and the equally flooded tram tracks which run around two sides of the parcel, that the rental properties appear to sit, together with the local café. The onsen, sofa bar and other eateries meanwhile, all sit top the uplands, the route to them offered by way of an elevator rather than stepped climbs.
Small in size the parcel might be, but there are plenty of small details waiting to be found that help present it as a place idea for photography, and Subsequence notes that the parcel is open to rezzing for props etc., – but please make sure you clean up behind you should you make use of the opportunity.
MarDayLine Pylons, July 2022
A simple, engaging setting that makes for an easy-going and please visit.
Two immersive exhibitions are awaiting discovery at the Love&Love Factory Art Gallery that are well worth visiting by anyone who appreciates art with a message and a story in Second Life, produced as they are by two artists skilled in the art of narrative presentation.
Before getting into details, these are two installations that should be experienced with the following enabled in the viewer:
Advanced Lighting Model (ALM) – Preferences → Graphics → make sure Advanced Lighting Model enabled. Note that you do not need to have Shadows enabled (should ALM activate them) – while projectors are used, it is sufficient to just have ALM enabled to see them in action, so Shadows can be safely disabled via the drop-down to improve performance.
Shared Environment should be used for best viewing of both installations (World → Environment → make sure Use Shared Environment is checked.
Lovr&Love Factory Art Gallery: London Junkers – The Melt
The first of the pairing – and I use that term loosely, as these are very much individual installations is The Melt by London Junkers.
This is a single, magnificent sculpture, framed by a poem – also called The Melt – set within an environment suggestive of the sea and under a night sky, both of which evoke a sense of age. The centrepiece might be an iceberg or the face of a glacier; cold and blue, it seems timeless – but pieces have clearly broken away and are caught mid-fall, hinting at the actual state of things – the vast piece is in fact melting and breaking, caught in a continuous state of flux.
It is a state of flux mirrored by the poem itself. Outside of the skeleton of the long-dead great whale, details might not be immediately apparent – but look closely and you might start to make out features: the suggestion of a broken nose here, the outside of an eye, the drop of icy tears.
Lovr&Love Factory Art Gallery: London Junkers – The Melt
What do we make of this? To me, The Melt sits as a commentary on the existential threat of global warming; of all we stand to lose if the required actions needed to curb our own massive contribution to the increasing rate of climate change are not taken: that the loss of the glaciers and ice caps is but the precursor to the loss of all life itself, as symbolised by the whale skeleton and the bones of human at the foot of the sculpture.
Meanwhile, Selen Minotaur presents H, a multi-media immersive piece offering its own statement of life – both physical and virtual. Within it, we follow the story of “H”; a neutral character whose very initial suggests either male “H(im)” and female “H(er)”, and their travel through life, told in part through local chat and through our following the path through a “maze” which eventually leads to a series of rooms – or rather, boxes.
Once upon a time…H. Since H was born, H loved boxes. H started to build some as soon as H was able to. So H was sleeping in a box, H was eating in a box, H was working in a box, H was shopping in different boxes. When H wanted to have fun, H was visiting dedicated boxes: one to meet friends, one to dance, one to listen to music, one to watch a show, and so on. Even after death, H planned to be laid down and locked in a box. Isn’t this weird?…
Lovr&Love Factory Art Gallery: Selen Minotaur – H
Again, the core theme is clear; through the maze, we follow H as they try to make sense of life; then through the various rooms (be sure to accept the Experience when prompted at the end of the maze by walking into the sign, and then walk into the additional signs to be auto-TP’d between rooms).
Within these rooms we witness the places and activities H users to define their life – be sure to sit on objects, click walls to activate media, etc). However, this is not intended to be purely a means to put us on the strange journey of someone called “H”; rather it is a reflection how we all increasingly live our lives; reliant as we increasingly are on the role of “boxes” – devices, electronics, apps (including Second Life, where we spend all our time in “boxes” – regions), and so on for our sense of connection and engagement. That despite all the so-called promise of a “connected world” offered by the Internet, the web, and – as the hype would have it – “the metaverse”, we are perhaps becoming more an more insular in our search for “meaning” (or at least engagement) in life.
Lovr&Love Factory Art Gallery: Selen Minotaur – H
Both H and The Melt are marvellously expressive and deeply layered in the potential for interpretation and consideration.
A while ago, I was invited to display a selection of my blog images of the places I’ve written about at the NovaOwl gallery. For various reasons, I couldn’t make the dates initially offered, so things were re-scheduled for July 2022.
The exhibition – which I opted to call Fifty Shades of Pey in an entirely tongue-in-cheek moment – had a “soft” opening on July 3rd within the ground-level exhibition space at the gallery, and at 12:00 noon on Wednesday, July 13th the exhibition will have a more “formal” opening with music by Dj Uli, and I’d like to invite you to come along if you happen to be free, while the exhibition will be open through to July 29th.
I’d also like to thank Owl, Ceakay and Uli for the invitation to some my work, and for Owl for her promotion and support of Fifty Shades, as well as he continued and unstinting work in supporting art and music across Second Life.
Missing Melody, July 2022 – click any image for full size
Bambi (NorahBrent) has been busy with her region designs, with both Longing Melody and Soft Melody gaining a lot of attention – including in this blog – since the start of the year (see: Visiting Longing Melody in Second Life and A Soft Melody in Second Life). Given this, a return to her Missing Melody was on my game card for 2022, but a poke from Shawn Shakespeare encouraged me to make a summer visit to this always-engaging homestead region.
What is a Missing Melody? It’s that song in your head that you can’t get out but not sure how it really goes. It’s that temptation you want to have in your life so you can fight to resist. It’s that place in your heart that is always waiting to be filled.
– Bambi (NorahBrent)
Missing Melody, July 2022
For this iteration, Bambi offers a region setting that is beautiful in its simplicity: a pair of small islands separated by a deceptively deep channel spanned by a long boardwalk floating serenely above the waters. Both islands occupy the northern half of the region, sitting under a bright summer sky (I recommend using the region’s shared environment settings).
To the north-east, the small island rises a rich green hump of land, its slopes carpeted by flowering wild grass, and its crowned by green trees and a copse of lavender wisteria.
The latter form a canopy over the landing point, sitting as it does at the end of a fence-bordered track that points the way westwards before dropping down the gentlest of the island’s slopes, and along which an unexpected family is taking a constitutional walk.
Across the channel, the larger of the two islands holds multiple attractions awaiting discovery. These include the winding climb of steps which lead up to where a caravan and cabin lie on a tree-shaded shoulder of the island’s hills, through a second set of steps that descend to the island’s arc of beach to the north-west, through to the rocky path the climbs up the west side of the island, connecting the beach with a high promontory where a lighthouse watches over the southern waters.
Missing Melody, July 2022
The beach offers the most tropical feel to the setting – and the most places for visitors to relax and spend time, both on the sand and over the water. However, both the cabin and the caravan up on the hill top are furnished as well, making for quiet retreats, whilst between them there sits a little stage and outdoor seating for impromptu musical jams.
Picturesque, (obviously) photogenic, and finished with a gentle soundscape, Missing Melody really doesn’t require a lot of exposition on my part; it genuinely speaks for itself, as I hope the images here show. So why not pay a visit yourself?
Kondor Arts Centre; Chuck Clip – America The Crumbling
Art is a powerful tool, offering as it dos the ability for many things from extraordinary creativity, self-expression through to hard-hitting social and political commentary. In this latter regard, art has the ability to prick our conscience and force us, often quite unexpectedly, to confront thoughts and reactions we might otherwise want to try to avoid -and it can also of a means to express pent-up feelings and work through concern and fears. It can thus be both challenging for the audience and cathartic for the artist.
Such is the case with America The Crumbling, an exhibition of visually stunning and socially expressive paintings by Chuck Clip, which opened on July 7th, 2022 at the Kondor Arts Centre, operated and curated by Hermes Kondor. Chuck has, in recent years, perhaps been best known for hosting and promoting art in Second Life through his Sinful Retreat regions or for providing music and entertainment as DJ Matrix. However, he is also a 2D and 3D artist, and with America The Crumbling he returns to theme exhibitions of his own work in-world for the first time in eight years.
Kondor Arts Centre; Chuck Clip – America The Crumbling
Described as being intended to “shine a light on society in America” that is “colourful, disturbing, maybe even offensive”, America The Crumbling tackles head-on the rising threats to democracy and personal freedoms that are being witnessed both in America and around the world, in paintings that are intensely evocative and a veritable tour de force of an artist’s ability to convey thoughts and feelings through the curation of a specific approach to his paintings and the use of a thematic palette (notably the use of red, white and blue both as colours and tones) to convey his sentiments.
From the militarization of the police (which is actually the root concern of the Defund the Police movement, rather than an outright attempt to strip police forces of their abilities to perform their core functions, as some pundits would like people to believe), through the wholesale assault on democracy (most visibly the attempted January 6th, 2020, insurrection in the United States and also the war in the Ukraine), to the more “subtle” attacks on rights and freedoms such as the persistent assault on social care in the US and the erosion of the traditional barrier between church and state that has allowed a radical religious right to embark on what could well become a wholesale assault on the individual rights of those they deem as undeserving of such rights.
Kondor Arts Centre; Chuck Clip – America The Crumbling
As the introductory notes point out, some of these paintings could well outrage some – but I would suspect those who do react so might not full appreciate the existential tripartite threat the American Experiment currently faces politically, religiously and even through its own judicial system.
For my part, I can only admire Chuck’s ability to challenge and evoke through images that are first and foremost expressions of art, and which do not, for the most part, belabour their point, but work far more subtly: Liberty on her sick bed; the splash of yellow in an otherwise monochrome piece that points to the source of the referenced “Evil”, and so on. Which is not to say Chuck has tried to wrap his comments in a “softness” of presentation: his pieces on the state of US policing pull no punches, whilst And the Magats’ Red Glare… carries an emotional power that can result in the sting of tears being felt behind the eyes.
Kondor Arts Centre; Chuck Clip – America The Crumbling
Richly presented and layered, America The Crumbling is a genuinely startling and evocative presentation and not one to be missed.
La Montagna Spaccata, July 2022 – click any image for full size
Occupying a quarter-region parcel, La Montagna Spaccata is a personal interpretation by Lana (Svetlana Pexie) of a place she refers to as being “close to home” in Italy; a place which in English is called The Split Mountain, and which forms the location of the Sanctuary of the Most Holy Trinity.
Located near the city of Gaeta in the province of Latina, Lazio, Southern Italy, the original Montagna Spaccata lies within the Monte Orlando natural park. It comprises three sea clefts that cut into the coastal mountain, which local legend would have were created by a lightning bolt hurled to Earth by a distraught God on the crucifixion of Christ on the Cross; its a place where, to honour the legend, Benedictine monks built the Sanctuary in the 11th Century.
La Montagna Spaccata, July 2022
A place steeped in religious significance – it is said the St. Philip Neri, the “Second Apostle of Rome” would visit the Sanctuary for periods of quiet reflection and contemplation, as would Bernardino of Siena – it is a place today fabled for its primary gorge, down which – for a fee – visitors can travel the 300 stairs to where the water ebbs and flows within the Grotta del Turco, the water turned to a brilliant turquoise by the light of the Sun.
The Grotto is perhaps the centre piece for Lana’s design. I have no idea as to how reflective the build is in regards to the original – but frankly, that’s not important; this is after all and interpretation, not a representation. As such it has a beauty entirely of its own.
La Montagna Spaccata, July 2022
What I will say is that fortunately for visitors, Lana has reduced those 300 steps to something a lot more manageable for avatar legs that may still tire under the stress of descending climbing (!) from and to where the water can, under the right EEP settings, offer colours that whilst not necessarily turquoise, may still be as eye=catching, as I hope some of the pictures here demonstrate.
Even this is a design representative of deep coastal gorges, the land itself is understandably elevated and sits as a high plateau into which the main grotto gorge and a second cut to varying degrees, with the second gorge being much shallower and home to a sheer waterfall at its head.
La Montagna Spaccata, July 2022
As to the third cleft from the original, visitors can take their pick: to the south the land falls away to the sea, presenting what might be a further stretch of coast near to Gaeta – or might be taken as one side of the third gorge, should the parcel to the south come to be rented. Alternatively, the north parcel is given over to Lana’s private home and is landscaped in a manner in keeping with La Montagna Spaccata, and so might again might be imagined as a part of the local coastline or where, beyond the rock wall separating the two parcels, the imagination might like to picture the remaining gorge as being.
To the west of the plateau is both the landing point and what remains of ancient fortifications. Again, whether the latter are part of the actual Montagna Spaccata or intended to evoke some of the fortifications of Gaeta itself, I’ve no idea; but they serve as a perfect backdrop to the eastern extreme of the parcel, where people can finding seating at the local café and also the entrance to the steps leading down to the grotto. The latter switch-back their way down a set of terraces built into the cliff and the rocky foot of the gorge. Meanwhile, two finger-like promontories extend eastward, the main gorge set between them. These can be wandered as well, offering heady views down into the two gorges and excellent views back to the fortifications.
La Montagna Spaccata
Lana feels that sitting within a quarter region perhaps doesn’t do the actual Montagna Spaccata, and hopes that one day to be able to build something bigger and more reflective of the original. For my part, I’d say that while I’d love to see such an expansion, the current build has a beauty and charm of it’s own; yes, there are a couple of elements of texture overlap, and I would suggest experimenting with daytime settings when taking photos, but none of these points detract from the whole in any way.
My thanks to Shawn Shakespeare for the pointer and the landmark.
