Summer at Missing Melody in Second Life

Missing Melody, July 2022 – click any image for full size

Bambi (NorahBrent) has been busy with her region designs, with both Longing Melody and Soft Melody gaining a lot of attention – including in this blog – since the start of the year (see: Visiting Longing Melody in Second Life and A Soft Melody in Second Life). Given this, a return to her Missing Melody was on my game card for 2022, but a poke from Shawn Shakespeare encouraged me to make a summer visit to this always-engaging homestead region.

What is a Missing Melody? It’s that song in your head that you can’t get out but not sure how it really goes. It’s that temptation you want to have in your life so you can fight to resist. It’s that place in your heart that is always waiting to be filled.

– Bambi (NorahBrent)

Missing Melody, July 2022

For this iteration, Bambi offers a region setting that is beautiful in its simplicity: a pair of small islands separated by a deceptively deep channel spanned by a long boardwalk floating serenely above the waters.  Both islands occupy the northern half of the region, sitting under a bright summer sky (I recommend using the region’s shared environment settings).

To the north-east, the small island rises a rich green hump of land, its slopes carpeted by flowering wild grass, and its crowned by green trees and a copse of lavender wisteria.

The latter form a canopy over the landing point, sitting as it does at the end of a fence-bordered track that points the way westwards before dropping down the gentlest of the island’s slopes, and along which an unexpected family is taking a constitutional walk.

Across the channel, the larger of the two islands holds multiple attractions awaiting discovery. These include the winding climb of steps which lead up to where a caravan and cabin lie on a tree-shaded shoulder of the island’s hills, through a second set of steps that descend to the island’s arc of beach to the north-west, through to the rocky path the climbs up the west side of the island, connecting the beach with a high promontory where a lighthouse watches over the southern waters.

Missing Melody, July 2022

The beach offers the most tropical feel to the setting – and the most places for visitors to relax and spend time, both on the sand and over the water. However, both the cabin and the caravan up on the hill top are furnished as well, making for quiet retreats, whilst between them there sits a little stage and outdoor seating for impromptu musical jams.

Picturesque, (obviously) photogenic, and finished with a gentle soundscape, Missing Melody really doesn’t require a lot of exposition on my part; it genuinely speaks for itself, as I hope the images here show. So why not pay a visit yourself?

Missing Melody, July 2022

 

Missing Melody, July 2022

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America the Crumbling: a statement in art in Second Life

Kondor Arts Centre; Chuck Clip – America The Crumbling

Art is a powerful tool, offering as it dos the ability for many things from extraordinary creativity, self-expression through to hard-hitting social and political commentary. In this latter regard, art has the ability to prick our conscience and force us, often quite unexpectedly, to confront thoughts and reactions we might otherwise want to try to avoid -and it can also of a means to express pent-up feelings and work through concern and fears. It can thus be both challenging for the audience  and cathartic for the artist.

Such is the case with America The Crumbling, an exhibition of visually stunning and socially expressive paintings by Chuck Clip, which opened on July 7th, 2022 at the Kondor Arts Centre, operated and curated by Hermes Kondor. Chuck has, in recent years, perhaps been best known for hosting and promoting art in Second Life through his Sinful Retreat regions or for providing music and entertainment as DJ Matrix. However, he is also a 2D and 3D artist, and with America The Crumbling he returns to theme exhibitions of his own work in-world for the first time in eight years.

Kondor Arts Centre; Chuck Clip – America The Crumbling

Described as being intended to “shine a light on society in America” that is “colourful, disturbing, maybe even offensive”, America The Crumbling tackles head-on the rising threats to democracy and personal freedoms that are being witnessed both in America and around the world, in paintings that are intensely evocative and a veritable tour de force of an artist’s ability to convey thoughts and feelings through the curation of a specific approach to his paintings and the use of a thematic palette (notably the use of red, white and blue both as colours and tones) to convey his sentiments.

From the militarization of the police (which is actually the root concern of the Defund the Police movement, rather than an outright attempt to strip police forces of their abilities to perform their core functions, as some pundits would like people to believe), through the wholesale assault on democracy (most visibly the attempted January 6th, 2020, insurrection in the United States and also the war in the Ukraine), to the more “subtle” attacks on rights and freedoms such as the persistent assault on social care in the US and the erosion of the traditional barrier between church and state that has allowed a radical religious right to embark on what could well become a wholesale assault on the individual rights of those they deem as undeserving of such rights.

Kondor Arts Centre; Chuck Clip – America The Crumbling

As the introductory notes point out, some of these paintings could well outrage some – but I would suspect those who do react so might not full appreciate the existential tripartite threat the American Experiment currently faces politically, religiously and even through its own judicial system.

For my part, I can only admire Chuck’s ability to challenge and evoke through images that are first and foremost expressions of art, and which do not, for the most part, belabour their point, but work far more subtly: Liberty on her sick bed; the splash of yellow in an otherwise monochrome piece that points to the source of the referenced “Evil”, and so on. Which is not to say Chuck has tried to wrap his comments in a “softness” of presentation: his pieces on the state of US policing pull no punches, whilst And the Magats’ Red Glare… carries an emotional power that can result in the sting of tears being felt behind the eyes.

Kondor Arts Centre; Chuck Clip – America The Crumbling

Richly presented and layered, America The Crumbling is a genuinely startling and evocative presentation and not one to be missed.

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A visit to a Split Mountain in Second Life

La Montagna Spaccata, July 2022 – click any image for full size

Occupying a quarter-region parcel, La Montagna Spaccata is a personal interpretation by Lana (Svetlana Pexie) of a place she refers to as being “close to home” in Italy; a place which in English is called The Split Mountain, and which forms the location of the Sanctuary of the Most Holy Trinity.

Located near the city of Gaeta in the province of Latina, Lazio, Southern Italy, the original Montagna Spaccata lies within the Monte Orlando natural park. It comprises three sea clefts that cut into the coastal mountain, which local legend would have were created by a lightning bolt hurled to Earth by a distraught God on the crucifixion of Christ on the Cross; its a place where, to honour the legend, Benedictine monks built the Sanctuary in the 11th Century.

La Montagna Spaccata, July 2022

A place steeped in religious significance – it is said the St. Philip Neri, the “Second Apostle of Rome” would visit the Sanctuary for periods of quiet reflection and contemplation, as would Bernardino of Siena – it is a place today fabled for its primary gorge, down which – for a fee – visitors can travel the 300 stairs to where the water ebbs and flows within the Grotta del Turco, the water turned to a brilliant turquoise by the light of the Sun.

The Grotto is perhaps the centre piece for Lana’s design. I have no idea as to how reflective the build is in regards to the original – but frankly, that’s not important; this is after all and interpretation, not a representation. As such it has a beauty entirely of its own.

La Montagna Spaccata, July 2022

What I will say is that fortunately for visitors, Lana has reduced those 300 steps to something a lot more manageable for avatar legs that may still tire under the stress of descending climbing (!) from and to where the water can, under the right EEP settings, offer colours that whilst not necessarily turquoise, may still be as eye=catching, as I hope some of the pictures here demonstrate.

Even this is a design representative of deep coastal gorges, the land itself is understandably elevated and sits as a high plateau  into which the main grotto gorge and a second cut to varying degrees, with the second gorge being much shallower and home to a sheer waterfall at its head.

La Montagna Spaccata, July 2022

As to the third cleft from the original, visitors can take their pick: to the south the land falls away to the sea, presenting what might be a further stretch of coast near to Gaeta – or might be taken as one side of the third gorge, should the parcel to the south come to be rented. Alternatively, the north parcel is given over to Lana’s private home and is landscaped in a manner in keeping with La Montagna Spaccata, and so might again might be imagined as a part of the local coastline or where, beyond the rock wall separating the two parcels, the imagination might like to picture the remaining gorge as being.

To the west of the plateau is both the landing point and what remains of ancient fortifications. Again, whether the latter are part of the actual Montagna Spaccata or intended to evoke some of the fortifications of Gaeta itself, I’ve no idea; but they serve as a perfect backdrop to the eastern extreme of the parcel, where people can finding seating at the local café and also the entrance to the steps leading down to the grotto. The latter switch-back their way down a set of terraces built into the cliff and the rocky foot of the gorge. Meanwhile, two finger-like promontories extend eastward, the main gorge set between them. These can be wandered as well, offering heady views down into the two gorges and excellent views back to the fortifications.

La Montagna Spaccata

Lana feels that sitting within a quarter region perhaps doesn’t do the actual Montagna Spaccata, and hopes that one day to be able to build something bigger and more reflective of the original. For my part, I’d say that while I’d love to see such an expansion, the current build has a beauty and charm of it’s own; yes, there are a couple of elements of texture overlap, and I would suggest experimenting with daytime settings when taking photos, but none of these points detract from the whole in any way.

My thanks to Shawn Shakespeare for the pointer and the landmark.

La Montagna Spaccata

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Life’s primary colours in Second Life

Nitroglobus Roof Gallery: Bamboo Barnes – Colores Primarios

Bamboo Barnes is back a Nitroglobus Roof Gallery for July, with an exhibition occupying the main a hall of Dido’s Haas’ superb arts venue. She comes with a new collection of pieces gathered under the title Colores Primarios (Primary Colours), offering a total of 21 pieces (six of which offer an engaging commentary on the core theme for the exhibition, lined as they are along one wall of the gallery’s space), with a fair number beautifully animated.

Whilst coming a touch over a year since her last exhibition at Nitroglobus, Colores Primarios shares something of a spiritual connection with that last display of her work – Tranquil Droplets -, presenting as it does reflections on the nature of life. However, where that exhibition focused on light and dark as expressions of mood, here Bamboo asks us to consider the colours we use in defining moments and moods and which, ultimately, define who we are.

Nitroglobus Roof Gallery: Bamboo Barnes – Colores Primarios
What colour is the ground you cower on?
What colour is the sigh your breath makes?
What colour is that place where you fall asleep?
What are your basic colours?

– Bamboo Barnes, Colores Primarios

We’re all familiar with the concept of using colour to define our emotional states – red with embarrassment; down and blue; green with envy; a black mood; white with rage; a rosy smile, and so on. We are all likely familiar with the idea of our aura; the supposed spiritual / energy field said to surround all living things (yes, George, we know where you got your idea for the Force from!), which is also expressed in terms of colour: red, green, blue, orange, yellow, white, violet, black.

Nitroglobus Roof Gallery: Bamboo Barnes – Colores Primarios
But what if, rather than standing as simple reflections of mood or state, colours were a genuine outflow of every moment of life; something informed by where we are, what we are feeling, events recently passed, and so on? Colours that, if visible, would literally paint our lives for all to see – what would they show? How would they ebb and flow? Would they further reveal us, giving expression to not only the emotions we are feeling, but the depth of those emotions (Neon Glitch)? Would they be forever flicking and changing, moment to moment (the Assemble 3 series)? Would they offer a reflection of us that is real, or own that is blurred by our own confusion?

How would they define us to both ourselves and those around us? What would we say through them?

Nitroglobus Roof Gallery: Bamboo Barnes – Colores Primarios

I offer no answers here; Colores Primarios deserves to speak directly to all who see it and give pause to consider what it has to say. As always, Bamboo’s work is rich in colour and presentation, primal in look – again, reflection the exhibition’s title – and always absorbing; an exhibition once again supported by Adwehe’s colour spheres.

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A nightingale song to prims in Second Life

Ribong Gallery Artspace: Bleu Oleander – A Nightingale Sang

Currently open at Artspace 3042, a part of the Ribong art hub curated by San (Santoshima), is A Nightingale Sang by Bleu (Bleu Oleander), a visually engaging celebration of the magic of working with prims in Second Life.

The piece takes its title from the British romantic song A Nightingale Sang in Berkeley Square (lyrics by Eric Maschwitz and music by Manning Sherwin), published in 1940; specifically the opening to lines of what has become the more traditional rendition of the song (Maschwitz actually wrote an initial opening verse that tends to be dropped from the majority of recordings):

That certain night, the night we met
There was magic abroad in the air.
Ribong Gallery Artspace: Bleu Oleander – A Nightingale Sang

However, rather than referencing the love between two people, the lyrics here are used to underline that moment when human imagination and expression meet the creative promise and digital beauty of the humble prim, a moment when the most magical of relationships can begin.

In this age of external mesh tools, LODs, uploads and the need to familiarise oneself with dozens of workflows and practices in order to create something within the digital void, it is easy to forget just how powerful and rich Second Life’s in-built tools and capabilities are in their ability to give all of us the ability to build and create.

Ribong Gallery Artspace: Bleu Oleander – A Nightingale Sang

Prims don’t need complex workflows or multiple different applications; everything needed to create something captivating lies right here within the viewer, or, thanks to things like texture and script libraries, just a few clicks of the mouse away. And the skills to bring it all together can be acquired whilst remaining within Second Life, rather than far away within the near-isolation of this or that graphics tool.

From the landing point A Nightingale Sang takes visitors on a journey through a darkened space in which reside the most marvellous sculptures created and animated by Bleu. In both 2D and 3D, all of them are constructed by bringing prims together and then using scripts, textures, and the tools of the viewer – notably, for the visitor, the use of Advanced Lighting Model (Preferences → Graphics → make sure Advanced Lighting Model (ALM) is checked – this will also enable projected lighting without the need to keep Shadows enabled) – to create a richly visual installation.

Ribong Gallery Artspace: Bleu Oleander – A Nightingale Sang

Equally spaced through out the rising and falling levels of the space, the pieces are perfectly positioned so that each can be appreciated in turn – again, I’d advise using the local environment settings (World → Environment → Use Shared Environment). Also, as you explore, don’t forget to look up as well as around.

These pieces are simple yet complex living demonstrations of how we can use the tools before us to bring life to what might initially look to be little more than simple shapes to create something unique; of how once we have learn to rez and glue, an entire world of potential lies within our grasp, a world we can explore alone or with friends and in which the limits as to how far we go are defined by how far we want to go.

Ribong Gallery Artspace: Bleu Oleander – A Nightingale Sang

At the top of the installation can be found a little chapel, on the “alter” of which sit those basic shapes available within the Build floater that open the door to universe of creativity. Because, as someone once said: it all starts with a cube.

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A Critter Celebration in Second Life

LeLoo’s World – A Critter Celebration, July 2022

It’s been a year since my last visit to LeLoo’s World, a passage of time that would have naturally made it a destination for a return visit given I have tended to drop in once a year over the last couple of years. However, Shawn Shakespeare showed me a couple of pictures that meant I would have been hopping over as soon as I could.

For the summer of ’22, LeLoo (LeLooUlf) presents a setting she’s called a Critter Celebration, and which brings together wildlife from around the world (and some rather different critters!) in a series of settings carrying environments design to reflect the animals found within them, all linked together by a series of paths and tracks.

LeLoo’s World – A Critter Celebration, July 2022

The entire setting has the look and feel of an animal conservation centre and, needless to say, the opportunities for photography are rich throughout; as is, in theory, the opportunity for a little fun education, as the About Land description notes:

This summer, LeLoo’s World is celebrating the beauty and wonder of nature’s creatures. So put on those walking shoes, set the mindset dial to “happy!” and pick up your copy of the Critter Info HUD for some fun and interesting facts on various animals you will see here. All are welcome to this PG event!
LeLoo’s World – A Critter Celebration, July 2022

The HUD is offered (a little persistently!) on a visitor’s arrival at the landing point. The latter is laid out as something of a small commercial hub such as might be found at the entrance at a conservation park. The HUD, as per the setting’s description, is designed to offer up facts about the animals that can be found within the setting – although I’ll admit for some reason it didn’t want to work for either myself or my Alt.

Directly in front of the landing point is a path marked by a green arrow pointing the way under a rocky arch. However, before taking that, there are stepping stones winding off to the right, passing behind the market stalls that should be followed, lest it otherwise be missed. It offers the way to a little touch of North America, where brown bears, grizzlies and deer are enjoying the rocks and water as eagles circle overhead. Benches and chairs here offer seating for those wishing to stay awhile.

LeLoo’s World – A Critter Celebration, July 2022

Through the rocky arch is a further expression of North America, this a more wooded environment that is home to more bears and deer, together with foxes, raccoons and opossum Beyond this is a fun area for dog lovers; a place where cuddly little critters can also be found, tucked into their own corner and enjoying one another’s company.

From here visitors pass into Africa, and the Serengeti, a place where giraffe, elephants and zebra roam, and hippos and crocs cool themselves in the water. Visitors can rest up here at a safari camp, and it is worth taking your time to mouse-over some of the animals. Doing so will reveal poses with some of them for photography; a trend continues as the path passes on through to the jungles of India, watched over by tigers and where African elephants substitute for SL’s lack of Asian elephants.

LeLoo’s World – A Critter Celebration, July 2022

Onwards, visitors enter the world of the Far East, with SL’s traditional merging of China and Japan: a rich bamboo forest where panda can be found in family groups and beyond which can be found a house with more of a Japanese look and feel, a place where water and Zen gardens are mixed to present a haven for birds and not a few (Norwegian?) forest cats.

Covering half a region and located up in the air to limit the impact of thing like the water plane interfering with viewer performance, with  – as noted – multiple opportunities for photography – A Critter Celebration at LeLoo’s World is a fun, easy-going visit that is highly enjoyable environment in which to spend time.

LeLoo’s World – A Critter Celebration, July 2022

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