Category: Exploring Second Life

Long Journey Cafe – click any image for full size

In March 2017 Caitlyn and I visited Long Journey on the advice of friends Shakespeare and Max – and we thoroughly enjoyed our visit. We headed back there in August after Shakespeare IM’d to say the parcel had undergone a relocation and a rebuild, and is now known as Long Journey Café.

The redesign is every bit as atmospheric and charming as the one we visited in March, which trains a tracks once again playing a role – and further shows that you don’t necessarily need an entire region, Full or Homestead, in order to make something unique and photogenic.

Long Journey Cafe

A visit begins on one of the four levels the parcel has been split into, at the terminus of a small tramway. The tram itself appears to be just arriving, and going by the camera set up close by, is the subject of a film or documentary. The tram tracks pass over a cobble surface, which provides access to a little café – one of several in the parcel – alongside of which is a set of steps leading to one of the upper levels.

This upper level road comprises a small motel, not exactly in its prime, and neighbouring cafés and eateries before it ends in a rickety looking, but quite sound, set of wooden steps and walkway raised on a wooden scaffold. These provide access to the remaining levels in the build – a railway carrying viaduct with a canal below. More little boutique café sit on platforms under the arches of the viaduct, reached by a wooden walkway running parallel to the bridge. These little eateries face an entertainment stage built out over the canal and a modest floating restaurant.

Long Journey Cafe

Follow the board walk along the canal far enough, and you’ll find steps offering a way back up to the tram level and another little street of shops, or wooden stairs making their way up the railway line. Nor is this all; a second set of steps descend from the elevated walkway, giving access to the large warehouse sitting at the northern end of the parcel, while the path around the film camera sitting at the end of the tram station can be used to reach a tattoo parlour, if you’re so inclined.

All of this is presided over by the tall figure of an Indonesian statue – although this, and many of the details in the region may not always be easily seen. On our first visit, Caitlyn and I arrived at night, with snow falling and which showed up the local lighting to good effect; it also meant we had to explore carefully in order not to miss anything. However, on a return visit, 24 hours later, the parcel was bathed in sunlight, suggesting its environment changes according to the owner’s whim or perhaps a schedule.

Long Journey Cafe

Yang (Sun2idea) has an eye for detail, and this latest iteration of Long Journey demonstrates this once again.

SLurl Details

• Long Journey Cafe (Guzel Ada, rated: Moderate)

Les Reves Perdus – click any image for full size

I try to avoid returning to regions visited as a part of my Exploring Second Life series too soon after blogging about them. However, a tweet from friend Miro Collas prompted me to suggest to Caitlyn we head back to Les Reves Perdus (“Dreams Lost”), the homestead region designed by Chanell (zaziaa) for another look despite having only blogged about it in June.

As Miro pointed out in his tweet, a lot has changed in the two months since that visit. The provincial look has now gone, replaced with something far more Nordic in expression, but which is nonetheless as photogenic, particularly under the right environmental conditions.

Les Reves Perdus

The setting is a Viking settlement, the surrounding hills and waves breaking in the distance beyond them suggesting it is perhaps set upon an island towards the mouth of a fjord or deep-cut river valley. A visit begins towards the centre of the island, on a small bridge linking the low-lying village with a set of fortifications. The latter has tall wooden walls marching between square towers which look ready to withstand attackers – but which also appear to be protecting a flooded area of land or a former inlet, rather than the village itself.

This arrangement at first seems a little odd: the village sits on a low-lying stretch of land between the fortifications and the high cliffs of a plateau to the east, open to access from the surrounding waters – which are deep enough for longships to sail or row right up to the wharves. It thus seems to be without protection, exposed to any attack which may come. Where one might expect the village to nestle, within the protection of the fort-like walls and towers, horses and sheep graze beside the inland waters.

Les Reves Perdus

Perhaps the walls and towers are the remnants of a more violent time, when there was a need for fortifications. Perhaps they once completely encircled the lowlands of the island, joining at either end with the rocks of the plateau, but more peaceful times and circumstance led to the removal of part of their protection  to make way for the village buildings.

Whatever the reason, the village sits on open land, thatched huts and semi-stone barns offering homes and shelter for animals. Goats, chickens and cattle roam the gasses outside the huts as fires burn to cure cut meat and racks of fish are being dried on the wharves. Across the strip of water from the wharves sits an ancient circle of standing stones, a henge suggesting this island has been settled in the past as well.  Elsewhere, longships lie off-shore or moored close to the village – one of which is even ablaze, although I suspect this might be a funeral ship, rather than it being aflame as a result of battle.

Les Reves Perdus

The high plateau, reached by steps cut into the living rock, passing a tall statue as they climb upwards, is home to a great hall, where fires burn, plans are being made. It’s easy to imagine much carousing and drinking of ale and mead within its walls in the long evenings.  Although the fort-like walls run outward from the plateau, there is no way to reach them easily, other than scrambling over the rocks; nor is there any way to get up to their walkways from the lower ground areas. Whether this is intentional or the result of the region still being tweaked, I’ve no idea.

This is in some respects an oddly eclectic region design, About Land suggesting it is for exploration and perhaps role-play. While the design is primarily Norse, there are also oddities hinting at other genres / activities. There is, for example a very fantasy-leaning collection of statues representing the four elements, while the great hall contains a medieval iron maiden in one corner. But none of this detracts from the setting offering good opportunities for photography (with a suitable windlight selected) and exploration.

Les Reves Perdus

SLurl Details

• Les Reves Perdus – Kattegat (rated: Adult)

Yamagata – click any image for full size

“I have wanted an oriental themed sim for the longest time,” Ayla Zhoy (AylaJ) says of her homestead region design Yamagata, “and here it is! I’ve spent some time slowly working on this and I hope you enjoy your visit.”

Regular readers to these pages will know that I’m immediately drawn to anything with an oriental flavour. This being the case, Caitlyn and I hopped over to take a look around as soon as the opportunity arose – and we weren’t at all disappointed.

Yamagata

As with many oriental regions in Second Life, Yamagata draws strongly on Sino-Japanese influences, blending the two together to create an environment which is eye-catching, relaxing, fun to explore (although do take note, it is a constant work-in-progess, and so is changing on a fluid basis) and with plenty of opportunities for photography.

The land is in fact split into a number of small islands – although such is the design, this may not immediately be obvious when exploring. The landing point sits to the north-west of the region, on an elongated islet it shares with a modest traditional Japanese style house and garden. A walk inland from the house will bring you to a stone arch, water tumbling from it as it links the island with one on which a bamboo of Pandas reside. A short distance away, and running through the trees occupying the eastern end of the island, a path provides access to the first of several bridges spanning the channels which divide up the land.

Yamagata

However, before you leave the landing point, make sure you accept the offered note card, it has details of a number of points of interest worth visiting when exploring. These include tea houses, onsens, houses and ruins. They can be explored in any order, and each offers a setting very much worth seeing. Paths and grassy trails run across all of the islands, linking bridges and points of interest to one another, while stone steps provide access to the region’s elevated areas.

One of the more intriguing places to visit is the stone tower rising on the west side of one of the larger islands. This sits in two parts, one preciously balanced atop the other by a mix of what appears to be a narrow neck of stone blocks, an iron ladder and gravity’s attention being otherwise occupied elsewhere! The ladders offer a way up (right-click and sit), and the tower itself is a good vantage point from which to see the rest of the region.

Yamagata

But really, the best way to see everything is obviously on foot, following the paths, discovering all the different locations and places to sit and contemplate or cuddle or bathe along the way. The pandas offer a cute distraction (the stone arch can be climbed over to reach them if you want – although it is not strictly speaking a bridge). There are a couple of boats in the region, but these don’t appear to be set to allow passengers to sit at present – or at least at the time of our visit; which is a pity as the one near the stone water arch makes for a nice spot from which to observe the pandas.

Yamagata really is a lovely setting, well suited to a variety of windlight settings and offering a lot for people to enjoy. The Sino-Japanese theme works well, and is complemented by a soft ambient sound scape entirely in keeping with the region.

Yamagata

SLurl Details

• Yamagata (Cynosure, rated: Moderate)

Cocoon – click any image for full size

Note: Cocoon has relocated and updated. The SLurls in this post have therefore been updated to reflect the new region. Please also refer to for a review of the new Cocoon.

Cocoon is the name of a cyberpunk role-play region designed by Ellie (Mii1a), and it offers an atmospheric environment with a rich back-story.

It is the year 2487. The Earth surface has become virtually uninhabitable as consequence of wars and environmental neglect. Most of humanity has fled the surface in the hopes of building a new future.

Cities slowly float around three thousand meters high above the surface, to escape the corroding effects of the pollution and radiation on the city’s hull over time.

The cities are connected by dense air-traffic and there is a booming economy for all types of goods. The cities are controlled by many different rival mega-concerns in the science and weapon industry, yet most parts of the population don’t care about the large-scale politics and established connections on many levels between the cities. There exists a thriving black market for weapons, drugs, software, food, cybernetics and other technology which remains nearly uncontrollable by the big businesses.

Cocoon

The name Cocoon is that of a “an unimportant artificial asteroid” first developed by the Cocoon Corporation some 40 years prior to the current period. Over the years it has grown to a centre of commerce sitting between floating cities of Earth and the colonies on the Moon and Mars – and a convenient place where those wishing to avoid being noticed could also find a place to hide – providing they don’t do anything to bring themselves to the attention of the security services.

The city is divided into four sectors – an automatic industrial area with docking facilities for shuttles operating between Earth, the Moon and Mars; a residential sector located along a narrow street with a mall and a black market location; the entertainment sector (also the oldest area of the facility) and sector four – the secretive area run by Cocooncorp itself and which “very few people have been able to enter that building or tell what is inside.” Finding your way around can be a tad confusing, as it’s not entirely clear whether the sectors are all on the same level or defined by height – so keep an eye on the signage.

Cocoon

The confusion induced by the design actually adds to the build, rather than detracting from it; after all, who immediately knows their way around a city on a first visit? As it is, the design encourages exploration and increases the chances of bumping into / jumping in-progress role-play. The latter appears to be entirely free-form, and includes combat via the Sosumi combat System, which can be obtained by group members via kiosks located throughout the build.

The overall design carries a look that is – as with most cyberpunk / sci-fi dystopian build – a hint of Blade Runner about it. This is not to say it is in any way derivative; rather it offers setting which may be comfortably familiar enough to encourage role-players to get involved. There are a number of ways to get around as well: on foot, via the numerous elevators and – for those who join the RP group – bikes can also be obtained for use on the multi-level roads. RP locations can be found outdoors and in. Role-play can additionally be enhanced by the media boards scattered through the city. Operated by ONN – Orbital New Network – these offer “news updates” on events which could act as springboards for further role-play.

Cocoon

Unlike many RP environments in Second Life, Cocoon appears to be a vibrant community; during our visit there were over half-a-dozen players actively participating in role-play. A comprehensive website provides those wishing to get involved all they need to know in order to join in: back story, allowed factions, rules and guidelines and an application form – group membership is via application / invitation. What is particularly interesting with the website, is the fact that is active among members: character biographies have been written, the forums look to be active, as does the photo gallery. Members are even encouraged – and do – write their own blogs.

For those looking for cyberpunk / dystopian role-play (complete with the ruins of Earth at ground level), Cocoon could be just the ticket. Those looking for futuristic setting for photography may also find the region an interesting visit (just be aware it is a role-play environment and try to dress appropriately).

Cocoon

With thanks to Shakespeare and Max for the tip.

SLurl Details

• Cocoon (Japan Rose, rated: Moderate)

Yasminia – click any image for full size

It’s been almost a year since Caitlyn and I first visited Yasminia, the homestead region designed by Busta (BadboyHi). At the time, he’d opened the region to the public for a limited time and was planning to close it once more. However, such has been the response from visitors, he decided to leave it available to public access and continue to offer people a chance to visit – and I’m happy to report it remains open to all.

Beack then Yasminia was a very pastoral setting with open fields and horses grazing, offering visitors a photogenic delight. Today’s Yasminia is very different look – albeit one no less photogenic. The largely pastoral setting has given way to one that is more mixed – still rural, but with the corner of a small town poking into it, suggesting a place where the countryside meets a more urban setting.

Yasminia

Where you begin a visit is entirely up to you, as no landing point is set. Opting for the default central arrival point on the region will deliver you to the edge of the little town. Rather than use that, however, the SLurl I’m using here will drop you off towards the north-west corner of the region, on a track running southwards above a ribbon of beach.  This can be reached via a set of stone steps descending the slope between track and sand, while across the track sit houses and outbuildings arranged around a courtyard and fronted by a paved garden with fountain and water feature. The courtyard, with its outdoor table set out with soup pots, wine and bread, makes for the ideal place to return to following a walk through the rest of the region.

The track winds its way down through the timberline towards the little town, running south and then west, offering a relaxing walk down to where the paved road running through this corner of civilisation starts. Those wishing a shorter route can walk through the gardens fronting the houses,  then take another set of stairs down to the north-eastern edge of the town, where just a few steps will bring you to the road and its companion footpath.

Yasminia

Careworn buildings line either side of the road – this is perhaps not the most prosperous place nestled within the surrounding peaks. A small chapel sits alongside the road, the tall tower of what might be a granary rising beyond it and standing sentinel between two small bays which cut their way into the land. One of these, overlooked by a broad, paved terrace set as an outdoor café, offers mooring for boats and a scenic look out over the broader bay separating Yasminia from the surrounding mountains.

The buildings backing onto the cafe terrace may all once have been thriving businesses; now however, they are run-down, deserted and empty, their windows shuttered or with blinds drawn, life having apparently moved on. Only the gas station / auto shop appears to still be doing business, perhaps the last hanger-on, even as the dirt of the tracks either end of the street encroach on its paved surface.

Yasminia

If the apparent desertion of the town is a little too much, follow the road and track north and then east as it curls around the base of the uplands on which the houses sit. It will lead you back to the beach. Here can be found signs of life aplenty: surfboards upended in the sand, chairs and seating ranged under canvas awnings, a beach side disco with dancing on the sand, fire pits, and sun loungers pairing their way down the longer ribbon of west-facing beach, presenting couples with plenty of room to relax under the sun.

Today, as noted, Yasminia presents a very different face to the world than a year ago – but one which has its own unique beauty, with places to relax and that three-sided courtyard ready to greet visitors with wine and food and the chance for friendly conversation.

Yasminia

SLurl Details

• Yasminia (Yasminia, rated: general)