A return to Umi in Second Life

Umi, May 2025 – click any image for full size

Update, July 2025: Umi appears to have closed. The SLurl here have therefore been removed.

It’s been a fair while since I’ve written about any of Paradox Ivory’s region designs; the last occasion was following a visit to Cravone City in 2021 (a place which itself appears to have expanded mightily since then). Paradox has also in the past been responsible for a location called Umi, which shared a region with her Tokyo Street Subway Entrance, locations I wrote about in 2019 and 2018 respectively.

Both of the latter vanished into the ether sometime after 2019, and to be honest, at that point I lost track of Paradox’s work. So I was pleasantly surprised when Cube Republic poked me about Umi’s return – this time on a much larger scale.

Umi, May 2025

Once again occupying a Full private region – this time leveraging the Land Capacity bonus – and with an adjoining Homestead (currently under construction, UMI is expanded well beyond its 2018/9 form, offering a lot to see and the promise of more to come, given Paradox is in the process of expanding it into the adjoining region.

Welcome to Umi, where serene rural rhythms blend with vibrant urban energy amid a captivating fusion of Japanese and Korean cultures. Here, each street corner tells a tale, every café beckons you to linger, and every encounter promises a journey to joy. Don’t forget to say hello to Umi’s beloved resident cats, who add their own special charm to this enchanting island experience. Welcome to a world where every purr and whisker brings a new adventure!

– From the Umi About Land description

The Landing Point for Umi sits at its southern end, where the setting meets the sea, the two separated by a stretch of rocky, shingle beach which may not avail itself overly well to sunbathers or swimmers, but is certainly appreciated by the local populace of seagulls.

Umi, May 2025

Taking the form of a ferry quay stretching a makeshift-looking pier (wooden planks and iron grating welding on to sealed oil cans for floatation) out into the bay, the Landing Point gives the impression that one has literally just stepped off the ferry on arriving (an if you listen, you will hear the ferry’s horn away in the distance and it (presumably) chugs off back to the mainland.

Once through the gates of the ferry terminus, visitors have a choice of routes: along the raised causeway road (presumably elevated to keep it clear of high tides!) and thence up into the town proper. For those preferring a wander along the not entirely attractive beach, it is possible to turn east or west and do so, either extremity of the shingle and rock waterfront having a stepped footpath leading up into town as well. Of the two, the walk to the west also offers the opportunity to visit the Seaside Café, which is doing its best to remain happy and sunny, despite the aging drabness of the beach!

Umi, May, 2025

Umi itself is neatly tiered, rising from the waterfront as set of linear elements. The first of these, bracketed at either end by the steps rising from the extremes of the beach, as well as being reached directly from the steps rising from the end of the causeway road, is a walled water channel, complete with narrow footpaths to either side and with little bridges periodically spanning it.

Behind this is a small residential district, complete with a playground and what looks like a nursery school. Another waterway (a storm drain?) separates this area from the uppermost part of the town, pair of contented Buddha-like stone cats guarding the central stairway leading up to it.

Umi, May 2025

This upper area mixes businesses with apartments and residences, footpaths and streets combining to form an engaging little maze to encourage visitors to explore. Within this area one will find the first warnings of on-going construction, but these are easy to avoid without risk of coming to injury. There’s also a traditional shrine awaiting discovery and further little park spaces.

A point of note here is that there are a number of private rental residences within Umi (four easily identifiable within the upper district, numbered as they are, with four more in the middle-level apartment blocks to the east side of the setting); so do be a little wary of trespassing people’s homes. There are also a number of small business premises available for rent in the setting as well.

Umi, May 2025

The overall attention to detail is one of the many things that make Umi so attractive. Paradox has worked hard to give the town a sense of being a living, breathing space. Houses are furnished, window boxes and planters are cultivated; the general clutter of life can be found everywhere; there is a feeling that much of the town has grown organically, rather than being neatly planned, birds sing in the trees and can be found making the most of garden spaces and the like.

Paradox has also made great use of sound surfaces as well: iron gratings cover drains and form the walkways on bridges. When you walk on them, they will ring with the sound of your heels passing over them. There are also plenty of places to sit and pass the time – such as the Café Umi.

And then there are the cats. As much residents here as anyone, they are to be found everywhere, all of them doing typical cat things: stalking, walking, looking cute, sleeping, making it clear whether your attention is wanted or not, and offering the occasional snippet of conversation.

Umi, May 2025

Even with all this said, I’ve still only scratched the surface of Umi’s treasures. To appreciate them in full, I recommend you hop over and pay a visit for yourself! My thanks, again, to Cube for the hat-tip.

A walk around Calland in Second Life

Calland, May 2025 – click any image for full size

While we have never met, Jeannie Schimmer is a woman somewhat after my own heart; someone driven by curiosity and the need to create. It was a drive that started with a single goal which – as I’ve found myself, as doubtless have many others – evolved into something far greater. In this case, an entire public region.

I wanted to learn how to make a proper wharf. After the wharf came a little village, then came the countryside and so much MORE! Feel free to wander around and explore.

-Jeannie Schimmer on creating Calland

Calland, May 2025

Called Calland, the region is a pleasing mix of open spaces, waterside spots, a little village and pleasant walks. It’s is also a place which appears to be going through continuous evolution – again the mark of a creative mind twiddling with ideas and updates.

An example of this comes with the local church; original shots of the setting show the church to be modest, traditional affair with white wood sidings and a tiled roof and steeple. The current church is a far more modern design, its wooden-beamed sides and general form making a strong statement whilst also fitting with the surrounding fir trees and those growing across the hills behind the north of the village.

Calland, May 2025

This village sits just back from the Landing Point – a paved waterfront quay marked by boat moorings, houseboats and a parade of shops. The quayside also give the first indications that there are activities to be enjoyed here: a bubble rezzer sits next to a bicycle rezzer, the pair of them giving visitors the choice of floating or pedalling around the setting if they wish.

The church mentioned above sits to one end of a road paralleling the quay, and which might be considered the village’s main street. It is home to the local garage, movie theatre and more shops sitting with their back to those on the quayside. Facing the church at the far end of this street are parkland offices – the park presumably being the open lands above and to the north of the town.

Calland, May 2025

An old mine tunnels under the hills of the park as a means to to reach the region’ northern side. It is actually one of four routes for doing so. The second takes the form of a boardwalk at the eastern end of the quays, and which passes between the park offices and a large house boat. The remaining two lay a walk westward alongside the quayside from the landing point.

The first of these latter two takes the form of a footpath meandering its way through a formal garden; the second a walk north along the region’s western edge. This passes by way of a deserted bar and a 1950’s style diner, together with a floating pier and a shingle waterfront which runs between the water and a small bungalow (possibly a private home; I’m not actually sure) and a walled garden respectively.

Calland, May 2025

The formal garden, meanwhile, offers places to sit and pass the time, games, including mah-jong within its small auditorium, and dancing. Beyond it, the path continues on to the parklands, sandwiching the bungalow and walled garden (which again offers places to sit and is popular with the local rabbits and birds!) between itself and the west-side coastline.

The northern landscape offers winding paths, horse grazing (and horse riding), an impromptu shindig, a Hobbit hole home(!) and outdoor seating. The east side of the park is particularly hilly and semi-rugged, the paths and trails slithering between the higher peaks, with bridges spanning streams, water falling from the higher slopes, with the local bears keeping their eyes on things.

Calland, May 2025

Two islands complete the setting. The larger, sitting to the north-west, is connected to the rest of the region via two bridges. A large house and grounds take up its space. Again, I’ve no idea if it is intended to be a private residence or not; however, as I did not wish to invade privacy were it to be so, I didn’t dally there.

The second island sits within a bay on the north side of the region. Cut off from the rest of the landscape by water, it is home to the Racoon Creek camp ground. The best way to reach it without flapping your arms and taking to the air is via the zip line that extends down from the hills in the middle of the mainland area to the pier at the entrance to the camp site. For getting back across the water after a visit, try using the local bubble rezzer on the arrival pier.

Calland, May 2025

Tranquil and with considerable details throughout (there is much I’ve intentionally not mentioned here), Calland is a charming place to visit, offering a fair amount to do and a lot to appreciate.

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  • Calland (Calland II, rated Moderate)

A trip to TNC Commons in Second Life

TNC Commons, May 2025 – click any image for full-size

In my previous Exploring Second Life piece, I visited Lavender Springs, a location tucked away on Heterocera, and designed by some of the talents behind Cerulean Sea (see: Relaxing in Lavender Springs in Second Life). At the time I noted that a return visit to the Cerulean regions on my part would be forthcoming. However – and for reasons I’ve yet to determine – my system / viewer decided to be very unhappy when I did earlier in the week, performance-wise, so I’m shelving that for another visit at a later date.

Instead, and to make up for this, I decided to drop back to Lavender Springs and head west along Atoll Road to visit the TNC Commons, a further part of The Nature Collective no too far away. The work of Teagan Cerulean, Emmerson Skye Cerulean (Emm Evergarden), TNC Commons covers just 8048 sq metres, forming a charming and picturesque corner of Second Life, literally packed with information and places to visit.

TNC Commons, May 2025
The Nature Collective welcomes you to TNC Commons, a blend of urban charm, green space, and forest trails. With exhibits, gardens, and open spaces to gather or reflect, TNC Commons invites you to connect with nature and community.

– TNC Commons description

Again sitting just off the Atoll Road (and thus passed by the local tour pods), the Landing Point for the setting sits back from said road, and alongside the TNC Info centre, where you can – if not already familiar with The Nature Collective and the work of Emm and her friends – discover the secrets of the the Nature Collective and its network of locations and associated locations around the grid.

TNC Commons, May 2025

The Info Centre sits to one side of a cobbled street lined on the other side by little rental apartments. This street is cut through along part of its length by tram tracks – and be careful where you stand on arrival, as the tram is indeed running, and can sneak up behind the unwary as it comes to a halt at the Info Centre!

Jumping onto the tram will take you on a trip around the Commons – which includes a rather novel hop by the tram over the footpath running along the front of the apartment houses 🙂 . This journey offers a pleasant loop around the landscape, and is certainly worth the ride – particularly as it does have a number of station stops at points of interest along the way, allowing you to hop off and explore (you can also explore on foot, obviously).

TNC Commons, May 2025

The far end of the street is home to The Dancing Rabbit Café – a special place for many, and if you know why, you know; if you don’t – please take the information pack from the stone rabbit to the right of the steps leading up to the Café. It is a thoroughly charming corner and, due to its meaning, also has its own Landing Point. Passing around the Café via the little canal to one side or the path between the Café and the neighbouring apartment house on the other will bring visitors to the garden spaces to the rear which includes more outdoor seating for the Café and an event space.

One of the local tram stations is just to the other side of the latter, but for those on foot, steps can be found to the upper parts of the setting – charmingly called The Canopy, due to it being shaded by tall oaks, fir trees and one special tree in particular. Spread throughout this area are places to sit and relax, places to meditate, water features offering space for local wildfowl and critters.

TNC Commons, May 2025

Also to be found throughout is – as noted a wealth of information (including some on the aforementioned particular tree). These information boards allow you to obtain the TNC Connect HUD, offering more on The Nature Collective; information on the secret language of trees (the Wood Wide web); links to external nature-related websites and more; together with opportunities for mindfulness.

A further HUD, the TNC Travelogue, can be obtained at the entrance to the setting from the Atoll Road. It provides SLurls to other locations around the grid associated with The Nature Collective. A sign board alongside the HUD giver also provides direct TP links to those locations.

TNC Commons, May 2025

There are some little quirks to the setting which  – to me – add charm. The warning signs for the tram track are placed such that the provide warnings to approaching trams rather than pedestrians, and the track does change gauge to cross a bridge. This is genuinely not to pick holes; in the case of the gauge change, it’s a classic example of making used of different creations to produce a means to add further visual interest to a setting.

In all, a richly engaging visit – as one would expect when it comes to The Nature Collective.

TNC Commons, May 2025

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Relaxing in Lavender Springs in Second Life

Lavender Springs, May 2025 – click any image for full size

Back in September 2024 I dropped into Les Bean at the Salty C, a coffee house within the Cerulean regions (see Coffee and a Salty C in Second Life).

Designed by members of the extended Cerulean family, notably (at the time of my visit) Emmerson Skye Cerulean (Emm Evergarden) of The Nature Collective fame and Teagan Cerulean, it is one of a number of places held across Second Life by members of the family – and somewhere to which I’ve received an invitation to make a further visit, and plan to do so in the near future.

Lavender Springs, May 2025

Another location designed by members of the Cerulean family – V Cerulean Rhys (Veronika Nightfire)and Dani Cerulean (Dani Varela) joining Emm and Teagan – is that of Lavender Springs, a charming retreat offering hot springs, relaxation and opportunities for photography, sitting on the south side of Heterocera.

Located at the end of a short dirt track connecting it with the cobbles of the Atoll Road, Lavender Springs sits and an open-air retreat, a large sign encouraging people to explore, and a notice board offering information on the Cerulean Sea, the Nature Collective and the Greenwich Café – a coffeehouse apparently inspired by England’s Lake District, and so may well end up on my list of places written about.

Lavender Springs, May 2025

Small it might be, by Lavender Springs is perfectly formed and richly engaging. Three hot springs are available for bathing – two on one side of the stream flowing through the setting. The third is reached via a fallen tree trunk now doubling as a bridge across the colder waters of the swiftly-flowing waters of the stream as they tumble away from the local falls.

The first two springs are reached by crossing two wide stepped decks. One is the home of a massage therapy area, the other offers relaxation in the Sun. They are partnered by a stack of Zen rocks forming a tall pedestal for yoga and meditation.

Lavender Springs, May 2025

Oak, Jacaranda, Wildberry form a screen of mature trees to provide shade and some degree of privacy, while the large pool into which the stream flows perhaps offers the opportunity for cold plunges after time in the hot springs. For those seeking a quieter means of relaxation, a swing might also be found.

Watched over by egrets, completed by a gentle soundscape and offer a lot of detail in so small an area, Lavender Springs is another space adding considerably beauty to the Mainland.

Lavender Springs, May 2025

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To Arrakis and the halls of the Fremen in Second Life

Grauland – Arrakis / Fremen Home – May 2025 – click any image for full size

As is probably apparent from past articles in this blog, I enjoy science fiction in most of its various forms, be it literary, television, film or radio; and whether it takes the form of epic space opera or near / far-future explorations or action / adventure or comedic in nature. However, whilst I’ve read everyone from Adams to Zelazny, I have, in all honesty, never been overly enamoured with Frank Herbert’s Dune (neither the original novel nor the franchise as a whole).

I say this because Dune – in the form of Arrakis and its hardy inhabitants, the Fremen – forms the inspiration of JimGarand’s latest build (as of May 2025): Grauland – Arrakis / Fremen Home. Fortunately for those who, like myself, are not soaked in the lore of Dune as it might be found on paper or on film, one does not have to have an in-depth knowledge of either the planet or the the tale in order to appreciate the setting.

Grauland – Arrakis / Fremen Home – May 2025

Rather, all that is required is the knowledge that the Fremen arrived on Arrakis as a religious sect, thousands of years prior to the events within the franchise, becoming a numerous and hardy race, fully adapted to life on the desert world, living as tribal communities within cave warrens they call “sietch”, meaning “place of assembly in time of danger” (and borrowed from sich – a term meaning military / administrative centre – of the  Zaporozhian Cossacks, not that this is of any relevance at all in the scheme of things 😀 ).

The sietch of Arrakis, I believe, come in a range of sizes. Within Grauland, Jim and his partner, PaleLily, offer a fairly modest vision of such a centre of Fremen life, located somewhere within the greater desert of Arrakis. And while I cannot offer insight into the sietch found within the novels or associated films, etc., I can say that whilst minimal, Grauland: Arrakis / Fremen Home offers an interesting setting ripe for those seeking something a little different in which to take photographs.

Grauland – Arrakis / Fremen Home – May 2025

Surrounded by a desert expanse, this rocky sietch has been hewn within a low mesa, the entrance to which can be found a short walk from the Landing Point. Within it, as one might expect given the general description of such places, is a warren of tunnels, halls and rooms hewn from the living rock.

Some of the tunnels within this warren are roughly cut, walls and floors unfinished; others have squared-off walls, paved floored and properly supported doorways. Similarly, the rooms come in various forms, from simple cubes of space through to a grand pillared hall suggestive of a council chamber of or meeting place – or place of worship. Lights sit above doors, in ceilings and along walls provide pools of illumination which are particularly effective when running with shadows enabled.

Grauland – Arrakis / Fremen Home – May 2025

Perhaps the greatest delight within the sietch is its massive pool of water. When discovered, it can be the most unexpected find; it is also the one location within the sietch utilising a reflection probe, potentially as a result of it using a section of Alex Bader’s excellent PBR mesh water. Taken as a whole, it forms a relaxing focal point, with places to sit and meditate to one side.

As noted, this is something of a minimalist build, although I believe it might be one that evolves; whilst there are rooms either empty or only partially furnished, I’ve been given to understand Jim and Poly are interested in being pointed towards items that might sit within the overall setting without looking out-of-place.

Grauland – Arrakis / Fremen Home – May 2025

Those who find their way through the tunnels, halls and circular doors might find their way to a landing bay complete with a shuttle vehicle parked within it. Whilst the latter isn’t an Ornithopter, it also does not look out-of-place here as a piece of technology that might exist on Arrakis. The same might be said of the ship passing overhead.

Simple but attractive and well-suited to avatar photography – particularly for Dune fans – Arrakis / Fremen Home makes for an interesting visit.

Grauland – Arrakis / Fremen Home – May 2025

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Ythari – The echo of silent stars in Second Life

Ythari – Echoes of the Silent Stars, May 2025 – click any image for full size
For May – the start of which has become somewhat indelibly linked with science fiction over the last several decades – Saskia Rieko and Konrad (kaiju.kohime) bring us their own epic sci-fi tale; one with its roots in a galaxy-spanning civilisation called the Ythari.

Born long before most others, the Ythari were driven by their insatiable intellects, boundless ambition and an overbearing pride and arrogance which perhaps led to their downfall.

The Ythari once ruled over a vast and enigmatic galaxy known as Veilspire — a name derived from its most haunting feature: a towering, luminous rift that cuts across its heart, like a tear in the fabric of space-time. This anomaly called the Axiom Rift, existing in the very centre of the galaxy, is believed to be the result of their final and most ambitious experiment — perhaps even the very thing that led to their disappearance.

– from the records of Dr. Khiraan Valis

Ythari – Echoes of the Silent Stars, May 2025

Konrad and Saskia have always produced richly engaging settings within Second Life, often drawing on inspiration from locations and event on or from our physical world. Ythari – Echoes of the Silent Stars, however is utterly different in theme and tone – although its depth easily equals that of any of the previous designs the couple have presented. Whilst it might not draw from events and locations we might all directly research, instead being born entirely of the imagination, it nevertheless comes with a rich back-story; one capable of forming the basis of a novel from the likes or Asimov, Heinlein or James S. A. Corey (aka Daniel Abraham and Ty Franck) for an entire novel.

Mixing a thirst for knowledge and a hunger for understanding with towering abilities and intelligence, the story of the Ythari is one of a galaxy-spanning empire built not on war or dominion, but on the foundations of science, intellect, and an ability to conceive everything within their galaxy from the quantum level to the macro, without any apparent discontinuities of scale.

Ythari – Echoes of the Silent Stars, May 2025
Veilspire was no ordinary galaxy. Unlike the spiral and elliptical galaxies known to modern astronomers, its structure bore evidence of deliberate engineering. Star systems arranged in mathematically perfect formations, gravity-defying megastructures orbiting black holes with impossible stability, and entire regions where time seemed to flow at inconsistent rates, with the centre of the creation, The Axiom Rift — all hints that the Ythari did not merely live in their galaxy, they designed it with the development of The Equation of Being.

– from the records of Dr. Khiraan Valis

It is also a tale of galactic overreach and a hubris which – perhaps inevitably – could only result in one of two outcomes. Outcomes which themselves might perhaps be indistinguishable from one another, thanks to the passage of aeons and when looked upon through the eyes of a far-future humanoid race stumbling across the crumbling, but still magnificent relics the Ythari left in their wake.

Ythari – Echoes of the Silent Stars, May 2025
As they neared the completion of their greatest project — an attempt to rewrite the fundamental laws of reality — they miscalculated. Or perhaps they succeeded too well. One by one, their great cities, planets, even the whole solar systems fell silent … The Ythari simply… ceased. Their towering spires, their quantum archives left behind as if abandoned in an instant. No bodies. No signs of struggle. Only silence and the mysterious humming of the abandoned Axiom Rift.

– from the records of Dr. Khiraan Valis

To best appreciate the setting, make sure you have your viewer set the Use Shared Environment, and you have media set to play (at least initially in the case of the latter). The arrival point will provide you with the back-story in the form of a records / log entry by one Dr. Khiraan Valis, an archaeologist dedicated to uncovering the mysteries of the Ythari.

The latter is played back over the computer screens and consoles at the landing Point, and really is worth listening to. For those who prefer, the same information can be obtained by clicking the traditional Natthimmel greeting (and setting name) on the ground of the Landing Point, and accepting the offered folder. This contains a notecard with the  information given within the narration. For those who do listen to the audio, I would strongly suggest pausing media playback (click the movie camera icon / button towards the top right corner of the viewer’s window), as the narrative track can otherwise overwhelm the ambient sounds within the setting.

Ythari – Echoes of the Silent Stars, May 2025

Stormy, eerie and caught under a roiling, almost angry Expanse in which the eye of a galactic core balefully stares from one horizon, this is an environment for which words – genuinely – are not enough. Beyond the consoles and systems at the Landing Point, as left by Dr. Valis and her team, this is an assuredly alien setting. Within it, a water-like sea slips into a low-lying landscape. This initially appears to be dotted with strange tree-like groves. However, closer inspection reveals them to be more rock-like than organic – or perhaps they are the fossilised remains of something; and while there is the odd tree to be found, organics as we might recognise them are few and far between.

Even the paths laid across the water have a geometry about them that feels alien. None lead directly from A to B; instead they seem to be some kind of mathematical expression, as much a part of the gigantic towers and other structures within and floating over these strange lands.

Ythari – Echoes of the Silent Stars, May 2025

Broken, decaying, and ominous even when countered but the roiling heavens beyond them, these structures are riven by massive discharges of energy, themselves accompanied by rolling booms which fall upon the ears as the funerial beat of drums. Whether these discharges are is being generated by whatever remain powers keep at least some of these artefacts raised in defiance of gravity, or whether the explosions of light and energy are the angry response of the atmosphere to their hulking presence, is yours to determine.

Not all the structures are airborne or massive; floating on the waters are polygonal forms, cables and relays on them looking as if they might have once drawn power from the waters – or discharged it into the waver over which they sit. They sit around the remnants of the great towers as if part of their ancient function. Steps climb the interiors of the towers, while outside of one is an indication that the Ythari might not have vanished completely.

Ythari – Echoes of the Silent Stars, May 2025

The very few who dare to explore their ruins tell of anomalies time fractures where the past leaks through, machines that seem to remember their creators, and strange, whispering voices that seem to come from nowhere. The Ythari may be gone, but something of them lingers. Watching. Waiting.

Beautiful, visually impressive, rich in narrative and creativity, edged in mystery and a hint of dread, Ythari – Echoes of the Silent Stars is a magnificent journey of the imagination.

Ythari – Echoes of the Silent Stars, May 2025

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