Cica’s Rusty in Second Life

Cica Ghost: Rusty

Cica Ghost sent me an invitation to visit her latest installation in Second Life, which opened on  Sunday, November 4th, 2018. Rusty is another of Cica’s more quirky builds, a strange post-industrial landscape looking like a little town and dominated y some strange machines.

Cica sums the installation up with a quote by Joseph Addison, the 18th Century English essayist, poet, playwright, politician, and co-founder of The Spectator magazine: Sunday clears away the rust of the whole week. While Addison, the son of a Church of England clergyman, was referring to the act of going to church – noting that it both refreshes people’s thinking around God and gets them looking their best in their Sunday finery – Cica offers no such religious connotations with Rusty.

Cica Ghost: Rusty

Instead she offers a single suggestion: “have fun!” It’s an idea that’s also well suited to a Sunday, but which applies equally well whenever you opt to visit Rusty, because this is a place where there is a lot to do, besides wandering around.

Given the name of the installation, it should come as no surprise that rust features heavily here; it can be found on almost every surface – sometimes to the degree that you might think that simply tapping a drum or tower or metal line could result in all or part of what you touched vanishing a cloud of rusty dust and falling debris.  The structures themselves are many and varied – from chimney-like stacks to metal prams travelling along old metal tent spikes strung together to form cables. Part of some might resemble old watering  cans, others strange kettles with upturned spouts. Some even has a decidedly anthropomorphic look about them.

Cica Ghost: Rusty

To the east of the region, for example, a series of ladders rise against some of these strange structures, one of which, with its large rotating wheels set either side of a hook-like bill, looking from a distance like some weird metal flamingo. More to the centre of the region is a very definite rooster, also offering a place to sit.

There are also metal creatures to be found here, from the massive wheeled (and ridable) cat near the landing point (if it is not already rolling around the region, jump up on its back and touch its tail light to start moving), to an odd metal spider, or the mouse also out on the water, well away from its cousin on dry land.

Cica Ghost: Rusty

The “Flamingo” is linked to a neighbouring tower by means of a metal plank. Those wishing to do so can obtain a pair of boxing gloves at either tower and join in a game of Plank Boxing. Elsewhere are plenty of places to sit and watch others come and go, while a tall building offers the only place where machinery largely unaffected by rust can be found. Could it be responsible for keeping the place running?

Filled with Cica’s familiar motifs, Rusty is another whimsical installation that will remain open until the end of the month.

SLurl Details

  • Rusty (Kymor, rated: Moderate)

2018 viewer release summaries, week #44

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates for the week ending Sunday, November 4th

This summary is generally published on every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that test viewers, preview / beta viewers / nightly builds are not recorded in these summaries.

Official LL Viewers

  • Current Release version 5.1.9.519298, dated September 5th, promoted September 26th. Formerly the Rakomelo Maintenance RC viewer – No Change.
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself):
  • Project viewers:
    • Environmental Enhancement Project (EEP) viewer updated to version 5.1.10.521312 on November 2nd.
    • Bakes on Mesh project viewer updated to version 5.1.10.520711 on October 29th.

LL Viewer Resources

Third-party Viewers

V5-style

V1-style

Mobile / Other Clients

  • No updates.

Additional TPV Resources

Related Links

A little Scottish Soul2Soul in Second Life

Soul2Soul Highlands; Inara Pey, November 2018, on FlickrSoul2Soul Highlands – click any image for full size

Shakespeare and Max alerted me to the opening of the latest in the Soul2Soul series of Homestead region designed by Minnie Blanco (Minnie Atlass). As with Soul2Soul Bay and Soul2Soul River (see here for more), Soul2Soul Med (read more here) and Soul2Soul Falls, Minnie’s latest – Soul2Soul Highlands – is primarily a rental / residential region, but providing visitors keep to the public areas, there is a still a lot to be seen and appreciated as part of a casual visit.

As its name implies, Soul2Soul Highlands takes it lead from the Scottish highlands – or more particularly, as becomes apparent on arrival, the Scotland’s rugged northern coast, where the wind can blow cold, and islands look at one another across the chilling waters of the Atlantic and the North Sea.

Soul2Soul Highlands; Inara Pey, November 2018, on FlickrSoul2Soul Highlands

With a series of off-sim islands scattered around it, the region immediately put me in mind of the Orkneys, although there is absolutely no reason why it shouldn’t be representative of the Hebrides or the Shetlands (in fact Minnie states her inspiration for the region came from Skye and the Inner Hebrides). There is a wonderful wildness about the setting that fits the Scottish isles perfectly, not matter which of the major groups comes to mind.

The landing point is set well to the east of the region, where bicycles can be rezzed by those not wishing to walk. From here, the semi-paved, single-track road winds around the island’s central hill, curling up and over a low shoulder to the west, then following the contour of the land to sweep south and then back east to where a fortified manor house with distinctly Scottish looks about it stands on a small islet, reached by a single bridge – an ideal defensive point in times past.

Soul2Soul Highlands; Inara Pey, November 2018, on FlickrSoul2Soul Highlands

Rental properties are set back from the island’s main road along tracks there are marked as private, making them easy to identify from the roadside. However, as the waterfront areas are also open to the public, some care should be taken to avoid trespassing when wandering the sands at the water’s edge.

As well as offering rental properties, the region is also bought somewhat to life by the presence of static “tourists” and “locals”. These can be found on the shoulder of the hill where the road turns and dips to the south: a couple wrapped against the wind as they walk through local sheep, two teenagers exploring the banks of a tumbling stream nearby.

Soul2Soul Highlands; Inara Pey, November 2018, on FlickrSoul2Soul Highlands

Further along the road, a couple have stopped their SUV and are showing their little child the view out over the sea. More such characters can be found at and near the fortified manor house, all combining to give the feeling Soul2Soul Highlands is a place (while also piquing my curiosity to hop back to Soul2Soul River et al and see if their have gained some local characters as well).

One of the joys is visiting Minnie’s region designs is the care with which she establishes a location, and Soul2Soul Highlands is no exception. The blending of elements and kits from a variety of sources to create a ruggedly beautiful setting exceptionally mindful of the islands that inspired it. The houses are precisely the kind of properly one might reasonably expect to find along a stretch of Sottish coats: solidly built stone cottages, walls thick to keep in the heat of the fire, the aforementioned manor house with its crenelated roof, through to more modern wooden-framed homes that speak of wealth moving out from the towns and able to take advantage of modern building materials to keep interiors warm, and the inevitable barn conversions that are so often a feature of the countryside in the British Isles.

Soul2Soul Highlands; Inara Pey, November 2018, on FlickrSoul2Soul Highlands

Public paths are not restricted to just to winding road or the coastal areas, either. Walk far enough along the former and a set of old stone steps will invited you to walk up over the humped back of the island’s spine to where a fell-like shoulder of rock offers a place for deer to roam and a view out towards the manor house to the east. A paths slopes gently down to from here to rejoin the road and it curls about the eastern end of the hill and so arrives at the bridge leading to the manor.

Another truly delightful design from Minnie, set beneath the perfect windlight sky and with an ideal sound scape to finish it. Whether you are seeking a new place to live (rental information available from a sign board near the landing point), or are simply looking for a new place to explore, Soul2Soul Highlands is an ideal destination.

Soul2Soul Highlands; Inara Pey, November 2018, on FlickrSoul2Soul Highlands

SLurl Details

Starting November with Seanchai Library

Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home at Holly Kai Park, unless otherwise indicated.

Monday, November 5th 19:00: The Infinitive of Go

Gyro Muggins reads John Brunner’s 1980 novel about matter teleportation and dimensional shifts.

Dr Justin Williams and his collaborator, Cinnamon Wright, develop a form of instantaneous teleportation in which the departure and arrival points appear “congruent” with one another, allowing objects to be instantly moved from one to the other in a transfer process termed “posting”.

The system works flawlessly with inanimate objects, and when a situation arises requiring an urgent diplomatic solution arises, Williams is called upon to transfer a courier from the USA to an embassy in a foreign location. But something goes wrong: on his arrival, the courier is armed – yet he carried no weapon on his departure – and further demands he be given a countersign by those at the embassy – when no such arrangement had been made. Believing the mission to be compromised, the courier shoot himself, and the package he is carrying self-destructs.

In order to prove he did not sabotage the system, Williams has himself posted – only to find that while he feels unchanged, the world around him has changed in the most subtle of ways. As time goes on, Williams – with the help of a doubly altered Wright – realises that the teleportation device is moving its subjects between parallel universes. It is also apparent that some of those arriving in the dimension in which he now exists have far more knowledge about what is going on.

The question is, is it the system that is causing people to move between universes, or ir it something more subtle?

Tuesday, November 6th 19:00:Poetry of Autumn

With Aoife Lorefield

Wednesday, November 7th: 19:00: The Jennifer Morgue

Corwyn Allen reads the second volume in the Laundry Files by Charles Stross.

Bob Howard is an IT expert and occasional field agent for the Laundry, the branch of Her Majesty’s Secret Service that deals with occult threats. In this second outing, Bob Howard finds himself dragged into the machinations and conspiracies of megalomaniac multi-billionaire Ellis Billington, The Black Chamber and The Laundry…

Dressed in a tuxedo (what else for a globe-trotting British Secret Agent?) and sent to the Caribbean, Bob must infiltrate Billington’s inner circle via his luxurious yacht. His mission? Prevent the Billington from violating a treaty that will bring down the wrath of an ancient underwater race upon humanity’s head.

Offering a wonderful pastiche on both the world of James Bond and a wonderful mimicking of Ian Fleming’s style of writing, Stross produces a novel that also evokes Lovecraftian overtones that is delightfully entertaining to read. In true Bond style, Bob is (reluctantly) partnered with an American agent – in this case a stunningly beautiful woman who also just happens to be a soul-sucking succubus from another dimension. Which, being the case, marks Bob’s mission somewhat differently to those of Bond: not only must he stop the bad guys and come through this at best shaken, he must totally avoid being stirred towards getting the girl…

Thursday, November 8th 19:00: Young Jack Sparrow – The Coming Storm

With Shandon Loring at Haunted Holly Kai. Also presented in Kitelyhop://grid.kitely.com:8002/Seanchai/144/129/29.

 


Please check with the Seanchai Library’s blog for updates and for additions or changes to the week’s schedule.

Thoughts on Flickr changes and Second Life, with a little advice from Berry

via Flickr.com

Update, November 5th: Today I received an e-mail from Flickr support which may be of interest to quarterly Pro account holders: The 30% one year discount on annual Pro subscriptions (available through until the end of November) is also available to those who opt to  switch from the quarterly plan to the annual plan. 

Quite a few people have registered disappointment over the recently announced changes being made to Flickr free accounts by new owners SmugMug.

Personally, I admit to finding Flickr has been good value for money as a Pro member. I’ve enjoyed unlimited storage (and could continue to do so) and – more particularly – ad-free browsing of the Flickr site, as well as a good level of support. True, I am a little narked that in August Flickr removed the grandfathered rate for Pro users (introduced when Yahoo decided to up free accounts from 200 photos to up to a terrabyte of storage) without apparently e-mailing all Pro users about the change; but, at the end of the day, even the increase still represents pretty reasonable value for a dedicated service that offers a solid platform for image sharing.

Further, the upping of Pro fees puts Flickr on a par with SmugMug’s Basic offering, allowing a fairer comparison between the two for those who might want to have a potentially more flexible approach to how they organise and share their images. For example, SmugMug’s offering includes customisable web page options for displaying images, a greater video length (20 minutes / 3Gb per video, rather than Flickr Pro’s 10 min maximum).

Of course, we all hate paying for something: but like Second Life, Flickr is a business, and as such, SmugMug need to ensure it remains viable. As such, the revisions to the free account are, at the end of the day, something of a reasonable balance: the provision of 1,000 free images is still 5 times the volume originally offered to free account holders at the time free accounts were extended to 1 Tb of storage, allowing what SmugMug to see as the majority of the free account users going without forcing them to upgrade, while it is not so excessive as to have Pro account holders looking elsewhere for a home given that the grandfathered rate for long-time Pro users has been rescinded.

In my piece covering the announcement by SmugMug I offered a link to Toms Guide’s recommended photo sharing sites for those SL users on Flickr free accounts who might be considering their options. Whether people decide to move or not is entirely a personal choice. But it is worth that given Flickr’s track record on frequency of changes, it’s likely there will be few additional pricing updates to the platform in the near future; thus, Flickr does still represent good value for money. Less that US $5.00 a month when paying annually, and US $6.00 a month for those on the quarterly plan (with the ability to make a swap to elsewhere with greater ease than annual subscribers are able to enjoy).

Even so, for those remaining with Flickr (either by limiting themselves to the free account or upping to Pro), there are some understandable concerns. In blogging about spam on Flickr, SmugMug came close to sounding as if digital images from the likes of Second Life would no longer be welcome. However, Don MacAskill, SmugMug’s CEO, has made it clear this is not the case.

Black Bayou Lake; Inara Pey, October 2018, on Flickr
SL images uploaded to Flickr should be labelled “Screenshots” to meet SmugMug’s Terms of Service requirements. Strawberry Singh has provided instructions on how to do this – also see the video below. Image: Black Bayou Lake – blog post)

But, as Strawberry Singh points out, in an exceptionally clear and concise blog post, in order to ensure SL images do not run afoul of SmugMug’s Terms of Service, it is essential they are correctly labelled as screen shots). Strawberry provides clear instructions on how to do this in her blog post. In addition, she also provides some important advice to Second Life Flirckr group owners, and for SL content creators using Flickr; as such I strongly recommend reading her post if you do intend to continue to use Flickr.

Berry has also produced a video on making the required changes to meet SmugMug’s TOS (together with other information), so I’ve taken the liberty of embedding it here for those who prefer a video guide to what needs to be done.

 

Vintage art in Second Life

Visual Feast – Vintage

Currently open at the Lyric Art Gallery is an exhibition featuring some 40+ artists, entitled Visual Feast – Vintage. Participating artists were asked to submit an image representing a period between 1920 and 1959, and which could be said to be a vintage representation of the specific period the artists selected to reflect.

Ruby Lane notes that “an item described as ‘vintage’ should speak of the era in which it was produced. Vintage can mean an item is of a certain period of time, as in “vintage 1950’s” but it can also mean (and probably always should) that the item exhibits the best of a certain quality, or qualities, associated with or belonging to that specific era. In other words, for the term vintage to accurately apply to it, an item should be somewhat representational and recognizable as belonging to the era in which it was made.”

– From the exhibition liner notes.

Visual Feast – Vintage

The result is an interesting – and somewhat curious selection of images captured from within Second Life and offered as both paintings and photographs. Some opt for what might be called a traditional look at the period they’ve opted to represent: a flapper arriving outside of a club in the 1920’s, fashionable (for the time) cigarette holder in hand, hair cut short; or another young woman in a 50s dress celebrating ownership of a new Fiat Nuova 500; or a girl on the beach in a typical 40s/50s beach costume.

Others have gone for a quirkier approach to their selected  period – such as a pop band standing on another world, in space suits, their classic rocket ship standing as part of the backdrop, all recalling the 1950s heyday of pulp science-fiction. Some are more esoteric, in places suggesting periods somewhat older than the preferred decades through the style of clothing being worn; or which offer a modern take on vintage elements from the intended decades, such as a young woman in what might be taken as contemporary clothing watching a classic steam train speeding by.

Visual Feast – Vintage

Such is the volume of art in the exhibition, naming all of the artists isn’t practical without a post like this reading like a shopping list; nor is it particularly easy to single pieces out. However, in the latter regard, Natalie Montagne’s Music And Lights is for me a stand-out piece, and possibly the jewel in the exhibition. It is a quite sublime piece: a fabulous portrait of Ol’ Blue Eyes Himself, Frank Sinatra, perhaps the embodiment of America and American music in the 1950s.

Details on individual pieces and the artists responsible for them can be obtained by clicking on each piece and accepting the offered note card.

Visual Feast – Vintage

A broad exhibition with an interesting theme, Visual Feast – Vintage opened on November 3rd. Those visiting the exhibition are also invited to tour the wider Sea Island Modern Fantasy Roleplay region, if they so wish.

SLurl Details