Ihrydia’s mystical charm in Second Life

Realm of Ihrydia, January 2025 – click any image for full size

Sitting within the north-eastern quarter of a Full region leveraging the private region Land Capacity bonus, sits the Realm of Ihrydia. The work of Second Life partners Kal and Lily Shade, it presents a ground-level setting open to exploration, and a sky platform event and store location.

The Landing Point (not enforced) lies on the east coast, where information on the setting can be obtained via a notecard giver, and the teleport station up to the Duplexity store and event space can be found – which I’ll touch on below. The Landing Point recommends the use of the local Shared Environment, and I’d agree with it; the setting as a somewhat ethereal feel to it which is enhanced by the ambient environment settings.

Realm of Ihrydia, January 2025
Welcome to the ethereal realm of Ihrydia, nestled amidst towering trees and shimmering glades, the land beckons adventurers and seekers of magic to explore its hidden mysteries.
Here, the air is alive with the hum of arcane energies, and every leaf holds the promise of discovery. Wander through enchanted groves where time seems to stand still, or lose yourself in the labyrinthine paths that wind through the heart of the forest.

– From the description of Ihrydia by lily and Kal Slade

A path winds inland from the Landing Point, almost immediately branching as it does so, one arm almost doubling back on itself. It leads to stone steps that curve gently as they climb a rocky promontory, guiding visitors up to a great stone tower topped by a circular room. The climb to this room is eased by the fact that touching the door at the base of the tower will TP you upwards, depositing you in the fire-warmed room and amidst its mysteries.

Realm of Ihrydia, January 2025

Getting down from the tower might at first seem a little harder: for no obvious door or stair presents itself. However, those who look to the hearth and press may find the way to return to the ground as intended.

The tower stands at the end of a line of hills marching the north coast until they reach the parcel’s western boundary. Whilst perhaps not the easiest climb from their eastern extent, these hills are home to points of interest and are more easily traversed from their western end. This can be reached by following the second arm of the track leading away from the Landing Point track as it winds its way from the shore and passing by way of a cottage built into the bole of a tree, and stair leading to the highlands along the south side of the Realm, arriving at a great hall.

Realm of Ihrydia, January 2025

Of grand design, the hall mixes influences – elven, Norse (Mjölnir sits outside the main doors), Grecian, and Medieval – and is guards by a young warrior woman, Nylathria, who is non too keen on talking! The the right of this great hall, the path rises to the hills mentioned above, marking the start of the easiest way to explore them. To the Hall’s left the path leads to both a memorial garden / burial area to the rear of the building, and to a large cavern of light, flowers and water which in turn leads to a hidden garden tuck between the south side uplands and the sheer cliffs of the parcel boundary.

Ihrydia welcomes all who yearn for a connection with nature and a taste of the mystical. Whether you seek tranquility in the embrace of ancient oak trees, seek knowledge in the archives of the elven sages, or simply wish to marvel at the beauty of a land untouched by time.

– From the description of Ihrydia by lily and Kal Slade

Realm of Ihrydia, January 2025

Reached via the broad stairs noted earlier, these southern uplands are most keenly elven in influence. On the lower of two plateaux, and directly overlooking the Landing Point trail, is a grand elven hall (a design by Compulsion Overdrive I’ve long admired). Guarded by stone Cerberus and fantastical beings, it is open to visitors to appreciate, just as is the great hall.

Upon the upper plateau is a citadel and garden, beautiful ethereal in looks and wreathed in tranquillity. It is within this garden that a further teleport portal can be found, also offering a way up to Duplexity, Kal’s PBR store selling a range of furnishings, décor, lighting, etc., all within an environment within is both futuristic (using one of Colpo Wexler’s buildings as its base design), as well as continuing the more mystical look and feel of the ground level in the surrounding grounds, within which the small events area can be found.

Realm of Ihrydia, January 2025

With several places to sit neatly tucked away (or out in the open!), hints of the magical and the mysterious, together with touches of the present: Christmas desserts in the gazebo, a steaming hot tub within the citadel, and with plenty of opportunities for photography, Realm of Ihrydia makes for an engaging, fantasy-oriented visit.

SLurl Details

 

Lab adds SL Mobile User Group to in-world meetings

Campwich Forest grounds: location for the Monthly Mobile User Group (MMUG)

In response to various requests, Linden Lab has announced that a new in-world user group meeting is to launch at the end of January 2025.

The announcement of the Mobile Monthly User Group (MMUG) was made (oddly) via a Feedback portal post by Bridie Linden (have Linden Lab completely given up using their own blogs to make announcement?), who noted:

We will be using WebRTC Voice and text to share updates and listen to feedback. Use the Second Life desktop viewer or Second Life Mobile to join the conversation. We look forward to seeing you there!

– Bridie Linden

The meetings will take place as follows:

  • Last Thursday every month, commencing Thursday, January 30th, 2025.
  • Time: 12:00 noon SLT.
  • Location: Campwich Forest.

The new meeting brings the current total of Second Life active user group meetings to seven (with the Governance user group currently on hiatus). The other active meetings are:

  • The Simulator User Group:
    • Purpose: to discuss simulator issues and technology.
    • Frequency and time: weekly, every Tuesday, 12:00 noon SLT
    • Location: Simon Linden’s place, Denby.
    • Format: text (local chat)
  • Sill Gaming:
    • Purpose: to discuss anything pertaining to the Skill Gaming Programme. How to be part of the SLSG Programme, questions about processes, and any known issues or concerns.
    • Frequency and time: generally, the 2nd Tuesday of the month, 11:00 SLT.
    • Location: Gaming Island.
    • Format: text / Voice.
  • Content Creation User Group:
    • Purpose: to discuss of SL content creation.
    • Frequency and time: generally, alternate Thursdays, 13:00 SLT.
    • Location: Hippotropolis Camp Site.
    • Format: Text / Voice.
  • Open Source Development:
    • Purpose: to discuss SL development, including open source contributions.
    • Frequency and time:  every 4th Wednesday, 07:00 SLT.
    • Location: Hippotropolis Camp Site.
    • Format: text.
  • Land and Support:
    • Purpose: discussion of topics related to land and Mainland issues.
    • Frequency and time: every 4th Wednesday, 12:00 noon SLT.
    • Location: Linden Estate Services.
    • Format: text / Voice
  • Web User Group:
    • Purpose: discussion of Web properties such as Marketplace, Profiles, Place Pages, Search, etc.
    • Frequency and time: generally every first Wednesday of the month, 14:00 SLT.
    • Location: Alexa Linden’s Barn.
    • Format: text / Voice.

To keep abreast of all meeting, please refer to the SL public calendar:

 

As a reminder, I attempt to provide summaries of as many meetings as I can attend, and Pantera Północy provide videos of the meeting she attends on her You Tube channel.

 

2025 SL viewer release summaries week #4

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates from the week through to Sunday, January 26th, 2025

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.

Official LL Viewers

  • Release viewer: version 7.1.11.12363455226. formerly the ExtraFPS RC, dated December 17, promoted December 19 – No change.
  • Release Candidate: Forever FPS, version 7.1.12.12935708795, January 24, 2025.
    • Numerous crash and performance fixes.

LL Viewer Resources

Third-party Viewers

V7-style

  • Alchemy – 7.1.9.2516 (Beta WebRTC build) January 20, 2025 – release notes.

V1-style

  • Cool VL Viewer Stable: 1.32.2.32, January 25, 2025 – release notes.

Mobile / Other Clients

  • No updates.

Additional TPV Resources

Related Links

A Drone Haven in Second Life

Drone Haven, January 2025 – click any image for full size

Drone Haven is a full region under group holding – led by Cate Infinity – and designed and built by Myrdin Sommer, who invited me over to have a look around just ahead of the region’s official opening on January 25th, 2025.

The setting presents as what might be regarded as a post-apocalyptic environment: a city being reclaimed by nature, humankind’s time having passed – but life of various forms has not entirely deserted it, and the streets and building are not entirely deserted.

Drone Haven, January 2025

In this, perhaps the best way to describe the setting is to use Cate’s own words:

Drone Haven, a long-abandoned city, stands as a haunting reminder of humanity’s fleeting importance, where rusted skyscrapers and overgrown ruins bear witness to nature’s quiet reclamation. Amidst the decay, drones roam like spectral caretakers, performing their programmed rituals of planting flora, symbolizing the paradox of human ambition and nature’s enduring dominance. This poignant landscape reflects the fragile balance of resilience and collapse, a testament to the inevitability of energy’s finite cycle and the enduring power of nature.

– Drone Haven description

Drone Haven, January 2025

To say this is a region packed to gills would be an understatement; there really is a lot to see, indoors and out. This being the case, I would perhaps suggest using a moderate draw distance to help ease the amount of data being sent to the viewer from the CDN at any given time; also, given the general design of the region, a high draw distance really isn’t required.

An example of the content awaiting discovery can be seen within the motel. Overlooked by the local elevated railway, this is a place where every room is furnished and has a story to tell – including hints to suggest not all the humans have necessarily departed the city.

Drone Haven, January 2025

Exploration of the setting can be done in a number of ways: on foot or following the various roads or by hopping on one of the tour bot cars, or by using the street signs which function as teleport boards allowing you to hop directly to places like the motel, the church, the bot shop (Futura Bots), the events area, and so on.

Another aspect of the setting is the degree of integration between the audio stream (when events are not in session) and the setting; the music within the audio streams is highly atmospheric and fits the environment perfectly – and I understand from Cate that it  includes quirky “ads” inspired bey the setting’s billboards – although I admit I did not hear any during my visit.  Also awaiting discovery are the many places to sit and pose / interactive elements (such as the animation booths).

Drone Haven, January 2025

The drones mentioned in the region’s description are to be found throughout the city, with several models available for purchase at Futura Bots, for those so inclined. Going about their business along the streets and at various places of business, the drones are one of the two most numerous populations within the city – the other being the local cats.

As well as the motel showing possible signs of continued human habitation, other signs that humans are may not be entirely absent from the city. Just take the survivalist camp, for example, complete with a dormitory taking the form of a remnants of a submarine.

Drone Haven, January 2025

To mark the region’s opening, Drone Haven / The Refuge team will be playing host to a 12-hour music festival commencing at 11:00 SLT on Saturday, January 25th, with 1-hour DJ sets running every hour through until 23:00 SLT, and all are welcome.  The dress code for the event is given as  Apocalyptic / Robotic / Futuristic / Survivalist.

Richly set and with the promise of future music events after the opening, Drone Haven is a captivating, visually engaging and photogenic – and I thoroughly recommend a visit.

Drone Haven, January 2025

SLurl Details

A Dawn of Lights in Second Life

l’Oree des lumieres, January 2025 – click any image for full size

l’Oree des lumieres (Dawn of Lights) occupies half of a Full Adult region leveraging the additional Land Capacity allowance, and was recently featured in the Destination Guide.

Design by Lisa Rose (lisabellia), it is a French-focused region offering a rich mix of themes, music and whimsy – a place which should be seen using its Shared Environment and with local sounds enabled (both essential for capturing the full ambience of the setting).

l’Oree des lumieres, January 2025
Dawn of Lights: the destination of all your dreams. Come and discover this magical place where all dreams are allowed, relax and have a good time with each other.

– l’Oree des lumieres Destination Guide entry

With an east-to-west orientation, the setting features its main Landing Point (not enforced) to the west, sitting on a small island it shares with the ruins of a small abbey. From here, the route of exploration is marked by a number of trails passing across the landscape, making find your way around a matter of following each of them and seeing where they might lead.

l’Oree des lumieres, January 2025

As well as offering routes of exploration, these paths also break the setting up into a number of vignette-like areas, each with its own notable elements, separated from the rest by the paths and yet flowing together as a whole. The largest of these is the large pond sitting towards the east end of the setting, around which one of the tracks loops, and where the gardens are rich in colour and light.

On the north side of this pond is a glass palace; a place which, going by the menus at the tables there, might well be suited to wedding lunches, the large swallows within it notwithstanding.  In this, the swallows are not the only animals and creatures to be found here, the setting being the home to a number of fae folk throughout as well as winged horses, centaurs, mermaids, giant butterflies – most of these are living, while others are celebrated in sculpture.

l’Oree des lumieres, January 2025

Beyond the pond and tucked behind a rocky wall cut through with a single entrance hole, sits a fairy garden and village cloaked by the spring boughs of the trees overhead, and above which a flying whale slowly circles and upon which visitors might sit. It is somewhat mirrored to the west by another garden rich in colour and flowers.

Throughout the setting are numerous places to sit and pass the time – and here again is where I strongly recommend having local sounds enabled, as the music here really is a part of the entire environment, offered through various objects found within the various vignettes.  There are other little secrets to be found – the wizard’s hideaway, the tunnel winding through the hills.

l’Oree des lumieres, January 2025

A further secret lies in the skies, although the way up to it is relatively easy to find as is lies between the glass palace and the pond. It takes the form of a teleport disc and sitting on it will lift you up to the local night club. Futuristic in form, yet carrying echoes of the more spiritual elements of the ground-level setting, the club is warm in look and tones. I’m not sure as to any events schedule for 2025, but I assume notices of any being held are publicised through the setting’s free-to-join Group.

As with so many settings of this kin in SL, there is much that could be written about l’Oree des lumieres, but really – and genuinely – the best way to appreciate it is not through words or pictures, but in visiting and experiencing it.

l’Oree des lumieres, January 2025

SLurl Details

l’Oree des lumieres (Silver Island, rated Adult)

Selen’s Captive Lights in Second Life

HeArt and Soul Gallery: Selen Minotaur – Captive Lights

Currently open at the HeArt and Soul Gallery operated by Tom Willis and Lizzy Swordthain through the rest of January 2025 and into February, is Captive Lights, an exhibition by Selen Minotaur mixing (predominantly) 2D pieces with 3D sculptures. It is presented as being inspired by the works of James Turrell, and stands as both a unique homage to his work as well as reflecting Selen’s own sensibilities in the use of colour, geometry, and light to offer visual journeys and narratives.

The exhibition is the first at HeArt and Soul following the gallery’s update to utilise PBR materials. I’m not sure if Blinn-Phong (“legacy”) materials are provided as fallback. As such, I would recommend the use of a PBR-capable viewer when visiting (and note that some of the art elements within the exhibition are also PBR), together with the use of the Shared Environment.

HeArt and Soul Gallery: Selen Minotaur – Captive Lights

Born in 1946, James Turrell is often referred to as “the master of light” for his work in combining natural light with artificial colour to create dynamic environments in which the sense of light and perception of colour shifts both naturally and as the visitor moves through them. In this, he is regarded as one of the principal torch-bearers of the Light and Space art movement, an initially loose affiliation of artists working with light, volume and scale (and which touches upon genres such as minimalism, optical art and geometric abstraction), which started in the 1960s and perhaps became more formalised in the 1970s.

Turrell’s own approach to his art is born of a mix of influences: his parents were both Quakers, with his mother defining their faith in terms of a simple decree: that each of us can experience an inner light of understanding of the the world (and by extension, the cosmos) around us. His father was an aeronautical engineer and pilot, from whom Turrell gained a love of flying (qualifying as a pilot himself at the age of 16) and a fascination with celestial phenomena. These influences led him to a degree in perceptual psychology prior to switching to art, and working on his earliest installations utilising light and volume.

HeArt and Soul Gallery: Selen Minotaur – Captive Lights

Today, Turrell is perhaps most famous for his Skyspace installations, which have been established in more than 75 locations world-wide, and most particularly for his Roden Crater installation. The latter is a 45-year project Turrell, with the support of various art institutions and universities, has been developing within the 4.8 km wide cinder cone of an extinct volcano near flagstaff, Arizona, and regarded as the pinnacle of his research into  human visual and psychological perception.

With Captive Lights, Selen presents a series of 2D pieces which reflect many of the core elements found within Turrell’s art and the wider Light and Space movement. There are pieces mindful of his Sky Space installations and the Alpha Tunnel at Roden Crater (Palace Corridor, for example). Similarly, Magic Cubes might be taken as a modern take on Turrell’s 1966 work, Afrum-Proto, whilst pieces such as The Wall Eye might bring to mind elements found within Turrell’s Passages of Light retrospective.

HeArt and Soul Gallery: Selen Minotaur – Captive Lights

At the same time, the pieces in the collection are very much born of Selen’s own signature embodiment of abstraction, light, colour, and minimalism, and her ability to tug at the threads of our imagination and comprehension and offer hints of potential narrative or greater perception.

The images in this exhibition are intended to be minimalist, with light as the main heroine, even if characters sometimes appear. The light is framed or staged to capture an energy or a specific moment. The chosen title, deliberately loaded with mystery and symbolism, invites the viewer to connect their perceptions to their imagination, to their emotions, to build their own stories or representations.

– Selen Minotaur on Captive Light

HeArt and Soul Gallery: Selen Minotaur – Captive Lights

A thoroughly engaging exhibition to tickle the mind – and, for those unfamiliar with either Turrell’s work and / or the Light and Space art movement, an open invitation to explore both.

SLurl Details